The former Cinema Airone/Stellarium building in Rome has been assigned to a non-profit cultural organization by the city. While the building structure is still intact after years of abandonment, it requires cleaning and repairs before it can be safely used. A proposed work schedule outlines repairs to the domed ceiling, roof, electrical systems, stage area, and other features. The total estimated cost of the suggested repairs is around 40,000 Euros.
Farnsworth house and S.R Crown hall by Mies Van der Rohe- Case studyAnqaParvez
A presentation on modern architecture structures by Ludwig
Mies Van der Rohe - Farnsworth house and S.R Crown hall case study architecture by 2018 Batch SOA Kashmir
IWCE 2013: Ways Wireless is Changing the WorldDrew Lentz
A presentation I gave at IWCE 2013 entitled Ways Wireless is Changing the World. Covering voice, data, and wireless communications from pagers to cell phones and from newspapers to iPad.
Rio Grande City, Texas Wi-Fi for EDC WorkshopDrew Lentz
A theoretical plan for building a downtown wireless wi-fi mesh corridor for the City of Rio Grande City, Texas, presented to the Rio Grande City Economic Development Corporation
Farnsworth house and S.R Crown hall by Mies Van der Rohe- Case studyAnqaParvez
A presentation on modern architecture structures by Ludwig
Mies Van der Rohe - Farnsworth house and S.R Crown hall case study architecture by 2018 Batch SOA Kashmir
IWCE 2013: Ways Wireless is Changing the WorldDrew Lentz
A presentation I gave at IWCE 2013 entitled Ways Wireless is Changing the World. Covering voice, data, and wireless communications from pagers to cell phones and from newspapers to iPad.
Rio Grande City, Texas Wi-Fi for EDC WorkshopDrew Lentz
A theoretical plan for building a downtown wireless wi-fi mesh corridor for the City of Rio Grande City, Texas, presented to the Rio Grande City Economic Development Corporation
A short and elaborate Case Study on Metropol Parasol located at Seville (Spain) for the course of Urban Design from students of 7th Semester Architecture at VNIT, Nagpur (August- December 2016)
Structural estimate
ROOF SAILS
PODIUM
UNDER GROUND
LOADING DUCKS
NORTHERN
BROADWALK
WESTERN
BROADWALK
EASTERN
BROADWALK
MAN 0’WAR
STEPS AND JETTY
CONCRETE
HALL SHELLS
MONUMENTAL STEPS FORECOURT LOWER
CONCOURSE
Structural estimate
• There were significant changes to the original plans of the Sydney Opera
House. Also, the construction was commenced before the finalized
designs.
• Elements erection – highly advanced methods (post-tensioning for shells).
Roof Sails:
• Most recognizable part of the Opera House.
• Due to full exposure to marine environment, There might be
failure in ceramic tile skin or for grouting inside the post-
tensioning ducts.
• So, more focus should be given to investigate the structural
performance.
Tile lids:
• Concrete ribs in the sails clad in 3382 chevron shaped tile
lids which hold ceramic tiles in place.
• A new approached was developed for the tile lid to achieve
3D spherical geometry of the frame work.
• Thin acrylic flat mesh gives adjacent support for the surface.
Structural estimate
Lower concourse:
• Completed in 1988.
• Original intention was to provide with covered access and facilities
supporting the Opera House
• Sea wall treatment and the configuration of Lower Concourse
became highly successful.
Concrete conservation:
• Opera house regularly monitors & prevents the corrosive maintenance of
concrete and other fabric
• Purpose – long lasting strategies for concrete.
• Dr. Nutt worked for the structural engineering helped to focus the areas
for concrete conservation.
Roof Shells:
• All the roof shapes are derived from the single sphere, which shares the common
radius.
• The design solution for the shells was a major feat by ultzon and ove Arup & partners.
• Intensive efforts were made to hold self sustaining without reinforcement
Structural estimate
Roof Pedestals:
• Roof pedestals are steel reinforced concrete structures at the base of the roof
sails, exposed to natural elements.
• Due to rainwater runoff, erosion and biological growth can be noticed.
• Protective coatings and other measures became inefficient.
• Pedestals became high heritage significance.
Broad walks:
• There are 3 types of broad walks:
Northern broad walk
Western broad walk
Eastern broad walk
• Western and Northern broad walks rest on steel
reinforcement concrete piers. These piers are embedded
into harbor floor.
• Granite aggregate slabs used to clad the broad walks.
Podium:
• Its construction became an engineering event.
• Purpose – continuous reinforced concrete which rises
from the ground and overlooks the harbor.
Structural estimate
Underground loading docks:
• There is an underground loading docks under
the covered concourse accessed through tunnel
entry from the south-western side of the
forecourt.
• Loading equipment, barriers are painted in
bright yellow for indication.
Glass wall:
• Glass wall – an engineering achievement.
• The construction of glas.
Envelops: It is the physical separator between the conditioned and unconditioned environment of a building including the resistance to air, water, heat, light, and noise transfer. The building envelope a usually consists of its roof, subfloor, exterior doors, windows and exterior walls
Credits :
Alafiya Talib
Pankaj Nandargikar
Avita Noronha
Lulua Nazir
Rukaiya Shaikh
Tarabkhanam Shaikh
Karan Anthony
Fahad Shaikh
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
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A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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Architectural Report
Former Cinema Airone/Stellarium - Via Lidia 44, Rome
Land registry information: fg. 900, partt. 169-170
Introduction
The site of the former movie theater “Cinema Airone/Stellarium” has been assigned to
The Actors Center-Roma, a non-profit cultural organization, by the City of Rome's
Patrimony and Housing Department, via a Temporary Assignment Memo dated June 1,
2010.
The site has been abandoned since 1998. Immediately preceding that date, it was being
used as a discotheque.
The report outlining the historical and artistic significance of the site, compiled by the
City of Rome's Soprintendenza per i Beni Architettonici e il Paesaggio on December 15,
2009, featured a) the intrinsic value of the building's architecture, an original creation by
architect Adalberto Libera, one of the leaders of Italy’s rationalism movement, and b) the
presence of a large mural painted by Giuseppe Capogrossi spanning the ceiling of the
main entrance, hidden from view by successive decorations.
The current administration has made no explicit guarantee they will take on the
costs and responsibilities for cleaning, extraordinary maintenance and meeting legal
safety requirements for the building.
The cultural organization The Actors Center-Roma requires the space for mixed
artistic purposes and currently possesses a limited ability to cover costs for initial
restructuring and regular maintenance. Therefore, before any discussion takes place
on future usage, we will limit our current observations to a brief description of the
basic features needed to make the building safe and usable.
The following is a brief work schedule, prioritized according to safety, usage and
economic requirements. Features are listed alongside suggested work and
corresponding estimates that may be used to create a future detailed cost
breakdown.
2. General state of the building
Despite having been abandoned for an extended period of time, the former Cinema
Airone/Stellarium appears integral. Formal usage came to an abrupt end, as the
building is littered with chairs, seats, magazines, pamphlets, decorations, all sorts of
perishable items, including food and beverages, with items still lying in storage areas
and lockers. The building requires both regular and extraordinary maintenance. It was
last used as a discotheque and therefore features: a) several large metallic structures
that served to create VIP-areas and provide support for lighting fixtures - some
spanning the entire roof of the theater (without contact with the actual roof); b) an
extension of the original stage, created in steel and brick, with an additional structure in
glass and steel added on at a later date; c) the Capogrossi mural, currently covered by
a layer of blue paint, spanning the entire ceiling of the entrance stairwell; c) theater
lights subsequently substituted by plastic globes used to reflect nightclub-type lighting.
The building’s electrical system is generally in good condition, with current-generation
circuit breakers, switchboards and control boxes that meet legal standards. Some of the
wiring has been altered and requires modification to match modern standards.
The plumbing system has been altered, with some substitution of the original pipes and
valves. In a closet located on the lower level, condensation has rusted a mainpipe but,
generally speaking, the plumbing systems works well and presents no significant leaks.
Below, please find a detailed description of several of the building’s features, followed by
suggested actions:
1. An outdoor neon sign right outside the front entrance features the name Cinema
Stellarium (and refers to a subsequent renaming of the building).
We suggest keeping this structure as a feature, even if the site changes its name.
2. The front entrance stairwell featuring the mural by Capogrossi. Today the mural is
covered by a layer of blue acrylic paint.
For a complete and correct refurbishment of the theater, the hidden mural should be
restored, ideally with the help of art restoration education programs or the creation of
a tender or contest to restore the mural in line with the original philosophy of the
theater. The surface area that requires restoration is 88 square meters.
3. The ceiling of the Cinema Airone consists entirely of a large metallic structure. The
inside of the dome is covered in welded steel cement-coated netting. The outside of
the dome is covered with rectangular bricks and sealing panels coated with a
waterproof bituminous sealant. The interior of the ceiling, originally covered by a
textured material, currently features acrylic paint and a smattering of rhombus-
shaped soundproofing panels. The type of acrylic paint adopted did not permit an
appropriate exchange of air, which has caused the paint to peel off in several areas.
Almost all of the sooundproofing panels have begun to detach from the oval roof.
The original lighting was mounted using holes found in the dome itself and have
been replaced by plastic mirrored globes designed to reflect the (discotheque)
strobelights. These have been tied to the ceiling’s holes with steel wire.
The entire interior surface of the domed ceiling requires a thorough scraping,
followed by removal of all the paint and soundproofing panels, and an appropriate
number of coats of new paint or, ideally, a wood-panel covering.
4. The outside of the dome has been covered with waterproofing panels and a layer of
bituminous sealant and tar. The brush strokes become thinner as one moves to the
western sloped ceiling, thinning out completely at the end of the surface. In this area,
the sealing panels have risen and curled up. Here and in other areas, vegetation has
begun to take root. This has created a series of conspicuous leaks with water
dripping down to the theater floor below.
3. Work must begin as soon as possible to limit any future damage that may affect the
statics of the building. A general cleaning, including replacing the roof panels that
have curled up, and a tarring of the entire surface along with the addition of a
waterproof epoxy resin covering, is required.
ESTIMATED COST approx. 25,000.00 Euro
5. The orchestra/spectator area features an iron-tube structure originally used to
support the discotheque’s lights. Despite some minor rust, it is structurally sound.
The raised platforms at the sides are in an advanced state of erosion due to water
damage from the water leaking in through the roof. The aesthetics of the domed roof
are currently compromised by the large metal mounting racks.
Due to the cumbersome size and advanced state of erosion of the metal structures
fixing them would prove useless and costly, besides the fact that they don’t
correspond to the original state of the unique dome. Disassembly requires
cutting/sectioning of the tubing and transport to a local dump.
ESTIMATED COST approx. 1,000.00 Euro
6. The stage has been widened by adding steel pipes supporting a transparent
plexiglass flooring welded onto a brick structure. Currently the stage lacks any
lighting. Switchboards, circuit breakers, boxes and outlets meet legal requirements.
Electrical features must be secured and some rewiring is required. Lighting must be
reactivated by purchasing appropriate custom lighting fixtures. The size and shape of
the stage is currently not fit for the intended use, though a later restructuring (not
urgent) can easily be implemented.
ESTIMATED COST approx. 6,000.00 Euro
7. The foyer bar is modern and may be used. Just above it is a series of metal-pipe
structures designed to support areas once used as VIP-sections. These are in good
shape. Service areas, bathrooms, changerooms, closets, technical booths, the
kitchen, offices and ticket booth are not in bad shape. To be used, they require
some ordinary maintenance. The plumbing system is in working order, some piping
has already been replaced, a limited amount of piping features advanced rust due to
condensation. A general painting and stucco is suggested, along with fixing the
deteriorated plumbing. 820 square meters require whitewashing.
ESTIMATED COST OF PAINTING 7,000.00 Euro
Surface areas (in square meters)
Stage 100
Orchestra/seating area (max. horiz. 9.4m) 668
Domed roof 1000
Atrium/entrance 90
Stairwell 88
Offices and ticket booth 21
Warehouse Area 1 23
Foyer 42
Bar 51
Coat Check Area 30
Washroom 1 10
Washroom 2 10
Warehouse Area 2 7
Kitchen approx 60
Technical, warehouses and hallways approx 100
Changerooms 16