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This document describes the process of creating a side-scrolling space shooter game. It details the creation of sprites like the main character Olaf_Spr and enemies. Coding is added for movement, limits, collisions, lasers, and more. Enemies spawn correctly and have unique animations and firing patterns. Backgrounds, particles, audio, and a life system are implemented. The game features points, enemies, music, and resets the level when the player dies.
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This document provides an overview of the development process for a 2D space shooter game. It describes the creation of sprites like the player ship and enemies, background design, coding of player controls and limits, adding particle effects, projectiles, health bars, scoring, collisions, and more. Testing screenshots show the game evolving from an initial version with just the player and background, to later versions adding enemies, shooting, explosions, and a shield system. Music was also added to enhance the experience.
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The document describes Joshua Grey's workflow for creating a 2D space shooter game. It discusses creating sprites for the player character and enemies, adding collision detection and controls for movement, programming enemy and player abilities like shooting lasers and taking damage, including visual and audio effects, and implementing a health bar and score counter. Various screenshots show coding and testing different elements like backgrounds, particle systems, and gameplay.
Flow Of The Making Of A 2D Game
This document summarizes the steps taken to develop a game where the player controls a UFO sprite. It describes creating the UFO sprite with bright colors, adding movement controls and collision detection. It also covers developing the background, barriers to constrain movement, thruster animations, enemy ships that shoot lasers, a health system and explosions. The goal was to make an attractive, challenging game where the player navigates the UFO through a space environment while engaging with enemies.
Evaluation fmp
Ben White evaluated his section of a group game development project. He believes the technical quality of his section turned out well, especially the programming elements. He learned valuable programming skills like using states, movement, and gravity. Graphically, he achieved his simple and blocky art style goal despite needing to improve animation. He utilized various software like Game Maker, CamStudio and Reaper. Some minor glitches occurred but overall gameplay was good. He met most of the group's original intentions and managed time well, though underestimated some tasks. The target audience was male and female teenagers who would appreciate retro style elements.
Task 2 workflow
The document describes the steps taken to develop a basic 2D game. It involves creating a player sprite, modifying it to include a hitbox, coding movement controls using WASD keys, creating a test level, adding movement limits, implementing a scrolling background, adding particle effects, creating projectiles with sound effects, designing an enemy sprite that spawns in formation and can be destroyed by projectiles, and coding the necessary events. The developer took a simplistic approach to focus on gameplay mechanics before enhancing other aspects of the game.
Unity
The document provides information about game development using Unity. It discusses concepts like game engines, Unity interface and components, character control, game design, gameplay, basic components, enemy AI, memory management and optimization. It also covers topics such as the anatomy of video games, the game development process, 2D and 3D art, what Unity is and why to use it, its interface and execution order of event functions. Additionally, it summarizes Mecanim workflow, asset preparation, terrain editing, adding water and skyboxes, importing assets, lightmapping, fog, game design, and enemy pathfinding using waypoints.
Case Study
Rise of the Tomb Raider was released in 2015 and is a sequel to the 2013 Tomb Raider game. It follows Lara Croft's journey to Siberia in search of the legendary city of Kitezh while battling the paramilitary organization Trinity. The game has a third-person perspective and focuses on survival and combat. It features various landscapes and tombs for the player to explore. The terrain includes caves, forests, mountains, and different weather conditions.
Work Flow for 2D Game
This document describes the various menus and tools available in the GameMaker software for creating sprites, objects, rooms, backgrounds, particle systems, enemies, and more for building a 2D game. It provides screenshots and explanations of the sprite editor, object creator, room designer, background tools, code editor, and other features used to develop a game where the player navigates various levels shooting enemies. Adjustments made include adding more realistic backgrounds, different types of levels, a final boss, death and win screens, a start screen, tutorial, and background music.
3. research
Here are the citations for the interviews in APA format:
Ross, L. (2018, DATE). Target audience interviews [Personal interview].
B, K. (2018, January 12). Target audience interviews [Personal interview].
My game development pipeline
The document describes the ideation and development process for a video game called "First Impact". It discusses how the team came up with the idea of an alien escaping from government captors across various levels. It then outlines the pre-production work, including initial designs and programming. During production, the team programmed gameplay elements and debugged the first level, adding complexity based on testing feedback before developing the second level.
Technical document - BadBug Studio - Xbox Game
This technical document outlines the design and requirements for a squad-based multiplayer game. It describes the game's levels, user interface, squad units, enemies, camera and movement systems. It also details the general requirements such as supporting a 3D environment, reward/punishment systems, difficulty progression, and audio. Additional graphics requirements are outlined that involve using particles for explosions and custom shaders for animated models and lighting effects. The artificial intelligence requirements involve controlling individual characters, squad groups, and pathfinding algorithms.
2. research(2)
The document researches existing strategy and role-playing games like XCOM, Mass Effect, and Ghostbusters: The Video Game to inform the development of a new turn-based strategy game about fighting ghosts in space. Common elements that will be included are a choice-driven story, good sound design, dark lighting and colors to set mood, and strategy-based turn-based gameplay. The audience for this new game will be 14-25 year olds of any gender who enjoy turn-based strategy and role-playing games that allow choosing different story paths.
Task two workflow by tom crook
1. Tom Crook created his first sprite called "player1_spr" and adjusted its properties like origin and collision mask.
2. He then created an object for the sprite called "Killer Turkey_Object" and set its first event as the step event. He coded keyboard controls to move the sprite.
3. Features added included setting movement limits, adding a scrolling background, particle effects, player projectiles, animated enemy sprites, enemy spawning and movement, enemies being destroyed by lasers, enemy projectiles, health systems, scoring, and a second stationary enemy.
5. pre production fmp l3
The document provides details on the pre-production of a retro-style side-scrolling video game including color schemes, character designs, gameplay features, and timing. Color blue will be used for ice effects and windows. Yellow will signify fire. Character walk cycles will differ with Iceman sliding, Fire flying, and Earth digging underground. There will be upgrades and quick time events. Enemies will get stronger as the player progresses. Costumes, box art, and sound effects are also outlined.
5. pre production fmp l3
This document provides details on the pre-production of a retro-style side-scrolling video game featuring superheroes with different powers. It discusses color palettes and fonts to be used, character walk cycles and costumes, gameplay features including upgrades and timing, and box art layouts. Reference sheets provide additional information on timing, resources needed, contingency planning, and health and safety considerations.
Research
The document provides an analysis of existing endless runner games. It summarizes 6 different games, describing elements like the studio/location, angle, effects, post-production, use of sound/music, lighting, composition, mise en scene, costume, props, location, colors, and fonts for each. It also includes a research analysis section that identifies common features across the games and aspects that will be included in the author's own work. Finally, it presents the results of a survey on endless runner games.
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The purpose and functions of components of game engines
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Game Design Workshop - Interaction South America 2013
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Brief
This document outlines the tasks and assessment criteria for a student's final major project. The project requires the student to:
1. Devise, develop, and research an original idea for a media product. They must plan the production process, manage pre-production, production, and post-production, and create a finished media product.
2. Work independently to plan and complete all stages of the project from initial research and planning to the final product.
3. Gather feedback on their finished product and evaluate their success in meeting the brief, managing the production, and developing their technical and professional skills.
The project aims to demonstrate the student's ability to independently manage an entire media production from concept to completion
Mood board
This mood board includes potential sources of inspiration for a game including websites with flash games for PC, two bouncing ball games on Kongregate, a solar-themed game and its sequel also on Kongregate, a forum post with game development tips, and an article previewing a puzzle-platform game bringing console quality to iPhone. The mood board collects various references that could inspire ideas for a new game.
Task 1 - Production Bbriefs
The document defines and provides examples of different types of creative production briefs: contractual, negotiated, formal, informal, commission, tender, cooperative, and competition. It also discusses opportunities for professional self-development in communication, time management, technical skills, and career progression that working with each brief type could provide. Finally, it provides an annotated example brief for a promotional theme and advertising campaign for a hair accessory company, specifying the client, required media products, target audience, and constraints but not legal/ethical issues or timescale.
L3 Unit 67 3D Animation Evaluation
Kyle Thomas Fielding created a 3D animation collision event of planets, moons, and asteroids within a solar system as a freelance games designer project. He researched ideas, created a schedule and storyboard, and modeled planets with unique textures in NewTek LightWave. Kyle encountered issues with the fracture tool in Layout that delayed progress but was eventually able to render the animation. He ensured the work met ethical standards before uploading documentation of the process and finished animation online. While faults exist from human errors and software issues, Kyle believes the production fulfills the brief and demonstrates his 3D animation skills.
4
This secondary research analysis summarizes tutorials from YoYo Games on creating different 2D game genres using Game Maker while learning coding skills. The tutorials provide factual information from a single instructor on how to code small games like a scrolling shooter and platform games. The most important information covered is the actual coding needed to develop various game mechanics. The analysis concludes the tutorials are useful for learning how to create different game genres in Game Maker.
5
YoYo Games provides tutorials, projects, and game maker files to help users learn how to use their game development software. The information on their website is factual and aims to teach various aspects of game maker through tutorials created by multiple contributors. The most important information is how to get started learning game maker through the tutorials and resources available on their site.
dMind map collsion events
This mind map document lists 3 sources related to collision events: a YouTube video about collision events in general, a website announcing new features in Lightwave 11 software for 3D visualization and simulation, and another YouTube video providing a tutorial on collisions in Lightwave.
3
Ben HeartBeast shows how to build a simple platformer game in Unity in just 15 minutes. The video provides step-by-step instructions on creating player movement and jumping mechanics, adding platforms, including obstacles, and setting up basic level design. It presents factual information from the perspective of a single creator, Ben HeartBeast, aiming to teach viewers how to quickly construct the foundation for a platformer game.
2
The YouTube video teaches the viewer how to create a basic platformer game in Game Maker, providing instructions on setting up the player, physics, levels, and other necessary components. It represents the viewpoint and instructions of the sole creator, rm2kdev, factually explaining the coding and implementation of the various game elements. The key topic addressed is how to develop a simple but functional platformer game using Game Maker.
1
This secondary research analysis sheet summarizes a YouTube video and playlist by Shaun Spalding that teaches how to make a simple run and jump platformer game in Game Maker. It explains that the video and playlist show how to code simple sprites, objects, rooms, and scripts to create enemies the player can jump on to kill. The information provided is factual rather than opinionated, with the key question being how to simply make a basic game in Game Maker.
Layout plans
Switch Arena is introducing new maps for its online multiplayer battles. Players will now be able to fight in four different environments: a jungle, desert, snowy mountain, and city street arena. These new battlefields should provide more variety and strategic options to keep matches fresh and exciting.
Risk assessment
This document lists potential risks that may occur during a game development project and proposes solutions to address each risk. It identifies risks such as losing work, code or sprites not working as expected, objects having errors, rooms not changing as intended, sounds not working, and tasks or systems going offline. Corresponding solutions are provided such as creating backups, finding and fixing problems in code, changing image or sound types, adding new objects to change rooms, and finding alternative places to work if primary tools or locations become unavailable.
Research
3D animation uses computer graphics to make 3D models perform actions. There are three main phases: modeling, animation, and rendering. It is commonly used in video games, movies, and television. In video games, 3D animation is used for characters, environments, and objects. Models are designed based on concept art and animated using techniques like inverse kinematics and motion capture. Motion capture helps capture realistic character movements in games like Heavy Rain and LA Noire where facial expressions are important. In films, motion capture and CGI are used, with CGI enhancing backgrounds and adding computer-generated elements. Motion capture also helps make animated films feel realistic.
Production log
Kyle Fielding created a production log to document his work on an animation project. He began by making a target schedule to plan his work. He then researched animation software and watched tutorials to learn how to use Lightwave Modeller and Layout. After generating some initial ideas, he settled on creating an animation of planets. He storyboarded the animation and created production logs to document his progress. Finally, he evaluated the project to discuss what went well and could be improved.
Research running
The document discusses different types of walking, jogging, running and sprinting postures. It provides sketches of different sprinting postures including a "roadie run" with arms out and head low to avoid enemy fire, an "assassin's sprint" with hands free and head forward in a balanced posture, and a notation to "roll" to avoid obstacles. The document appears to be analyzing running and sprinting postures for some type of scenario or game.
Story board
The document describes a sequence of camera movements and actions that would show a person running and jumping over obstacles on Earth. It then zooms out from Earth to show its rotation and movement through the solar system, panning to other planets like Venus, Mars, Jupiter, and Saturn while zooming in and out. It finally zooms to the sun before rotating to show a black hole sucking in Earth and the other planets.
Task 3 - pitch
The document outlines an idea for a retro pixel arena game where players fight other characters to earn points before they are killed, at which point they take control of the enemy character. The game would feature various weapons, power-ups, environments like underwater caves and Antarctic regions, and simple controls. Music and sound effects would be included to enhance the gameplay experience.
Concept Artists
This document profiles several concept artists and provides brief biographies and descriptions of their work. It discusses Adam Adamowicz and his work on Fallout 3 and Skyrim at Bethesda Softworks. It also mentions Robert Chew and his robotic animal series imagining anti-poaching operations, as well as Simon Stålenhag's retrofuturistic illustrations blending machines with Swedish landscapes from past decades. Dave Melvin's creature designs for video games are highlighted. Pascal Blanché's illustrations of a strange ancient yet futuristic alien planet are also summarized. The document concludes by briefly profiling additional concept artists including Sandara, Justin Sweet, and Vance Kovacs.
Ap2
Mood boards are visual representations that help convey a feeling, theme or idea. This particular mood board seems focused on rural landscapes and farm life, featuring images of sheep in green pastures. The board aims to evoke feelings of peace, simplicity and nature through its pastoral photographic selections.
Artist research
L7m is a Brazilian street artist born in 1988 who creates art in public spaces using spray paint. His work features birds, portraits, abstracts and jellyfish in bright colors. Marcel Stobinski is a German freelance concept artist who designs mythical creatures using warm and dark colors in computer software. Mike Corriero is an American creature concept artist with 10 years experience who uses software like Photoshop after sketching concepts. Mike Libby is a sculpture artist who takes inspiration from insect movement and design to create sculptures using diverse materials. Ptolemy Elrington is a sculpture artist who creates animal sculptures out of donated car wheel trims. Ryan Berkley is an artist known for his 'Animals in Suits'
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Work flow
- 1. This project was to make our own side scrolling space shooter I started with making my own sprites which are 2D pictures that can be used as an animation This will be the playable character. I have named him Olaf_Spr so when it comes to coding I know what he is called. To defend him self he will ire blue and green lasers at enemy's EDIT - he now blinks His outlines have been redone to make him stand out more from the background The laser comes from his eye
- 2. This will be the enemy sprite named BarmyOwl_Spr, this enemy will fire lasers at the playable character. EDIT-His eyes move as well as his tie flashes red and yellow as part of an animation. His lasers come from his eyes
- 3. This is the mask, what enemy lasers and objects hit to damage him. This will be done to all sprites so objects have an accurate boundary so lasers and other objects only damage if hit. EDIT-all sprites have a precise mask.
- 4. This is all the coding for the player object witch includes collision with enemy objects and lasers.
- 5. This is the movement coding and the limits coding so the player can move, but not off-screen EDIT-Limits widened due to being to small in height. Movement is slightly faster to help dodge lasers.
- 6. This is he room or the level, full with moving backgrounds at different speeds, and a foreground of very fast moving stars. EDIT-buttons taken out due to not enough sprite space
- 7. This is what I have so far, as you can see a point system, life bar, jet system and enemies.
- 8. Jet particle system now working and active on player EDIT-giving enemy objects a jet system too.
- 9. The audio for enemy's, lasers and player now work and are being used, each sound is unique and given to a separate object.
- 10. The sounds including music have been renamed to help me navigate EDIT- music plays though the game with loop
- 11. Enemy one – Fancy Lizard now has an animation
- 12. The system has been edited to spawn enemies correctly and play music EDIT-alarm 1 and 3 are working correctly. Now when the players death animation finishes the room/level restarts
- 13. Destroying instances now work with all objects. So the build up off-screen isn't too big and enemies that are off-screen cannot shoot
- 14. Different alarms go for different enemies so they shoot in different patterns.
- 15. The shield is now more advanced and includes a better life system
- 16. This is the coding for the shield/life bar for when it reaches 0 the death animation plays
- 17. The font for the point system has a better name, colour, size and placement, so it is not in the way.
- 18. The music ends when the player dies.