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Postgraduate Program HI5003 Economics for Business DETAILE.docx
- 1. Postgraduate Program HI5003 Economics for Business DETAILED INFORMATION ON SUBJECT ASSESSMENTS Individual Paper Assessment criteria Due: ASSESSMENT Weighting: 2 Length: Week 4 (FRI) BM Session 1 15% Maximum 1000 words Newspaper Analysis (Written report): 15% 1) Choose a topic from Micro economics that matters to you and find a recent news article covering that topic. Following are some of the topics from where students need to choose ONLY one topic: - Monopolies, Duopoly and Oligopolies in Australia - Demand and supply of certain resources in Australia - Costs of production in manufacturing industry in Australia
- 2. - Reforms in Education, Meat, Agriculture and Tourism Industries in Australia. Choose ONLY ONE industry out of this list. PL see the additional guidelines provided for this assignment. 2) Evaluate the article using Economic concepts. You should include The essence of the story (1 to 2 paragraphs): Introduce the issue, who is interested in it and why. The economic analysis (2 to 3 paragraphs): Explain how you can present the issue in terms of economic concepts and theories you have learnt in class. Explain your view (1 to 2 paragraphs): Explain what actions you would recommend to the key players and/or policy holders. Explain how the above analysis supports your conclusion (1 to 2 paragraphs). 3) You may provide graphs/charts/diagrams where necessary to enhance your presentation style. 4) Students need to submit ONLY the Soft copy and upload on BB by that time. Marking Criteria 1) Critical thinking skills
- 3. 2) Clarity of writing and ability to express your ideas 3) Ability to use economic concepts and theories in the context of the news article. 4) References at the end TOTAL 15% Stage Lighting 8/29/17 Project Teams Vanessa & Manny Josh & Haq Jennifer & Tommy Katie & Kelly Joel & Rongye Narissa, Echo & Aiyanna* Image of Light A picture or concept of what light should look like for a production Light Renderings
- 4. Peggy Clark. Sketch for lighting design for Agnes de Mille’s Fall River Legend, 1948. Peggy Clark Papers, Music Division, Library of Congress (032.00.00) Light Renderings Distribution, Intensity, Colors Key and Fill Light Image Source: http://www.lightingrumours.com/simple-lighting- patterns-part-2-broad-short-lighting-5335 6 Direction of Light Some Vocabulary Plan – Top View of Light Plot or Set Drafting Section – Center cut Side View of Light Plot or Set Drafting Acting area: Where the action of the play takes place. Lighting Areas: Where the light hits the actor/stage 8 House Plan
- 5. Image source: https://www.keene.edu/arts/redfern/about/main- theatre/#ground_plan_section_view 9 House Section Acting area: Where the action of the play takes place. Lighting Areas: Where the light hits the actor/stage Beam angle: That point in the cone of light emitted by an instrument where the light is diminished by 50 percent when compared with the out put of the center of the beam Field Angle: That point in the cone of light where the output diminishes to 10 percent of the output of the center of the beam Beam & Field Overlap Light Plot and Photometrics
- 6. Light Plot To Create a light plot you need the following: A ground plan of scenic design A sectional of the scenic design A ground plan of the stage and auditorium A sectional of the stage and auditorium The layout of the lighting system Fly rails, Grids, Electric Positions. Theater’s lighting equipment inventory More Vocabulary Working Sectional: a drawing showing the sectional angle for a lighting instrument that you will use to calculate the throw distance, hanging position, and beam angle Throw Distance – How far light from an instrument travels from its hanging position to the center of its focus area Hanging Position – Where the lighting instrument is hung Beam Angle – Determines the lighting instrument needed to illuminate the actor/object. 17 Photometrics Next class we will practice calculating photometrics You will need the following: Pencil
- 7. Architect Ruler Protractor Approximate Photometric Information Handout It’s in your syllabus 2 4 6 8 10 12 14 16 1824681012141618 U N I V E R S I T Y T H E A T R E S P R E S E N T L I G H T P L O T SCALE: 1/2" = 1' - 0" D I R E C T E D B Y L I G H T I N G B Y AUGUST 8, 2008 P R O D U C T I O N T I T L E D E S I G N B Y 1 PLATE 1 OF 1 1'-6"2'-6" 23 1 23 1 23 1 K E Y
- 8. S Y M B O L S T-3 STRIPLIGHT-6 LIGHT/ 3 CIRCUIT 500w 500w WORKLIGHT 4'-0" 5'-0" 1'-0" A C B AG F E DH PL +6'-6" +9'-0" +1'-6" +12'-0" +6'-6" +9'-0" +1'-6" +12'-0" +6'-6" +9'-0" +1'-6" +12'-0"
- 9. +6'-6" +9'-0" +1'-6" +12'-0" +6'-6" +9'-0" +1'-6" +12'-0" +6'-6" +9'-0" +1'-6" +12'-0" A FLOOR MOUNT SL T. B. D. ON SITE DISCUSS TRAVEL OPTIONS C B AG F E DH TRIMS INDICATED ARE FROM PIPE TO THE STAGE FLOOR UNITS NOT DIMENSIONED ON 2' - 0" CENTERS
- 10. NOTES: PLEASE HAVE ADDiTIONAL CUTS OF R119 & R114 AVAILABLE ALL GEL FRAMES MUST BE BLACK BOOM TRIMS ARE FROM STAGE FLOOR TO SIDE ARM, PROVIDE SAFETY TO GRID PROVIDE R104 FOR ALL STRIPLIGHTS IN ADDITION TO COLOR INDICATED ON THE PLOT, BIASED FOR MAXIMUM HORIZONTAL DISPERSION. BOOMS MOUNT ON 50lbs BASES w/LOCKING HARDWARE 1'-6"2'-6" 1'-0"1'-6" 1'-6" 1'-0"1'-6" 1'-6" 10'-0" REVERSE AND REPEAT ALL DIMENSIONS 24'-0" 24'-0" 24'-0" +24'-0" TO CL ON 4'-0"
- 11. +24'-0" TO CL ON 12'-9" +24'-0" TO CL ON 21'-6" F O H B E A M (10) 1KW 6X16 1 ELECTRIC (3) 575W 19° SCR4 (12) 575W 26° SCR4 (6) 575W 36° SCR4 (2) 500W WORKLIGHT 2 ELECTRIC (3) 575W 19° SCR4 (12) 575W 26° SCR4 (6) 575W 36° SCR4 3 ELECTRIC (4) 575W 19° SCR4 (14) 575W 26° SCR4 4 ELECTRIC (12) 575W 26° SCR4 (6) 575W 36° SCR4 (2) 500W WORKLIGHT 5 ELECTRIC (4) 575W 19° SCR4 (14) 575W 26° SCR4 (2) 500W WORKLIGHT 6 ELECTRIC (8) 500W T-3 STRIPLIGHT
- 12. GROUND ROW (8) 500W T-3 STRIPLIGHT 3 BOOM LEFT (1) 575W 26° SCR4 (3) 575W 36° SCR4 2 BOOM LEFT (1) 575W 26° SCR4 (3) 575W 36° SCR4 1 BOOM LEFT (1) 575W 26° SCR4 (3) 575W 36° SCR4 3 BOOM RIGHT (1) 575W 26° SCR4 (3) 575W 36° SCR4 2 BOOM RIGHT (1) 575W 26° SCR4 (3) 575W 36° SCR4 1 BOOM RIGHT (1) 575W 26° SCR4 (3) 575W 36° SCR4 1 ELECTRIC TRIM 24'-6" 2 ELECTRIC TRIM 24'-6" 3 ELECTRIC TRIM 30'-0"
- 13. 4 ELECTRIC TRIM 25'-6" 5 ELECTRIC TRIM 24'-6" 6 ELECTRIC TRIM 28'-6" WHITE BOUNCE G850R65 R16 G850R65 R16 575w 19° SOURCE 4 575w 26° SOURCE 4 575w 36° SOURCE 4 L201 10 CLR 9 L201 8 CLR 7
- 28. 750w SRC 4 PAR NSP N S P C O L O R U N I T N O . C H A N N E L A D D R E S S TEMPLATE (6) 750W SCR4 PAR NSP Lighting Design “Stage lighting design can be defined as the creative use of illumination to enhance the spectator’s understanding and appreciation of the production by visually supporting the production concept.” J. Michael Gillette – Designing With Light 1 What is light doing? Visiblity/Selective Focus Modeling Time/Location
- 29. Mood/Atmosphere 2 Light is telling us what to look at, where and when we are, and how we should feel. 2 Visibility/Selective Focus Lighting design: Joseph Naftal Lighting design: Kevin Semagin Lighting design: Natalie Robin 3 Images Source: http://www.rosco.com/spectrum/index.php/2011/08/share-the- work-get-the-swag-still-going-strong/ 3 Modeling https://www.youtube.com/watch?v=6sgpeoWpO9w 4 Time/Location 5
- 30. Mood/Atmosphere 6 Controllable Qualities of Light Distribution Intensity Movement Color 7 Distribution The direction of the light (important for modeling) The shape and size of area being lit (selective focus) The Quality and character of the light 8 Distribution: Quality of Light It’s Cohesivness: clarity or diffusion 9 Distribution: Character of Light Its Texture: Smooth, uneven, patterned, hard or soft focused
- 31. 10 softness of light is the measure of how abruptly the transition is from highlight to shadow on a subject. 10 Intensity The actual amount or level of brightness of the light 11 Movement Time duration of a light cue Movement of Light on stage Movement of light off stage 12 Color Meaning of Color Additive Color Mixing Cyan, Magenta, Amber = White Light Subtractive Color Mixing Colored Filters aka Gel 13
- 32. 13 Recap Lighting Design: Enhances the audience understanding of the play, support the overall production concept Selective Focus Time/Place Atmosphere Qualities of light, primary tools of a lighting designer Distribution Intensity Movement Color 14