![Hans Hofmann
Spring
1944–45
(dated 1940 on
reverse)
Oil on wood
11-1⁄4 × 14-1⁄8”
Museum of Modern Art
New York
[Fig. 16-02]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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- 2. Hans Hofmann Spring 1944–45 (dated 1940 on reverse) Oil on wood 11-1⁄4 × 14-1⁄8” Museum of Modern Art New York [Fig. 16-02]
- 4. Jackson Pollock Guardians of the Secret 1943 Oil on canvas 4’ 3⁄4” × 6’ 3” San Francisco Museum of Modern Art [Fig. 16-07]
- 6. Lee Krasner Milkweed 1955 Oil, paper and canvas collage on canvas 6’ 10-3⁄8” × 4’ 9-3⁄4” Albright Knox Art Gallery, Buffalo, New York [Fig. 16-11]
- 7. Mark Tobey Universal Field 1949 Pastel and tempera on cardboard 28 × 44” Whitney Museum of American Art New York [Fig. 16-14]
- 8. Elaine de Kooning Harold Rosenberg #3 1956 Oil on canvas 6’ 8” × 4’ 10-7⁄8” National Portrait Gallery Smithsonian Institution Washington, D.C. [Fig. 16-16]
- 9. Mark Rothko North, Northeast, & East Wall Paintings in the Rothko Chapel 1965–66 (opened in 1971) Oil on canvas Houston, Texas [Fig. 16-20]
- 10. Barnett Newman Genesis —The Break 1946 Oil on canvas 24 × 27” Collection DIA Center for the Arts New York [Fig. 16-21]
- 11. Barnett Newman Vir Heroicus Sublimis 1950–51 Oil on canvas 7’ 11-3⁄8” × 17’ 9-1⁄4” The Museum of Modern Art, New York [Fig. 16-23]
- 12. Robert Motherwell Pancho Villa, Dead and Alive 1943 Gouache and oil with cut-and-pasted papers on cardboard 28 × 35-7⁄8” Museum of Modern Art, New York [Fig. 16-28]
- 14. David Smith The Letter 1950 Welded steel 37-5⁄8 × 22-7⁄8 × 9-1⁄4” Munson-Williams-Proctor Institute Museum of Art, Utica, New York [Fig. 16-31]
- 15. Louise Bourgeois French American Artist 1911-2010
- 16. Louise Bourgeois Quarantania I 1947–53 Painted wood on wooden base 62-3⁄8 × 11-3⁄4 × 12” The Museum of Modern Art, New York [Fig. 16-38]
- 17. Louise Nevelson Dawn’s Wedding Chapel I 1959 Painted wood 7’ 6” × 4’ 3” Private collection [Fig. 16-41]
- 20. Alberto Giacometti Head of a Man on a Rod 1947 Bronze height 21-3⁄4” Private collection [Fig. 17-02]
- 21. Germaine Richier Ouragane (Hurricane Woman) 1948–49 Bronze, height 70-1⁄8” Musée National d’Art Moderne Centre d’Art et de Culture Georges Pompidou, Paris [Fig. 17-06]
- 22. Jean Dubuffet Corps de Dame—Château d’Étoupe 1950 Oil on canvas 45-1⁄16 × 34-7⁄16” Allen Memorial Art Museum Oberlin College Ohio [Fig. 17-09]
- 23. Hans Hartung T-1954-20 1954 Oil on canvas 57-1⁄2 × 38-3⁄8” National Gallery of Australia Canberra [Fig. 17-14]
- 24. Georges Mathieu Battle of the Bouvines 1954 Oil on Canvas 8 ½” x 19’ ¼”
- 25. Nicolas de Staël Agrigente 1954 Oil on canvas 34-3⁄4 × 50-1⁄2” Museum of Contemporary Art Los Angeles [Fig. 17-21]
- 26. Richard Paul Lohse Serial Elements Concentrated in Rhythmic Groups 1949–56 Oil on canvas 35-3⁄8 × 35-3⁄8” Kunsthaus Zurich [Fig. 17-24]
- 27. Giacomo Manzù Large Standing Cardinal 1954 Bronze height 66-1⁄2” Smithsonian Giacomo Institution Washington, D.C. [Fig. 17-27]
- 28. Lucio Fontana Spatial Concept: The End of God 1963 Oil on canvas 70 × 48-1⁄2” Gallerie dell’Ariete Milan [Fig. 17-30]
- 29. Lucio Fontana Nature 1959–60 Bronze 24 × 28-3⁄4” Tate, London [Fig. 17-32]
- 30. Hundertwasser House which was born in Stockholm, died in Paris, and myself mourning it 1966 Mixed media 32 × 23-2⁄3” Private collection [Fig. 17-39]
- 31. Henry Moore Study for Tube Shelter Perspective 1940–41 Pencil, wax crayon, colored crayon, watercolor wash, pen and ink 10-1⁄3 × 6-1⁄2” Collection Mrs. Henry Moore [Fig. 17-42]
- 32. Francis Bacon Painting 1946 Oil on canvas 6’ 6” × 4’ 4” The Museum of Modern Art New York [Fig. 17-44]
- 33. Diego Velázquez Pope Innocent X 1650 Oil on canvas 45 × 47” Galleria Doria Pamphilj Rome Fig. 17-45]
- 36. Lucian Freud Girl with White Dog 1951–52 Oil on canvas 30 × 40” Tate, London [Fig. 17-50]
Editor's Notes
- Hans Hofmann, Spring, 1944–45 (dated 1940 on reverse). Oil on wood, 11-1⁄4 × 14-1⁄8” (28.5 × 35.7 cm). The Museum of Modern Art, New York. [Fig. 16-02]
- Willem de Kooning, Woman I, 1950–52. Oil on canvas, 6’ 3-7⁄8” × 4’ 10” (1.9 × 1.47 m). The Museum of Modern Art, New York. [Fig. 16-06]
- Jackson Pollock, Guardians of the Secret, 1943. Oil on canvas, 4’ 3⁄4” × 6’ 3” (1.2 × 1.9 m). San Francisco Museum of Modern Art. Albert M. Bender Bequest Fund. Purchase. [Fig. 16-07]
- Lee Krasner, Milkweed, 1955. Oil, paper and canvas collage on canvas, 6’ 10-3⁄8” × 4’ 9-3⁄4” (2.09 × 1.47 m). Albright Knox Art Gallery, Buffalo, New York. [Fig. 16-11]
- Mark Tobey, Universal Field, 1949. Pastel and tempera on cardboard, 28 × 44” (73.9 × 116.2 cm). Whitney Museum of American Art, New York. [Fig. 16-14]
- Elaine de Kooning, Harold Rosenberg #3, 1956. Oil on canvas, 6’ 8” × 4’ 10-7⁄8” (2 × 1.5 m). National Portrait Gallery, Smithsonian Institution, Washington, D.C. [Fig. 16-16]
- Mark Rothko, North, Northeast, and East wall paintings in the Rothko Chapel, 1965–66 (opened in 1971). Oil on canvas. Houston, Texas. [Fig. 16-20]
- Barnett Newman, Genesis—The Break, 1946. Oil on canvas, 24 × 27” (61 × 68.6 cm). Collection DIA Center for the Arts, New York. [Fig. 16-21]
- Barnett Newman, Vir Heroicus Sublimis, 1950–51. Oil on canvas, 7’ 11-3⁄8” × 17’ 9-1⁄4” (2.4 × 5.1 m). The Museum of Modern Art, New York. [Fig. 16-23]
- Robert Motherwell, Pancho Villa, Dead and Alive, 1943. Gouache and oil with cut-and-pasted papers on cardboard, 28 × 35-7⁄8” (71.7 × 91.1 cm). The Museum of Modern Art, New York. Art © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY. [Fig. 16-28]
- David Smith, The Letter, 1950. Welded steel, 37-5⁄8 × 22-7⁄8 × 9-1⁄4” (95.6 × 58.1 × 23.5 cm). Munson-Williams-Proctor Institute Museum of Art, Utica, New York. Art © Estate of David Smith/Licensed by VAGA, New York, NY. [Fig. 16-31]
- Louise Bourgeois, Quarantania I, 1947–53. Painted wood on wooden base, 62-3⁄8 × 11-3⁄4 × 12” (158.4 × 29.8 × 30.5 cm). The Museum of Modern Art, New York. Art © Louise Bourgeois Trust/Licensed by VAGA, New York, NY. [Fig. 16-38]
- Louise Nevelson, Dawn’s Wedding Chapel I, 1959. Painted wood, 7’ 6” × 4’ 3” (2.3 × 1.3 m). Private collection. [Fig. 16-41]
- Aaron Siskind, Chicago 1949. Gelatin-silver print [Fig. 16-45]
- Alberto Giacometti, Head of a Man on a Rod, 1947. Bronze, height 21-3⁄4” (55.2 cm). Private collection. [Fig. 17-02]
- Germaine Richier, Ouragane (Hurricane Woman), 1948–49. Bronze, height 70-1⁄8” (178.1 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 17-06]
- Jean Dubuffet, Corps de Dame—Château d’Étoupe, 1950. Oil on canvas, 45-1⁄16 × 34-7⁄16” (114.4 × 87.5 cm). Allen Memorial Art Museum, Oberlin College, Ohio. [Fig. 17-09]
- Hans Hartung, T-1954-20, 1954. Oil on canvas, 57-1⁄2 × 38-3⁄8” (145.9 × 97.5 cm). National Gallery of Australia, Canberra. [Fig. 17-14]
- Nicolas de Staël, Agrigente, 1954. Oil on canvas, 34-3⁄4 × 50-1⁄2” (88.3 × 128.3 cm). Museum of Contemporary Art, Los Angeles. [Fig. 17-21]
- Richard Paul Lohse, Serial Elements Concentrated in Rhythmic Groups, 1949–56. Oil on canvas, 35-3⁄8 × 35-3⁄8” (90 × 90 cm). Kunsthaus Zurich. [Fig. 17-24]
- Giacomo Manzù, Large Standing Cardinal, 1954. Bronze, height 66-1⁄2” (168.9 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 17-27]
- Lucio Fontana, Spatial Concept: The End of God, 1963. Oil on canvas, 70 × 48-1⁄2” (177.8 × 123.2 cm). Gallerie dell’Ariete, Milan. [Fig. 17-30]
- Lucio Fontana, Nature, 1959–60. Bronze, 24 × 28-3⁄4” (61 × 73 cm). Tate, London. [Fig. 17-32]
- Hundertwasser, House which was born in Stockholm, died in Paris, and myself mourning it, 1966. Mixed media, 32 × 23-2⁄3” (81.3 × 60.1 cm). Private collection. [Fig. 17-39]
- Henry Moore, Study for Tube Shelter Perspective, 1940–41. Pencil, wax crayon, colored crayon, watercolor wash, pen and ink, 10-1⁄3 × 6-1⁄2” (26.4 × 16.5 cm). Collection Mrs. Henry Moore, England. [Fig. 17-42]
- Francis Bacon, Painting, 1946. Oil on canvas, 6’ 6” × 4’ 4” (2 × 1.32 m). The Museum of Modern Art, New York. [Fig. 17-44]
- Diego Velázquez, Pope Innocent X, 1650. Oil on canvas, 45 × 47” (114 cm × 119 cm). Galleria Doria Pamphilj, Rome. [Fig. 17-45]
- Francis Bacon, Triptych—May–June 1973, 1973. Oil on canvas, each panel 6’ 6” × 4’ 10” (1.9 × 1.5 m). Private collection. [Fig. 17-48]
- Lucian Freud, Girl with White Dog, 1951–52. Oil on canvas, 30 × 40” (76.2 × 101.6 cm). Tate, London. [Fig. 17-50]
- Werner Bischof, Cologne, 1946. [Fig. 17-53]