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Romanesque Art:  The Basics and Monasticism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
St. Gall
Schematic plan for a monastery at St. Gall, Switzerland, 9 th  Century CE.
Schematic plan for a monastery at St. Gall, Switzerland, 9 th  Century CE.  Although it was never built, the plan of St. Gall remains the model for ideal monasteries.
Schematic plan for a monastery at St. Gall, Switzerland, 9 th  Century CE.
Schematic plan for a monastery at St. Gall, Switzerland, 9 th  Century CE. Monasteries were meant to be self-sufficient communities much like many cities. Model of the city of Rome.
 
 
 
Saint-Martin-du-Canigou, French Pyrenees, 1001-1026.
Flavian Amphitheater (Coliseum), Rome, 72-80 BCE.  ★ The Romans were known for their advancements in arch and vault technology.
Flavian Amphitheater (Coliseum), Interior Vaults, Rome, 72-80 BCE.  ★ Roman vaults were typically made with concrete, which is lighter and easier to form than stone. Groin Vault
★   The knowledge to make concrete was lost to Medieval Europe. Saint-Martin-du-Canigou, French Pyrenees, 1001-1026. Groin Vault
 
Cluny Reconstruction, France, 1088-1130.
Cluny Plan, France, 1088-1130. Cluny Plan
Cluny Nave, Reconstruction, France, 1088-1130.
Cluny Today Archaeological Park, 2010.
 
Priory Church, Moissac, France, c. 1115.
South Portal, Priory Church, Moissac, France, c. 1115.
Diagram of Romanesque portal. South portal of Saint-Pierre. Moissac, France. c.1115.  Tympanum
Christ in Majesty,  South portal of Saint-Pierre, Moissac, France, c.1115.  Matthew Mark Luke John Twenty-Four Elders
Trumeau South portal of Saint-Pierre. Moissac, France. c.1115.
Trumeau, South Portal Lions and Old Testament Prophet (Jeremiah or Isaiah?) c.1115 Church of Saint-Pierre Moissac, France (Stokstad 15-23) Trumeau, South Portal, Lions and Old Testament Prophet (Jeremiah or Isaiah?), Church of Saint-Pierre, Moissac, France, c.1115
Trumeau, South Portal, Lions (Jeremiah or Isaiah?), Church of Saint-Pierre, Moissac, France, c.1115
Vices/Lazarus , Porch, South Portal, Priory Church at Moissac, France, c. 1115.
Lazarus and Dives , Porch, South Portal, Priory Church at Moissac, France, c. 1115.  Dives Lazarus the Leper Soul Soul
Death of a Miser Torment of Avarice Torment of Lust Scene of Torment
Historiated Column Cloister, Priory Church, Moissac, France, c. 1115.
“ Dove Capital,” Cloister, Moissac, France, c. 1115. Cloister Relief
The Followers of Jesus, Historiated Capital, Cloister, Moissac, France, c. 1115. “ Monsters”
Historiated Capital with Lions’ Heads, Cloister, Priory Church, Moissac, France, c. 1115. Lions’ Heads Griffons attacking lions
 
Cistercian Abbey at Fontenay, France, 1139-1147
Fontenay Abbey, Plan, France, 1139-1147.
Façade, Fontenay Abbey, France, 1139-1147. Portal, Fontenay Abbey Portal, Priory Church, Moissac
“ immoderate height of [Cluniac] churches…their immoderate length, their excessive width, sumptuous decoration and finely executed pictures, which divert the attention of those who are praying.”  –  Bernard of Clairvaux,  Apologia .  Nave, Fontenay Abbey, France, 1139-1147. Nave, Monastery at Cluny, France, 1088-1130.
Nave, Fontenay Abbey, France, 1139-1147 Cloister, Priory Church, Moissac,  Capital Detail Capital Detail
“ What profit is there in those ridiculous monsters, in that marvelous and deformed comeliness, that comely deformity?...So many and so marvelous are the varieties of divers shapes on every hand that we are more tempted to read in the marble than in our books, and spend the whole day in wondering at these things than in meditating upon the law of God.  For God’s sake, if men are not ashamed of these follies, why at least do they not shrink from the expense?”  – Bernard of Clairvaux Historiated Capital with Lions’ Heads, Cloister, Priory Church, Moissac, France, c. 1115.
Nave, Fontenay Abbey, France, 1139-1147. Example of Cistercian Proportions
Nave, Fontenay Abbey, France, 1139-1147.  Example of Cistercian Proportions
 
 
 
Double Monastery, Disibodenberg, Germany,
“ a fiery light, flashing intensely, came from the open vault of heaven and poured through my whole brain.”  The vision of Hildegard of Bingen, from  Scivias  (detail of facsimile).  1150-1175.  Author Page, from  Scivias  (detail of facsimile).  1150-1175.
Reconstruction drawing of Cathedral. Santiago de Compostela, 1078-1122.  The vision of Hildegard of Bingen, from  Scivias  (detail of facsimile).  1150-1175.
“ After this I saw a vast instrument, round and shadowed, in the shape of an egg, small at the top, large in the middle, and narrowed at the bottom; outside it, surrounding its circumference, there was a bright fire with, as it were, a shadowy zone under it.  And in that fire there was a globe of sparkling flame so great that the whole instrument was illuminated by it.”  Vision, from  Scivias  (detail of facsimile).  1150-1175.
“ Outward, my eyes are open.  So I have never fallen prey to ecstasy in the visions, but I see them wide awake, day and night.  And I am constantly fettered by sickness, and often in the grip of pain so intense it threatens to kill me. ”   Vision, from  Scivias  (detail of facsimile).  1150-1175.  Hubert Airy, Illustration of visual migraine aura, 1870.
Critical Thinking Questions ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Monasticism

  • 1.
  • 2.  
  • 3.  
  • 5. Schematic plan for a monastery at St. Gall, Switzerland, 9 th Century CE.
  • 6. Schematic plan for a monastery at St. Gall, Switzerland, 9 th Century CE. Although it was never built, the plan of St. Gall remains the model for ideal monasteries.
  • 7. Schematic plan for a monastery at St. Gall, Switzerland, 9 th Century CE.
  • 8. Schematic plan for a monastery at St. Gall, Switzerland, 9 th Century CE. Monasteries were meant to be self-sufficient communities much like many cities. Model of the city of Rome.
  • 9.  
  • 10.  
  • 11.  
  • 13. Flavian Amphitheater (Coliseum), Rome, 72-80 BCE. ★ The Romans were known for their advancements in arch and vault technology.
  • 14. Flavian Amphitheater (Coliseum), Interior Vaults, Rome, 72-80 BCE. ★ Roman vaults were typically made with concrete, which is lighter and easier to form than stone. Groin Vault
  • 15. The knowledge to make concrete was lost to Medieval Europe. Saint-Martin-du-Canigou, French Pyrenees, 1001-1026. Groin Vault
  • 16.  
  • 18. Cluny Plan, France, 1088-1130. Cluny Plan
  • 19. Cluny Nave, Reconstruction, France, 1088-1130.
  • 21.  
  • 22. Priory Church, Moissac, France, c. 1115.
  • 23. South Portal, Priory Church, Moissac, France, c. 1115.
  • 24. Diagram of Romanesque portal. South portal of Saint-Pierre. Moissac, France. c.1115. Tympanum
  • 25. Christ in Majesty, South portal of Saint-Pierre, Moissac, France, c.1115. Matthew Mark Luke John Twenty-Four Elders
  • 26. Trumeau South portal of Saint-Pierre. Moissac, France. c.1115.
  • 27. Trumeau, South Portal Lions and Old Testament Prophet (Jeremiah or Isaiah?) c.1115 Church of Saint-Pierre Moissac, France (Stokstad 15-23) Trumeau, South Portal, Lions and Old Testament Prophet (Jeremiah or Isaiah?), Church of Saint-Pierre, Moissac, France, c.1115
  • 28. Trumeau, South Portal, Lions (Jeremiah or Isaiah?), Church of Saint-Pierre, Moissac, France, c.1115
  • 29. Vices/Lazarus , Porch, South Portal, Priory Church at Moissac, France, c. 1115.
  • 30. Lazarus and Dives , Porch, South Portal, Priory Church at Moissac, France, c. 1115. Dives Lazarus the Leper Soul Soul
  • 31. Death of a Miser Torment of Avarice Torment of Lust Scene of Torment
  • 32. Historiated Column Cloister, Priory Church, Moissac, France, c. 1115.
  • 33. “ Dove Capital,” Cloister, Moissac, France, c. 1115. Cloister Relief
  • 34. The Followers of Jesus, Historiated Capital, Cloister, Moissac, France, c. 1115. “ Monsters”
  • 35. Historiated Capital with Lions’ Heads, Cloister, Priory Church, Moissac, France, c. 1115. Lions’ Heads Griffons attacking lions
  • 36.  
  • 37. Cistercian Abbey at Fontenay, France, 1139-1147
  • 38. Fontenay Abbey, Plan, France, 1139-1147.
  • 39. Façade, Fontenay Abbey, France, 1139-1147. Portal, Fontenay Abbey Portal, Priory Church, Moissac
  • 40. “ immoderate height of [Cluniac] churches…their immoderate length, their excessive width, sumptuous decoration and finely executed pictures, which divert the attention of those who are praying.” – Bernard of Clairvaux, Apologia . Nave, Fontenay Abbey, France, 1139-1147. Nave, Monastery at Cluny, France, 1088-1130.
  • 41. Nave, Fontenay Abbey, France, 1139-1147 Cloister, Priory Church, Moissac, Capital Detail Capital Detail
  • 42. “ What profit is there in those ridiculous monsters, in that marvelous and deformed comeliness, that comely deformity?...So many and so marvelous are the varieties of divers shapes on every hand that we are more tempted to read in the marble than in our books, and spend the whole day in wondering at these things than in meditating upon the law of God. For God’s sake, if men are not ashamed of these follies, why at least do they not shrink from the expense?” – Bernard of Clairvaux Historiated Capital with Lions’ Heads, Cloister, Priory Church, Moissac, France, c. 1115.
  • 43. Nave, Fontenay Abbey, France, 1139-1147. Example of Cistercian Proportions
  • 44. Nave, Fontenay Abbey, France, 1139-1147. Example of Cistercian Proportions
  • 45.  
  • 46.  
  • 47.  
  • 49. “ a fiery light, flashing intensely, came from the open vault of heaven and poured through my whole brain.” The vision of Hildegard of Bingen, from Scivias (detail of facsimile). 1150-1175. Author Page, from Scivias (detail of facsimile). 1150-1175.
  • 50. Reconstruction drawing of Cathedral. Santiago de Compostela, 1078-1122. The vision of Hildegard of Bingen, from Scivias (detail of facsimile). 1150-1175.
  • 51. “ After this I saw a vast instrument, round and shadowed, in the shape of an egg, small at the top, large in the middle, and narrowed at the bottom; outside it, surrounding its circumference, there was a bright fire with, as it were, a shadowy zone under it. And in that fire there was a globe of sparkling flame so great that the whole instrument was illuminated by it.” Vision, from Scivias (detail of facsimile). 1150-1175.
  • 52. “ Outward, my eyes are open. So I have never fallen prey to ecstasy in the visions, but I see them wide awake, day and night. And I am constantly fettered by sickness, and often in the grip of pain so intense it threatens to kill me. ” Vision, from Scivias (detail of facsimile). 1150-1175. Hubert Airy, Illustration of visual migraine aura, 1870.
  • 53.

Editor's Notes

  1. Europe 1000
  2. Europe 1000
  3. Europe 1000