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Venetian Renaissance Art 16th Century
Venetian Renaissance: Believed they were superior to Florence and  Rome Greatest commercial sea power in the Mediterranean Protected by water  Controlled  the sea routes on the Adriatic Sea Wealthy and secure patrons of the arts Byzantine heritage promoted glorious patterns that underscored light and color Contributed textiles, gold, enamel glass, mosaic, fine printing and bookbinding in encouraging the arts. First to use oil on wood and canvas First to cover walls with paintings instead of frescos
Giovanni Bellini, Portrait of Doge Leonardo Loredan, 1501-1502, Venice
Giorgione, The Tempest, c.1506, Venice
Titian, The Pastoral Concert or Allegory on the Invention of Pastoral Poetry, 1510, Venice
Lavina Fontana, Noli me Tangere, 1581,Bologna, Italy
Art and the Counter Reformation: Under Pope Clement VII Charles V attacked Rome . Vatican had underestimated the powerful Reformation Finally Pope Paul III  recognized the Protestant movement in order to protect the Vatican. He convened the Council of Trent (1545-1549) to: 	 investigate corruption 	 define the Catholic canon 	 initiate disciplinary reforms  	 regulate the training of clerics 	 limited Christian art 	 destroyed many works.  Pope Paul III instituted the Inquisition Hence, art became a powerful weapon of propaganda.
Michelangelo, Last Judgment, Sistine Chapel, 1536-1541
Veronese, Feast in the House of Levi, 1573, Rectory of Santi Giovanni e Paolo. Venice
Titian,  “Venus” of Urbino,, c.1538 Venice  1538, Venice
Mannerism 1520- 1573
Mannerism: from Maneria meaning “style” Titled by Art Historians after Raphael’s death in 1520 Conventions:  ,[object Object]
spurious
 grace
elegance
 manipulated and altered formal convention
 contrived compositions
illogical spatial surroundings
elongated proportions
complicated
 artificial poses
enigmatic gestures

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