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Renee Hobbs
Professor of Communication Studies
Director, Media Education Lab
Harrington School of Communication and Media
University of Rhode Island USA
TWITTER: @reneehobbs
Mind Over Media:
Analyzing Contemporary
Propaganda
BRUSSELS 10-11 March 16
Media systems are expanding
Literacy is expanding
Media literacy is an expanded conceptualization of literacy
Listening
+
Speaking
Reading
+
Writing
Analyzing
Media
+
Creating
Media
Literacy is the sharing of meaning
through symbols
Key Concepts of Media Literacy
What happens when people learn to
critically analyze and create media?
ResearchEvidence
Increases learner motivation
& engagement
ResearchEvidence
Promotes collaboration
and creativity
ResearchEvidence
Develops language skills
ResearchEvidence
Inspires confidence to ask
questions & share ideas
ResearchEvidence
Improves content knowledge
across the curriculum
ResearchEvidence
How Do How Attitudes towards News Media,
Media Literacy and Video Production
Contribute to Adolescent Civic Engagement?
Promotes intercultural
communication
ResearchEvidence
Promotes reflective thinking about
communication ethics
ResearchEvidence
Connects classroom and community
ResearchEvidence
AUTHORSHIP
Creative skills
Collaboration skills
Technical skills
MEDIA ANALYSIS
SKILLS
Comprehension
Identify Purpose
Recognize
Point of View
ATTITUDES
Giving & Receiving
Feedback
Intellectual
Curiosity
CIVIC
ENGAGEMENT
Sign an online
petition
Express an
opinion to news
media
Blog about an
issue
Write an opinion
letter
QUALITY OF
MEDIA CHOICES
Increases civic engagement
ResearchEvidence
Prepares learners for an
unknowable future
Media Literacy as a Civic Competency
Media education is an essential step
in the long march towards a truly
participatory democracy, and the
democratization of our institutions.
Widespread media literacy is
essential if all citizens are to wield
power, make rational decisions,
become effective change agents,
and have an effective involvement
with the media.
-Len Masterman, 1985
Questioning All Forms of Authority
Media literacy, because it emphasizes a
critique of textual authority, invites
students to identify the cultural codes that
structure an author’s work, understand
how these codes function as part
of a social system, and disrupt the text
through alternative interpretations. In
learning to critically read media messages,
citizens are developing the abilities to
gather accurate, relevant information
about their society and to question
authority (both textual and, by
implication, institutional).
- Renee Hobbs, 1998
Agents of Social Change
When people have digital and media
literacy competencies, they recognize
personal, corporate and political
agendas and are empowered to speak
out on behalf of the missing voices
and omitted perspectives in our
communities. By identifying and
attempting to solve problems, people
use their powerful voices and their
rights under law to improve the world
around them.
-Renee Hobbs, 2010
High levels of apathy and disengagement
are accompanied by increased political polarization
www.mindovermedia.tv
Propaganda Has an Image Problem
Propaganda’s Original Meaning
Where is Propaganda Found?
Journalism & Public Relations
Advertising
Government
Education
Entertainment
Advocacy
What is Propaganda?
• Propaganda appears in a variety of forms
• Propaganda is strategic and intentional
• Propaganda aims to influence attitudes, opinions and
behaviors
• Propaganda can be beneficial or harmful
• Propaganda may use truth, half-truths or lies
• To be successful, propaganda taps into our deepest
values, fears, hopes and dreams
• Propaganda uses any means to accomplish its goal
www.mindovermedia.tv
Rate Examples
Explain Your
Reasoning
CrowdsourcedContent
Custom
Classroom
Galleries
http://propaganda.mediaeducationlab.com/browse/terrorism
1. Defining Propaganda. Students examine different definitions of propaganda and
explore how to find propaganda in news, advertising, public relations, entertainment,
advocacy and education.
2. Propaganda Techniques. Students identify four different techniques of propaganda
found in advocacy and entertainment by analyzing the “KONY 2012” and “The
Interview” films.
3. Propaganda in Context. Students learn about Voice of America’s global video news
releases and use role-playing and research activities to explore the importance of
context in critically analyzing contemporary propaganda.
4. Understanding Viral Media. Students learn about viral media and marketing and
consider how audiences participate in the marketing process by deciding what to share
through social media.
5. Sponsored Content as Propaganda. Students learn about sponsored content to
consider conditions under which it may be fair or unfair.
6. The Ethics of Propaganda. Students analyze case studies of controversial advertising
and Hollywood entertainment, considering the potential short and long-term
consequences from the point of view of creators, audiences, and society.
ActiveInterpretation
PointofView
Propaganda can be Beneficial
Activists create
propaganda to raise
awareness, evoke
strong emotions, and
inspire people to
action.
Propaganda can be Harmful
By activating strong
emotion, activists can
simplify complex issues
in ways that encourage
people to act without
critical thinking.
Techniques of Propaganda
ACTIVATE STRONG EMOTIONS
ATTACK OPPONENTS
SIMPLIFY INFORMATION & IDEAS
RESPOND TO AUDIENCE NEEDS
P
Techniques of Propaganda
ACTIVATE STRONG EMOTIONS
ATTACK OPPONENTS
SIMPLIFY INFORMATION & IDEAS
RESPOND TO AUDIENCE NEEDS
In Considering Whether Propaganda is
Beneficial or Harmful, Consider:
Message: What is the nature of the information and ideas being
expressed?
Point of View: Whose perspectives do we value in assessing
benefits, risks or harms?
Techniques: What symbols and rhetorical strategies are used to
attract attention and activate emotional response? What makes
them effective?
Means of Communication & Format: How did the message
reach people and what form does it take?
Environment: Where, when and how may people have
encountered the message?
Audience Receptivity: How may people think and feel about
the message and how free they are to accept or reject it?
CONTEXT
Digital Media Literacy Smartphone
REFLECTION
 Why is it important for everyone to learn about
contemporary propaganda?
 What new forms of propaganda have emerged in your
lifetime?
 How did you learn about propaganda when you were in
school?
 What factors have contributed to the decline of teaching
and learning about propaganda?
HYPOTHESIS 1: Analyzing
contemporary propaganda
cultivates intellectual
curiosity
HYPOTHESIS 2: Cross
cultural dialogue about
contemporary propaganda
deepens students
understanding of how
context shapes meaning
Strong Feelings
Taking Action
Strong Feelings
Taking Action
THINKING
& REASONING
High levels of apathy and disengagement
are accompanied by increased political polarization
High levels of engagement, critical thinking and empathy
inspire collaborative and creative efforts
to reduce inequalities
We are all stakeholders in
digital and media literacy
Get Involved
Become a Member
It’s free! www.namle.net
Save the Date
October 31st – November 4th
www.medialiteracy.us
Share Knowledge
www.jmle.org
Summer Institute in Digital Literacy
July 24 – 29, 2016
Providence RI
www.MediaEducationLab.com
www.MediaEducationLab.com
CONTACT INFORMATION:
Renee Hobbs
Professor of Communication Studies
Director, Media Education Lab
Harrington School of Communication & Media
University of Rhode Island USA
Email: hobbs@uri.edu
Twitter: @reneehobbs
LEARN MORE
Web: www.mediaeducationlab.com
REFERENCES
Hobbs, R. & McGee, S. (2014).
Teaching about propaganda: An examination of the
historical roots of media literacy. Journal of Media
Literacy Education 6(2), 56 - 67.
Hobbs, R. (2013). The blurring of art, journalism and
advocacy: Confronting 21st century propaganda in a
world of online journalism. I/S: A Journal of Law and
Policy for the Information Society 8(3), 625 - 638.

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Mind Over Media: Presentation at Hosei University Japan

  • 1. Renee Hobbs Professor of Communication Studies Director, Media Education Lab Harrington School of Communication and Media University of Rhode Island USA TWITTER: @reneehobbs Mind Over Media: Analyzing Contemporary Propaganda BRUSSELS 10-11 March 16
  • 2. Media systems are expanding
  • 4. Media literacy is an expanded conceptualization of literacy Listening + Speaking Reading + Writing Analyzing Media + Creating Media
  • 5. Literacy is the sharing of meaning through symbols
  • 6. Key Concepts of Media Literacy
  • 7. What happens when people learn to critically analyze and create media? ResearchEvidence
  • 8. Increases learner motivation & engagement ResearchEvidence
  • 11. Inspires confidence to ask questions & share ideas ResearchEvidence
  • 12. Improves content knowledge across the curriculum ResearchEvidence
  • 13. How Do How Attitudes towards News Media, Media Literacy and Video Production Contribute to Adolescent Civic Engagement? Promotes intercultural communication ResearchEvidence
  • 14. Promotes reflective thinking about communication ethics ResearchEvidence
  • 15. Connects classroom and community ResearchEvidence
  • 16. AUTHORSHIP Creative skills Collaboration skills Technical skills MEDIA ANALYSIS SKILLS Comprehension Identify Purpose Recognize Point of View ATTITUDES Giving & Receiving Feedback Intellectual Curiosity CIVIC ENGAGEMENT Sign an online petition Express an opinion to news media Blog about an issue Write an opinion letter QUALITY OF MEDIA CHOICES Increases civic engagement ResearchEvidence
  • 17. Prepares learners for an unknowable future
  • 18. Media Literacy as a Civic Competency Media education is an essential step in the long march towards a truly participatory democracy, and the democratization of our institutions. Widespread media literacy is essential if all citizens are to wield power, make rational decisions, become effective change agents, and have an effective involvement with the media. -Len Masterman, 1985
  • 19. Questioning All Forms of Authority Media literacy, because it emphasizes a critique of textual authority, invites students to identify the cultural codes that structure an author’s work, understand how these codes function as part of a social system, and disrupt the text through alternative interpretations. In learning to critically read media messages, citizens are developing the abilities to gather accurate, relevant information about their society and to question authority (both textual and, by implication, institutional). - Renee Hobbs, 1998
  • 20. Agents of Social Change When people have digital and media literacy competencies, they recognize personal, corporate and political agendas and are empowered to speak out on behalf of the missing voices and omitted perspectives in our communities. By identifying and attempting to solve problems, people use their powerful voices and their rights under law to improve the world around them. -Renee Hobbs, 2010
  • 21.
  • 22. High levels of apathy and disengagement are accompanied by increased political polarization
  • 24. Propaganda Has an Image Problem
  • 26. Where is Propaganda Found? Journalism & Public Relations Advertising Government Education Entertainment Advocacy
  • 27. What is Propaganda? • Propaganda appears in a variety of forms • Propaganda is strategic and intentional • Propaganda aims to influence attitudes, opinions and behaviors • Propaganda can be beneficial or harmful • Propaganda may use truth, half-truths or lies • To be successful, propaganda taps into our deepest values, fears, hopes and dreams • Propaganda uses any means to accomplish its goal
  • 29.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 43. 1. Defining Propaganda. Students examine different definitions of propaganda and explore how to find propaganda in news, advertising, public relations, entertainment, advocacy and education. 2. Propaganda Techniques. Students identify four different techniques of propaganda found in advocacy and entertainment by analyzing the “KONY 2012” and “The Interview” films. 3. Propaganda in Context. Students learn about Voice of America’s global video news releases and use role-playing and research activities to explore the importance of context in critically analyzing contemporary propaganda. 4. Understanding Viral Media. Students learn about viral media and marketing and consider how audiences participate in the marketing process by deciding what to share through social media. 5. Sponsored Content as Propaganda. Students learn about sponsored content to consider conditions under which it may be fair or unfair. 6. The Ethics of Propaganda. Students analyze case studies of controversial advertising and Hollywood entertainment, considering the potential short and long-term consequences from the point of view of creators, audiences, and society.
  • 45.
  • 47.
  • 48.
  • 49. Propaganda can be Beneficial Activists create propaganda to raise awareness, evoke strong emotions, and inspire people to action.
  • 50. Propaganda can be Harmful By activating strong emotion, activists can simplify complex issues in ways that encourage people to act without critical thinking.
  • 51. Techniques of Propaganda ACTIVATE STRONG EMOTIONS ATTACK OPPONENTS SIMPLIFY INFORMATION & IDEAS RESPOND TO AUDIENCE NEEDS
  • 52. P
  • 53. Techniques of Propaganda ACTIVATE STRONG EMOTIONS ATTACK OPPONENTS SIMPLIFY INFORMATION & IDEAS RESPOND TO AUDIENCE NEEDS
  • 54.
  • 55.
  • 56. In Considering Whether Propaganda is Beneficial or Harmful, Consider: Message: What is the nature of the information and ideas being expressed? Point of View: Whose perspectives do we value in assessing benefits, risks or harms? Techniques: What symbols and rhetorical strategies are used to attract attention and activate emotional response? What makes them effective? Means of Communication & Format: How did the message reach people and what form does it take? Environment: Where, when and how may people have encountered the message? Audience Receptivity: How may people think and feel about the message and how free they are to accept or reject it? CONTEXT
  • 58.
  • 59.
  • 60. REFLECTION  Why is it important for everyone to learn about contemporary propaganda?  What new forms of propaganda have emerged in your lifetime?  How did you learn about propaganda when you were in school?  What factors have contributed to the decline of teaching and learning about propaganda?
  • 61.
  • 62.
  • 63.
  • 64. HYPOTHESIS 1: Analyzing contemporary propaganda cultivates intellectual curiosity
  • 65. HYPOTHESIS 2: Cross cultural dialogue about contemporary propaganda deepens students understanding of how context shapes meaning
  • 68. High levels of apathy and disengagement are accompanied by increased political polarization
  • 69. High levels of engagement, critical thinking and empathy inspire collaborative and creative efforts to reduce inequalities
  • 70. We are all stakeholders in digital and media literacy
  • 71. Get Involved Become a Member It’s free! www.namle.net Save the Date October 31st – November 4th www.medialiteracy.us Share Knowledge www.jmle.org
  • 72. Summer Institute in Digital Literacy July 24 – 29, 2016 Providence RI www.MediaEducationLab.com
  • 74. CONTACT INFORMATION: Renee Hobbs Professor of Communication Studies Director, Media Education Lab Harrington School of Communication & Media University of Rhode Island USA Email: hobbs@uri.edu Twitter: @reneehobbs LEARN MORE Web: www.mediaeducationlab.com REFERENCES Hobbs, R. & McGee, S. (2014). Teaching about propaganda: An examination of the historical roots of media literacy. Journal of Media Literacy Education 6(2), 56 - 67. Hobbs, R. (2013). The blurring of art, journalism and advocacy: Confronting 21st century propaganda in a world of online journalism. I/S: A Journal of Law and Policy for the Information Society 8(3), 625 - 638.

Editor's Notes

  1. These 6-year olds watched a YouTube video, then made their own video to ask questions to the author. After seeing the children’s video, the author responded, sending them back a YouTube video. The children gained confidence in asking questions and actively used the questioning process to learn.
  2. An initiative of the PBS News Hour, PBS Student Reporting Labs is a digital and media literacy program that reaches thousands of high school students across the United States. Students learn about their communities, the environment, law and politics, the economy – and work collaboratively to create a video news segment,
  3. These 6-year olds watched a YouTube video, then made their own video to ask questions to the author. After seeing the children’s video, the author responded, sending them back a YouTube video. The children gained confidence in asking questions and actively used the questioning process to learn.
  4. An initiative of the PBS News Hour, PBS Student Reporting Labs is a digital and media literacy program that reaches thousands of high school students across the United States. Students learn about their communities, the environment, law and politics, the economy – and work collaboratively to create a video news segment,
  5. Our research investigated learners who participated in the program: 544 students with 40% minority teens
  6. Children in Grade 3 turned the teacher’s lesson upside down when they started asking questions during their teacher’s carefully planning fairy-tale lesson. They transformed the activity into learning about homelessness in their community – why it occurs and what can be done about it.
  7. Learning to make media increased creative, collaboration and technical skills, improved their ability to identify the author’s purpose while watching a video, and contributed to advancing civic engagement – being interested in using the power of communication to make a difference in the world.
  8. Digital and media literacy helps children and teens learn to use the power of communication – as both creators and consumers. Media literacy is like driver’s training for participating in the s1st century.