Masthead font styles
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This document discusses four different font styles under consideration for use in a magazine masthead. It provides analysis of each font, including descriptions of their visual characteristics and how well they represent the tone and subject matter of an indie music magazine. In the end, the author selects one font as their final choice because it closely reflects the chosen magazine in terms of representing the genre of indie music through its bold visual style.
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Mast head font list and analysis
The document discusses four different font styles - "Mark my Words", "Beyond the Mountains", "Blow Brush", and "Pale Blue Eyes" - that are being considered for use as the masthead font on a magazine. For each font, a brief description is provided of what the font name denotes and how the font style appears. The final selection is "Olympic Branding" because it is different than fonts used by other rock magazines like NME and Uncut, and different than the main font that will be used, while still implying importance.
Media Masthead Analysis
The document analyzes magazine mastheads from Rolling Stone, Kerrang!, and NME magazines. It notes that Rolling Stone uses a large serif font masthead in red to stand out, while Kerrang! uses a cracked font matching the magazine's genre. NME sometimes matches its blocky masthead colors to cover photos, making it look sophisticated and recognizable even when partially covered.
Hugv
This document discusses different masthead designs for a music magazine. It evaluates each design on criteria like font, color scheme, boldness, simplicity, professionalism and whether it fits with the overall magazine style. One masthead using red text is praised for being bold and eye-catching on shelves while appealing to the target audience. Another design using a simplistic font in the magazine's color scheme is considered one of the favorite options for being modern yet readable.
Font analysis
This document analyzes and summarizes four different fonts being considered for an album cover. It discusses the pros and cons of each font in terms of readability, representing the house/dance music genre, appealing to target audiences, and versatility in different colors and designs. Overall, the fourth font is favored as it has a modern yet simple and bold style that can be adapted in various ways while still clearly representing the house music genre.
Magazine cover analysis - Plan B
The document summarizes the design elements of a magazine cover, including:
1. The masthead title "Q" is featured prominently in red in the primary optical area to catch readers' eyes.
2. The main image takes up most of the cover space with the model's face in the primary optical area.
3. The model credit is in red in the strong follow area so readers will see it after the masthead.
4. Cover lines are in red and black fonts for contrast and catch attention with important words in larger font.
Masthead Font Styles
Phoebe Regnault evaluated several font styles for the masthead of her magazine. She analyzed fonts based on clarity, uniqueness, and how well they fit the urban style of her target audience. Her favorite was "War is Over" for being bold, faded, and spray painted-looking. However, when designing her cover, this font did not appear as intended. She instead chose "aqawax", which is bold and stands out due to being slightly slanted, fitting her goal of a recognizable quirky masthead. Her color scheme of black and white was inspired by "XXL" and makes the writing pop against the black background.
Double Page Spreads
The double page spread features several images of the band against plain backgrounds. The main article text is in black sans-serif font, while larger text introducing the band and article is in a futuristic font reflecting their music style. Bold text stands out to highlight article excerpts. Green and colored text are used sparingly to add visual interest. The spread uses typography, column breaks and dark versus light images and text to guide the reader through the article and pull quotes.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
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Mast head font list and analysis
The document discusses four different font styles - "Mark my Words", "Beyond the Mountains", "Blow Brush", and "Pale Blue Eyes" - that are being considered for use as the masthead font on a magazine. For each font, a brief description is provided of what the font name denotes and how the font style appears. The final selection is "Olympic Branding" because it is different than fonts used by other rock magazines like NME and Uncut, and different than the main font that will be used, while still implying importance.
Media Masthead Analysis
The document analyzes magazine mastheads from Rolling Stone, Kerrang!, and NME magazines. It notes that Rolling Stone uses a large serif font masthead in red to stand out, while Kerrang! uses a cracked font matching the magazine's genre. NME sometimes matches its blocky masthead colors to cover photos, making it look sophisticated and recognizable even when partially covered.
Hugv
This document discusses different masthead designs for a music magazine. It evaluates each design on criteria like font, color scheme, boldness, simplicity, professionalism and whether it fits with the overall magazine style. One masthead using red text is praised for being bold and eye-catching on shelves while appealing to the target audience. Another design using a simplistic font in the magazine's color scheme is considered one of the favorite options for being modern yet readable.
Font analysis
This document analyzes and summarizes four different fonts being considered for an album cover. It discusses the pros and cons of each font in terms of readability, representing the house/dance music genre, appealing to target audiences, and versatility in different colors and designs. Overall, the fourth font is favored as it has a modern yet simple and bold style that can be adapted in various ways while still clearly representing the house music genre.
Magazine cover analysis - Plan B
The document summarizes the design elements of a magazine cover, including:
1. The masthead title "Q" is featured prominently in red in the primary optical area to catch readers' eyes.
2. The main image takes up most of the cover space with the model's face in the primary optical area.
3. The model credit is in red in the strong follow area so readers will see it after the masthead.
4. Cover lines are in red and black fonts for contrast and catch attention with important words in larger font.
Masthead Font Styles
Phoebe Regnault evaluated several font styles for the masthead of her magazine. She analyzed fonts based on clarity, uniqueness, and how well they fit the urban style of her target audience. Her favorite was "War is Over" for being bold, faded, and spray painted-looking. However, when designing her cover, this font did not appear as intended. She instead chose "aqawax", which is bold and stands out due to being slightly slanted, fitting her goal of a recognizable quirky masthead. Her color scheme of black and white was inspired by "XXL" and makes the writing pop against the black background.
Double Page Spreads
The double page spread features several images of the band against plain backgrounds. The main article text is in black sans-serif font, while larger text introducing the band and article is in a futuristic font reflecting their music style. Bold text stands out to highlight article excerpts. Green and colored text are used sparingly to add visual interest. The spread uses typography, column breaks and dark versus light images and text to guide the reader through the article and pull quotes.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
Magazine Draft
The document discusses font and color choices for different sections of a music magazine. For the masthead, the designer chooses "Ciretone(Stijla)" as it is simplistic yet unconventional. For headings, "Agency FB" is selected as it is easy to read but stands out. The main text will use "Cambria" as it is a standard serif font. Pull quotes will feature "Aharoni" to make them bold and prominent relative to other fonts. Color schemes and layout plans with identified sections are also included.
Contents page
The document summarizes the key design elements of a magazine contents page. It describes how the masthead appears in red in the top left corner to brand the publication. The page is split into four columns with a thin black line separating each column to make the layout tidy and easy to read. Images are used throughout that relate to the articles and appeal to different audiences, using a variety of shot types. The color scheme is more varied than the front cover but remains organized with a white background and black headings.
Magazine cover analysis_worksheet deadmau5 contents rap
The document summarizes the design elements of a magazine cover. It notes that the masthead uses thick borders to stand out from the text. The main image shows two rappers wearing jewelry indicative of their music genre. The coverline introduces an article about an up-and-coming rapper. Coverlines are on the left for ease of reading. Dark text and red accents are used within the magazine's house style. Sans serif fonts create a bold, clear style.
Font ideas
This document discusses several fonts being considered for use in a magazine. It describes the first font as having a collegiate American style that is fashionable and fits well with the magazine's style. It notes the second font has an urban look with a city silhouette and unique design. The third font is described as very different than typical magazine fonts, with an American look, curved yet bold lines that stand out, and ashing a less formal impression than the first font.
Font analysis
The document analyzes and compares several fonts for their suitability for an album cover and digipak. The first font is deemed the best as it is bold with italics, which will make it stand out to target audiences who prefer eye-catching designs. The second font is considered too thin despite italics, and the third is the weakest as it is small and hard to read due to being italic and cursive. The fourth font is also too thin to stand out when on sale. The fifth is similar to the first but not as bold, so could work for the track list but not as the main font. The final font is unique but not bold enough to catch eyes due to an ombre effect
Font Analysis
This document discusses several fonts for an indie rock magazine and their suitability. The "Summon the executioner" font strongly represents the bold, loud indie rock genre but is fuzzy and difficult to read. "Font to a chainsaw" has some distortion but remains clear and easy to read. "November Morning" is bold and clear, representing the music genre well while still being easy to read with only slight distortion.
Magazine drafts
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Codes and Conventions of a Music Magazine Double Page Spread
The document discusses the codes and conventions of a double page spread in a magazine. It explains that a double page spread typically features a large main headline across the top of both pages, a main central image bleeding across both pages, and smaller supporting images. It also typically includes columns of small-font text, a stand-alone intro paragraph, drop caps, pull quotes, bylines, a limited color palette linked to the magazine's style, and date, page numbers and web address in the footer. The layout is structured to give prominence to the main image and headline while breaking up the text with visual elements and maintaining continuity across the two pages.
Designs for Poster
The document provides inspiration and design considerations for a horror movie poster. It includes sketches of potential poster layouts featuring a large central image, title, tagline, and billing block arranged according to compositional rules. Font style and color options aimed at conveying violence, fear, and a worn-out aesthetic are presented. References to blood, weapons, and conventional horror themes are discussed in relation to drawing attention and portraying the intended tone of the poster and film.
Analysis of Title Blocks
The document discusses the design elements used in magazine mastheads and titles to make them stand out visually against backgrounds and images. These include using all capital letters, bold fonts, thick outlines, contrasting colors like white text on colored backgrounds, rough or distressed textured fonts, and positioning the title in front of other visual elements to indicate greater importance. The font choices and styles are meant to represent the magazine's target genre or implied audience.
Contents page analysis
The document analyzes and compares the content pages of music magazines NME and Kerrang. It finds that NME uses formal language and fonts to appeal to an older audience, while Kerrang uses informal language and bright colors associated with rock/metal genres to target younger readers. Key differences are that NME's content is listened to by a more fashionable audience and its layout is symmetrical but slightly messy, while Kerrang contains darker subject matter and puts its masthead and subscription box strategically to catch readers' eyes. In conclusion, the author prefers NME's content page design despite Kerrang better representing genres through its use of color symbolism.
Contents page analysis
The document analyzes and compares the content pages of music magazines NME and Kerrang.
[1] It notes differences in fonts, images, and colors used to represent the styles and personalities of various artists featured. NME targets an older audience with its formal language and use of serif fonts, while Kerrang aims for teenagers with informal language and sans serif fonts.
[2] Both magazines maintain consistent house styles across issues through repetition of layout, colors, and features. However, Kerrang uses brighter colors associated with rock/metal genres like danger and death, while NME employs a more subdued color scheme.
[3] Overall, the document prefers NME's symmetrical yet varied
Masthead Designs
The document evaluates 5 different fonts for a magazine masthead based on boldness, eye-catching appeal, and ability to stand out amongst other magazines. Font 1 is deemed bold and eye-catching due to the contrast between red and black colors which match the magazine's branding. Font 2 is also seen as bold and eye-catching by separating the letters in the masthead. Font 3 is assessed as too simplistic and thin to stand out effectively. Font 4 is considered bold due to color contrast and a defining white line. Font 5 again separates the letters for recognizability and a bold, eye-catching appearance.
Double page spread
This summary provides an overview of the design elements and information presented on a magazine double page spread featuring Carrie Underwood:
The double page spread features an image of country singer Carrie Underwood alongside details about her career and background. While the main image focuses on Underwood, part of her head is cut off which detracts from the photo. Accompanying text includes Underwood's name in a larger golden font to draw attention, as well as a pull quote and multi-column body text discussing her music and career path. Standard magazine layout elements like drop caps and column separators are also utilized to structure the article.
Front cover analysis
The document provides an in-depth visual analysis of the front cover of a magazine featuring Taylor Swift. It analyzes various design elements of the cover including the main image of Taylor Swift, the sell lines and headlines promoting articles, color scheme, and layout. The analysis suggests that Taylor Swift's modest and natural posing in the black and white main image portrays her as innocent and appealing to all ages. It also indicates her growth from a timid young lady into a confident pop star. The document dissects numerous other aspects of the cover design to understand the messages and emphasis on Taylor as the focus of the issue.
Fonts
This document discusses font and iconography styles for an indie/alternative music magazine. It evaluates several font options, considering factors like readability, sophistication, and similarity to styles from American pop culture references. One font is favored for its quirkiness but refined look. Iconography ideas discussed include using a shattered text effect to imply the magazine is "shockingly" good, and favoring simple, punchy mastheads like those of NME and Billboard that allow space for images. Possible theme ideas for magazine issues focus on popular new albums, local artists, festivals and concerts, and top artists/songs to appeal to a wide audience.
Primary research
Lucas Kirkland conducted a survey to inform the development of a new music magazine. The survey results showed that:
1) The target audience is 16-17 year olds, but 18-24 year olds are also interested.
2) Images of popular artists and catchy headlines are most important on the front cover.
3) The magazine should be priced between £3-4.
4) Releasing the magazine monthly matches reader preferences.
5) Readers are interested in rock and indie music genres.
Contents page and dps analysis
1) The document analyzes the contents page and double page spread (DPS) of Rolling Stone magazine. It identifies various design elements like the masthead, pull quotes, and color scheme that establish the magazine's brand identity and inform and engage readers.
2) Key elements discussed include the use of the cover star Richard Dyer's image to attract audiences, column layout for easy navigation of stories, and sublines that briefly summarize each page's content.
3) The analysis concludes that Rolling Stone effectively uses these features to inform readers about the magazine and guide them through the issues. It notes how the document will apply lessons from Rolling Stone in its own magazine design.
Locations recce
This document outlines Lucas Kirkland's plans for taking photos for a magazine cover, contents page, and double page spread. It provides details on the timing, location, models, props, lighting, and permissions needed for each shoot. The front cover shoot will take place on October 5th and feature a medium closeup shot of the models in indie clothes with spotlight lighting. The contents page shoot will occur on October 6th, using a mid-shot with low-key lighting. The double page spread will be shot on October 7th outdoors incorporating a drum kit in a long shot. Permission will be obtained by contacting Jon to arrange the shoots at his house.
Schedule
Lucas Kirkland's schedule outlines the progress made on his Foundation Portfolio in Media Studies coursework over several months. It shows he learned about codes and conventions in magazines, annotated and researched his chosen magazine "Rolling Stones", and created preliminary pages including a front cover and contents page in Photoshop. He then worked on his main task magazine pages, creating a front cover, contents page, and double page spread in InDesign while implementing conventions and house style. Finally, Lucas completed an evaluation of his work.
Production plan
Lucas Kirkland outlines a production plan for a magazine over a two week period from November 10th to December 7th. The plan involves setting a publication date, managing the schedule, assembling an editorial team to decide on content and budget, acquiring content through writers and illustrations, sub-editing for quality control, page layout, proofreading, filing to the printer, and final distribution. The scheduled release date for the magazine is November 25th. It will be distributed biweekly and 5,000 copies of the first 100-page issue will be released on January 1st, 2016.
Photography plan
1) Lucas Kirkland is planning a photoshoot for his indie rock magazine covering 16 pages. He will be the photographer and wants full control over the images.
2) He has chosen Charlie and Jon from his media class to model based on their style and the fact they play instruments. Photos will include full body shots, close ups, and of them with their instruments.
3) The photoshoot will take place on October 4th at Jon's house, using instruments and a simple backdrop. Lucas wants the models' hair and style to have a messy, carefree look reflective of indie rockers.
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Magazine Draft
The document discusses font and color choices for different sections of a music magazine. For the masthead, the designer chooses "Ciretone(Stijla)" as it is simplistic yet unconventional. For headings, "Agency FB" is selected as it is easy to read but stands out. The main text will use "Cambria" as it is a standard serif font. Pull quotes will feature "Aharoni" to make them bold and prominent relative to other fonts. Color schemes and layout plans with identified sections are also included.
Contents page
The document summarizes the key design elements of a magazine contents page. It describes how the masthead appears in red in the top left corner to brand the publication. The page is split into four columns with a thin black line separating each column to make the layout tidy and easy to read. Images are used throughout that relate to the articles and appeal to different audiences, using a variety of shot types. The color scheme is more varied than the front cover but remains organized with a white background and black headings.
Magazine cover analysis_worksheet deadmau5 contents rap
The document summarizes the design elements of a magazine cover. It notes that the masthead uses thick borders to stand out from the text. The main image shows two rappers wearing jewelry indicative of their music genre. The coverline introduces an article about an up-and-coming rapper. Coverlines are on the left for ease of reading. Dark text and red accents are used within the magazine's house style. Sans serif fonts create a bold, clear style.
Font ideas
This document discusses several fonts being considered for use in a magazine. It describes the first font as having a collegiate American style that is fashionable and fits well with the magazine's style. It notes the second font has an urban look with a city silhouette and unique design. The third font is described as very different than typical magazine fonts, with an American look, curved yet bold lines that stand out, and ashing a less formal impression than the first font.
Font analysis
The document analyzes and compares several fonts for their suitability for an album cover and digipak. The first font is deemed the best as it is bold with italics, which will make it stand out to target audiences who prefer eye-catching designs. The second font is considered too thin despite italics, and the third is the weakest as it is small and hard to read due to being italic and cursive. The fourth font is also too thin to stand out when on sale. The fifth is similar to the first but not as bold, so could work for the track list but not as the main font. The final font is unique but not bold enough to catch eyes due to an ombre effect
Font Analysis
This document discusses several fonts for an indie rock magazine and their suitability. The "Summon the executioner" font strongly represents the bold, loud indie rock genre but is fuzzy and difficult to read. "Font to a chainsaw" has some distortion but remains clear and easy to read. "November Morning" is bold and clear, representing the music genre well while still being easy to read with only slight distortion.
Magazine drafts
The document provides details on the design of a horror magazine cover. It describes design elements like the masthead, cover lines, images, fonts, and layout. The masthead is bold to draw attention, uses a horror font, and may include the issue number. Cover lines are placed around the main image to showcase information and use different colors. Images focus on eyes, ghosts, and weapons to suit the horror genre. Fonts are chosen for boldness and modern feel to engage readers in the horror content. The layout spreads elements out to avoid clutter.
Codes and Conventions of a Music Magazine Double Page Spread
The document discusses the codes and conventions of a double page spread in a magazine. It explains that a double page spread typically features a large main headline across the top of both pages, a main central image bleeding across both pages, and smaller supporting images. It also typically includes columns of small-font text, a stand-alone intro paragraph, drop caps, pull quotes, bylines, a limited color palette linked to the magazine's style, and date, page numbers and web address in the footer. The layout is structured to give prominence to the main image and headline while breaking up the text with visual elements and maintaining continuity across the two pages.
Designs for Poster
The document provides inspiration and design considerations for a horror movie poster. It includes sketches of potential poster layouts featuring a large central image, title, tagline, and billing block arranged according to compositional rules. Font style and color options aimed at conveying violence, fear, and a worn-out aesthetic are presented. References to blood, weapons, and conventional horror themes are discussed in relation to drawing attention and portraying the intended tone of the poster and film.
Analysis of Title Blocks
The document discusses the design elements used in magazine mastheads and titles to make them stand out visually against backgrounds and images. These include using all capital letters, bold fonts, thick outlines, contrasting colors like white text on colored backgrounds, rough or distressed textured fonts, and positioning the title in front of other visual elements to indicate greater importance. The font choices and styles are meant to represent the magazine's target genre or implied audience.
Contents page analysis
The document analyzes and compares the content pages of music magazines NME and Kerrang. It finds that NME uses formal language and fonts to appeal to an older audience, while Kerrang uses informal language and bright colors associated with rock/metal genres to target younger readers. Key differences are that NME's content is listened to by a more fashionable audience and its layout is symmetrical but slightly messy, while Kerrang contains darker subject matter and puts its masthead and subscription box strategically to catch readers' eyes. In conclusion, the author prefers NME's content page design despite Kerrang better representing genres through its use of color symbolism.
Contents page analysis
The document analyzes and compares the content pages of music magazines NME and Kerrang.
[1] It notes differences in fonts, images, and colors used to represent the styles and personalities of various artists featured. NME targets an older audience with its formal language and use of serif fonts, while Kerrang aims for teenagers with informal language and sans serif fonts.
[2] Both magazines maintain consistent house styles across issues through repetition of layout, colors, and features. However, Kerrang uses brighter colors associated with rock/metal genres like danger and death, while NME employs a more subdued color scheme.
[3] Overall, the document prefers NME's symmetrical yet varied
Masthead Designs
The document evaluates 5 different fonts for a magazine masthead based on boldness, eye-catching appeal, and ability to stand out amongst other magazines. Font 1 is deemed bold and eye-catching due to the contrast between red and black colors which match the magazine's branding. Font 2 is also seen as bold and eye-catching by separating the letters in the masthead. Font 3 is assessed as too simplistic and thin to stand out effectively. Font 4 is considered bold due to color contrast and a defining white line. Font 5 again separates the letters for recognizability and a bold, eye-catching appearance.
Double page spread
This summary provides an overview of the design elements and information presented on a magazine double page spread featuring Carrie Underwood:
The double page spread features an image of country singer Carrie Underwood alongside details about her career and background. While the main image focuses on Underwood, part of her head is cut off which detracts from the photo. Accompanying text includes Underwood's name in a larger golden font to draw attention, as well as a pull quote and multi-column body text discussing her music and career path. Standard magazine layout elements like drop caps and column separators are also utilized to structure the article.
Front cover analysis
The document provides an in-depth visual analysis of the front cover of a magazine featuring Taylor Swift. It analyzes various design elements of the cover including the main image of Taylor Swift, the sell lines and headlines promoting articles, color scheme, and layout. The analysis suggests that Taylor Swift's modest and natural posing in the black and white main image portrays her as innocent and appealing to all ages. It also indicates her growth from a timid young lady into a confident pop star. The document dissects numerous other aspects of the cover design to understand the messages and emphasis on Taylor as the focus of the issue.
Fonts
This document discusses font and iconography styles for an indie/alternative music magazine. It evaluates several font options, considering factors like readability, sophistication, and similarity to styles from American pop culture references. One font is favored for its quirkiness but refined look. Iconography ideas discussed include using a shattered text effect to imply the magazine is "shockingly" good, and favoring simple, punchy mastheads like those of NME and Billboard that allow space for images. Possible theme ideas for magazine issues focus on popular new albums, local artists, festivals and concerts, and top artists/songs to appeal to a wide audience.
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Primary research
Lucas Kirkland conducted a survey to inform the development of a new music magazine. The survey results showed that:
1) The target audience is 16-17 year olds, but 18-24 year olds are also interested.
2) Images of popular artists and catchy headlines are most important on the front cover.
3) The magazine should be priced between £3-4.
4) Releasing the magazine monthly matches reader preferences.
5) Readers are interested in rock and indie music genres.
Contents page and dps analysis
1) The document analyzes the contents page and double page spread (DPS) of Rolling Stone magazine. It identifies various design elements like the masthead, pull quotes, and color scheme that establish the magazine's brand identity and inform and engage readers.
2) Key elements discussed include the use of the cover star Richard Dyer's image to attract audiences, column layout for easy navigation of stories, and sublines that briefly summarize each page's content.
3) The analysis concludes that Rolling Stone effectively uses these features to inform readers about the magazine and guide them through the issues. It notes how the document will apply lessons from Rolling Stone in its own magazine design.
Locations recce
This document outlines Lucas Kirkland's plans for taking photos for a magazine cover, contents page, and double page spread. It provides details on the timing, location, models, props, lighting, and permissions needed for each shoot. The front cover shoot will take place on October 5th and feature a medium closeup shot of the models in indie clothes with spotlight lighting. The contents page shoot will occur on October 6th, using a mid-shot with low-key lighting. The double page spread will be shot on October 7th outdoors incorporating a drum kit in a long shot. Permission will be obtained by contacting Jon to arrange the shoots at his house.
Schedule
Lucas Kirkland's schedule outlines the progress made on his Foundation Portfolio in Media Studies coursework over several months. It shows he learned about codes and conventions in magazines, annotated and researched his chosen magazine "Rolling Stones", and created preliminary pages including a front cover and contents page in Photoshop. He then worked on his main task magazine pages, creating a front cover, contents page, and double page spread in InDesign while implementing conventions and house style. Finally, Lucas completed an evaluation of his work.
Production plan
Lucas Kirkland outlines a production plan for a magazine over a two week period from November 10th to December 7th. The plan involves setting a publication date, managing the schedule, assembling an editorial team to decide on content and budget, acquiring content through writers and illustrations, sub-editing for quality control, page layout, proofreading, filing to the printer, and final distribution. The scheduled release date for the magazine is November 25th. It will be distributed biweekly and 5,000 copies of the first 100-page issue will be released on January 1st, 2016.
Photography plan
1) Lucas Kirkland is planning a photoshoot for his indie rock magazine covering 16 pages. He will be the photographer and wants full control over the images.
2) He has chosen Charlie and Jon from his media class to model based on their style and the fact they play instruments. Photos will include full body shots, close ups, and of them with their instruments.
3) The photoshoot will take place on October 4th at Jon's house, using instruments and a simple backdrop. Lucas wants the models' hair and style to have a messy, carefree look reflective of indie rockers.
Zoe Hickson Mood Board
This student created a mood board for their magazine by choosing images that would appeal to their target audience and look similar to covers or inside pages of an inspiration magazine. The images are all of well-known people, films, or logos that could be easily identified on the front of a magazine.
Zoe Hickson Photography Plan
1) The document outlines a photo-shoot plan for a pop music magazine called "Pitch" that will target an audience of people with little or no income between 12-18 years old.
2) The photographer will take midshot photos of a model for the front cover using high key lighting and later edit the photos in Photoshop.
3) Three potential models, Claire Olney, Patrick Coll, and Caitlin Riordan, are identified as fitting the stereotypes and appealing to the target audience. Wardrobe and makeup will also be girly and casual to appeal to this audience.
Zoe Hickson - Location Recce
Zoe Hickson will take photographs on November 9th at midday against a plain white or brick wall for her magazine front cover. She will use a Canon camera, tripod, and Photoshop. Zoe will ask model Emma Walker to wear bright, girly clothes appealing to her target audience. Zoe must get permission from models to photograph them and permission to take photos around school, being careful of potential hazards like wires, rain, or other trip risks.
Zoe Hickson Production Plan
The document outlines the production process and schedule for a monthly music magazine. It involves researching the process, conducting interviews, taking photos, and creating the front cover, contents page, and a double page spread in Photoshop on a weekly schedule over 6 weeks to meet a release date of January 31st. Key stages of the magazine production process include acquiring content, sub-editing, page layout, proofreading, and printing. The document also discusses choosing a suitable distribution company and setting the release date for the first issue.
Zoe Hickson - 1033 - Schedule
Zoe Hickson completed a foundation portfolio in media studies over several months. She researched magazines, created audience profiles, surveyed peers, and designed preliminary and main covers and contents pages for a pop music magazine. She conducted a photo shoot and interview with a model. Her double page spread featured the interview and edited photos. She evaluated her work in 7 questions, using different media like websites, videos and presentations. All her work is now uploaded to her blog.
Zoe Hickson - Primary Research Evaluation
Zoe Hickson conducted a survey of 12-18 year olds about their music magazine preferences. Key findings include:
- 90% said celebrity appeal helps sell magazines so images will be included.
- 50% expected magazines to be 31-50 pages and cost £2.01-£3.00.
- 100% said free items or prizes would appeal to readers.
The survey gave insights into attracting the target audience and ideas to consider when creating the magazine.
Preliminary task and planning and research
This document provides information about Lucas Kirkland's music magazine project for his OCR Media Studies AS Level course. It includes details of Lucas' preliminary front cover design process, using various Photoshop tools, and receiving feedback from teachers. It also includes Lucas' research on established music magazines, including their target audiences, genres, and publishing companies. Lucas analyzed conventions of music magazine covers, such as layout, mastheads, and positioning of images. He also researched the target audiences and unique selling points of the magazines he reviewed.
Magazine Flat Plan
This document appears to be a magazine layout plan listing various article headlines, images, advertisements, and sections such as reviews, interviews, and details about the magazine's website and social media. The layout includes over 50 items spread across multiple pages, demonstrating a full magazine issue plan with a variety of content types.
Mood Board
This document is a mood board created by Jack J Connell with candidate number 1103 for a magazine planning unit. The mood board aims to visually convey the overall tone, style, and themes that will be featured in the planned magazine. In a concise manner, the mood board utilizes images and colors to summarize the key aspects and feel of the publication.
Photography Plan
This document outlines a photo shoot plan for Recoil Music Magazine. It will include medium close ups, close ups, and full body shots of the photographer and a student model portraying band members on the cover and in the magazine. Lighting will be low key and medium key to create a darker atmosphere for the rock music genre. Post-production may include adjusting light levels and adding blurring effects. The shoot will take place at the school photography studio and music rooms in the afternoon for natural light.
Mind Map
This document provides suggestions for naming a music magazine masthead, including name ideas like "Shred" and "Backfire", and color scheme options such as black and red or black, white, and yellow. It also lists potential strapline ideas and sections that could be included in the magazine, along with noting that the color schemes were inspired by the magazine "Kerrang!".
AS Media | Evaluation Question 7
The preliminary pages helped the student learn tools in Photoshop like shapes, layers, and effects that were applied to the main task magazine spread. Experimenting with layout, fonts, and color swatches on the preliminary pages improved the workflow. Skills like using rulers, pen tools, and selecting around images transferred to InDesign for the double page spread. The preliminary tasks familiarized the student with the software and conventions to produce higher quality work.
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Masthead font styles
The document discusses different font styles considered for a magazine masthead. It evaluates four fonts: Vonique 92, Raider Crusader, True Lies, and Futurist fixed-width. Vonique 92 is deemed not bold enough and hard to read. Raider Crusader is too sharp and not plain enough. True Lies is appealing but not bold enough. Futurist fixed-width is effective but also not bold enough. The final choice is "The bold font" as its name and thickness reveals the popularity of the hip hop/rap genre and will appeal more to the intended audience.
Masthead font styles
1) The document discusses four different font styles - Asiyah Script, Mona Shark, The Frontman 2, and DK Hofstad - that could be used for the masthead of a magazine called "FLAVA".
2) It analyzes the denotations and connotations of each font, relating aspects of the fonts' styles to the theme and content of the magazine.
3) In the end, DK Hofstad is chosen as the final font because it is the author's favorite and they feel it will make the magazine look superior through its simplicity and professionalism compared to other options.
Font types
The document discusses font options for a magazine masthead and cover lines. It examines fonts like Abode Fan Heiti, Georgia, Informal Roman, Imprint MT Shadow, and Lucidia Calligraph. Short summaries of each font are provided in terms of readability, sophistication, and boldness. Feedback was gathered from the target audience, and Imprint MT Shadow was selected as the preferred option since it is clear, unique, and the shadowing helps it stand out for the magazine masthead.
Font analysis 2
The document discusses font choices in pop magazines. It notes that We Love Pop magazine uses a unique signature font for headlines and sell lines to clearly identify the brand. This font is also used consistently throughout article titles and the contents page to maintain brand recognition. The document recommends choosing a simple, clear font for body text to ensure readability, while also selecting a distinctive signature font from Dafont.com to represent the magazine's style and identity. It presents three font options for the magazine masthead, selecting one as most eye-catching for the target audience due to its bright pink and black colors and fun, feminine feel.
Font analysis edited
The document discusses font choices for a pop culture magazine called We Love Pop. It notes that the magazine uses a unique signature font for headlines and titles throughout the magazine to clearly identify the brand. This font stands out on the front cover but is also used consistently inside on article titles and the contents page. The body text is in a simpler, easier to read font. The document advocates choosing a signature font for a new magazine that will identify the brand and appeal to the target audience, while also using a clear font for the main text. It presents options for a new magazine's masthead font and chooses one that is bright, eye-catching, fun, and will identify the magazine's style and intended female readership.
Masthead Font Styles
George Barnstable is deciding on a font style for the masthead of his new hip hop magazine. He considers three options: American Captain, Krinkes, and Helvetica. For his final choice, he selects American Captain. He feels this bold yet simple font will draw attention and is fitting for the daring views in hip hop music. The masthead will be in black surrounded by orange with a white background. This color scheme works well together. By placing the masthead prominently, he hopes to attract consumers' attention. Using a similar font to magazines he admires, like XXL, will help consumers recognize the magazine's hip hop focus. He also plans to name the magazine "Pablo" after Kanye West
Font analysis
The document discusses font usage in pop magazines. It notes that pop magazines typically use a signature font for main headlines and sections to make the magazine easily recognizable. This font is usually featured most prominently on the front cover. The signature font is also often used for article titles and sections within the magazine to maintain brand association. Additionally, pop magazines typically use a simple, easy-to-read font for body text throughout the magazine to ensure readability. Font choices aim to appeal to the target audience and communicate the magazine's style and personality.
Font Analysis
This document discusses font choices for various elements of a magazine mock-up, including the masthead, contents pages, and double page spreads. For the masthead, a quirky yet simple font and a bold, easy-to-read font were chosen. Fonts for the contents pages were selected to draw the reader's eye and match the target audience's interests. Fonts for the double page spreads were picked for their professional look, ability to stand out, and portrayal of the genre's style. Overall font choices were made based on readability, attracting the reader, and representing the magazine's intended tone.
Masthead font styles
The document discusses different font styles that could be used for the masthead of a music magazine. It evaluates the fonts DeathRattle BB, Rock's Death, Shut'Em Down, Script MT Bold, and Plane Crash. For each font, it provides the font name and notes that the letters are not very spaced out and may be difficult to edit. It indicates that the violent and angry styles of most of the fonts would attract stereotypical rock readers. In the end, it decides on the font "Plane Crash" because it is bold and will draw people in, fitting with the simplistic color scheme and conveying a professional magazine.
Font Styles
Bethany Vaughan evaluated several fonts for the masthead of her music magazine aimed at teenagers and young adults. She considered fonts such as "Colleged", "CAUTION", "Broken Glass", "Skratch Punk", and ultimately selected "BREAK IT" due to its easy readability, realistic shattered effect that conveyed rebelliousness, and similarity to the successful magazine KERRANG! which inspired her desired tone and style.
Masthead font styles marked
The document discusses different font styles that could be used for the masthead of a music magazine. It evaluates several options, including DeathRattle BB, Rock's Death, Shut'Em Down, Script MT Bold, and Plane Crash. It ultimately selects Plane Crash as the font style because it is bold and will draw attention, matching the style of the influential music magazine Kerrang!. The document also notes that most people prefer a simple black and white color scheme.
Masthead font styles marked
Hannah Hughes is evaluating different font styles to use for the masthead of her music magazine. She considers fonts like DeathRattle BB, Rock's Death, Shut'Em Down, Script MT Bold, and Plane Crash. She ultimately selects Plane Crash because it is bold and will draw attention, matching her target audience's preferences based on her research. The font also conveys a professional look and is similar to the style used by Kerrang!, her source of inspiration for the magazine.
Masthead font styles
Tom Owen is choosing a font style for the masthead of a magazine about electronic dance music (EDM). He considers several options: L-log Razor Edge, Eternity Tomorrow, The Last Call, Renogare, and Chucara. For each font, he explains how the style fits the topic of EDM and will appeal to readers. In the final summary, he selects The Last Call because its artistic style will make the cover aesthetically pleasing and convey a professionally designed interior. The masthead will be in a dark or white color to stand out against the background.
Fonts
This document evaluates several fonts for their suitability as a logo for a rock music magazine. Pros and cons are provided for each font considered. The Skid Font is ultimately selected for the masthead due to its sharp features and graffiti style that align well with rock music stereotypes. While other fonts also represent the genre, Skid Font is deemed the most appropriate choice.
Mast head designs
The document discusses different masthead designs for a music magazine. The author analyzes the effectiveness of each design in terms of font, size, colors, professionalism, and fit with the overall magazine style. In the end, the author selects a masthead with a modern, bold font in red and black colors as their favorite choice that will stand out on shelves and appeal to their target audience.
Masthead ideas
The document discusses font options for a magazine masthead that match the magazine's tone of being relaxed and rebellious while appealing to a younger audience. It evaluates 5 fonts - CF Rebelle, Rebellion, Rebel Power, Indie Hand, and Era Bold ITC - considering how each font's messy, scratchy style aligns with the magazine's theme and how it could be positioned on the cover page. The document recommends either CF Rebelle or Indie Hand as they emphasize the untidy, rebellious theme through their irregular letter shapes and sizes.
Font sheet
The document analyzes several fonts for their suitability for use on the front cover of a magazine masthead. It evaluates each font for traits like boldness, modernity, uniqueness, and ability to stand out on magazine racks. Some fonts are deemed too similar to others, too thin, or too large and cluttered for a magazine cover. The Kalinga font is described as the most contemporary with clean modern lines that would appeal to current audiences.
Font Analysis
The document analyzes and summarizes the fonts chosen for a music magazine focused on electronic dance music. It discusses five fonts - Karmatic Arcade, Bebas, Saved By Zero, Tw Cen MT, and their uses. Karmatic Arcade will be used for the logo, masthead, and issue information to convey a technological feel. Bebas will be used for sell lines and subtitles for its boldness. Saved By Zero will emphasize the featured artist's name. Tw Cen MT will be used for body text and contents for its sophistication and readability. Two additional fonts, Plane Crash and Power Clear, were considered but not used due to not fitting the genre or readability.
My suitable masthead fonts
The document tests different font styles for a magazine masthead by using Photoshop to mimic the style of Kerrang! magazine. Several fonts are explored, including Arial bold modified with lines to resemble Kerrang!, a chalkboard style giving a handmade impression, and a serif font that could appear secretive. Additional fonts tested are Geneva for its casual association, Euphemia UCAS for its elegance and clarity, Impact for its energetic feel, and Nanum Brush Script for its handwritten and rushed style mimicking heavy metal genres. The document analyzes the impression and suitability of each font for a rock music magazine.
Typeface Research- Quotes/Sub-headings
The document discusses research into typefaces that could be used for sub-headings and quotes in an indie/alternative rock music magazine. Four typefaces are described: "Kingthings Extortion", which is creative and individualistic; "Bugebol huomenna", which is simple but distinctive with outlined black letters filled in white; "Jailbird Jenna", which is clear, dark, and conveys a sense of "rock"; and "Mamma Gamma", which is informal and casual and would blend with the main text while still standing out. The conclusion states that an edgy, attention-grabbing, clear font complimenting the main text will be used.
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Propp's character roles and narrative functions extension task
This document analyzes two soap opera trailers using Propp's character roles and narrative functions:
1) The first trailer, "Hurricane Sharon Trailer", represents the narrative function of "Beginning Counter-Action" as the character Sharon returns to resolve past problems. Sharon is presented as both a "Princess" in need of saving and as ascending to power through her wedding, conforming to the narrative function of "wedding".
2) The second trailer, "Official Hollyoaks Trailer: Love Lies and Betrayal", features the narrative theme of "Struggle" as characters deal with their own problems. It opens with the narrative function of "Trickery" through adultery and
Meeting notes
The document summarizes meeting notes from a student production group creating a trailer. Over multiple meetings spanning several months, the group assigned roles, decided on a crime/thriller genre and title "Langley Vale", finalized locations and actors, completed pre-production documents, conducted filming, and worked on editing and adding special effects. Their final trailer incorporated flashback effects and critical praise text with a ribbon effect.
Poster Hand drawn and graphical drafts
Lucas Kirkland created hand drawn drafts for a poster. He is candidate number 1159 attending St. Andrew's Catholic School, center number 64135. The document provides identifying information for draft posters created by Lucas Kirkland as a candidate at St. Andrew's Catholic School.
Graphical Layout - Front cover
The Soap Digest magazine from January 17-23, 2016 featured a new clearer TV guide to help readers easily see what shows were airing on television each day of the week. The redesigned TV guide section aimed to present programming information in a simpler format that was easier to read and follow than prior versions. Viewers could quickly glance at the TV guide and see what soap operas and other programs they wanted to record or plan to watch during each day.
Timeline
The document outlines the timeline and key events that will be depicted in a soap opera trailer. It establishes that the opening shots will introduce a submissive female character portrayed as a princess whose kidnapping is shown. Establishing shots of the town of LangelyVale will familiarize viewers with locations. A theme of mystery around who the kidnapper is will run throughout the trailer, showing flashbacks and close-ups of potential suspects like the milkman to mislead viewers. The kidnapped girl will ultimately be found dead, with a red ribbon acting as a symbolic motif. As the climax is reached, intertwining plots and different suspects will be revealed through fast-paced cuts. The trailer will end with a funeral for the
Music permission
This document contains a list of song IDs and emails between representatives of the Beggars Group, a music publisher, and others requesting and granting permission to use the Jack White song "Love Interruption" in a trailer for a soap opera. Emails were exchanged between Kathryn Braddick and Emma Lomas of Beggars Group and other parties to secure permission to use the song in the project.
Storyboard
1. The storyboard document outlines 22 shots for a TV show titled "Langley Vale" including character names, camera angles, transitions, and music cues.
2. Shots include establishing shots of the downs and street, close-ups of a character's hands holding a newspaper with a kidnapping headline and picking up a red ribbon, and medium shots of characters exchanging glances and interacting.
3. The final shots focus on people's hands at a pub with one character pulling out a red ribbon before cutting to the Langley Vale logo and BBC2 credit against the continuing instrumental music.
Lucas kirkland soap opera genre target audience task
This document analyzes the target audiences of the soap operas EastEnders and Hollyoaks. For EastEnders, the target audience is typically ages 16-70, with a stereotypical focus on women, who are able to relate to the domestic themes. It appeals most to middle and lower classes in London. Hollyoaks targets ages 16-25, appealing equally to both genders through its focus on relationships and sexuality. It targets lower socioeconomic class E as many viewers are students. Both soaps aim to portray real-life issues their audiences can personally identify with.
Poster mind map
Lucas Kirkland is creating a poster as an ancillary product for their OCR Media Studies A2 coursework. The poster will promote their soap opera trailer which features a kidnapping narrative. Ideas for the poster include incorporating the red ribbon iconography from the trailer and featuring an image of the main character Zoe running. The location of the downs will also be featured. Synergy with social media like hashtags and links to fan pages will be included. Images from the trailer will be manipulated in Photoshop and a tagline of "Betrayal runs deep" is proposed to match the narrative.
Poster mind map
Lucas Kirkland is creating a poster as an ancillary product for their OCR Media Studies A2 coursework. The poster will promote their soap opera trailer which features a kidnapping narrative. Key elements of the poster will include incorporating the red ribbon iconography from the trailer, a picture of the main character Zoe running on the downs, and social media tags to promote viral marketing. The poster will also include the air date and time, as well as the BBC Two logo to establish brand identity. Lucas plans to take pictures on location and design the poster in Adobe Photoshop CS5.
soap opera genre target audience task
The document analyzes the target audiences of the soap operas EastEnders and Hollyoaks. It discusses that EastEnders appeals more to adults aged 16-70 from middle/lower classes in London due to its realistic portrayal of working class characters. Hollyoaks targets younger audiences aged 16-25, appealing equally to males and females from lower socioeconomic groups through its focus on issues relevant to teenagers like relationships and sexuality. Both soaps aim to allow audiences to personally identify with characters and learn from the shows, but through different demographic focuses.
Propp's character roles and narrative functions
This document analyzes two soap opera trailers using Propp's character roles and narrative functions:
1) The first trailer, "Hurricane Sharon Trailer", represents the narrative function of "Beginning Counter-Action" as the character Sharon returns to resolve past problems. Sharon is presented as both a "Princess" in need of saving and as ascending to power through her wedding, conforming to the narrative function of "wedding".
2) The second trailer, "Official Hollyoaks Trailer: Love Lies and Betrayal", features the narrative theme of "Struggle" as characters deal with their own problems. It opens with the narrative function of "Trickery" through adultery and
Hand drawn draft
Lucas Kirkland submitted hand drawn drafts for election posters to St. Andrew's Catholic School with candidate number 1159 and center number 64135. The document provides identifying information for Lucas Kirkland including his name, candidate number, the name of the center where he is running which is St. Andrew's Catholic School, and the center number.
Prop list
The document is a prop list for a media production called "Langley Vale" created by a group of 4 students - Imani, Sean, Jon, and Lucas. It includes props like a red ribbon gathered by Imani, empty milk bottles from Imani, a milk crate from a local milkman provided by Sean, and a lab coat from the school science department provided by Sean.
Locations
The document discusses four potential filming locations for a school media project trailer - Rosebery Road, St. Stephen's Church, the Epsom Downs, and the Rubin House pub. For each location, it notes whether permission is needed to film, possible hazards, and example shot types. The main hazards are traffic on Rosebery Road, potential disruption of church services, horses at the Epsom Downs and Rubin House pub, and busy areas around the pub. Permission may be required to film inside the church.
Letter permissions
The document outlines the steps required to obtain permission to film in the Epsom downs and Langley vale areas. It describes constructing a formal letter to the council specifying details of the planned educational trailer filming. In response, the council provided steps including getting permission from the Surrey highway department by filling out an application providing location, production, and requirement details, and obtaining a police reference number for filming involving a kidnapping scenario.
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St. Andrew's Catholic School students are requesting permission from Surrey County Council to film at several locations in Langley Vale for their A Level media studies coursework. They plan to film a fictional soap opera trailer on November 15th around noon. The locations they have chosen are Epsom Downs, Rosbery Road, and a thoroughfare, which they say are desolate areas that will not disturb the public or damage the environment. They assure the council they will film professionally and cause no disturbances.
Script langley vale
This document contains the script for a television production titled "Langley Vale". It introduces the main characters and establishes the setting of a small town called Langley Vale where a kidnapping has occurred. The script is divided into 22 scenes that follow different characters like Jo, Tracey, Paige, Norman, Mike, and Kane in the aftermath of the kidnapping as suspicion rises between them. Musical cues from "Love Interruption" by Jack White are included to set the mood. The script ends by teasing the airing of "Langley Vale" on BBC2.
Primary Evaluation
Lucas Kirkland conducted a survey of sixth form students to gather information for developing a soap opera trailer. The survey results showed that most respondents did not enjoy watching soap operas, thought they appealed most to females, and preferred the soap opera EastEnders. Respondents indicated kidnapping was the most popular theme and that soap operas were entertaining. Most saw women as strong and independent and thought soap operas targeted working class adults. The survey concluded soap operas did not accurately depict modern life.
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Masthead font styles
- 1. Masthead Font Styles Name: Lucas Kirkland Candidate number: 1159
- 2. This is a very bold and dramatic font. This due to the Font being in block capitals. The denotation of this font will make my magazine seem like it is straight to the point as the font is simple. Also the bold connotes a sense of power. I will be able to manipulate the wording using various Photoshop editing techniques. I would like this font to stretch across my masthead of my magazine. This font lacks interesting characteristics. Lucas Kirkland Candidate Number: 1159
- 3. Secondly I have chosen to use this Font as it is bold just like the font in the last slide, but with a bit more character. The font appears to shatter as it gets to the bottom, which connotes the harsh brutality of the music industry. New artists are always coming into the spotlight and the old are disappearing. This would not spread across my masthead which is a disadvantage but however I strongly like this font.
- 4. This font style is bold and eye catching to the reader asserting a to the point message . It has a rough cartoon feel to it which reflects the care free attitude many followers of indie rock have. Additionally it does vaguely look like the font of my chosen magazine.
- 5. The denotation of this font is quite modern and exciting. The font has manipulated the O of TEMPO into a triangle which is quite interesting. This logo would be more suitable for a techno/ metal magazine rather than my indie magazine
- 6. Final Decision I have chosen this logo for my final decision as it reflects my chosen magazine of research very much. It represents allot of what my sub genre of music is about and creates a bold statement upon looking at it.