Location Scouts
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The document discusses 5 potential locations for shooting scenes of a film. Location 1 will use stock footage for an establishing shot of a prison exterior. Location 2 is a school gym that can represent a prison socialization room. Location 3 is a disused bingo hall that can portray an empty warehouse; it will require removing sound due to street noise. Location 4 is a photography studio that allows adjusting lighting for a scene of a character cowering in a corner. Location 5 is a train station ramp that is secluded and close to the school.
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5. pre production-2
This document outlines the pre-production planning for a film project. It includes the style sheet, two layout designs, a list of needed props and locations, contingency planning for potential issues, health and safety considerations, and a 8-day schedule. The style sheet specifies the text color and style to be used. Layout 1 is preferred as it features a bold title at the top and the director credit at the bottom left. Layout 2 also incorporates revealing the title via actors walking by the camera. Locations include Bramham house, a hut in Tadcaster, Tadcaster woods, and Sutton tunnel. The schedule allocates tasks like storyboarding, location scouting, filming, voiceover recording, and editing across 8 days
Locations recce template
This document provides details for a photo shoot at St. Andrew's Catholic School drum room on April 28th at 2:30 PM. Close-up, low angle, and high angle shots will be taken of a blonde male model drumming in front of a white wall. The model will wear casual grey clothes and normal room lights will be used for lighting. Permission to use the drum room was obtained via email from the head of music. Hazards of the shoot include tripping on wires, exposed plugs, collapsing drum stools, and back strains or dropped drums when moving equipment.
After Hours Call sheet
The document provides details for filming a 2 minute horror sequence called "After Hours" at Brinkburn College on November 11th. It lists the main actor and supporting role, cameramen, camera equipment, props needed, and wardrobe. It also describes 3 filming locations - the front of the college for an establishing shot, the back of the college where strange events begin to occur, and a dark room inside the college for the climax.
Call Sheet
Zoe Ramsdale-Clark is producing a music video shoot on January 29th after school in the drama studio at Haydon School. The shoot will involve filming actress Mary sitting in the center of the room with lights focused on her, using a variety of camera shots and angles. Zoe will need to ensure the camera, lighting, and steadicam equipment are set up beforehand and that she has booked and prepared the studio, actress, and camera settings in advance to make efficient use of filming time.
Locations recce
Tom Owen is planning photoshoots for his media portfolio on November 5th. He will take the front cover photo outside in the afternoon for better lighting. He will take the contents page photo inside the drama studio in the morning where he can control the lighting. For the double page spread photo, he will go outside to make it more engaging while still having natural light. He has permission from his model and will need to check with the school about access and hazards like weather, noise disturbance, and trip hazards. Safety and avoiding damage to expensive clothes and equipment are priorities.
Location recces & Risk Assessment | Grey
The document discusses three potential filming location options at King Alfred's School for a short film. Option 1 is a conference room that may already be booked and has many chairs that would need rearranging. Option 2 is a back office with windows that lack blinds and displays student work. Option 3 is a register office with no natural light requiring all artificial lighting, personal belongings to use carefully as props, and limited space. Risk assessments identify trip and contact hazards for all options and provide actions like contacting the onsite nurse.
Contingency Plan
Contingency plans are needed in case of issues with locations, props, characters, lighting or costumes. Backup locations are needed if the primary locations become unavailable. Replacements for expensive props must be on hand in case of breakage. The filming schedule accounts for actor availability so scenes without a character can be shot if an actor is ill. All filming must finish before dusk since outdoor locations rely on natural lighting. Replacements for costumes are required in the event anything rips during filming.
Shooting schedule-location-kushtypro
A young girl dancing in a dark studio will be filmed in the afternoon at a local drama studio. Two models are required - a student to play the dancer, and a teacher to play her stepfather. The girl will wear a tutu and leotard, while the stepfather's outfit will not be shown. No props are needed beyond the spotlight already in the studio and a camera, which the film crew will operate cooperatively. The entire film crew will help position characters and prepare the actors.
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5. pre production-2
This document outlines the pre-production planning for a film project. It includes the style sheet, two layout designs, a list of needed props and locations, contingency planning for potential issues, health and safety considerations, and a 8-day schedule. The style sheet specifies the text color and style to be used. Layout 1 is preferred as it features a bold title at the top and the director credit at the bottom left. Layout 2 also incorporates revealing the title via actors walking by the camera. Locations include Bramham house, a hut in Tadcaster, Tadcaster woods, and Sutton tunnel. The schedule allocates tasks like storyboarding, location scouting, filming, voiceover recording, and editing across 8 days
Locations recce template
This document provides details for a photo shoot at St. Andrew's Catholic School drum room on April 28th at 2:30 PM. Close-up, low angle, and high angle shots will be taken of a blonde male model drumming in front of a white wall. The model will wear casual grey clothes and normal room lights will be used for lighting. Permission to use the drum room was obtained via email from the head of music. Hazards of the shoot include tripping on wires, exposed plugs, collapsing drum stools, and back strains or dropped drums when moving equipment.
After Hours Call sheet
The document provides details for filming a 2 minute horror sequence called "After Hours" at Brinkburn College on November 11th. It lists the main actor and supporting role, cameramen, camera equipment, props needed, and wardrobe. It also describes 3 filming locations - the front of the college for an establishing shot, the back of the college where strange events begin to occur, and a dark room inside the college for the climax.
Call Sheet
Zoe Ramsdale-Clark is producing a music video shoot on January 29th after school in the drama studio at Haydon School. The shoot will involve filming actress Mary sitting in the center of the room with lights focused on her, using a variety of camera shots and angles. Zoe will need to ensure the camera, lighting, and steadicam equipment are set up beforehand and that she has booked and prepared the studio, actress, and camera settings in advance to make efficient use of filming time.
Locations recce
Tom Owen is planning photoshoots for his media portfolio on November 5th. He will take the front cover photo outside in the afternoon for better lighting. He will take the contents page photo inside the drama studio in the morning where he can control the lighting. For the double page spread photo, he will go outside to make it more engaging while still having natural light. He has permission from his model and will need to check with the school about access and hazards like weather, noise disturbance, and trip hazards. Safety and avoiding damage to expensive clothes and equipment are priorities.
Location recces & Risk Assessment | Grey
The document discusses three potential filming location options at King Alfred's School for a short film. Option 1 is a conference room that may already be booked and has many chairs that would need rearranging. Option 2 is a back office with windows that lack blinds and displays student work. Option 3 is a register office with no natural light requiring all artificial lighting, personal belongings to use carefully as props, and limited space. Risk assessments identify trip and contact hazards for all options and provide actions like contacting the onsite nurse.
Contingency Plan
Contingency plans are needed in case of issues with locations, props, characters, lighting or costumes. Backup locations are needed if the primary locations become unavailable. Replacements for expensive props must be on hand in case of breakage. The filming schedule accounts for actor availability so scenes without a character can be shot if an actor is ill. All filming must finish before dusk since outdoor locations rely on natural lighting. Replacements for costumes are required in the event anything rips during filming.
Shooting schedule-location-kushtypro
A young girl dancing in a dark studio will be filmed in the afternoon at a local drama studio. Two models are required - a student to play the dancer, and a teacher to play her stepfather. The girl will wear a tutu and leotard, while the stepfather's outfit will not be shown. No props are needed beyond the spotlight already in the studio and a camera, which the film crew will operate cooperatively. The entire film crew will help position characters and prepare the actors.
Reece photos
The document discusses three potential filming locations for a movie scene: London Bridge in the afternoon for a character considering suicide, Clapton train station which is close to college and rarely busy, and the school library to portray a character being bullied. London Bridge provides good lighting and atmosphere, while Clapton station also has sufficient lighting and space. Permission will likely be needed for the train station and required for the library.
Filming Documentation
The document outlines the necessary equipment, props, people, and locations for a film shoot, including a Canon DSLR camera, Jessop's tripod, tripod wheels, a white dress, a performer named Lizzie, St. Michael's & All Angels Church graveyard, and the Sixth Form Photography Studio.
Be able to plan a photographic shoot
The document outlines plans for a nature photography magazine. It will feature images from different nature reserves, with a focus on wildlife and calm natural scenes. Equipment like a Canon DSLR, tripod, batteries, and lighting tools will be used. Shoot locations include Fibbersley nature reserve, which poses hazards like slippery hills, glass, and snakes. A risk assessment will be done and safety gear worn. The shooting schedule aims to avoid rain but have backups like waterproof bags. Legal and ethical considerations include obtaining permission before photographing people or using copyrighted works.
Filming Log
The filmmaker spent the first day filming bathroom scenes on their college campus to get various shots. On the second day, they explored the woods to capture long shots and landscapes since they finished the bathroom scene. The third day's outdoor filming was delayed by bad weather, so they added indoor classroom scenes instead. The fourth day went smoothly, allowing them to finish filming early. The fifth and final day was spent editing the footage, which went quickly except adding downloaded sound effects.
Proposal
I will be photographing willing participants from my class to create horror-themed images. I plan to take the pictures within York College using techniques like double exposure, merging faces, and posing subjects with objects associated with fear. My goal is to emulate moments of horror from the film Persona and produce dark, atmospheric images that elicit fear in viewers, which I believe will be an interesting challenge in photography.
Ms2 production film brief
Groups of four students will produce the opening three minutes of a new thriller film. They must incorporate one of their pre-production ideas as the title or theme. Each group member is responsible for one of four roles: cinematography, editing, sound, or mise-en-scene. The document provides tips for shooting the film, such as using a variety of shots and tripods, as well as things to avoid like long dialogue scenes. Students must complete filming by March 22nd and submit a draft of their essay after the Easter break.
Pp shooting schedule_template
This shooting schedule template outlines the scenes and shots planned for the film "My Advert" to be directed by Tom Ross for client Skye Nel. It details the date, scene, location, and any comments for six shots to be filmed in Tom's spare room on June 23rd, with most going as planned except for some lighting issues with the close-up of the headphones.
My evaluation conversation film
The filmmaker evaluated their first film positively given it was their first attempt at shooting and editing. While the location was suitable, the lighting could have been dimmer to achieve a more mysterious mood. Footage quality and transitions between clips improved with practice, but longer individual videos are needed for better editing options. The handoff of an envelope between actors did not film well from multiple angles. Overall, the filmmaker was proud of their first film.
5. pre production
This document outlines the pre-production planning for a short film titled "Friday the 13th". It includes details on the title sequence layout, establishing the masked killer, lighting setup, required props and locations, contingency planning for issues like bad weather, and a proposed 5-day production schedule. The title sequence will use red text and fading elements to set a dark, horror tone. The masked killer will be revealed on screen to establish the film. Necessary props include a hockey mask, machete, and outdoor clothing. Locations will include a dark forest and house.
Analysis of student work
The document contains reviews and feedback on three opening film scenes. Key points made include:
1) The use of different camera angles and shots was effective in showing the scenes and building tension.
2) The settings and locations could be improved to be more realistic for scenes like drug deals or murders.
3) Sound quality was an issue in one scene where background rain noise made dialogue hard to understand.
4) One fight scene went on too long and risked losing the audience's interest.
The reviews highlight lessons on using varied camera techniques, choosing appropriate settings, ensuring clear sound, and optimizing scene lengths to improve future film openings.
Effective tips on film making
The document provides tips for effective film making, including using proper camera techniques like the rule of thirds and keeping the subject in focus; ensuring appropriate costumes, props, lighting and locations for the mise-en-scene; incorporating relevant ambient sounds, diegetic sounds and background music while limiting extraneous noise; and employing a variety of editing techniques like fast-paced cuts, slow motion, and special effects without being disjointed or overedited.
Shot List
The document describes 20 shots from a film scene, including establishing shots of a prison exterior and members of a criminal club, as well as various close-up and medium shots of characters delivering dialogue or reacting to dialogue. It outlines the camera movements, angles, and character focus of each shot.
Codes and Conventions - Summary
The document summarizes techniques used in film openings to set mood and introduce characters. It discusses how non-diegetic music, camera shots, lighting, settings, and other elements are employed to convey emotion, establish genre, hint at danger or intrigue, and begin developing character roles and relationships without fully revealing plot details. Todorov's theory of equilibrium and Propp's concept of character archetypes are also referenced in relation to analyzing these opening sequences.
Casting Ideas
Richard Hurst will be played by Aaron Leiper, a friend the director can rely on. Detective Whittaker will be played by the director's father for ease of scheduling. Tobias Phillips will be played by Franz Del Rosario, who is willing to try his best in any role. The remaining roles of Will Nelson, Lance Anderson, and Simon Jackson were filled by actors recruited through Aaron, with their character profiles molded to their appearances but with original storylines and traits created for them to portray.
Shoot Plan
The shoot plan schedules four days of filming between Sunday 22nd February and Friday 27th February. On Sunday, scenes 3, 7, and 9 will be filmed from 4-5pm at a disused bingo hall, requiring actor Ray in a suit and coat with a hat prop. On Monday, scenes 2, 4, and 8 will be filmed from 3:05pm for 1-2 hours at a school gym with 5 actors and chairs as props. On Wednesday, scene 5 will be shot from 2:05-3:05pm in a school photography studio with actor Aaron and fake blood and knife props. Lastly, on Friday scene 6 will be filmed from 8:50-10:50am at a
Psychological Crime Thriller Survey Results
This document contains responses from multiple individuals describing their preferences and experiences with film genres and openings. It includes details on the types of films they enjoy, how they learn about new films, memorable film openings they've seen, elements they expect to see in psychological crime thrillers and the pace they expect, and specific thriller films they have viewed. The responses vary in the amount of films watched per month, preferred genres, and opinions on memorable openings seen in films like The Hobbit, Guardians of the Galaxy, The A-Team, and Up.
Criminals Club Script - Version 1
Richard and other criminals in prison discuss plans for one last attempt to get revenge on Detective Whittaker who put them in jail. Richard proposes breaking out of prison under cover of darkness to ambush Whittaker. The scene then flashes back to Richard covered in blood after a previous attempt. In the present, Whittaker approaches an abandoned warehouse, unaware of the criminals' plan.
Opening Idea
The document discusses the creation of a film opening scene involving criminals and a detective. It will begin with criminals in prison reminiscing about their past crimes, shown through fast-paced flashbacks. This will be contrasted with slower scenes of their current prison life. The detective will be shown walking to a disused warehouse in a single tracking shot, creating mystery around his character. Through editing techniques, lighting, music and the on-screen content, the opening aims to intrigue viewers and set a creepy, mysterious tone around what happened at the warehouse.
Codes and Conventions - The Silence of the Lambs
Codes and Conventions found in The Silence of the Lambs for my Foundation Portfolio for AS Level Media.
Codes and Conventions - Fargo
This document provides a summary and analysis of the opening scenes of the 1996 film Fargo. It notes that an enigma is created around the car and its driver through limited visibility and unusual circumstances. No characters are formally introduced, suggesting the story may not have a single protagonist. Descriptive text titles are used to set up the plot in a simple, straightforward manner. Shots establish the isolated, snowy setting to build mystery around where the characters are traveling. The pace is slow, using straight cuts to imply realism and montage editing to suggest a haphazard lifestyle. Fades to black indicate the passage of time. The non-diegetic music is initially calm but becomes more tense, reflecting the increasing importance of the
Shoot Schedule
This schedule outlines filming days for various scenes during the week of February 16-21. Scenes 3, 7 and 9 will be filmed from 4-5pm on Monday and Tuesday. Scenes 2, 4 and 8 will be filmed from 3:05 onwards on Wednesday. Scene 5 will be filmed from 2:05-3:05 on Thursday. Scene 6 will be filmed from 8:50-10:50 on Friday with Aaron.
Synopsis
Detective Whittaker and his partner Sophia Richardson are attempting to solve a new crime plotted by the Criminals Club led by Richard Hurst. The Club uses relatives of imprisoned members to carry out crimes. Their latest target is Sam Hurst, who is manipulated into committing crimes to regain custody of his daughter from his ex-wife. Whittaker and Sophia discover the Club's plot and track Sam to an abandoned warehouse. They apprehend Sam before he can complete the crime, and Whittaker declares to the Club that he is retiring and done dealing with their schemes.
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Reece photos
The document discusses three potential filming locations for a movie scene: London Bridge in the afternoon for a character considering suicide, Clapton train station which is close to college and rarely busy, and the school library to portray a character being bullied. London Bridge provides good lighting and atmosphere, while Clapton station also has sufficient lighting and space. Permission will likely be needed for the train station and required for the library.
Filming Documentation
The document outlines the necessary equipment, props, people, and locations for a film shoot, including a Canon DSLR camera, Jessop's tripod, tripod wheels, a white dress, a performer named Lizzie, St. Michael's & All Angels Church graveyard, and the Sixth Form Photography Studio.
Be able to plan a photographic shoot
The document outlines plans for a nature photography magazine. It will feature images from different nature reserves, with a focus on wildlife and calm natural scenes. Equipment like a Canon DSLR, tripod, batteries, and lighting tools will be used. Shoot locations include Fibbersley nature reserve, which poses hazards like slippery hills, glass, and snakes. A risk assessment will be done and safety gear worn. The shooting schedule aims to avoid rain but have backups like waterproof bags. Legal and ethical considerations include obtaining permission before photographing people or using copyrighted works.
Filming Log
The filmmaker spent the first day filming bathroom scenes on their college campus to get various shots. On the second day, they explored the woods to capture long shots and landscapes since they finished the bathroom scene. The third day's outdoor filming was delayed by bad weather, so they added indoor classroom scenes instead. The fourth day went smoothly, allowing them to finish filming early. The fifth and final day was spent editing the footage, which went quickly except adding downloaded sound effects.
Proposal
I will be photographing willing participants from my class to create horror-themed images. I plan to take the pictures within York College using techniques like double exposure, merging faces, and posing subjects with objects associated with fear. My goal is to emulate moments of horror from the film Persona and produce dark, atmospheric images that elicit fear in viewers, which I believe will be an interesting challenge in photography.
Ms2 production film brief
Groups of four students will produce the opening three minutes of a new thriller film. They must incorporate one of their pre-production ideas as the title or theme. Each group member is responsible for one of four roles: cinematography, editing, sound, or mise-en-scene. The document provides tips for shooting the film, such as using a variety of shots and tripods, as well as things to avoid like long dialogue scenes. Students must complete filming by March 22nd and submit a draft of their essay after the Easter break.
Pp shooting schedule_template
This shooting schedule template outlines the scenes and shots planned for the film "My Advert" to be directed by Tom Ross for client Skye Nel. It details the date, scene, location, and any comments for six shots to be filmed in Tom's spare room on June 23rd, with most going as planned except for some lighting issues with the close-up of the headphones.
My evaluation conversation film
The filmmaker evaluated their first film positively given it was their first attempt at shooting and editing. While the location was suitable, the lighting could have been dimmer to achieve a more mysterious mood. Footage quality and transitions between clips improved with practice, but longer individual videos are needed for better editing options. The handoff of an envelope between actors did not film well from multiple angles. Overall, the filmmaker was proud of their first film.
5. pre production
This document outlines the pre-production planning for a short film titled "Friday the 13th". It includes details on the title sequence layout, establishing the masked killer, lighting setup, required props and locations, contingency planning for issues like bad weather, and a proposed 5-day production schedule. The title sequence will use red text and fading elements to set a dark, horror tone. The masked killer will be revealed on screen to establish the film. Necessary props include a hockey mask, machete, and outdoor clothing. Locations will include a dark forest and house.
Analysis of student work
The document contains reviews and feedback on three opening film scenes. Key points made include:
1) The use of different camera angles and shots was effective in showing the scenes and building tension.
2) The settings and locations could be improved to be more realistic for scenes like drug deals or murders.
3) Sound quality was an issue in one scene where background rain noise made dialogue hard to understand.
4) One fight scene went on too long and risked losing the audience's interest.
The reviews highlight lessons on using varied camera techniques, choosing appropriate settings, ensuring clear sound, and optimizing scene lengths to improve future film openings.
Effective tips on film making
The document provides tips for effective film making, including using proper camera techniques like the rule of thirds and keeping the subject in focus; ensuring appropriate costumes, props, lighting and locations for the mise-en-scene; incorporating relevant ambient sounds, diegetic sounds and background music while limiting extraneous noise; and employing a variety of editing techniques like fast-paced cuts, slow motion, and special effects without being disjointed or overedited.
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Shot List
The document describes 20 shots from a film scene, including establishing shots of a prison exterior and members of a criminal club, as well as various close-up and medium shots of characters delivering dialogue or reacting to dialogue. It outlines the camera movements, angles, and character focus of each shot.
Codes and Conventions - Summary
The document summarizes techniques used in film openings to set mood and introduce characters. It discusses how non-diegetic music, camera shots, lighting, settings, and other elements are employed to convey emotion, establish genre, hint at danger or intrigue, and begin developing character roles and relationships without fully revealing plot details. Todorov's theory of equilibrium and Propp's concept of character archetypes are also referenced in relation to analyzing these opening sequences.
Casting Ideas
Richard Hurst will be played by Aaron Leiper, a friend the director can rely on. Detective Whittaker will be played by the director's father for ease of scheduling. Tobias Phillips will be played by Franz Del Rosario, who is willing to try his best in any role. The remaining roles of Will Nelson, Lance Anderson, and Simon Jackson were filled by actors recruited through Aaron, with their character profiles molded to their appearances but with original storylines and traits created for them to portray.
Shoot Plan
The shoot plan schedules four days of filming between Sunday 22nd February and Friday 27th February. On Sunday, scenes 3, 7, and 9 will be filmed from 4-5pm at a disused bingo hall, requiring actor Ray in a suit and coat with a hat prop. On Monday, scenes 2, 4, and 8 will be filmed from 3:05pm for 1-2 hours at a school gym with 5 actors and chairs as props. On Wednesday, scene 5 will be shot from 2:05-3:05pm in a school photography studio with actor Aaron and fake blood and knife props. Lastly, on Friday scene 6 will be filmed from 8:50-10:50am at a
Psychological Crime Thriller Survey Results
This document contains responses from multiple individuals describing their preferences and experiences with film genres and openings. It includes details on the types of films they enjoy, how they learn about new films, memorable film openings they've seen, elements they expect to see in psychological crime thrillers and the pace they expect, and specific thriller films they have viewed. The responses vary in the amount of films watched per month, preferred genres, and opinions on memorable openings seen in films like The Hobbit, Guardians of the Galaxy, The A-Team, and Up.
Criminals Club Script - Version 1
Richard and other criminals in prison discuss plans for one last attempt to get revenge on Detective Whittaker who put them in jail. Richard proposes breaking out of prison under cover of darkness to ambush Whittaker. The scene then flashes back to Richard covered in blood after a previous attempt. In the present, Whittaker approaches an abandoned warehouse, unaware of the criminals' plan.
Opening Idea
The document discusses the creation of a film opening scene involving criminals and a detective. It will begin with criminals in prison reminiscing about their past crimes, shown through fast-paced flashbacks. This will be contrasted with slower scenes of their current prison life. The detective will be shown walking to a disused warehouse in a single tracking shot, creating mystery around his character. Through editing techniques, lighting, music and the on-screen content, the opening aims to intrigue viewers and set a creepy, mysterious tone around what happened at the warehouse.
Codes and Conventions - The Silence of the Lambs
Codes and Conventions found in The Silence of the Lambs for my Foundation Portfolio for AS Level Media.
Codes and Conventions - Fargo
This document provides a summary and analysis of the opening scenes of the 1996 film Fargo. It notes that an enigma is created around the car and its driver through limited visibility and unusual circumstances. No characters are formally introduced, suggesting the story may not have a single protagonist. Descriptive text titles are used to set up the plot in a simple, straightforward manner. Shots establish the isolated, snowy setting to build mystery around where the characters are traveling. The pace is slow, using straight cuts to imply realism and montage editing to suggest a haphazard lifestyle. Fades to black indicate the passage of time. The non-diegetic music is initially calm but becomes more tense, reflecting the increasing importance of the
Shoot Schedule
This schedule outlines filming days for various scenes during the week of February 16-21. Scenes 3, 7 and 9 will be filmed from 4-5pm on Monday and Tuesday. Scenes 2, 4 and 8 will be filmed from 3:05 onwards on Wednesday. Scene 5 will be filmed from 2:05-3:05 on Thursday. Scene 6 will be filmed from 8:50-10:50 on Friday with Aaron.
Synopsis
Detective Whittaker and his partner Sophia Richardson are attempting to solve a new crime plotted by the Criminals Club led by Richard Hurst. The Club uses relatives of imprisoned members to carry out crimes. Their latest target is Sam Hurst, who is manipulated into committing crimes to regain custody of his daughter from his ex-wife. Whittaker and Sophia discover the Club's plot and track Sam to an abandoned warehouse. They apprehend Sam before he can complete the crime, and Whittaker declares to the Club that he is retiring and done dealing with their schemes.
Storyboard
The document outlines 9 scenes from a film depicting various shots at a prison, disused warehouse, and train station. Scene 1 establishes the prison exterior with a wide shot. Scene 2 introduces 5 inmates with medium close up tilt shots. Scene 3 follows the character Whittaker with shots of his feet as he walks to the warehouse. Further scenes continue following characters Richard and Whittaker with various shots ranging from extreme close up to wide as they interact at the prison and warehouse locations.
Planning Synopsis - Todorov's Theory
The criminals in Birmingham Prison's "Criminals Club" plan their final crime against Detective Whittaker, who had solved all of their previous crimes. Detective Whittaker uses flashbacks and clues to realize the criminals are working together, which allows him to solve their new crime. In a climactic shootout at a warehouse, Whittaker defeats the leader of the group, Sam Hurst, and returns all the criminals to prison, declaring he is finished with them.
Codes and Conventions - Se7en
Morgan Freeman's character is shown to be organized and methodical in his daily routine through his use of props. His costume suggests a contrast between his relaxed self at home and his professional appearance outside. The opening scene establishes Freeman's character as solitary and sets up an enigma about his job through hints that he is preparing to go out. Fast editing and music create a tense pace for the opening despite the character's quick and efficient movements. Low key lighting and a dim setting connote a gloomy and dreary mood for the character.
Timeline
This document provides a shot list for a film scene taking place in a prison and disused warehouse, including timing and camera shots such as long shots, close-ups, and pans. The scene begins with an exterior long shot of a prison before cutting to various shots of a prison socialization room and a close-up of a disused warehouse. It then includes flashbacks with shots of a dark corner, a train station ramp, and again the warehouse before returning to medium shots of the socialization room and longer shots of the warehouse.
Planning Synopsis - Character
Detective Whittaker is an aging detective renowned for solving complex crimes who has autism. He is the hero who will be lit brighter and shown with props representing his career. Villain Sam Hurst helps his brother Richard plan crimes from prison and wears dark clothes, while Richard wears an orange jumpsuit as a convicted murderer. Princess Laura is Sam's daughter who doesn't understand his actions. Sophia Richardson is Whittaker's apprentice wearing detective-like clothes to show she is learning from him.
Evaluation Question 6
The document discusses the learning gained from the preliminary task to the final opening.
In the preliminary task, the author learned about match on action, shot reverse shot, and the 180 degree rule. These techniques were then applied in the opening. Specifically, match on action was used when a character ran down a ramp and walked across a room. Shot reverse shot was used for a conversation between two characters. The 180 degree rule was not needed since characters were shot in a circle.
Overall, completing the preliminary task taught the author three key techniques that were essential for an effective opening: match on action, shot reverse shot, and framing of characters. This improved the quality of shots in the opening from the preliminary task.
Evaluation Question 5
The document discusses various technologies used in the production of a media opening, including:
Blogger - The author learned to embed videos, add authors and other features of the blogging platform.
iMovie - The author gained skills in editing videos, including splitting clips, adjusting sound/speed, and adding transitions/effects.
LiveType - The author became proficient in adding titles and text effects, gaining skills applicable to filmmaking.
Overall, the author learned new skills from technologies like Google Forms, Powtoon, and Prezi, and expanded knowledge of tools like Blogger, iMovie, and LiveType. Past familiarity with some technologies increased the efficiency of research and production.
Codes and Conventions - Now You See Me
The document analyzes the opening scene of the film "Now You See Me" through various film techniques. It summarizes that props, lighting, editing, and camera shots are used to create a sense of mystery around the characters and their relationships. Costumes, dialogue, and gestures hint that the characters have a dark side. Various shots draw attention to the characters and show they are linked despite different locations. The fast pace created by jump cuts, music, and close-ups signifies this will be an intense film. The music, sound effects, and a voiceover set a mood of danger and intensity.
Shoot Schedule - Version 2
This schedule outlines filming days for various scenes during the week of February 16-28. It assigns scenes 2, 4, and 8 to be filmed on Monday, Wednesday, and Friday afternoons. Scene 5 will be filmed on Tuesday morning, with scenes 2, 4, and 8 resuming that afternoon. Scene 6 is scheduled for the following Saturday morning. Scenes 3, 7, and 9 are slated for the afternoon of the 27th.
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The document provides details for the pre-production of a music video. It outlines 4 locations for filming - Sandle Castle, Harrogate railway line, York College car park, and the filmmaker's house. It also lists the equipment available, including a camera, tripod, lighting, and an Insta360 camera. The crew will consist of the filmmaker, their brother Rob, and friend Elli. A production schedule is outlined along with a storyboard, shot list, and plans to address potential health and safety issues during filming.
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The document discusses potential filming locations for an opening scene, including a park, a shed in the backyard, and an abandoned building. The park would be used for an initial scene showing a group of boys and the protagonist taking photos as evidence. The shed could feature a scene of the protagonist uploading photos to a laptop. The final setting may either be the shed again, showing the protagonist turning from an investigation board, or the abandoned building, with the protagonist holding a camera or turning from the board. The advantages and disadvantages of each location are considered.
Production Design - William
The document outlines locations that will be used in a movie trailer about a missing person at a school. It describes three locations: 1) Outside the school building, which will show students walking to class to set the scene. 2) The 6th form common room, where multiple shots will focus on a teacher explaining rules for a game of hide and seek. 3) A school corridor where two characters will talk and argue about their missing friend while walking between lessons. Natural lighting will be used in most shots to maintain a positive atmosphere before the person goes missing.
Recce location soveriegn park
The document provides location details for filming at Sovereignpark, a grass area within a public park located two minutes from the document author's house in York, England. The purpose of the shoot is to take pictures of victims for a crime scene in the author's trailer. The park is available anytime as it is open 24 hours a day and requires no permissions. Safety issues that could arise include rain, crew slipping on grass, and children playing with balls interfering. Lighting may need to be brought in as there are few streetlights near the park.
Location Research
The document discusses three potential locations for filming a music video: Richmond Park forest, the drama studio, and the photography studio. For the forest, the document notes its suitability due to its artistic vibe and ease of access. Limitations include slippery grass and birds. The drama studio provides a wide and dark space ideal for dramatic lip syncing and drumming scenes. The photography studio allows for projecting moving images on its white walls, though the small space will require rearranging furniture.
Q3. Areas of development
1) The camera angles were not consistent between shots due to only having two people filming. The location used also did not match what was in the storyboard.
2) Making the storyboard and location plans more flexible would have helped deal with limitations on filming time and locations.
3) Background noise in one clip distracted from the film and should have been reduced.
Location research
The document discusses various location options for filming scenes for a trailer for a psychological thriller film on a small budget. It analyzes the loft, a teenager's bedroom, a forest, an alleyway, an estate agent's office, and a school medical room. Each location is visited in person and deemed suitable for certain scenes based on lighting, accessibility, and ability to portray intended meanings and move the narrative. Filming will be done guerilla style in accessible public and private locations to best represent realistic domestic and threatening spaces within budget constraints.
Question 6
1) The document discusses the filming of a movie opening scene, including choosing a time of day with low light to achieve a nighttime effect, experimenting with different lighting techniques, and overcoming issues with low camera battery life.
2) It also describes experimenting with different shot types, angles, lighting, and zoom levels during practice to choose the most effective style for the opening shots.
3) Lessons learned include being prepared to re-film if initial ideas don't work, trying different shots on the day of filming to improve, and using a tripod to steady shaky shots rather than having an unprofessional look.
Location
The document outlines 7 potential filming locations for scenes in an upcoming film trailer. The locations include a beach for an opening social scene needing natural light, a school interview room for an intimate psychiatrist scene, crew members' homes for authenticity and ease of filming key scenes, a housing estate for a death scene close to the school, and a forest for a quiet final scene close to a crew home. Each location is described as fulfilling specific lighting, environmental, or practical needs for the corresponding scenes in the trailer.
Location images
We chose Chadderton Park as the main location to film outdoor and murder scenes due to its large size and ability to change locations as needed within the park. The study area of Oldham Sixth Form College was used to film a scene where characters ask another to go out, with students in the background adding realism and noise. An establishing shot of the college was difficult to capture due to people and cars but establishes the setting. A drama practice room was utilized for a murder inquest scene when an actor was available unexpectedly.
Photoshootplan1
This document provides planning details for a photo shoot with the theme of "Zombified - rise from the dead" to advertise an energy drink to youth. It outlines the photographer, model, date, location, wardrobe, and necessary equipment. It describes editing photos in post-production to add zombie-like effects without makeup. Research was also done on lighting, framing subjects, using props, getting natural poses, and varying shots. Care was taken not to make the zombie images too graphic and scary for the target audience.
Photoshootplan1
This document provides planning details for a photo shoot with the theme of "Zombified - rise from the dead" to advertise an energy drink to youth. It outlines the photographer, model, date, location, wardrobe, and equipment details. It describes editing the photos in post-production to add zombie-like effects without makeup. Research was also done on best practices for photo shoots, such as lighting, framing, and keeping the subject comfortable. Care was taken to not make the zombie images too graphic and scary for the target audience.
Initial Ideas
The document proposes several shot ideas for a documentary on knife crime. It suggests filming a reconstruction of a stabbing at the sports field in Solihull Sixth Form College due to the greenery representing a park. An establishing shot of the college sign is also proposed to show the interview location. Additional shots planned are of law books in the college library and the canteen, though noise issues led the canteen to be rejected as an interview site.
Locations recce
This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, where most of the trailer will be filmed due to its variety of rooms and proximity to other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential hazards include traffic when traveling to the location and public interference. Permission from the public will be required.
Locations & pictures template-2
This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, which offers various rooms and is close to the other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential risks include traffic when traveling between locations and allergies to the outdoor environment. Public permission is also required.
Locations
This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, where most of the trailer will be filmed due to its variety of rooms and proximity to other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential hazards include traffic when traveling to the location and public interference. Permission from the public will be required.
Locations
This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, where most of the trailer will be filmed due to its variety of rooms and proximity to other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential risks include traffic when traveling between locations and allergies to the outdoor surroundings. Public notification is needed.
Locations Reece
This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, which offers various rooms and is close to the other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential risks include traffic when traveling between locations and allergies to the outdoor environment. Public permission is also required.
Locations
The document discusses two locations for filming the opening of a thriller film. The first location is The Quarries in Kirkby in Ashfield, a large forest area that will be used to show the setting and feature a character running alone and distressed. The second location is a friend's backyard shed, where scenes of a female character being abused and the male character's methods will be filmed, requiring permission from the homeowners who will also be in the opening. Both locations will require significant filming time to perfect ideas and advanced shots for the opening.
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The Music Industry
The document discusses the structure of the music industry. It notes that there are three major record labels - Warner, Universal, and Sony - that dominate the industry. These major labels own subsidiaries targeted at different audiences to benefit from a wide variety of music fans. The document also discusses the author's choice to partner with Sony Music for a promotional campaign, feeling they would best maximize their music video's reach and that Sony had success with similar acoustic artists in the past.
Evaluation Question 3
The document summarizes the results of a survey conducted by Talie Colbourne to get feedback from their target audience on a music video production. Key findings from the survey include:
- 90% of respondents enjoyed the music video, with only 1 person feeling neutral about it.
- 70% were able to follow the storyline for most of the video, while 30% could follow it at times.
- Opinions were mixed on whether the video fit the genre of Acoustic Indie Rock/Pop, with 50% saying it did, 20% saying it did not, and 30% neutral.
- 75% of the target audience felt the promotional campaign appealed to them.
Letter
This document is a scheduling email from Talie coordinating the filming of a project. It includes a color-coded schedule, details of scenes and costumes, and instructions for specific actors. Franz is asked to wear black jeans, white t-shirt and trainers on several filming days. Jas needs two similar outfits for different scenes. The girls also need two costumes labeled A and B. Talie provides her phone number and asks actors to contact her if they have any other questions.
Schedule
The document contains a schedule for the week listing activities and assignments for different periods and groups. On Monday, periods 5 and 1&2 have various assignments, and period 4/lunch has an activity for girls. Tuesday has a break and then a full afternoon schedule. The rest of the week includes different periods and assignments.
Shot list
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Franz’ Music Promotional Campaign
Eva feels isolated from her peers and left out of their group. She hides in the bathroom and eats lunch alone, feeling excluded. After watching a movie and realizing she needs change, Eva decides to confront the group of girls who have been giving her trouble. The music video intercuts scenes of Eva with the artist singing, representing how he witnesses her journey. It remains unclear if Eva will confront the group or try to fit in with them.
Location Scouts
The document discusses location scouting for a music video being filmed in a school/sixth form environment. It provides descriptions of eight potential locations - corridors, outside, classroom, toilets, common room, bedroom, path, and dining room. For each location, it explains why it was chosen and how it would be used in the story, such as showing a character's isolation or journey. The locations aim to realistically portray scenes of a student experiencing exclusion and ultimately finding confidence.
Updated Timeline
The document describes the lyrics and scenes from a music video. It follows a girl who wishes she could fit in with the "cool kids" but feels excluded. Scenes show her watching the popular kids from afar, doing her homework alone, and getting ready for school while feeling left out. The document crosscuts these scenes with shots of the artist singing the song, which is about wanting to be like the cool kids.
Timeline
The document contains lyrics from the song "Cool Kids" by Echosmith. The lyrics describe a girl and boy who wish they could fit in with the cool kids at school but feel they don't. Throughout the song they observe the cool kids seeming confident and popular while the girl and boy feel left out and don't understand the cool kids. The lyrics are repeated with the characters expressing their desire to be like the cool kids and fit in.
Survey Results
The document appears to contain responses from multiple females ages 15-30 to a survey about music listening habits. They were asked about their gender, age, how often they listen to music, preferred genres, how they listen to music, if they watch music videos, how they find out about new music, how they watch music videos, how many they watch, what makes an artist appealing, and what they expect from various music media. Their answers provided details about their preferences and habits regarding different aspects of music consumption.
Advert Analysis
The document provides information on several concert posters, summarizing details about the artists, fonts, images, genres, and target audiences. Specifically, it discusses posters for Alt-J, Coldplay, Bastille, The Cure, and Against the Current. Key details include how fonts and images aim to connect the posters to the artists' works and identities, and how visual elements appeal to wide target audiences in genres like indie rock and alternative pop rock.
CD Cover Analysis
The document provides analyses of several album covers, summarizing key elements and intended meanings/messages:
- Bastille's "Bad Blood" cover prominently displays their name to establish identity, uses a distinctive font and features the lead singer running to signify a journey.
- Angels & Airwaves' "I-Empire" cover depicts all band members equally and uses a minimalist design/colors that contrast typical alternative rock styles.
- Passion Pit's "Gossamer" cover challenges gender norms through its use of pink and features silhouetted figures set against the sky to portray an indie image.
- Jack's Mannequin's "People and Things" cover emphasizes its visual over
Genre Analysis
The document provides analysis of the use of camera, pace and rhythm of editing, genre ingredients, audience and text, type of video, and relationship between video and lyrics for six different music videos. It notes techniques like close-ups making audiences uncomfortable, tracking shots showing importance of singers, and editing fitting song pace. Genre tropes like performances and darkness are discussed. Videos illustrate lyrics and connect to audiences through emotion and desire to follow singers.
Steal My Girl by One Direction - Analysis
One Direction's "Steal My Girl" music video uses various camera shots and editing techniques to promote the individual band members and their pop group identity. The video features both long shots showing crowds and close-ups of each member to connect with fans. While the upbeat, fast-paced montage style editing matches the song's rhythm, the carnival-like setting and fun atmosphere shown do not directly relate to the lyrics about a romantic rivalry. Overall, the abstract and disjunctive video aims to sell the band's personalities and brand rather than illustrate the song's theme.
Smokers Outside the Hospital Doors by Editors - Analysis
The document summarizes the key elements of an indie rock music video titled "Smokers Outside the Hospital Doors". It analyzes the use of a handheld camera and low camera angles to convey the band's lifestyle. It also discusses the editing pace that matches the song's beats through a montage and crosscutting between the band and narrative. Finally, it notes the video combines a performance and narrative style consistent with expectations of the indie rock genre and lyrics of the song.
Criminals Club Script - Version 2
Richard and other criminals in a prison club discuss taking down Detective Whittaker one last time. In a flashback, Richard is shown covered in blood after a previous attempt. Detective Whittaker then walks toward an abandoned warehouse, seemingly used to investigating such locations. The criminals plan to get revenge on Whittaker for messing with them before.
Criminals Club Timeline
This document provides a shot list for a film scene taking place in a prison and disused warehouse, including timing and camera shots such as long shots, close-ups, and pans. The scene begins with an exterior long shot of a prison before cutting to various shots of a prison socialization room. It then flashes back between close-ups in a dark corner, medium shots at a train station ramp, and close-ups in the disused warehouse.
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Location Scouts
- 1. Location Scouts I have chosen to shoot in a variety of locations where I feel the mood of my opening will be able to be portrayed. Location 1: Scene 1 - Prison Exterior Stock Footage Shot Due to laws around shooting the exterior of a prison, it is not possible for me to have my own establishing shot of a prison. I therefore am going to find a piece of stock footage to use and edit to suit my own needs. Location 2: Scenes 2, 4 & 8 - Prison Socialisation Room Gym at Kings Norton Girls School I have chosen to use the gym because I feel as though it is able to represent a room in a prison which the prisoners would be allowed to socialise in. I intend to cover the window which is in shot with a piece of material so as any students who walk past outside are not caught in my shot. The photo included is a photograph of a gym which I found on the internet which looks similar to our gym due to the fact that we are on half term break at the moment. Location 3: Scenes 3, 7 & 9 - Disused Warehouse Disused Bingo Hall on Kings Heath High Street I plan to use this location in order to connote the idea that my location is bare and empty to help signify that it is a disused warehouse-like building. Due to the fact that it is on a busy high street I will have to remove all sound from these scenes to avoid background noise - however this isn’t a problem because there is no dialogue. I intend to shoot at around sunset/dusk time so as the natural lighting is eerie and mysterious, this time would also reduce the chance of cars being present meaning that I can make the scene look even more disused and neglected. Location 4: Scene 5 - Dark Corner Photography Studioat Kings Norton Girls School I am using the photography studio to shoot a scene of Richard cowering in the corner, I have chosen the photography studio as the location for this because due to the nature of the location I am able to adjust the lighting and other elements which will help to give the scene
- 2. a certain feeling. I then also have the opportunity to go into the dark room to shoot if I cannot get the lighting to m desired level. I do not have a photograph of this location because it is a standard photography studio location. Location 5: Scene 6 - Train Station Ramp Train Station Ramp at Kings Norton Station I have chosen to use this location because it is close to school meaning we won’t have to carry equipment very far. The ramp is also in a secluded back entrance meaning that we are not as likely to be disturbed during filming and we also won’t disturb as many people while they are travelling. It is very difficult to find an image of the ramp due to Google Maps not going that far and there being no images on the Internet - the entrance to the ramp (on Station Road) is marked by a circle on the image on the right.