1. Digital Authorship
and Media Literacy
Renee Hobbs
University of Rhode Island
Media Education Lab
Twitter: @reneehobbs
Framingham Public Schools
January 19, 2021
@reneehobbs
2. Welcome to Today’s Program!
8 AM Introduction
9 AM The Library Screen Scene
10 AM Copyright & Fair Use for
the Youngest Learners
12. 8 AM Librarians as Digital Authors
What happens when librarians experience for themselves the
power of digital authorship? Review and discuss how unleashing
your own creativity opens up new ways for you to support your
learning community.
20. ____ I use my cell phone to search for information
____ I maintain a diary or journal to express my feelings & experiences
____ I select & share images, music or other media content nearly every day
____ I do creative writing - poetry, fiction or short stories
____ I have interviewed a person to gather information
____ I have given a speech using PPT slides that I created
____ I have performed spoken word poetry or storytelling presentation
____ I have performed in a play or helped behind the scenes in a dramatic
production
____ I have live streamed video for people on the Internet to watch
YOUR IDENTITY AS A DIGITAL AUTHOR
21. ____ I have performed in a music video, dance video, lip sync or lip dub
video
____ I have taken photos that I intentionally design to be beautiful
____ I have composed a song or written song lyrics
____ I have produced a video
____ I have produced a video and uploaded it to YouTube, Vimeo or
someplace else
____ I have been featured in a podcast
____ I have created a podcast
____ I have created infographics, posters or visual material for large or public
audiences
____ I have implemented a social media marketing campaign
____ I have a substantial audience of folllowers on 1 or more of my social
media accounts
22. 17+
16 - 11
10 - 6
5 or less Emerging Digital Author
Developing Digital Author
Experienced Digital Author
Master Digital Author
23. Take Time to Reflect on Your Identity as a Digital Author
http://bit.ly/digreflect
29. How are You Helping to Develop the
Competencies We Need Today & In the Future?
30. 9 AM The Library Screen Scene
Learn creative strategies to address the learning needs of the YouTube
generation through supporting students' creative media production, as
well as their viewing, reading and listening comprehension and critical
analysis skills.
31. Literacy is the sharing of meaning
through symbols
@reneehobbs
47. What does it mean
to interrogate
digital media?
• be aware of the media environment
• choose media messages wisely
• be aware of your own personal biases
• actively comprehend & interpret messages in all genres
• analyze point of view, message purpose & source bias
• recognize stereotypes that influence attitudes & behaviors
• ask questions and notice what’s omitted from news &
information
• understand media systems, political economy & technologies
48. CREATIVE COLLABORATION INVOLVES
THE POWER OF TWO
1. Talk about this meme with a
partner to discover what you feel
and think
2. Jot down 2 – 3 points you want to
make
3. Make 1 or more image screenshots
to use in your simple video
production
4. Use Adobe Spark Video (or other
tool) to assemble a sequence of
images, using voice over to convey
your commentary
5. Post your completed work on the
Padlet Wall
@reneehobbs
WORK UNDER TIME PRESSURE
52. Authorship is about
control, power and the
management of
meaning and of
people as much as it is
about creativity and
innovation.
Authorship is a Form of Social Power
@reneehobbs
57. What Do You Know about Your Students’ Use
of Media?
● What are your predictions about how students would answer these
questions?
● How might their answers be similar or different from yours?
● Do you survey your students annually about their media use? Why or
why not?
58. Reflect on The Media You Use:
Starting to Think Like a Digital Author
Flipgrid
http://flipgrid.com @reneehobbs
59. @reneehobbs
FOUR KID-FRIENDLY CONCEPTS TO INTRODUCE
COPYRIGHT AND FAIR USE
1. “The Media I Make is Mine”
2. ”I Get Good Ideas from the Work of Others”
3. “I Know Where This Media Came From and Who Made It”
4. “I Used this Media But I Changed the ‘What’ and/or the ‘Why’”
66. @reneehobbs
Grade 5 students study advertising to
understand how media messages are
created to make products appealing to a
specific target audience.
Pulling slips of paper from a hat, students
are assigned a very specific product and a
very specific target audience.
After creating an online ad, students
explain their creative choices:
Product: Hand sanitizer
Target Audience: Fans of the Pittsburgh
Steelers
Brand Name: “Germ Tackler”
Appeal 1: Implied Celebrity Testimonial
with an image of quarterback Ben
Roethlisberger & Steelers logo.
Appeal 2: Click to enter contest & win a
ticket to the game..
67. @reneehobbs
FOUR KID-FRIENDLY CONCEPTS TO INTRODUCE
COPYRIGHT AND FAIR USE
1. “The Media I Make is Mine”
2. ”I Get Good Ideas from the Work of Others”
3. “I Know Where This Media Came From and Who Made It”
4. “I Used this Media But I Changed the ‘What’ and/or the ‘Why’”
73. Fair Use
An Example of Transformative Use
The purpose of the original: To
generate publicity for a concert.
The purpose of the new work:
To document and illustrate the
concert events in historical
context.
Bill Graham Archives vs. Dorling Kindersley,
Ltd. (2006)
75. 1. Did your use of the
work re-purpose or
transform the
copyrighted material?
2. Does your use merely
re-transmit the original
work? Could your work
serve as a substitute or
replacement for the
original?
3. Did you use only the
amount needed to
accomplish your
purpose?
Critical Questions for
Making a Fair Use
Determination
76. Copying to avoid making a purchase
Copying to merely exploit the popularity of
another’s work
Copies that become substitutes or
replacements for the original
77. COPYRIGHT INFRINGEMENT
A legal violation of the rights of authors,
who can control access to their creative
work
ATTTRIBUTION
Citing Your Sources
LAWSUIT, FINES & OTHER
PENALTIES
PLAGIARISM
Using other people’s creative
work by passing it off as your
own
78. Is Your Use of Copyrighted Materials a Fair Use?
1. Did the unlicensed use “transform” the material taken
from the copyrighted work by using it for a different
purpose than that of the original, or did it just repeat the
work for the same intent and value as the original?
2. Was the material taken appropriate in kind and amount,
considering the nature of the copyrighted work and of the
use?
80. How are students “creating to
learn” in your classroom?
How are you supporting the
development of student autonomy
and authority as digital authors?
What current activities
could be modified so
that students experience
the power of digital
authorship?
What potential impact might digital
authorship have on your learners?
@reneehobbs
82. Renee Hobbs
Professor of Communication Studies
Director, Media Education Lab
Harrington School of Communication & Media
University of Rhode Island USA
Email: hobbs@uri.edu
Twitter: @reneehobbs
LEARN MORE
Web: www.mediaeducationlab.com