The document outlines a production concept for a pop punk music video for the song "American Idiot" by Green Day. It will feature shots of the band performing, as is conventional for the genre. The video will tell a narrative of teenage rebellion and liberation through angst-filled youths. Scenes will be filmed in run-down public areas using props like instruments, cigarettes, and spray paint to portray the genre's themes of rebellion and youth culture. Costumes, hairstyles, and makeup of the band members will be casual to appear relatable to young fans of pop punk music.
The document outlines a concept for a pop punk music video. It will feature the band Modern Baseball and accompany their song "Your Graduation". Shots of the band performing will be included, along with a narrative storyline involving three 18-year-olds depicting themes of love, breakups, and rebellion. Footage will be filmed in run-down settings and include props like instruments, alcohol, and pizza. The band in the video will have three members—two males and one female—all around 18 years old, wearing casual clothes like skinny jeans and band t-shirts. The video will be fast-paced and edited to match the upbeat nature of the pop punk song.
The band profile summarizes key details about the band The Big Channel including their name, age, album titles, genre, style, and contemporaries. The objectives section outlines goals to make the band nationally and globally recognized within a year by collaborating with other pop punk bands, selling 95,000-100,000 records in the first month, and gaining recognition through live performances and social media. The document provides information on targeting 16-25 year old females, using various media platforms like YouTube and magazines to promote the band, and selling merchandise to generate interest.
Country and western music originated from folk songs brought by English, Scottish and Irish settlers to the US southeast in the 18th century. The genre began to take shape in the 1920s with the first commercial recording and further development of radio, recording, touring and publishing industries. Popular artists mentioned include Taylor Swift, Johnny Cash, Billy Ray Cyrus, The Carter Family and Dolly Parton. Country music audiences have diversified but still include a core base of older rural and working class fans. Music videos are discussed for Taylor Swift, Shania Twain, Billy Ray Cyrus and Dolly Parton showing different styles and ways they appeal to target audiences. Album cover links to videos and images are also analyzed.
The document analyzes and compares three music videos: Beyoncé's "Pretty Hurts", Maroon 5's "Girls Like You", and Sia's "Chandelier". It discusses the target audiences, conventions, and conceptual elements of each video. Beyoncé's video focuses on empowering women and uses conventions like fashion and makeup to portray expectations of beauty. Maroon 5's upbeat video features Adam Levine with different female superstars to represent equality. Sia's obscure, unconventional video fits her electropop genre and emphasizes the song's gloomy lyrics through its wide shots and setting.
The document outlines marketing and PR objectives for relaunching the band Crumple Zone through a "Greatest Hit" tour spanning New Zealand to California over the Christmas holidays. It profiles the band members, now aged 60, and analyzes their core audience of women in their 50s who were fans in the band's heyday in the 1970s. It discusses targeting this audience through TV, radio, magazines, and social media to promote their new album and tour, with the goals of selling 2 million albums and raising awareness. Internal and media motivations for the project focus on reconnecting with loyal fans and generating interest in the band's comeback.
The marketing objectives are to promote Crumple Zone's comeback tour titled "Summon Impossible Dreams: Greatest Hit Tour" through Christmas holidays in locations from New Zealand to California. The tour will feature their previous hit songs and new album to attract both long-time fans and promote their new music. The target audience is women in their 50s who were fans in their youth as they are still interested in the band's music and personalities. The marketing plan involves radio airplay, talk show appearances, and magazine interviews to promote their new album and sell an estimated 2 million copies to gain publicity.
Blink-182 are an American punk rock band formed in 1992. Their 1999 single "All the Small Things" was a major commercial success that helped make them one of the biggest pop punk bands of their era. The music video for the song parodys and references other popular music videos of the time as a way of subverting genre conventions, in line with the punk ethos of rebellion and nonconformity. It features various costume changes, camera techniques like close ups and fish eye lenses, and scenes of the band enjoying wealth and freedom on a beach.
The document summarizes market research conducted to inform the production of a music video. A questionnaire was distributed to 20 individuals with a range of ages and genders. Most respondents were ages 17-21 and watched music videos on YouTube. The most popular music genres were indie, pop, and R&B. Most preferred an abstract style for the video and a happy narrative. The research will influence creative choices for the video, such as using a pop/rap hybrid genre, abstract style, happy narrative, and conventions like attractive artists, dancing, and costumes.
The document outlines a concept for a pop punk music video. It will feature the band Modern Baseball and accompany their song "Your Graduation". Shots of the band performing will be included, along with a narrative storyline involving three 18-year-olds depicting themes of love, breakups, and rebellion. Footage will be filmed in run-down settings and include props like instruments, alcohol, and pizza. The band in the video will have three members—two males and one female—all around 18 years old, wearing casual clothes like skinny jeans and band t-shirts. The video will be fast-paced and edited to match the upbeat nature of the pop punk song.
The band profile summarizes key details about the band The Big Channel including their name, age, album titles, genre, style, and contemporaries. The objectives section outlines goals to make the band nationally and globally recognized within a year by collaborating with other pop punk bands, selling 95,000-100,000 records in the first month, and gaining recognition through live performances and social media. The document provides information on targeting 16-25 year old females, using various media platforms like YouTube and magazines to promote the band, and selling merchandise to generate interest.
Country and western music originated from folk songs brought by English, Scottish and Irish settlers to the US southeast in the 18th century. The genre began to take shape in the 1920s with the first commercial recording and further development of radio, recording, touring and publishing industries. Popular artists mentioned include Taylor Swift, Johnny Cash, Billy Ray Cyrus, The Carter Family and Dolly Parton. Country music audiences have diversified but still include a core base of older rural and working class fans. Music videos are discussed for Taylor Swift, Shania Twain, Billy Ray Cyrus and Dolly Parton showing different styles and ways they appeal to target audiences. Album cover links to videos and images are also analyzed.
The document analyzes and compares three music videos: Beyoncé's "Pretty Hurts", Maroon 5's "Girls Like You", and Sia's "Chandelier". It discusses the target audiences, conventions, and conceptual elements of each video. Beyoncé's video focuses on empowering women and uses conventions like fashion and makeup to portray expectations of beauty. Maroon 5's upbeat video features Adam Levine with different female superstars to represent equality. Sia's obscure, unconventional video fits her electropop genre and emphasizes the song's gloomy lyrics through its wide shots and setting.
The document outlines marketing and PR objectives for relaunching the band Crumple Zone through a "Greatest Hit" tour spanning New Zealand to California over the Christmas holidays. It profiles the band members, now aged 60, and analyzes their core audience of women in their 50s who were fans in the band's heyday in the 1970s. It discusses targeting this audience through TV, radio, magazines, and social media to promote their new album and tour, with the goals of selling 2 million albums and raising awareness. Internal and media motivations for the project focus on reconnecting with loyal fans and generating interest in the band's comeback.
The marketing objectives are to promote Crumple Zone's comeback tour titled "Summon Impossible Dreams: Greatest Hit Tour" through Christmas holidays in locations from New Zealand to California. The tour will feature their previous hit songs and new album to attract both long-time fans and promote their new music. The target audience is women in their 50s who were fans in their youth as they are still interested in the band's music and personalities. The marketing plan involves radio airplay, talk show appearances, and magazine interviews to promote their new album and sell an estimated 2 million copies to gain publicity.
Blink-182 are an American punk rock band formed in 1992. Their 1999 single "All the Small Things" was a major commercial success that helped make them one of the biggest pop punk bands of their era. The music video for the song parodys and references other popular music videos of the time as a way of subverting genre conventions, in line with the punk ethos of rebellion and nonconformity. It features various costume changes, camera techniques like close ups and fish eye lenses, and scenes of the band enjoying wealth and freedom on a beach.
The document summarizes market research conducted to inform the production of a music video. A questionnaire was distributed to 20 individuals with a range of ages and genders. Most respondents were ages 17-21 and watched music videos on YouTube. The most popular music genres were indie, pop, and R&B. Most preferred an abstract style for the video and a happy narrative. The research will influence creative choices for the video, such as using a pop/rap hybrid genre, abstract style, happy narrative, and conventions like attractive artists, dancing, and costumes.
This document outlines plans for a music video production that will be conventional and appeal to its target audience. The production will feature two teenage friends portrayed through fast-paced editing going about their daily responsibilities at school/work and enjoying carefree times at parties. Scenes will cross-cut between the two environments to contrast their behaviors. The music video will last 3-5 minutes and feature fashionable outfits, bold makeup, and lighting/editing techniques common to the pop music genre. Research found the target audience prefers these kinds of portrayals and settings to feel represented. Overall, conventions will be followed to distribute the video through Universal Music Group and appeal to its young female viewers.
The document discusses analyzing the target audience for the song "Bird Set Free" by Sia. It notes that while the target audience for pop and electropop music can be wide-ranging, Sia's music often appeals to older audiences due to mature lyrics. Research showed the most common age group listening to electric pop is 25-35. Surveys found that both males and females from ages 15-45 listen to the genre, attracted by catchy beats and ability to relate emotionally. Typical traits of the target audience are enjoying powerful music and serious themes. Examples are provided of hypothetical male and female listeners in their late teens to late 20s who enjoy pop music socially or during activities.
The document discusses analyzing the target audience for the song "Bird Set Free" by Sia. It notes that while the target audience for pop and electropop music can be wide-ranging, Sia's music often appeals to older audiences due to mature lyrics. Research showed the most common age group listening to electric pop is 25-35. Surveys found that both males and females from ages 15-45 listen to the genre, attracted by catchy beats and ability to relate emotionally. Typical traits of the target audience are enjoying powerful music and serious themes. Examples are provided of hypothetical male and female listeners in their late teens to late 20s who enjoy pop music socially or during activities.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
The document discusses magazine advertisements for various music artists found in Q Magazine and Kerrang Magazine. Q Magazine targets older music fans over 25 years old and features many genres of music. The ads in Q Magazine primarily feature pop artists like Paloma Faith and Lily Allen promoting their image. Kerrang Magazine is devoted to rock music and its ads feature heavy metal/rock bands like Slipknot, Die Antwoord, and Motorhead using dark imagery and fonts typical of those genres rather than the artists' images. The ads vary greatly between the magazines depending on their intended audience and music genres covered.
The document provides information about the target audience for a music video about a World War 2 veteran remembering his time as a prisoner of war. The primary target audience is teenagers aged 16-25 who listen to rock music. The secondary target audience is older people aged 75+ who lived through the war. The music video will attract both audiences by featuring people of different ages and genres of rock music, and by portraying realistic experiences of being a prisoner of war that both groups can relate to.
Hölzl is a four-piece indie rock/pop band promoting their second album. The objectives are to push them to the front of the indie scene and sell around 100,000 albums globally in the first week. The target audience is teenagers and young adults who like bands such as Haim and Chvrches. Social media will be heavily used to promote the new single and album, along with TV appearances, radio play, and a promotional tour. Merchandise will include an exclusive vinyl and fan-designed merchandise. The key messages are that the band has longevity and their music proves alternative music can be popular and catchy.
The document discusses the results of a survey given to students aged 16-20 about their music preferences and tastes. The survey found that rock and alternative rock were the most popular genres. It also asked students about their favorite songs and music videos. Responses varied widely but many were subgenres of rock. The document discusses using the survey results to help the author construct their own music video for an alternative rock song in a way that will appeal to the target audience.
This document provides details for planning the production of the front cover and contents page for the first issue of "The Alternative" music magazine.
The front cover will feature a photo of Leah Holloway looking edgy in dark makeup and alternative clothing. Coverlines will promote featured artists in stamped text boxes at random angles.
The contents page will include the editor's message, feature articles on various artists, and a main image of Tommy Pym playing guitar. It will also include thumbnail photos of Leah and guitar accessories.
A double-page spread will feature an interview and rehearsal photo of an amateur band, exploring their inspiration and ambitions to make it in the music industry professionally.
1) The music video for "New York" by Paloma Faith conforms to several conventions of music videos, such as matching the visuals to the lyrics and music. However, it challenges conventions by not including dancing or sexualizing the artist to better match the despondent tone of the song.
2) The magazine advertisement uses conventions like prominently featuring the artist's image and including the album and artist names. However, it also includes social media information atypical of magazine ads to better target younger audiences.
3) The digipak represents the genre through its visuals like using bright colors for pop. But atypical facial expressions subvert expectations and images from the music video provide further recognition to
Q magazine targets older music fans and features many genres of music. Advertisements in Q magazine primarily feature photos of pop artists like Paloma Faith and Lily Allen to promote their music and public image. Advertisements in Kerrang magazine, which focuses on rock music, do not typically feature photos and instead use fonts, graphics and information like tour dates to promote bands like Slipknot and Motorhead. The style of advertisements varies between magazines depending on the targeted genre and audience.
This document provides plans for the production of the first issue of a music magazine called "The Alternative".
The front cover plans include using a medium shot of singer Leah Holloway looking down at the camera from above with lighting from above to make her stand out. She will have black nails, two buns in her hair, minimal makeup with dark purple lipstick, and will wear a black choker, white dress, denim jacket, black tights, and Dr. Marten shoes to look rebellious.
The contents page plans include feature articles on various artists, regular content sections, and thumbnail photos of Leah making faces and guitar accessories in black and white to give an edgy feel.
This document provides plans for the production of a music magazine called "The Alternative".
The front cover plans include a medium shot of singer Leah Holloway looking down at the camera from above with minimal makeup but dark purple lipstick. Coverlines will promote featured artists in stamped boxes at random angles.
The contents page will list regular sections like posters, reviews of gigs and concerts, competitions, puzzles and feature articles on various artists. The main image is of up-and-coming artist Tommy Pym playing guitar on stage. Additional thumbnail photos include close-ups of Leah's faces and guitars.
A double-page article will interview amateur band Just Noise, asking questions about their musical inspiration and ambitions
The document summarizes the results of a questionnaire about music video preferences. It finds that most respondents were female aged 16-20 who prefer pop and rock music. Respondents said they watch music videos primarily to be entertained but also to identify with artists. They indicated the artist's performance was the most important element and they prefer performance-based over narrative-based videos. Common favorite artists named were Taylor Swift, Jason Mraz, and Katy Perry. The document concludes narrative and strong performances should be included to make the target music video appealing.
The document discusses the history and characteristics of the pop music genre. It provides definitions of pop music and discusses its origins in the 1920s and development over time by absorbing influences from various other genres. Some key pop artists mentioned include Adele, Jessie J, and Bruno Mars. Pop magazines typically feature images of famous artists on their covers along with articles on celebrities, fashion, music, and competitions to engage readers.
This video analyzes Katy Perry's "Thinking of You" music video through several paragraphs. It discusses the narrative elements of the video, with Katy portraying a character and flashbacks showing her relationship. Neutral colors are used to focus on the story. Katy wears risque costumes from the 1940s but the camera focuses on her face rather than being overly sexualized. References to her appearance help popularize her as an artist. The analysis also discusses conventions like fade effects and jump cuts used in the editing of pop videos.
This document provides planning details for the production of a music magazine called "The Alternative". It includes plans for the front cover photo shoot featuring Leah Holloway, coverlines, a contents page with article summaries and images. It also includes details for a double page interview spread with an amateur band including photo plans and interview questions. The goal is to portray an edgy, alternative style through the visuals and content to match the genre of music covered.
Havells India Limited is an electrical goods company founded in 1958 that manufactures ceiling fans. Havells fans fall under five categories: regular fans, energy saving fans, special finish fans, decorative fans, and premium underlight fans. Premium underlight fans are the most expensive but also the most attractive, energy efficient, high performing, and come with features like copper blades and remote controls. The document provides examples of different types of Havells ceiling fans and their key features.
This document defines product concept and provides examples of its implementation. Product concept is a process where a product is continually evolved over time to better satisfy customer needs. Apple is given as a strong example, as they followed product concept closely in upgrading their iPhone models with new features and improved design based on customer demand. In contrast, Blackberry failed to adequately follow customer demands and product concept, limiting their features and user friendliness. The conclusion stresses the importance of innovation and independent decision making to create the best products and advance lifestyle.
This document discusses key concepts related to production including process, efficiency, productivity, and throughput. It provides examples to illustrate these concepts and how they are calculated. Specifically, it defines production as the number of outputs from a process. Efficiency is the ratio of output to input, while productivity expresses efficiency as a ratio of output to time. Throughput is the net output after all process steps. The document also discusses factors that affect productivity and the concept of line balancing to reduce bottlenecks and idle time.
This document discusses production economics and production functions. It defines a production function as relating the maximum output that can be produced from a given set of inputs. It then discusses the concepts of marginal product and average product in both numerical and graphical examples. It introduces the law of diminishing returns and three stages of production. Finally, it discusses long-run production functions and isoquants, and introduces the Cobb-Douglas production function.
Marketing presentation of product conceptSantosh Gauda
This document discusses various aspects of products including definitions, classifications, product mixes, life cycles, packaging, and labeling. It defines a product as anything offered in a market to satisfy a want or need. Products are classified as consumer or industrial, with consumer further broken down into convenience, shopping, and specialty products. It provides examples of product mixes and discusses the typical life cycle stages of introduction, growth, maturity, and decline. The document also defines packaging and labeling, covering their primary functions to protect, store, and transport products, as well as secondary functions like promotion and sales.
This document outlines plans for a music video production that will be conventional and appeal to its target audience. The production will feature two teenage friends portrayed through fast-paced editing going about their daily responsibilities at school/work and enjoying carefree times at parties. Scenes will cross-cut between the two environments to contrast their behaviors. The music video will last 3-5 minutes and feature fashionable outfits, bold makeup, and lighting/editing techniques common to the pop music genre. Research found the target audience prefers these kinds of portrayals and settings to feel represented. Overall, conventions will be followed to distribute the video through Universal Music Group and appeal to its young female viewers.
The document discusses analyzing the target audience for the song "Bird Set Free" by Sia. It notes that while the target audience for pop and electropop music can be wide-ranging, Sia's music often appeals to older audiences due to mature lyrics. Research showed the most common age group listening to electric pop is 25-35. Surveys found that both males and females from ages 15-45 listen to the genre, attracted by catchy beats and ability to relate emotionally. Typical traits of the target audience are enjoying powerful music and serious themes. Examples are provided of hypothetical male and female listeners in their late teens to late 20s who enjoy pop music socially or during activities.
The document discusses analyzing the target audience for the song "Bird Set Free" by Sia. It notes that while the target audience for pop and electropop music can be wide-ranging, Sia's music often appeals to older audiences due to mature lyrics. Research showed the most common age group listening to electric pop is 25-35. Surveys found that both males and females from ages 15-45 listen to the genre, attracted by catchy beats and ability to relate emotionally. Typical traits of the target audience are enjoying powerful music and serious themes. Examples are provided of hypothetical male and female listeners in their late teens to late 20s who enjoy pop music socially or during activities.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
The document discusses magazine advertisements for various music artists found in Q Magazine and Kerrang Magazine. Q Magazine targets older music fans over 25 years old and features many genres of music. The ads in Q Magazine primarily feature pop artists like Paloma Faith and Lily Allen promoting their image. Kerrang Magazine is devoted to rock music and its ads feature heavy metal/rock bands like Slipknot, Die Antwoord, and Motorhead using dark imagery and fonts typical of those genres rather than the artists' images. The ads vary greatly between the magazines depending on their intended audience and music genres covered.
The document provides information about the target audience for a music video about a World War 2 veteran remembering his time as a prisoner of war. The primary target audience is teenagers aged 16-25 who listen to rock music. The secondary target audience is older people aged 75+ who lived through the war. The music video will attract both audiences by featuring people of different ages and genres of rock music, and by portraying realistic experiences of being a prisoner of war that both groups can relate to.
Hölzl is a four-piece indie rock/pop band promoting their second album. The objectives are to push them to the front of the indie scene and sell around 100,000 albums globally in the first week. The target audience is teenagers and young adults who like bands such as Haim and Chvrches. Social media will be heavily used to promote the new single and album, along with TV appearances, radio play, and a promotional tour. Merchandise will include an exclusive vinyl and fan-designed merchandise. The key messages are that the band has longevity and their music proves alternative music can be popular and catchy.
The document discusses the results of a survey given to students aged 16-20 about their music preferences and tastes. The survey found that rock and alternative rock were the most popular genres. It also asked students about their favorite songs and music videos. Responses varied widely but many were subgenres of rock. The document discusses using the survey results to help the author construct their own music video for an alternative rock song in a way that will appeal to the target audience.
This document provides details for planning the production of the front cover and contents page for the first issue of "The Alternative" music magazine.
The front cover will feature a photo of Leah Holloway looking edgy in dark makeup and alternative clothing. Coverlines will promote featured artists in stamped text boxes at random angles.
The contents page will include the editor's message, feature articles on various artists, and a main image of Tommy Pym playing guitar. It will also include thumbnail photos of Leah and guitar accessories.
A double-page spread will feature an interview and rehearsal photo of an amateur band, exploring their inspiration and ambitions to make it in the music industry professionally.
1) The music video for "New York" by Paloma Faith conforms to several conventions of music videos, such as matching the visuals to the lyrics and music. However, it challenges conventions by not including dancing or sexualizing the artist to better match the despondent tone of the song.
2) The magazine advertisement uses conventions like prominently featuring the artist's image and including the album and artist names. However, it also includes social media information atypical of magazine ads to better target younger audiences.
3) The digipak represents the genre through its visuals like using bright colors for pop. But atypical facial expressions subvert expectations and images from the music video provide further recognition to
Q magazine targets older music fans and features many genres of music. Advertisements in Q magazine primarily feature photos of pop artists like Paloma Faith and Lily Allen to promote their music and public image. Advertisements in Kerrang magazine, which focuses on rock music, do not typically feature photos and instead use fonts, graphics and information like tour dates to promote bands like Slipknot and Motorhead. The style of advertisements varies between magazines depending on the targeted genre and audience.
This document provides plans for the production of the first issue of a music magazine called "The Alternative".
The front cover plans include using a medium shot of singer Leah Holloway looking down at the camera from above with lighting from above to make her stand out. She will have black nails, two buns in her hair, minimal makeup with dark purple lipstick, and will wear a black choker, white dress, denim jacket, black tights, and Dr. Marten shoes to look rebellious.
The contents page plans include feature articles on various artists, regular content sections, and thumbnail photos of Leah making faces and guitar accessories in black and white to give an edgy feel.
This document provides plans for the production of a music magazine called "The Alternative".
The front cover plans include a medium shot of singer Leah Holloway looking down at the camera from above with minimal makeup but dark purple lipstick. Coverlines will promote featured artists in stamped boxes at random angles.
The contents page will list regular sections like posters, reviews of gigs and concerts, competitions, puzzles and feature articles on various artists. The main image is of up-and-coming artist Tommy Pym playing guitar on stage. Additional thumbnail photos include close-ups of Leah's faces and guitars.
A double-page article will interview amateur band Just Noise, asking questions about their musical inspiration and ambitions
The document summarizes the results of a questionnaire about music video preferences. It finds that most respondents were female aged 16-20 who prefer pop and rock music. Respondents said they watch music videos primarily to be entertained but also to identify with artists. They indicated the artist's performance was the most important element and they prefer performance-based over narrative-based videos. Common favorite artists named were Taylor Swift, Jason Mraz, and Katy Perry. The document concludes narrative and strong performances should be included to make the target music video appealing.
The document discusses the history and characteristics of the pop music genre. It provides definitions of pop music and discusses its origins in the 1920s and development over time by absorbing influences from various other genres. Some key pop artists mentioned include Adele, Jessie J, and Bruno Mars. Pop magazines typically feature images of famous artists on their covers along with articles on celebrities, fashion, music, and competitions to engage readers.
This video analyzes Katy Perry's "Thinking of You" music video through several paragraphs. It discusses the narrative elements of the video, with Katy portraying a character and flashbacks showing her relationship. Neutral colors are used to focus on the story. Katy wears risque costumes from the 1940s but the camera focuses on her face rather than being overly sexualized. References to her appearance help popularize her as an artist. The analysis also discusses conventions like fade effects and jump cuts used in the editing of pop videos.
This document provides planning details for the production of a music magazine called "The Alternative". It includes plans for the front cover photo shoot featuring Leah Holloway, coverlines, a contents page with article summaries and images. It also includes details for a double page interview spread with an amateur band including photo plans and interview questions. The goal is to portray an edgy, alternative style through the visuals and content to match the genre of music covered.
Havells India Limited is an electrical goods company founded in 1958 that manufactures ceiling fans. Havells fans fall under five categories: regular fans, energy saving fans, special finish fans, decorative fans, and premium underlight fans. Premium underlight fans are the most expensive but also the most attractive, energy efficient, high performing, and come with features like copper blades and remote controls. The document provides examples of different types of Havells ceiling fans and their key features.
This document defines product concept and provides examples of its implementation. Product concept is a process where a product is continually evolved over time to better satisfy customer needs. Apple is given as a strong example, as they followed product concept closely in upgrading their iPhone models with new features and improved design based on customer demand. In contrast, Blackberry failed to adequately follow customer demands and product concept, limiting their features and user friendliness. The conclusion stresses the importance of innovation and independent decision making to create the best products and advance lifestyle.
This document discusses key concepts related to production including process, efficiency, productivity, and throughput. It provides examples to illustrate these concepts and how they are calculated. Specifically, it defines production as the number of outputs from a process. Efficiency is the ratio of output to input, while productivity expresses efficiency as a ratio of output to time. Throughput is the net output after all process steps. The document also discusses factors that affect productivity and the concept of line balancing to reduce bottlenecks and idle time.
This document discusses production economics and production functions. It defines a production function as relating the maximum output that can be produced from a given set of inputs. It then discusses the concepts of marginal product and average product in both numerical and graphical examples. It introduces the law of diminishing returns and three stages of production. Finally, it discusses long-run production functions and isoquants, and introduces the Cobb-Douglas production function.
Marketing presentation of product conceptSantosh Gauda
This document discusses various aspects of products including definitions, classifications, product mixes, life cycles, packaging, and labeling. It defines a product as anything offered in a market to satisfy a want or need. Products are classified as consumer or industrial, with consumer further broken down into convenience, shopping, and specialty products. It provides examples of product mixes and discusses the typical life cycle stages of introduction, growth, maturity, and decline. The document also defines packaging and labeling, covering their primary functions to protect, store, and transport products, as well as secondary functions like promotion and sales.
The document discusses key marketing concepts related to products. It defines products, consumer products, and different types of consumer products. It also defines product items, product lines, and product mixes. The document then describes marketing uses of branding, packaging, labeling, and product warranties. It discusses how branding can benefit companies through product identification, repeat sales, and new product sales. Global issues in branding and packaging like adaptations and labeling requirements are also covered.
This document provides an overview of key concepts related to product marketing including:
1) It defines products, different types of consumer products, and discusses product items, lines, and mixes.
2) It describes the marketing uses of branding, packaging, and labeling. It also discusses global issues related to branding and packaging.
3) It explains the importance of product warranties as a marketing tool and defines express and implied warranties.
- A product concept is an idea for a new product that includes its form, the technology behind it, and the customer benefit it provides. All three elements are needed for a viable product concept.
- There are two main approaches to generating product concepts: gathering existing ideas from sources like customers, employees, and vendors, or using a managed process run by a new products team.
- The best way to develop a product concept is to start with identifying a customer benefit and need, then developing the technology to enable it, and finally determining the product form. This helps ensure the concept actually solves a problem for customers.
A product is defined as a bundle of attributes that have the potential to satisfy customer wants in the form of goods and services. There are different categories of products including product classes like washing powder, product forms like granulated, and product brands like Persil. Consumer products are classified as convenience products, shopping products, specialty products, or unsought products based on buyer behavior. Convenience products are most frequently and routinely purchased with minimal interest in comparisons while shopping products involve more focus on quality or price comparisons. Specialty products have strong brand conviction and loyalty. Unsought products include existing products that are no longer wanted or totally new, unfamiliar products. A product consists of potential, augmented, expected, core benefit, and basic components.
This document discusses production functions and their properties. It begins by defining a production function as relating the maximum output that can be produced from a given set of inputs. It then discusses short-run and long-run production functions, the properties of average and marginal product, diminishing returns, and how to determine the optimal input mix by equalizing marginal products per dollar spent on each input. It also introduces Cobb-Douglas production functions and the concept of returns to scale.
This document discusses production economics concepts including short-run and long-run production functions, marginal product, average product, returns to scale, and cost minimization. It provides examples of production functions, calculates elasticities of output, and discusses estimating production functions from data. Managers must choose production methods to minimize costs while economists use tools like production functions to evaluate efficiency.
Difference between selling concept and marketing conceptRohan Byanjankar
Presentation of Marketing
Differences Between
Selling Concept and Marketing Concept
Selling Concept
If customers are left to themselves, they will not make the effort to buy a company’s product.
Mere sales oriented regardless of consumer want, need and value,
Primary agenda is to earn profit through larger sales volume.
Factory or Product is the initiative point of Selling Concept.
Selling of product through persuasion or different means of selling though the product have detrimental effect,
It focuses on short term as intensive focus on pushing product to the market and clearing the market as soon as possible.
Marketing Concept
Marketing concept is the management process of identifying the need of target customer , and delivering product,
Customer oriented and fosters on customer value,
Primary agenda is to earn profit through Customer Satisfaction
The loyalty of consumer is the ultimate source of profit (focus on creating hard-core loyal customer such as Apple Inc.)
Identification of need of Target market is the initial phase,
Creates wants satisfying goods and services which the consumers will want to buy.
What is offered for sale is determined not by the seller but by the buyers.
Product is the resultant of market research
Differences Between
Selling Concept
Process of selling starts with the creation of product, and pushing it to market through aggressive selling.
Marketing Concept
Process of marketing starts with the identification of customer need, creation of product based on market research, and delivering product in such as way that satisfies consumer need
...............
Three stages of production and law of diminishingIbrahim Ismail
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document classifies products in several ways:
1) By consumer habits as convenience goods that are inexpensive and frequently purchased, shopping goods that require more research, or specialty goods with premium prices.
2) By durability as nondurable goods for one-time use, durable goods that last for many uses, or intangible services.
3) For industrial goods as raw materials, component materials and parts, capital items like installations, supplies for maintenance and operations, or business services.
This document discusses production and cost concepts. It begins by listing learning outcomes related to production functions, costs, efficiency, and Cobb-Douglas production functions. It then covers short-run and long-run production functions, the law of diminishing returns, costs including total, average, and marginal costs, and the three stages of production. It provides examples of production functions and discusses the relationship between inputs and output as well as returns to scale.
The document discusses the law of diminishing marginal utility. It explains that as consumption of a good increases incrementally, the additional utility from each further unit decreases. It provides an example of a thirsty man drinking glasses of water to illustrate how marginal utility declines with successive units. A table shows total utility increasing but marginal utility decreasing as consumption rises from the first to sixth glass of water. The law assumes rational consumption aims to maximize utility subject to income constraints.
The law of diminishing returns states that when adding successive units of a variable input to a fixed input, the additional output produced by each additional variable input unit decreases beyond a certain point.
The document discusses production theory, which forms the foundation of supply theory. It covers key concepts such as:
1) Short-run vs long-run production and the fixed and variable nature of inputs.
2) Production functions and the relationship between total, average, and marginal product.
3) The law of diminishing marginal returns and the three stages of production.
4) Isoquants, isocost lines, and how firms determine optimal input combinations to minimize costs.
There are several types of product classifications. Products can be classified based on how frequently they are purchased, such as convenience goods which are bought routinely, shopping goods which require more consideration, and unsought goods which people feel forced to buy. Products are also classified based on whether they are consumer goods or services. Consumer goods are further broken down into convenience goods, shopping goods, specialty goods, and unsought goods. Manufacturers must choose appropriate distribution strategies and channels based on the type of product.
Analysis of existing products- The ScriptMediaAmelia
The video for The Script's "Man Who Can't Be Moved" uses various camera shots and angles of the lead singer to introduce him and the band to the audience. It draws on conventions of the pop rock genre through the members' clothing, instrumentation, and positioning. The album digipak for "Science and Faith" symbolically represents its themes through hand images and includes lyrics and messages to fans. The band's website prominently features live performance photos to promote an image of them as serious performers and allows fans to easily access their music, merchandise, and tour information.
The document discusses the alternative rock/indie rock music genre and audience. It provides information on:
- The genres emerged from independent music in the 1980s and grew in popularity in the 1990s, distinguishing itself from mainstream rock.
- The audience enjoys a variety of styles and does not fit stereotypes, often dressing uniquely but not extremely. They tend to be "hipsters" and teenagers who grew up with indie rock in the 2000s.
- The Killers have had particular success in the UK where the genres are more popular, showing their UK audience is likely largest.
- Music videos in the genres use elements of both narrative and performance to engage audiences interested in the music rather than images
The document discusses plans for a music video for the song "Hey There Delilah" by The Plain White T's. It will use a narrative style intercut with shots of a male artist performing the song acoustically. The target audience is fans of pop punk and soft rock between 16-25 years old. Inspiration comes from the original music video and Ed Sheeran's "All of the Stars" for incorporating lyrics and variety beyond just performance.
The document provides details for a music video pitch for the band "Checking Pulse" and their track "Best Girl". It includes descriptions of the band's style which blends elements of Paramore, You Me At Six and Forever the Sickest Kids. The target audience is described as teenagers interested in pop punk music and fashion trends. Examples are given of Paramore music videos to illustrate expectations for close-ups of band members, narrative elements, and synchronization of movement with the music. Potential narrative ideas are outlined that involve a relationship drama and moving on from a past relationship.
The document proposes a music video for the band Butterfly Stitch featuring four teenage musicians. It will feature the band performing in a white basement decorated to look like a garage. Several stylish girls will be filmed in different locations to illustrate the lyrics of the song "Flaunt It" and attract different audiences. The target audience is 15-25 year olds who will identify with the band and genre of modern rock music. Filming in a basement fits with conventions for rock music videos and aims to achieve a homemade feel.
The document analyzes a Green Day music video in the punk rock/pop punk genre. It summarizes that the video takes place in a darkened area with searchlights, symbolizing the rebellious and anti-government nature of punk rock. The narrative follows a linear structure matching the fast-paced song. The target audience is generally youth aged 15-30 who can identify with the band's message of rebellion against authority and societal norms. Both punk rock stereotypes and challenges to the genre are represented through the band's appearance, aggressive sound and style, and aim to inspire broader social change.
The document provides information about an electronic music band called Ultraviolet. It describes their name, genre as electronic/deep house with 90s R&B influences, and their target audience of teens and young adults. It outlines plans for their music video, which will tell a narrative story inspired by Romeo and Juliet about forbidden young lovers obstructed by their friends. Promotion will focus on social media to engage their target demographic.
This document provides an analysis of the music video for the song "Orthodox Man" by the indie rock band Blaenavon. The analysis examines the locations, costumes, props, performance, editing, cinematography and concludes that the video effectively portrays the indie rock genre through its portrayal of the band members in an urban environment and focuses on their musical performance over narrative. While the visuals do not directly correlate to the lyrics, the aim is to showcase the band's personalities and priority of music to appeal to audiences.
The document discusses conventions for music videos in the rock/pop punk genre. It analyzes several existing music videos to identify typical elements. Key conventions identified include showing the band playing their instruments, incorporating live performance elements like crowds, portraying the band as relatable and not overly polished, including elements of rebellion or controversy, and focusing on the music over visuals or story. The document concludes that incorporating these elements like live instrumentation, energy and movement, and some comedy will help make an original music video successful in representing the genre.
Tom Evans' presentation discusses conventions of the punk pop music video genre. It notes that typical elements include dark colors like black and purple worn by bands and audiences. Common props are musical instruments, skateboards, and drugs. Settings are often house parties and places for younger people to socialize, like car parks. Music videos usually include a narrative and close-ups of the lead singer. They last around 3 minutes 30 seconds to match song lengths. Technical elements are usually quite basic, focusing on straightforward camerawork and editing to let the music take center stage. The target audience for punk pop videos is 15-25 year olds interested in art, music, and partying.
The document discusses codes and conventions of indie rock music videos. It notes that indie rock videos typically feature male solo artists or bands playing instruments like guitar. The settings are often simple, natural locations like streets, parks or studios to give a raw, down-to-earth feel. Artists have a casual, retro style with minimal makeup. Music videos focus on live performances to showcase musical talent. Common camera shots include close-ups of emotive faces and wide shots of performances. Editing aims to match the rhythm of the song.
The document discusses the conventions used in designing an album cover for a pop-punk band. It summarizes that the front cover depicts the band in a graffiti-filled setting to connote rebellion, transitioning from summer to winter to relate to the target teenage audience. The back cover features a band member skateboarding to align with pop-punk's association with skating. Comparisons are made to other pop-punk album covers that use similar conventions around settings, poses, and minimalist designs.
Our band, Disciples of London, would appeal to our target audience of late teenagers and early adults for several reasons:
First, as members of the band are within the target demographic, our band would seem more relatable. Second, the band's fashion in the music video reflects the alternative rock genre and style of the target audience. Finally, the band has a rebellious image enhanced by the use of graffiti, which would appeal to the stereotypically rebellious nature of the target demographic.
The document describes the student's music video project for the song "Blank Space" by Taylor Swift. It includes details about choosing to make a music video, conventions used in the pop music video genre, and elements of branding across the video, album packaging, and website. Key points are that the video tells a story about a relationship with a psychotic girlfriend, conventions followed include fashionable outfits and a narrative story, and branding elements like consistent colors were used to create an identity for the artist across all parts of the project.
This document provides ideas for three music videos: Exit Wounds by The Script, Dark Horse by Katy Perry, and Autumn Leaves by Ed Sheeran. It outlines details for each video such as genre, target audience, key points, and production company. The production company chosen is Digifish based in the UK for having experience with The Script and providing a unique visual style. Marketing points would focus on the director and themes rather than stars.
My research into punk music genre conventions has enabled me to select appropriate props and costumes for an effective punk music video. Key elements include: heavy chains and studded bracelets to appear tough; black leather jackets, ripped jeans, and high-top shoes as typical punk style; logos of punk bands and alcoholic drinks to demonstrate rebellious attitudes; and battered guitars and drums to appear authentic to the working-class roots and fast-paced music of the genre. Maintaining these conventions of appearance and symbolism will help the music video properly represent the punk genre.
The document discusses music videos and their purpose. It provides examples of different music videos and analyzes their conventions and techniques. The key points are:
1) Music videos help sell songs, promote artists, and make songs more memorable by telling a visual narrative that allows audiences to better understand and relate to the song.
2) Popular music videos use conventions like telling a storyline that cuts between the band performing and jumping between shots to the beat of the music.
3) Covering a popular song and creating a memorable music video can help unknown artists and bands gain popularity.
This document analyzes a Green Day music video in terms of genre, narrative, audience, and representation. It identifies the genre as punk rock/pop punk based on characteristics like playing in a restricted area with searchlights and anti-government hints. The narrative follows a linear structure matching the fast-paced, aggressive song and themes of anti-authority. The target audience is seen as younger working class individuals who can identify with the band's rebellion. Both punk rock stereotypes and challenges are represented through clothing, aggression, and appealing to a wider audience than traditional punk bands.
Tame Impala is an Australian psychedelic rock band whose target audience is teens and adults interested in immersive music experiences. Comments on one of their songs, "Let It Happen", show that fans relate to the band's messages and find emotional attachment and belonging through their music. The band's webpage appeals to aspiring musicians among their target audience by showing band members creating music.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart Final Matka Satta Matta Matka 143 Kalyan Chart Satta fix Jodi Kalyan Final ank Matka Boss Satta 143 Matka 420 Golden Matka Final Satta Kalyan Penal Chart Dpboss 143 Guessing Kalyan Night Chart
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
2. SONG TITLE / ARTISTS
I will produce a music video to accompany a song called “American
Idiot” by Green Day. This band is current and relevant within it’s genre,
having grown constantly in popularity amongst its young fans for
decades; these are typical fans of pop punk music and enjoy similar
music. It is useful that I will my target audience will have a known
demographic and psychographic because as well as making my media
product conventional, I will also be able to target it to those that I wish
to see and enjoy it.
The song sounds upbeat with a strong instrumental, therefore will be
appropriate for fast paced editing and youthful/rebellious themes to be
used. Drums and guitars are involved in the sound as well as strong
vocals, therefore many long shots of the band performing as well as
close ups of the instruments being played can be utilised to show their
skill and passion for music. The primary theme of the song’s lyrics is
rebellion and liberation from the “brainwashing” of today’s society, so
will appeal to the young listeners who may be going through a stage of
angst as they grow up.
3. CONTENT /
NARRATIVES
From analysis of existing music videos such as those made
by Major League and Chunk! No, Captain Chunk, it has
become apparent that it is majorly conventional for pop punk
bands to include shots of themselves performing in music
videos that are produced for their songs. For this reason, I
will include shots of the band that I will be filming in between
shots of the narrative throughout the video.
The narrative supporting the lyrics of the song will project a
story of rebellion, liberation, attitude and fun. This narrative
will be acted by three eighteen year oldsthat will play a circle
of friends. Their age make them relatable to the target
audience, who will be familiar with what it is like to be at a
similar stage in their life as well as experiencing similar
events and feelings. The narrative will relate to the lyrics
which come across as quite angry and passionate.
4. SETTINGS / AREAS TO
FILM
I will mainly shoot the footage used in my music video in run
down areas, for this is conventional within pop punk for
many reasons explained on the ‘Genre Research’ page of my
media blog. The background of these shots will be places
such as vandalised public spaces, skateparks, dark
walkways and other public spaces.
5. PROPS
First and foremost, all three musicians belonging to the band in my music
video will play instruments during shots of their performance; these props
will consist of a drumkit, an electric guitar and a bass guitar, all of which are
played in all bands of pop punk because they create the distinct sound of
the genre.
Other props included in many shots of my music video will be bottles of
beer and cigarettes to represent rebellion and boxes of pizza, because this is
a junk food enjoyed by most young adults and adolescents due to its
convenience and taste; the brand of this pizza will be Domino’s, which is an
instantly recognisable brand amongst the target audience, for the chain can
be found in almost every town and city across this country and many others
as well. At the beginning of the video, a television and games console
controllers will be needed to show the passive behaviours of the
adolescents before liberation of this monotonous lifestyle.
Skateboards will be ridden in some shots, for this is a popular hobby
amongst the majority of the young, alternative target audience. Cans of
spray paint will be used to show the teenagers vandalising public property
and rebelling. A can will be needed because it will be kicked over.
6. BAND / CHARACTERS
The band used within the music video that I am to eventually create will
comprise of three members, which is a commonly seen number of
musicians within bands of the pop punk genre and is demonstrated by
influential bands such as Blink 182 and Green Day that have been
considered during the ‘Genre Research’ stage of my coursework.
Two male musicians and one female musician will belong to the band. The
inclusion of a woman is to demonstrate the progression in pop punk that
has resulted in more and more women becoming involved in the industry
such as Hayley Williams of Paramore and Tay Jardine of We Are The In
Crowd. More men than women will be in the band, however, because
although the musical opportunities for women have become more abundant,
there still remains an unbalanced ratio between the genders, with far more
men than women seen in the bands of all subgenres of rock and punk
music. The members of the band will all be eighteen years of age, which will
make the band relatable to its target demographic of adolescents and young
adults for they will be of similar ages. This is also conventional because
newcomers of the genre have become younger within recent years, with
bands such as Neck Deep also containing members as young as nineteen
years old. The relatively young age of the musicians will add an edge to the
band because it will make them seem current.
7. COSTUME
The costumes worn will be relatively simple and noticeably casual; this is to imitate the carefree attitudes of
existing pop punk bands, meaning the outfits will be conventional. The clothing will also allow movement
during shots of the performance, which will require the exertion of a considerable amount of energy as the
musicians jump to the beat of the music and play their instruments.
Worn by both of the men of the band will be skinny jeans; this is conventional and can be seen on almost all
current pop punk musicians. The style of this clothing item is in presently in fashion, meaning the individuals
will seem ‘cool’ to those watching the video, who will be impressed because the psychographic for most of the
young target audience includes an interest in current trends even though these people often value their
individuality to match the nature of the music that they listen to. As well as being stylish, the skinny jeans are
functional as well so will allow movement. Worn by the female musician will be a pair of high waisted shorts in a
shade of navy blue; high waisted shorts are on trend at the moment so will make the individual and, when seen
with the fashionable skinny jeans worn by the other members, the band, look current so will appeal to its young
target audience who enjoy keeping up to date with their peers. The dark colour will give the artist attitude. Also
giving an impression of rebellion and therefore youth are the ripped tights that she will wear, which will match
themes in existing pop punk music; these tights have previously been seen on a number of pop punk artists so
is conventional as well.
Shirts worn by all members of the band will be causal, therefore appropriate for the genre of pop punk. A plaid
shirt will be worn by one member because it gives off a carefree impression and can be seen being worn by
many existing pop punk artists in music videos and during performances and everyday life. Band tshirts of well
known pop punk bands such as Blink 182 and Green Day will be worn by the remaining musicians in order to
express their interest in the genre and also to show that they are the inspiration of this band along with the
multitude of other musicians that look up to them. The tshirts will be instantly recognisable for the band’s target
audience who will almost certainly already listen to the hugely popular bands advertised on the merchandise.
This will make band members more relatable because it shows that they share musical interests as well as
making them seem more human because it shows that they are still fans of other bands just like their fans are. It
is important to leave this impression because it will make them more likeable.
8. HAIR
Hairstyles worn by musicians in my music video will be untidy to suport
their youthful, carefree attitude. This will make the band relatable to its
young listeners and supports the energetic feel of their music. One
musician will have his hair dyed a bright colour to inject fun into his
appearance; many adolescents like himself dye their hair
unconventional colours to express themselves, which is encouraged by
the majority of pop punk bands and coincides with the band’s image.
His hair will be styled into a mohawk, chanelling the genre’s punk
origins whilst insinuating that the man holds a rebellious attitude not
dissimilar to that held by the members of the movement. The other male
of the group will have a simple, casual hairstyle so as to show the
man’s conventionally relaxed persona.
The remaining member, who is the female of the group, will have untidy
waves that will give off an impression that she is not affected by other’s
judgment of her appearance. This is conventional for the genre of music
that she plays because this attitude is shown by many existing
musicians of the genre and women in pop punk do also tend not to be
stereotypical of their gender in general for this lack of interest in
feminine interests such as hair and makeup.
9. MAKEUP
Makeup worn by the female musician in the band will be
minimal to accompany her carefree appears and to match the
styles of existing women in pop punk such as Tonight Alive’s
Jenna McDougall. Not even natural looking makeup will be
applied to the male members of the band so that their
masculinity will be apparent and the DIY nature of the band
that is conventional for the genre of music will remain,
because usually when men have makeup applied for music
videos and photoshoots, it is done by professional makeup
artists so as to applied with enough skill to be unnoticeable.
The laid back appearance of clothing worn also gives off the
impression that the musicians have styled themselves rather
than hiring stylists, representing them as being grounded
and individual.
10. ACCESSORIES WORN
To match the laid back appearance of costume, hair and makeup,
accessories worn by musicians will also appear casual. Shoes will be of the
brands Dr Martens, Vans and Converse; these are arguably the three most
common brands worn by those who listen to pop punk music, with Dr
Martens representing the punk movement from which the subculture
originated from and the Vans skate shoes representing to the hobby of
skateboarding that so many young pop punk fans enjoy with their friends,
provoking positive memories and making the musicians seem relatable as
well as up to date with current trends because the brands are fashionable at
this moment in time.
Minimal jewellery will be worn, with bracelets made of leather and thread
being worn on the arms. Collections of these types of bracelets are often
built from pieces acquired from festivals and during travels, giving an idea
of the musicians’ lifestyles just from a glance. The jewellery does not have
an expensive appearance, making the band seem grounded again whilst
also maintaining their relatable amongst their target audience of listeners
belonging to the age bracket of 16-24 who hold similar interests and styles
and can be quite short of money. A simple gold studded bracelet will also be
worn by one musician, with the spikes connoting a rebellious nature.
11. EQUIPMENT NEEDED
The camera used to capture footage for use in my music video will be of
fairly good quality. This piece of equipment will produce high definition
content so will ensure that my music video appears professional and is
enjoyable to watch for it will be easier on the eye. The camera has a
number of modes that can be used, meaning filming can take place in
the several settings and variations of lighting that I plan to film in. A
tripod will also be needed so as to keep the camera still whilst filming.
This will ensure that the shots appear professional as opposed to the
poor, handmade quality of a handheld shot. The tripod will need to be
adjustable so that a variation of shot types and angles can be applied.
Editing will be done on a Macbook Pro with retina display on an editing
programme that has many useful features that are discussed under the
subheading of “Editing” for this task. The computer itself has a high
definition screen with retina display, meaning the image will be crystal
clear and so can be edited accurately and be aesthetically pleasing to
watch.
12. EDITING
Fast paced editing will be used throughout the music video to
match the pace of the upbeat pop punk music and to create
excitement to match the vibes of the song. More short takes will
be included as well as scenes being relatively short in order to
create the illusion of fast paced editing.
Several scenes will contain multiple shots edited in a way that
will produce fluency, such as two shots being used to show
someone turning or jumping. Also included will be eyeline
matches and action matches for similar purposes.
Colour corrections and alterations will be made in the post
production stage to alter the way that the lighting appears,
making it brighter at some points and darker at others.
The video will be edited using a professional editing programme
that contains a number of tools that can be used to improve the
music video and to add effects. It will produce a professional
looking music video.
13. CAMERAWORK
A variety of shot types and angles will be used throughout the music video that I will
film. Firstly, a number of close ups and extreme close ups will be used to film the
playing of the instruments during the band’s performance; this is to show their musical
skill and the raw feel of the song’s instrumental, which has been made using actual
instruments rather than computer software, which plays a large part in many other
genres sush as hip hop, pop and electronic music. Long shots will be used to film the
whole band playing the song as a collective to demonstrate their unity and to show all
members playing at the same time. One of these shots will be the establishing shot to
introduce the band as a whole because all members hold equal importance. These will
be two person shots because multiple individuals will be included within the take.
Close ups will be used to show facial expressions of the musicians to convey feelings
associated with the song’s lyrics and beat as well as shots of props to draw attention to
them and their connotations. Mid shots and long shots will allow body language to be
read to show that the band are carefree and young because they are able to exert lots of
energy by jumping in time with the music.
A mixture of high and low shots will be used to represent the character of the narratives
in different ways at different intervals of the plot. This will show weakness and strength
as the narrative progresses. More low angle shots of the characters will be shown as
the song goes on and they become more empowered when they rebel against authority.
Over the shoulder shots and tracking will also be used to add variety to the shots used,
resulting in a more interesting music video that will hold the short attention span of the
video’s young audience.
14. LIGHTING /
COMPOSITION OF SHOTS
Types of lighting will vary throughout the music video, with both high
and low key lighting used during the narrative to connote themes and
feelings associated with changes in the plot. High key lighting will be
used to show the band’s performance to show their lighthearted nature
to match the vibes of the song that the music video is to promote.
As well as with lighting, variety will also be present in the composition
of shots throughout the video. The principle of thirds will be considered
in the vast majority of shots, for example showing band members
playing their instruments towards the left hand side of the screen rather
than in the middle, to create a more artist, interesting video. The route
of the eye will also be considered in a number of shots to keep the
viewer interested.
A variety of depths will be seen throughout the video, with a
combination of deep and shallow focus to show characters, props and
settings at appropriate times. Shifts in focus will also be used in some
shots to move attention from one factor to another. Characters in the
narrative will be shown on varying levels to demonstrate roles and their
strengths and weaknesses; these effects are not dissimilar to those
created by the high and low angle shots taken.