The document provides definitions and explanations of key media language terminology related to mise-en-scene, including setting, props, costumes, facial expressions, body language, lighting, camera positioning, and more. Examples are given of how these elements of mise-en-scene are used to provide meaning and convey information to the audience about characters, narratives, and themes. The document also instructs students to analyze the use of mise-en-scene in media clips and consider what can be understood about characters and stories through these visual elements.

1. Starter Activity: Definitions
The particular codes
used within different
media to convey
messages to audience
The process whereby the
media construct versions of
people, places and events
The groups or individuals
targeted by producers as the
intended consumers of
Media texts
A category of media
products classed as being
similar in type and form
A set of attitudes and
beliefs held in common
by a group of people
The storyline and
structure of a media
text
Any of the organisations
responsible for the
production, marketing,
distribution or regulation of
media texts
Representation
Audience
Industries
Language
Ideology
Narrative
Genre
Match
these
media
term with
the correct
definition

2. Introduction to Media Language
Lesson 1: Mise en Scene

3. Learning Questions
• What is ‘Mise en Scene’?
• What media terminology should I use when
discussing Mise en Scene?
• Can I analyse the use of Mise en Scene in a
media text?

4. Media
Language
(Moving
Image)
Mise en scene
Camera
Costume, Hair
and Make-Up
Props
Lighting and colourPerformance
(Facial expressions and body
language) Shot Type
Camera
Angle
Dialogue
Soundtrack (Diegetic)
Editing
Order of
Shots/Continuity
Pace and
Rhythm
Special
Effects
Space
(on screen and off
screen)
Sound effects
Transitions
Shot
Duration
(Non-Diegetic)
Sound
Camera
Movement
Silence
Setting

5. Mise en
scene
Costume, Hair
and Make-Up
Setting
Lighting and colour
Performance
(Facial expressions and
body language)
Space
(on screen and
off screen)
Props
Each aspect of mise-en-scene has connotations within a media text and sends
signals to the audience about how we are supposed to feel

6. Definition: Mise En Scene
• A French term meaning what is put into a scene or
frame
• Visual information in front of the camera
• Communicates essential information to the audience

7. Setting
• Settings & Locations play an important part in film-
making and are not just ‘backgrounds’.
• Settings can manipulate an audience by building
certain expectations (these expectations can then be
played with!).
• What settings might you find in a Science Fiction or a
Horror film?

8. Props
• Props build on the setting to create a believable ‘world’.
• Props can be used to establish character.
• Props can be used as symbols to connote additional
meanings over and above their material presence.
• ‘At their simplest, props work to give an authentic sense of place,
but can also be used in more complex ways to suggest important
characteristics of particular individuals or even key themes for the
whole film.’
(Benyahia, Gaffney & White, 2006)

9. Costume, Hair & Make Up
• Costume, Hair & Make Up act as an instant indicator of a
character’s personality, status & job.
• It can tell us immediately whether the film is set in the
present and what society or culture it will centre around.
• Certain costumes can signify certain individuals (i.e. black
cloak of a vampire, Spidey’s Spiderman suit)
• Costumes are used to show difference or similarity between
characters, changes in an individual’s character or mood as
the film progresses and whether or not they fit in with the
setting.

10. Facial Expressions & Body Language
• Facial Expressions provide a clear indicator of how someone
is feeling.
• If someone is smiling broadly, we assume they are happy but
we may get a different feeling if this is accompanied by scary
music.
• Body Language may also indicate how a character feels
towards another character or may reflect the state of their
relationship

11. Space: Positioning of Characters & Objects
within a frame
• Positioning within a frame can draw our
attention to an important character/object
• A film-maker can use positioning to indicate
relationships between people
• TASK: What does the positioning in the
following images reveal about the
characters/film?

12. Space: Positioning of Characters & Objects

13. Space: Positioning of Characters & Objects

14. Space: Positioning of Characters & Objects

15. Lighting & Colour
• To highlight important characters or objects
within the frame
• To make characters look mysterious by shading
sections of the face & body
• To reflect a characters mental state/hidden
emotions
• Bright = Happy
• Dark = Sad/alone
• Strobe effect = Chaos/confusion

16. Types of Lighting
• HIGH KEY LIGHTING:
• More filler lights are used.
• Lighting is natural and
realistic to our eyes.
• Produces brightly lit sets or a
sunny day (right).
• The three point lighting
system is commonly used to
create this.

17. Types of Lighting
• LOW KEY LIGHTING:
• Expressive lighting
• Created by using only the key
& back lights
• Produces sharp contrasts of
light and dark areas
• Deep, distinct
shadows/silhouettes are
formed

18. Reviewing Mise en Scene
• Focus on “Mise en scene”
• What can we tell about the characters?
• What can we tell about the story/narrative?
Take
notes
Watching an unseen text
1. View the clip without taking notes
2. Take notes on the use of media language
3. Begin thinking about the meaning created by the media language

19. Lost (ABC): SE01 EP01 – Opening Scene

20. Reviewing Mise en Scene
• Focus on “Mise en scene”
• What can we tell about the characters?
• What can we tell about the story/narrative?
Take
notes
Watching an unseen text
1. View the clip without taking notes
2. Take notes on the use of media language
3. Begin thinking about the meaning created by the media language