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Clay & Plaster
Kathy Pallie 
she enjoyed a career in 
commercial art, designing 
products for retail store 
windows and interior 
displays, trade show booths 
and special events. This 
involved working with many 
different materials. When 
she retired and put my 
hands into clay, she knew 
this was an exciting material 
which she explored further.
Texture and surface 
exploration integrated with 
a 3-dimensional form have 
always been an important 
part of her work. her hands 
manipulate the clay by 
pushing, pulling, pinching, 
incising and rolling it, 
creating an effect which 
evokes both the visual and 
the tactile senses.
Nicole Sisco Heller 
Nicole Sisco Heller is an 
artist and middle school 
art teacher in Warwick, 
New York. 
She uses art to teach her 
classes, mainly clay foods, 
such as pie. She uses the 
colour and texture to 
involve her students in the 
work,
Victor Spinski 
In the later 1970's, one of 
his collectors commissioned 
him to design a non-traditional 
tea set. Through 
his research on various 
teaposts forms, he 
discovered that his art 
shared a conceptual 
philosophy with the work of 
the Yixing artisans of 
eastern China.
The Yxing (pronounced 
yesshing) artists indulged in 
the use of improbable 
materials, such as tree 
trunks, disfigured branches, 
fruits and rocks, in designing 
their teapot forms. The 
execution of these forms was 
exquisite, both in design and 
craftsmanship.
Beate Kuhn 
In 1957 Beate Kuhn 
moved to Düdelsheim and 
set up her own workshop. 
Since the early 1960’s 
Beate Kuhn has created 
freely designed 
sculptures, each piece 
consisting of individual 
thrown and cut elements, 
assembled into a whole.
The works of Beate Kuhn are 
known in the whole world. 
Her awards and honors are 
numerous. Beate Kuhn’s 
artistic work is characterized 
by her pottery: the potter’s 
wheel is her base tool. The 
sheer number of one-off 
pieces by the artist – more 
than 1,500, all bear her 
unmistakable and 
fascinating personal touch.
Annie Woodford 
Annie Woodford studied at the Royal 
College of Art in London, receiving a 
travel scholarship and graduating 
with a MA in Ceramics and Glass. 
Shortly after graduating, she had her 
first solo show at the Royal Overseas 
League and the Anatol Orient 
Gallery, London, began to represent 
her work, introducing it to collectors 
in the both the U.K. and the U.S.A. 
Since then, Woodford’s work has 
been exhibited nationally and 
internationally and is included in 
private and public collections 
worldwide.
Introduced to printmaking by Sir 
Eduardo Paolozzi, who was her 
tutor, it has become an integral 
part of her practice and she 
continues to develop the medium 
alongside object making, using it 
to explore the themes and 
concerns fundamental to her 
work. Short-listed for major 
awards, Woodford’s etchings and 
collagraphs are part of several 
important print collections and 
recently she has begun to explore 
the medium of artists’ books

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Clay & plaster

  • 2. Kathy Pallie she enjoyed a career in commercial art, designing products for retail store windows and interior displays, trade show booths and special events. This involved working with many different materials. When she retired and put my hands into clay, she knew this was an exciting material which she explored further.
  • 3.
  • 4. Texture and surface exploration integrated with a 3-dimensional form have always been an important part of her work. her hands manipulate the clay by pushing, pulling, pinching, incising and rolling it, creating an effect which evokes both the visual and the tactile senses.
  • 5. Nicole Sisco Heller Nicole Sisco Heller is an artist and middle school art teacher in Warwick, New York. She uses art to teach her classes, mainly clay foods, such as pie. She uses the colour and texture to involve her students in the work,
  • 6.
  • 7. Victor Spinski In the later 1970's, one of his collectors commissioned him to design a non-traditional tea set. Through his research on various teaposts forms, he discovered that his art shared a conceptual philosophy with the work of the Yixing artisans of eastern China.
  • 8.
  • 9. The Yxing (pronounced yesshing) artists indulged in the use of improbable materials, such as tree trunks, disfigured branches, fruits and rocks, in designing their teapot forms. The execution of these forms was exquisite, both in design and craftsmanship.
  • 10. Beate Kuhn In 1957 Beate Kuhn moved to Düdelsheim and set up her own workshop. Since the early 1960’s Beate Kuhn has created freely designed sculptures, each piece consisting of individual thrown and cut elements, assembled into a whole.
  • 11.
  • 12. The works of Beate Kuhn are known in the whole world. Her awards and honors are numerous. Beate Kuhn’s artistic work is characterized by her pottery: the potter’s wheel is her base tool. The sheer number of one-off pieces by the artist – more than 1,500, all bear her unmistakable and fascinating personal touch.
  • 13. Annie Woodford Annie Woodford studied at the Royal College of Art in London, receiving a travel scholarship and graduating with a MA in Ceramics and Glass. Shortly after graduating, she had her first solo show at the Royal Overseas League and the Anatol Orient Gallery, London, began to represent her work, introducing it to collectors in the both the U.K. and the U.S.A. Since then, Woodford’s work has been exhibited nationally and internationally and is included in private and public collections worldwide.
  • 14.
  • 15. Introduced to printmaking by Sir Eduardo Paolozzi, who was her tutor, it has become an integral part of her practice and she continues to develop the medium alongside object making, using it to explore the themes and concerns fundamental to her work. Short-listed for major awards, Woodford’s etchings and collagraphs are part of several important print collections and recently she has begun to explore the medium of artists’ books