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The Challenge of
Assessing the
Creative Economy:
Towards Informed
Policy Making
Ir. Mohamad Adriyanto, M.Sc
Mohamad Adriyanto @adriyanto
http://bit.ly/adriyanto madriyanto@gmail.com
Forewords
• The creative economy has the potential to generate income and
jobs while promoting social inclusion, cultural diversity and human
development
• This Report provides empirical evidence that the creative industries
are among the most dynamic emerging sectors in world trade
• The large majority of developing countries are not yet able to
harness their creative capacities for development
• The policy-oriented analysis presented in this Report represents an
initial contribution to developing a better understanding of the key
issues underlying the creative economy and its development
dimension.
• This study is a first attempt to present a broader perspective on the
potential of the creative economy to assist developing countries to
leapfrog into new high-growth creative sectors.
Data & Figures
• The creative industries are among the most dynamic emerging
sectors in world trade.
• The creative industries account for 3.4 per cent of total world trade.
• In 2000-2005, trade in creative goods and services increased at an
unprecedented average annual rate of 8.7 per cent.
• World exports of creative products were valued at $424.4 billion in
2005 as compared to $227.5 billion in 1996, according to
preliminary UNCTAD figures.
• Creative services in particular enjoyed rapid export growth – 8.8 per
cent annually between 1996 and 2005.
• This positive trend occurred in all regions and groups of countries
and is expected to continue into the next decade, assuming that the
global demand for creative goods and services continues to rise.
What is Creative Industry?
• At the heart of the creative economy lie the creative industries.
• The creative industries are at the crossroads of the
arts, culture, business and technology.
• The cycle of creation, production and distribution of goods and
services that use intellectual capital as their primary input.
• Today’s creative industries involve the interplay of
traditional, technology-intensive and service-oriented subsectors.
• They range from folk art, festivals, music, books, paintings and
performing arts to more technology-intensive subsectors such as
the film industry, broadcasting, digital animation and video
games, and more service-oriented fields such as architectural and
advertising services.
• All these activities are intensive in creative skills and can generate
income through trade and intellectual property rights.
Scope of Report
• Rather than prescribing a single model for mapping the creative economy,
this Report analyses alternatives and suggests an extensible model based
on trade flows.
• Intellectual property rights are increasingly more important as a tool for
capitalizing on the creative industries.
• Technology plays a key role in the creative economy for content
production and distribution.
• Report aims to assist developing countries to harness their creative
economies and to maximize development gains by recognizing the
creative economy as a feasible option for linking economic, technological,
social and cultural development objectives in a globalizing world.
• This Report covers:
– discussing concepts, methods and the structure of the creative economy;
– sharing evidence-based analysis confirming that the creative industries
constitute a new dynamic sector in international trade; and
– suggesting directions for policy strategies.

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The Challenge of Assessing the Creative Economy: Towards Informed Policy Making

  • 1. The Challenge of Assessing the Creative Economy: Towards Informed Policy Making Ir. Mohamad Adriyanto, M.Sc Mohamad Adriyanto @adriyanto http://bit.ly/adriyanto madriyanto@gmail.com
  • 2. Forewords • The creative economy has the potential to generate income and jobs while promoting social inclusion, cultural diversity and human development • This Report provides empirical evidence that the creative industries are among the most dynamic emerging sectors in world trade • The large majority of developing countries are not yet able to harness their creative capacities for development • The policy-oriented analysis presented in this Report represents an initial contribution to developing a better understanding of the key issues underlying the creative economy and its development dimension. • This study is a first attempt to present a broader perspective on the potential of the creative economy to assist developing countries to leapfrog into new high-growth creative sectors.
  • 3. Data & Figures • The creative industries are among the most dynamic emerging sectors in world trade. • The creative industries account for 3.4 per cent of total world trade. • In 2000-2005, trade in creative goods and services increased at an unprecedented average annual rate of 8.7 per cent. • World exports of creative products were valued at $424.4 billion in 2005 as compared to $227.5 billion in 1996, according to preliminary UNCTAD figures. • Creative services in particular enjoyed rapid export growth – 8.8 per cent annually between 1996 and 2005. • This positive trend occurred in all regions and groups of countries and is expected to continue into the next decade, assuming that the global demand for creative goods and services continues to rise.
  • 4. What is Creative Industry? • At the heart of the creative economy lie the creative industries. • The creative industries are at the crossroads of the arts, culture, business and technology. • The cycle of creation, production and distribution of goods and services that use intellectual capital as their primary input. • Today’s creative industries involve the interplay of traditional, technology-intensive and service-oriented subsectors. • They range from folk art, festivals, music, books, paintings and performing arts to more technology-intensive subsectors such as the film industry, broadcasting, digital animation and video games, and more service-oriented fields such as architectural and advertising services. • All these activities are intensive in creative skills and can generate income through trade and intellectual property rights.
  • 5. Scope of Report • Rather than prescribing a single model for mapping the creative economy, this Report analyses alternatives and suggests an extensible model based on trade flows. • Intellectual property rights are increasingly more important as a tool for capitalizing on the creative industries. • Technology plays a key role in the creative economy for content production and distribution. • Report aims to assist developing countries to harness their creative economies and to maximize development gains by recognizing the creative economy as a feasible option for linking economic, technological, social and cultural development objectives in a globalizing world. • This Report covers: – discussing concepts, methods and the structure of the creative economy; – sharing evidence-based analysis confirming that the creative industries constitute a new dynamic sector in international trade; and – suggesting directions for policy strategies.