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Media Studies A Level
The Key Concepts
•Media Language - Terminology
•Representation – How people or things are portrayed
•Institutions – companies. The industry
•Audience – Types of consumers, target audiences
Camerawork/
Cinematography
Sound
Mise-en-scène
Editing
Film Language
Moving image
Micro Elements
The Power of Sound
• Sound is a powerful film technique for many reasons.
To begin, sound engages a distinct sense which can lead
to a “synchronization of senses”-unify both image and
sound.
Picture Quality or Sound Quality?
Understanding how sound and music
can help create “meaning”
• Enhance the audience's emotional experience / providing
emotional focus
• Underlining psychological refinements - the unspoken thoughts of a
character, or the unseen implications of a situation
• Building a sense of continuity (moving in, out and Bridging scenes)
• Underpinning the theatrical build-up of a scene, and rounding it off
with a sense of finality
Understanding how sound and music
can help create “meaning”
• Character representation / identification (Good Vs Evil e.g.
Star Wars)
• Setting the location
• Setting the period
• Paralleling the action
• Creating a more convincing atmosphere of space and time
• Serving as a kind of neutral background filler
Listen to the following:
Write down what genre of film they belong to:
Opening 1
Opening 2
The Power of Sound
•Film sound can direct our attention quite
specifically within the image
For example, our attention on the foreground not the
background.
•The soundtrack can clarify image events or
contradict them.
•In all cases, the sound track can enter into an active
relation with the image.
The Power of Sound
Listen without sound THEN with
The Power of Sound
• Sound cues us to form expectations.
• For example, a door creaking would make us expect someone
or something has entered the room.
• The use of sound can creatively cheat or redirect the
viewer’s expectations.
The Power of Sound
Silent movies?
Period from start of cinema - mid 1890s to about
1927 has come to be known as silent cinema.
This is an inaccurate description.
Live music was used from the start - from a full
orchestra to a piano - adding meaning by enhancing
dramatic or romantic moments…..
‘Blackmail’ by
Alfred Hitchcock
was originally
made as a silent
film, note the use
of captions and
music to enhance
the story
Hitchcock’s Blackmail (1929) from 1’50”
The talking film era began
in 1927 - a part-talkie.
Warner Brothers used the
system Vitaphone.
Within a year, no one
wanted to see silent films
anymore.
Converting to synchronised
soundThis caused early problems:
• Cameras had to run at “sound speed” - 24
frames per second
• Camera had to film from inside glass
booths
• Film studios had to build sound proofed
stages
• Cinemas had to buy expensive equipment
• Writers had to be hired who could write
dialogue
• These early films were static, less visual,
with too much dialogue, sound effects
and frequently musical numbers.
Diegetic Sound
• Sound whose source is visible on the screen
• Sound that the actors would be able to gear in the diegesis
eg. Dialogue, sound effects of things you can see
When considering speech /
dialogue…
Volume - how loud
Pitch - how high or low
Tone - meaning shown in voice - angry, sad, desperate, etc.
Non-diegetic Sound
• Sound whose source is neither visible on the screen nor has been
implied to be present in the action.
eg. voice-over, musical soundtrack, special effect sounds
Shawshank Redemption narration 1994
Parallel sound
Music or other sounds which mirror the action
Paperman - a chance meeting
The Matrix Fight scene
Contrapuntal Sound
• Sound used in counterpoint or contrast to the image
eg. in horror films a children’s nursery rhyme playing as suspense
builds
Further info on Contrapuntal Sound
From 1 min in - Shaun of the Dead 2004 Edgar Wright
Hyperbolic Sound
• Sound which is exaggerated beyond what is expected within the
scene for dramatic effect
• Eg. hearing breathing in a long shot
Don’t Breath
Sound Motif
• A sound motif is a short recurring series of notes or brief
tune that can be associated with a particular character
object or event.
?
https://www.youtube.com/watch?v=Htaj3o3JD8I
https://www.youtube.com/watch?v=lV8i-pSVMaQ
Sound bridge
Sound that goes across two scenes
Play sound bridge VT
Silence of the Lambs sound bridge
• In addition, sound gives a new value to silence.
For example, a quiet passage in a film can create almost unbearable
tension, forcing the viewer to concentrate on the screen and wait in
anticipation for whatever sound will emerge.
The Power of Silence
Raging Bull 1980 Martin Scorsese from 30 secs
SOUND
KEY SOUND TERMINOLOGY
• Soundtrack
• Theme music/tune
• Sound effects
• Ambient sound
• Dialogue
KEY SOUND TERMINOLOGY
• Soundtrack - the recorded sound element of a film.
• Theme music/tune - a recurrent melody in the film.
• Sound effects - sounds other than dialogue or music
made artificially.
• Ambient sound - buzz and/or surrounding
environment sounds.
• Dialogue - speech.
• Voiceover
• Direct address
• Diegetic sound
• Non-diegetic sound
KEY SOUND TERMINOLOGY
• Voiceover - narration in a film not accompanied by a
synchronised image of the speaker forming the words.
• Direct address - when characters speak directly to the camera
i.e. the audience.
• Diegetic sound – any sound that has an onscreen source and
belongs to the world of the film.
• Non-diegetic sound – any sound that does not have an
onscreen source & characters onscreen do NOT hear it e.g.
some voiceovers, music.
KEY SOUND TERMINOLOGY
DIE!!
Diegetic
sound
• Sound bridges
• Parallel sound
• Contrapuntal sound
KEY SOUND TERMINOLOGY
• Sound bridges – any sound/s that continue from one shot
to another. They help create a smooth transition from one
shot to another. In this way the sound is said to be
enhancing the continuity of the film.
• Parallel sound – sound that complements the image track.
Sound & image seem to reflect each other.
• Contrapuntal sound – sound that does not complement or
fit with the image track.
KEY SOUND TERMINOLOGY
What you need to consider…
• Diegetic - non-diegetic sound
• Synchronous (recorded at same time as images) and non-
synchronous
• Dialogue
• Volume, tone and pitch
• Sound motifs
• Sound bridging
• Parallel
• Contrapuntal
• Hyperbolic
Note down your
observations about
the use of sound in
this extract.
Terminology + specific
emotion/meaning created
Jaws 1975 Steven Spielberg
Analyse how the following made meaning/emotion
• Distorted diegetic sound
• Tone/pitch/delivery of dialogue
• Hyperbolic sound
• Diegetic music
• Non-diegetic sound
• Juxtaposition between types of sound
• Sound effects
• Sound motif
• Sound that foreshadows
• Lose of diegetic sound
• Silence
Extension
AFI sound tips
Arlington Road Title seq
Oscar won for Best Sound 2015
The Revenant final fight
Extension
TEST YOUR KNOWLEDGE
http://www.superteachertools.us/speedmatch/speedmatch.php?game
file=21112#.W6z2feSWyM9

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Introduction to Media Studies: Sound

  • 1. Media Studies A Level The Key Concepts •Media Language - Terminology •Representation – How people or things are portrayed •Institutions – companies. The industry •Audience – Types of consumers, target audiences
  • 3.
  • 4. The Power of Sound • Sound is a powerful film technique for many reasons. To begin, sound engages a distinct sense which can lead to a “synchronization of senses”-unify both image and sound. Picture Quality or Sound Quality?
  • 5. Understanding how sound and music can help create “meaning” • Enhance the audience's emotional experience / providing emotional focus • Underlining psychological refinements - the unspoken thoughts of a character, or the unseen implications of a situation • Building a sense of continuity (moving in, out and Bridging scenes) • Underpinning the theatrical build-up of a scene, and rounding it off with a sense of finality
  • 6. Understanding how sound and music can help create “meaning” • Character representation / identification (Good Vs Evil e.g. Star Wars) • Setting the location • Setting the period • Paralleling the action • Creating a more convincing atmosphere of space and time • Serving as a kind of neutral background filler
  • 7. Listen to the following: Write down what genre of film they belong to: Opening 1 Opening 2 The Power of Sound
  • 8. •Film sound can direct our attention quite specifically within the image For example, our attention on the foreground not the background. •The soundtrack can clarify image events or contradict them. •In all cases, the sound track can enter into an active relation with the image. The Power of Sound
  • 9. Listen without sound THEN with The Power of Sound
  • 10. • Sound cues us to form expectations. • For example, a door creaking would make us expect someone or something has entered the room. • The use of sound can creatively cheat or redirect the viewer’s expectations. The Power of Sound
  • 11. Silent movies? Period from start of cinema - mid 1890s to about 1927 has come to be known as silent cinema. This is an inaccurate description. Live music was used from the start - from a full orchestra to a piano - adding meaning by enhancing dramatic or romantic moments…..
  • 12. ‘Blackmail’ by Alfred Hitchcock was originally made as a silent film, note the use of captions and music to enhance the story Hitchcock’s Blackmail (1929) from 1’50”
  • 13. The talking film era began in 1927 - a part-talkie. Warner Brothers used the system Vitaphone. Within a year, no one wanted to see silent films anymore.
  • 14. Converting to synchronised soundThis caused early problems: • Cameras had to run at “sound speed” - 24 frames per second • Camera had to film from inside glass booths • Film studios had to build sound proofed stages • Cinemas had to buy expensive equipment • Writers had to be hired who could write dialogue • These early films were static, less visual, with too much dialogue, sound effects and frequently musical numbers.
  • 15. Diegetic Sound • Sound whose source is visible on the screen • Sound that the actors would be able to gear in the diegesis eg. Dialogue, sound effects of things you can see
  • 16. When considering speech / dialogue… Volume - how loud Pitch - how high or low Tone - meaning shown in voice - angry, sad, desperate, etc.
  • 17. Non-diegetic Sound • Sound whose source is neither visible on the screen nor has been implied to be present in the action. eg. voice-over, musical soundtrack, special effect sounds Shawshank Redemption narration 1994
  • 18. Parallel sound Music or other sounds which mirror the action Paperman - a chance meeting The Matrix Fight scene
  • 19. Contrapuntal Sound • Sound used in counterpoint or contrast to the image eg. in horror films a children’s nursery rhyme playing as suspense builds Further info on Contrapuntal Sound From 1 min in - Shaun of the Dead 2004 Edgar Wright
  • 20. Hyperbolic Sound • Sound which is exaggerated beyond what is expected within the scene for dramatic effect • Eg. hearing breathing in a long shot Don’t Breath
  • 21. Sound Motif • A sound motif is a short recurring series of notes or brief tune that can be associated with a particular character object or event. ? https://www.youtube.com/watch?v=Htaj3o3JD8I https://www.youtube.com/watch?v=lV8i-pSVMaQ
  • 22. Sound bridge Sound that goes across two scenes Play sound bridge VT Silence of the Lambs sound bridge
  • 23. • In addition, sound gives a new value to silence. For example, a quiet passage in a film can create almost unbearable tension, forcing the viewer to concentrate on the screen and wait in anticipation for whatever sound will emerge. The Power of Silence Raging Bull 1980 Martin Scorsese from 30 secs
  • 24. SOUND
  • 25. KEY SOUND TERMINOLOGY • Soundtrack • Theme music/tune • Sound effects • Ambient sound • Dialogue
  • 26. KEY SOUND TERMINOLOGY • Soundtrack - the recorded sound element of a film. • Theme music/tune - a recurrent melody in the film. • Sound effects - sounds other than dialogue or music made artificially. • Ambient sound - buzz and/or surrounding environment sounds. • Dialogue - speech.
  • 27. • Voiceover • Direct address • Diegetic sound • Non-diegetic sound KEY SOUND TERMINOLOGY
  • 28. • Voiceover - narration in a film not accompanied by a synchronised image of the speaker forming the words. • Direct address - when characters speak directly to the camera i.e. the audience. • Diegetic sound – any sound that has an onscreen source and belongs to the world of the film. • Non-diegetic sound – any sound that does not have an onscreen source & characters onscreen do NOT hear it e.g. some voiceovers, music. KEY SOUND TERMINOLOGY
  • 30. • Sound bridges • Parallel sound • Contrapuntal sound KEY SOUND TERMINOLOGY
  • 31. • Sound bridges – any sound/s that continue from one shot to another. They help create a smooth transition from one shot to another. In this way the sound is said to be enhancing the continuity of the film. • Parallel sound – sound that complements the image track. Sound & image seem to reflect each other. • Contrapuntal sound – sound that does not complement or fit with the image track. KEY SOUND TERMINOLOGY
  • 32. What you need to consider… • Diegetic - non-diegetic sound • Synchronous (recorded at same time as images) and non- synchronous • Dialogue • Volume, tone and pitch • Sound motifs • Sound bridging • Parallel • Contrapuntal • Hyperbolic
  • 33. Note down your observations about the use of sound in this extract. Terminology + specific emotion/meaning created Jaws 1975 Steven Spielberg
  • 34. Analyse how the following made meaning/emotion • Distorted diegetic sound • Tone/pitch/delivery of dialogue • Hyperbolic sound • Diegetic music • Non-diegetic sound • Juxtaposition between types of sound • Sound effects • Sound motif • Sound that foreshadows • Lose of diegetic sound • Silence
  • 36. Oscar won for Best Sound 2015 The Revenant final fight Extension