Evaluation 3
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This document discusses potential strategies for marketing and screening a disaster film. It analyzes popular movie genres and releases from 2014 to determine which genres might attract audiences. It also discusses leveraging current public fears around Ebola to generate interest in a film dealing with a disaster theme. Finally, it profiles several film festivals and independent cinemas in the UK that could be suitable venues for screening the film based on the types of films they show.
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Idependent film vs multiplex
Stoke Film Theatre shows a wider variety of independent, foreign, and non-mainstream films compared to multiplex cinemas. Multiplex cinemas aim to make a profit by appealing to broad audiences with popular mainstream genres like comedy, romance, and action films. While multiplexes offer more total choices, their selections emphasize big commercial releases and cater mostly to mainstream tastes in order to earn higher revenues. Independent theaters help ensure diversity in cinema by providing access to films from different cultures and perspectives that might not otherwise reach audiences.
Research on multiplex cinemas
This document summarizes research on three multiplex cinemas in London: Renoir Curzon, Vue Westfield, and Odeon Camden. It provides details on the number of screens, types of films shown, ticket pricing and deals, on-site food/drink options, locations, and efforts to enhance the cinema experience. The cinemas range from an art-house theater known for independent films to larger chains offering blockbusters, with all aiming to attract local residents as well as tourists through competitive pricing, loyalty programs, and amenities.
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British film institution cinema
The British Film Institute (BFI) is a charitable organization established by Royal Charter that encourages the development of film, television and moving images in the UK. It promotes education about these mediums and their impact on society. While the BFI shows films like a normal cinema, it typically features smaller, independent productions focused on social issues or education. The BFI also runs several film festivals annually, including the London Film Festival and London Lesbian and Gay Film Festival. The BFI IMAX and BFI Southbank are two of its iconic cinemas, with the IMAX featuring the largest screen and sound system and Southbank hosting up to 2,000 films per year across various genres and eras.
British film institution cinema
The British Film Institute (BFI) is a UK charity that promotes film, television and their impact on society through education. It shows films to educate rather than for commercial success, including works from small producers about social issues. The BFI runs several festivals annually, such as the London Film Festival. There are two main BFI cinemas - the BFI IMAX with the largest screen and advanced technology, showing 3D films and documentaries, and BFI Southbank with three screens and a studio showing over 2,000 films per year from classics to independents through various seasons and festivals.
Warp films
Warp Films is a British independent film company based in London that has had success with films like This is England and Submarine. This is England won several awards including Best British Film at the BAFTAs. Submarine had a budget of £1.2 million and made a box office profit of £2.03 million in its opening weekend in the UK and US. Warp Films collaborates with other companies internationally, such as a partnership with Australian distributor Madman Entertainment.
Evaluation 3
Universal Studios would be the ideal institution to distribute the media group's thriller. As one of the largest American motion picture companies, Universal has a proven track record of commercial and critical success with large films. It is also well-known, which would provide great publicity. Additionally, Universal could help the group develop attractions about the thriller at their theme parks, expanding the film's audience. For these reasons, the group selected Universal Studios as their main distributor and producer.
Q3
This document discusses potential media institutions that might distribute an independent, low-budget British thriller film called "Homeless". It suggests that regional independent cinemas like Picturehouse cinemas would be most likely exhibitors, specifically CinemaCity in Norwich where the film is set. It also argues online streaming services like LoveFilm and Channel 4 or Film4 television would provide good outlets for wider audiences due to their experience distributing similar British films. Mainstream cinema chains and most UK broadcasters are seen as less suitable due to their focus on large, mainstream audiences.
Recommended
Idependent film vs multiplex
Stoke Film Theatre shows a wider variety of independent, foreign, and non-mainstream films compared to multiplex cinemas. Multiplex cinemas aim to make a profit by appealing to broad audiences with popular mainstream genres like comedy, romance, and action films. While multiplexes offer more total choices, their selections emphasize big commercial releases and cater mostly to mainstream tastes in order to earn higher revenues. Independent theaters help ensure diversity in cinema by providing access to films from different cultures and perspectives that might not otherwise reach audiences.
Research on multiplex cinemas
This document summarizes research on three multiplex cinemas in London: Renoir Curzon, Vue Westfield, and Odeon Camden. It provides details on the number of screens, types of films shown, ticket pricing and deals, on-site food/drink options, locations, and efforts to enhance the cinema experience. The cinemas range from an art-house theater known for independent films to larger chains offering blockbusters, with all aiming to attract local residents as well as tourists through competitive pricing, loyalty programs, and amenities.
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British film institution cinema
The British Film Institute (BFI) is a charitable organization established by Royal Charter that encourages the development of film, television and moving images in the UK. It promotes education about these mediums and their impact on society. While the BFI shows films like a normal cinema, it typically features smaller, independent productions focused on social issues or education. The BFI also runs several film festivals annually, including the London Film Festival and London Lesbian and Gay Film Festival. The BFI IMAX and BFI Southbank are two of its iconic cinemas, with the IMAX featuring the largest screen and sound system and Southbank hosting up to 2,000 films per year across various genres and eras.
British film institution cinema
The British Film Institute (BFI) is a UK charity that promotes film, television and their impact on society through education. It shows films to educate rather than for commercial success, including works from small producers about social issues. The BFI runs several festivals annually, such as the London Film Festival. There are two main BFI cinemas - the BFI IMAX with the largest screen and advanced technology, showing 3D films and documentaries, and BFI Southbank with three screens and a studio showing over 2,000 films per year from classics to independents through various seasons and festivals.
Warp films
Warp Films is a British independent film company based in London that has had success with films like This is England and Submarine. This is England won several awards including Best British Film at the BAFTAs. Submarine had a budget of £1.2 million and made a box office profit of £2.03 million in its opening weekend in the UK and US. Warp Films collaborates with other companies internationally, such as a partnership with Australian distributor Madman Entertainment.
Evaluation 3
Universal Studios would be the ideal institution to distribute the media group's thriller. As one of the largest American motion picture companies, Universal has a proven track record of commercial and critical success with large films. It is also well-known, which would provide great publicity. Additionally, Universal could help the group develop attractions about the thriller at their theme parks, expanding the film's audience. For these reasons, the group selected Universal Studios as their main distributor and producer.
Q3
This document discusses potential media institutions that might distribute an independent, low-budget British thriller film called "Homeless". It suggests that regional independent cinemas like Picturehouse cinemas would be most likely exhibitors, specifically CinemaCity in Norwich where the film is set. It also argues online streaming services like LoveFilm and Channel 4 or Film4 television would provide good outlets for wider audiences due to their experience distributing similar British films. Mainstream cinema chains and most UK broadcasters are seen as less suitable due to their focus on large, mainstream audiences.
Research of cinemas
This document provides information about three cinemas - ODEON Camden, Westfield Odeon, and Renoir Curzon. ODEON Camden has 5 screens and is located in central London near pubs, clubs, and restaurants, with limited street parking. Westfield Odeon is a 17-screen multiplex in the Westfield shopping complex with 7 screens that have 3D, showing various movies currently. Renoir Curzon has 2 screens targeted towards adult audiences, and is known for art films from established directors and new talent, offering free coffee after refurbishment.
Exhibition
Here are a few key reasons why Skyfall was such a box office success at the cinema without American investment:
- It was the longest-awaited Bond film, having been in development for over 4 years, generating a lot of hype and anticipation among fans.
- The 50th anniversary of the Bond franchise coincided with Skyfall's release, attracting interest from both die-hard and casual fans of the series.
- Directed by Sam Mendes, it had a strong creative team and production values on par with Hollywood blockbusters, giving it crossover appeal.
- Strong British pride and identity are central to the Bond character, allowing the film to resonate with UK audiences in particular.
-
Media Evaluation Q3
The Rain Dance film festival would be a good option to screen our low-budget indie film. The festival screens short films for reasonable entry fees of £25-£55 and was attended by 13,500 people in 2012. Getting our film screened here could help appeal to bigger studios. We could also use social media and free screenings to promote the film. Finally, applying for funding from bodies like the BFI would help with distribution, as they support getting British films to wide audiences, and securing their backing may attract other funders as well.
Distribution
The document discusses choosing Pathé Films as the distributor for a British film. Pathé was established in 1896 and has a distribution network through 20th Century Fox and Warner Brothers. Pathé has successfully distributed films with similar target audiences and genres to the author's film, such as Adulthood and The Virgin Suicides. Both films were coming-of-age dramas and performed well at the box office despite small budgets. Pathé's past distribution successes with comparable films makes them a suitable choice to maximize funding and audience for the author's British-produced coming-of-age movie.
Cineworld
Cineworld is the largest movie theater chain in the UK, with locations in many cities including Crawley, Luton, Sheffield, and London. As a multiplex cinema, it offers 10 different types of movie screenings to maximize audience satisfaction by allowing customers to choose the right format for each film. Ticket prices vary depending on screening type, seating, and whether it's 2D or 3D, but memberships and unlimited plans provide savings. In addition to movies, Cineworld locations contain Starbucks cafes and offer special gifts to attract audiences and promote films.
Evaluation 4 - Who would be the audience for your media product?
The document discusses potential audiences for social realism films across various media platforms. It finds that such films typically struggle for mainstream cinema screenings and only play in small independent theaters. Online, audiences for social realism films on platforms like MUBI tend to be niche with specialized interests in discussion forums. On television, channels like BBC Four that screen these films have relatively small viewerships compared to larger BBC channels. Radio stations like BBC Radio 4 have audiences interested in intelligent topics covered in social realism but numbers are declining. The only print magazine focused on social realism is Sight & Sound from the British Film Institute. The document concludes target audience research shows 16-18 year olds are most interested in social realism films focused
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Harry - Task 3 Evalutaion
A film distribution company markets and sets release dates for films. Metrodome Distribution Group is a London-based company that owns, distributes, and manages films and television content in the UK and would be interested in distributing the film discussed because it is a British film appealing to UK audiences. Universal Studios focuses more on blockbuster films with famous celebrities and would likely not be interested in the film.
DRAFT Q3
Mainstream cinemas like Vue and ODEON would be the best distribution for the film as they appeal to younger audiences interested in current thrillers. These cinemas show popular films at affordable prices in the evenings, allowing students and young people aged 16-20 to easily see the film. Independent cinemas and the BBC cater to older, niche audiences, so would not be suitable given the film's target demographic. Digital platforms like Netflix and YouTube could expand the audience reach, as could social media promotion like what Gone Girl used. A smaller UK film company like the BFI would be more willing to support an unknown, low-budget film than larger studios.
Production company fact files
Warp Films is an independent British film and television production company known for unique, non-formulaic storytelling. One of their most successful films, This Is England (2006), is a crime drama that reflects typical British society through its skinhead subculture themes. Working Title is a larger British studio owned by Universal Studios that has produced over 100 films grossing $6 billion globally, many featuring British settings and actors. Vertigo Films is also a British production company that has produced 28 films along with distributing 35 others, including the nationally appealing dance film StreetDance 3D set in London.
Distribution Company
The document discusses choosing a film distribution company, listing several options including New Line Cinema, Paramount, Anchor Bay, and Compass International. It recommends Lionsgate, a large conglomerate that can provide worldwide distribution similar to their distribution of The Haunting in Connecticut, which earned over $55 million globally on a $10 million budget.
Presentation1
Warp Films would be the best media institution to distribute the media product discussed in the document. Warp Films is an independent UK-based film production and distribution company that has experience successfully producing and distributing independent films. While major studios like 20th Century Fox and Warner Bros focus on larger budget films, Warp Films and related companies like Studio Canal specialize in independent films and have networks for distribution in the UK and sometimes internationally. For these reasons, Warp Films would be most likely to distribute an independent British film like the one discussed.
Short film research
The history of short films began in the late 19th century with very early films being only seconds long and showing simple scenes and events. As technology advanced in the early 1900s, film lengths increased which allowed genres like narrative films to emerge. Popular early narrative short films included A Trip to the Moon (1902) and The Great Train Robbery (1903). Audiences enjoyed the new medium so much that by 1910 they demanded even longer films, leading to the creation of the first feature films. In modern times, short films are often used to gain experience and prove talent with the goal of obtaining funding for future films. Major animation studios like Pixar, Disney, and DreamWorks commonly produce short films to accompany their feature-length
What is media
This document defines and provides details about different types of media including soap operas, documentaries, and advertisements. Soap operas deal with everyday challenges on television programs, documentaries provide factual information on a subject using footage and interviews, and advertisements help promote products between programs. It discusses the key conventions, history, examples, viewing figures, prominent figures, and costs for each media type.
Film Exhibition
Film exhibition is the final stage in the film release process where movies are made available for audiences to watch. There are different types of exhibition including theatrical releases in movie theaters, home entertainment, television, and online streaming. Exhibitors work with distributors to promote films and negotiate revenue sharing agreements based on factors like the size of the film and location of the cinema. Revenue is used to cover production costs and fund future films.
Cinema experience
The document summarizes information about three different movie theaters - the Odeon Camden, Renoir Curzon, and Vue Westfield. The Odeon Camden is located near tourist attractions in Camden and has 5 screens showing popular films like Gravity and Thor. The Renoir Curzon is located in Brunswick Centre showing independent and foreign films on 8 screens, and also hosts special events. Finally, the Vue Westfield is situated in a large shopping center to attract customers, has 12 screens showing the same popular films, and offers special screenings and deals.
Eval3
Warp Films would be the best distributor for this film. As an independent film company, Warp Films allows films to be shot in local areas, saving money compared to larger studios. Warp Films also attracts an audience interested in similar unconventional storylines and bizarre plots, meaning the audience could better appreciate and enjoy this film. Distributing with a larger conglomerate may not reach the right audience for this restricted film or earn enough profit to avoid the film being labeled a failure.
Question 3
The document discusses potential media institutions that could distribute a low-budget thriller film called "The Unseeable" aimed at a young audience demographic. It considers both mainstream cinema chains like Odeon and independent cinemas like Cinema City. Cinema City is identified as a potential option given its willingness to showcase independent, small productions and its educational initiatives for young filmmakers. Digital distribution platforms like Netflix and YouTube that could reach a wide audience are also mentioned. A UK-based film company like the British Film Institute that supports new filmmakers might be suited to package the film.
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Evaluation question 1- Shauna
The document provides an analysis of the opening sequence of a psychological thriller film titled "Diagnosis". It summarizes that the sequence establishes mystery around the main character Mayson's situation through his solitary confinement in an isolation room. Visual elements like the red title font, black and white cinematography, close-up shots, and Mayson's clues with paper and pens aim to engage the audience in unraveling what is occurring and solve the puzzle before him. The analysis also explains how characteristics of Mayson's autism are portrayed through his facial expressions and behaviors to further immerse the viewers in the psychological elements of the genre.
Evaluation question 7
This document discusses improvements made to cinematography, editing, mise-en-scene, and other film techniques between a preliminary task and final diagnosis opening sequence. For the preliminary task, techniques like continuity, 180-degree rule, and match on action were executed poorly with shaky cameras and cuts. However, the diagnosis sequence applied these techniques professionally with strategically placed cameras and smooth edits. It also expanded the use of shots, added effects and music, and incorporated props to better develop character and setting. Overall, experience and research led to a more advanced understanding and application of film techniques in the final sequence.
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Research of cinemas
This document provides information about three cinemas - ODEON Camden, Westfield Odeon, and Renoir Curzon. ODEON Camden has 5 screens and is located in central London near pubs, clubs, and restaurants, with limited street parking. Westfield Odeon is a 17-screen multiplex in the Westfield shopping complex with 7 screens that have 3D, showing various movies currently. Renoir Curzon has 2 screens targeted towards adult audiences, and is known for art films from established directors and new talent, offering free coffee after refurbishment.
Exhibition
Here are a few key reasons why Skyfall was such a box office success at the cinema without American investment:
- It was the longest-awaited Bond film, having been in development for over 4 years, generating a lot of hype and anticipation among fans.
- The 50th anniversary of the Bond franchise coincided with Skyfall's release, attracting interest from both die-hard and casual fans of the series.
- Directed by Sam Mendes, it had a strong creative team and production values on par with Hollywood blockbusters, giving it crossover appeal.
- Strong British pride and identity are central to the Bond character, allowing the film to resonate with UK audiences in particular.
-
Media Evaluation Q3
The Rain Dance film festival would be a good option to screen our low-budget indie film. The festival screens short films for reasonable entry fees of £25-£55 and was attended by 13,500 people in 2012. Getting our film screened here could help appeal to bigger studios. We could also use social media and free screenings to promote the film. Finally, applying for funding from bodies like the BFI would help with distribution, as they support getting British films to wide audiences, and securing their backing may attract other funders as well.
Distribution
The document discusses choosing Pathé Films as the distributor for a British film. Pathé was established in 1896 and has a distribution network through 20th Century Fox and Warner Brothers. Pathé has successfully distributed films with similar target audiences and genres to the author's film, such as Adulthood and The Virgin Suicides. Both films were coming-of-age dramas and performed well at the box office despite small budgets. Pathé's past distribution successes with comparable films makes them a suitable choice to maximize funding and audience for the author's British-produced coming-of-age movie.
Cineworld
Cineworld is the largest movie theater chain in the UK, with locations in many cities including Crawley, Luton, Sheffield, and London. As a multiplex cinema, it offers 10 different types of movie screenings to maximize audience satisfaction by allowing customers to choose the right format for each film. Ticket prices vary depending on screening type, seating, and whether it's 2D or 3D, but memberships and unlimited plans provide savings. In addition to movies, Cineworld locations contain Starbucks cafes and offer special gifts to attract audiences and promote films.
Evaluation 4 - Who would be the audience for your media product?
The document discusses potential audiences for social realism films across various media platforms. It finds that such films typically struggle for mainstream cinema screenings and only play in small independent theaters. Online, audiences for social realism films on platforms like MUBI tend to be niche with specialized interests in discussion forums. On television, channels like BBC Four that screen these films have relatively small viewerships compared to larger BBC channels. Radio stations like BBC Radio 4 have audiences interested in intelligent topics covered in social realism but numbers are declining. The only print magazine focused on social realism is Sight & Sound from the British Film Institute. The document concludes target audience research shows 16-18 year olds are most interested in social realism films focused
English National Opera Overview
A very creative deck with wonderful visuals, a good rights holder brand (ENO), very concise details AND a slide dedicated to "Why Sponsor" which is a sign of a sophisticated rights holder who gets it
Harry - Task 3 Evalutaion
A film distribution company markets and sets release dates for films. Metrodome Distribution Group is a London-based company that owns, distributes, and manages films and television content in the UK and would be interested in distributing the film discussed because it is a British film appealing to UK audiences. Universal Studios focuses more on blockbuster films with famous celebrities and would likely not be interested in the film.
DRAFT Q3
Mainstream cinemas like Vue and ODEON would be the best distribution for the film as they appeal to younger audiences interested in current thrillers. These cinemas show popular films at affordable prices in the evenings, allowing students and young people aged 16-20 to easily see the film. Independent cinemas and the BBC cater to older, niche audiences, so would not be suitable given the film's target demographic. Digital platforms like Netflix and YouTube could expand the audience reach, as could social media promotion like what Gone Girl used. A smaller UK film company like the BFI would be more willing to support an unknown, low-budget film than larger studios.
Production company fact files
Warp Films is an independent British film and television production company known for unique, non-formulaic storytelling. One of their most successful films, This Is England (2006), is a crime drama that reflects typical British society through its skinhead subculture themes. Working Title is a larger British studio owned by Universal Studios that has produced over 100 films grossing $6 billion globally, many featuring British settings and actors. Vertigo Films is also a British production company that has produced 28 films along with distributing 35 others, including the nationally appealing dance film StreetDance 3D set in London.
Distribution Company
The document discusses choosing a film distribution company, listing several options including New Line Cinema, Paramount, Anchor Bay, and Compass International. It recommends Lionsgate, a large conglomerate that can provide worldwide distribution similar to their distribution of The Haunting in Connecticut, which earned over $55 million globally on a $10 million budget.
Presentation1
Warp Films would be the best media institution to distribute the media product discussed in the document. Warp Films is an independent UK-based film production and distribution company that has experience successfully producing and distributing independent films. While major studios like 20th Century Fox and Warner Bros focus on larger budget films, Warp Films and related companies like Studio Canal specialize in independent films and have networks for distribution in the UK and sometimes internationally. For these reasons, Warp Films would be most likely to distribute an independent British film like the one discussed.
Short film research
The history of short films began in the late 19th century with very early films being only seconds long and showing simple scenes and events. As technology advanced in the early 1900s, film lengths increased which allowed genres like narrative films to emerge. Popular early narrative short films included A Trip to the Moon (1902) and The Great Train Robbery (1903). Audiences enjoyed the new medium so much that by 1910 they demanded even longer films, leading to the creation of the first feature films. In modern times, short films are often used to gain experience and prove talent with the goal of obtaining funding for future films. Major animation studios like Pixar, Disney, and DreamWorks commonly produce short films to accompany their feature-length
What is media
This document defines and provides details about different types of media including soap operas, documentaries, and advertisements. Soap operas deal with everyday challenges on television programs, documentaries provide factual information on a subject using footage and interviews, and advertisements help promote products between programs. It discusses the key conventions, history, examples, viewing figures, prominent figures, and costs for each media type.
Film Exhibition
Film exhibition is the final stage in the film release process where movies are made available for audiences to watch. There are different types of exhibition including theatrical releases in movie theaters, home entertainment, television, and online streaming. Exhibitors work with distributors to promote films and negotiate revenue sharing agreements based on factors like the size of the film and location of the cinema. Revenue is used to cover production costs and fund future films.
Cinema experience
The document summarizes information about three different movie theaters - the Odeon Camden, Renoir Curzon, and Vue Westfield. The Odeon Camden is located near tourist attractions in Camden and has 5 screens showing popular films like Gravity and Thor. The Renoir Curzon is located in Brunswick Centre showing independent and foreign films on 8 screens, and also hosts special events. Finally, the Vue Westfield is situated in a large shopping center to attract customers, has 12 screens showing the same popular films, and offers special screenings and deals.
Eval3
Warp Films would be the best distributor for this film. As an independent film company, Warp Films allows films to be shot in local areas, saving money compared to larger studios. Warp Films also attracts an audience interested in similar unconventional storylines and bizarre plots, meaning the audience could better appreciate and enjoy this film. Distributing with a larger conglomerate may not reach the right audience for this restricted film or earn enough profit to avoid the film being labeled a failure.
Question 3
The document discusses potential media institutions that could distribute a low-budget thriller film called "The Unseeable" aimed at a young audience demographic. It considers both mainstream cinema chains like Odeon and independent cinemas like Cinema City. Cinema City is identified as a potential option given its willingness to showcase independent, small productions and its educational initiatives for young filmmakers. Digital distribution platforms like Netflix and YouTube that could reach a wide audience are also mentioned. A UK-based film company like the British Film Institute that supports new filmmakers might be suited to package the film.
Human Agency: Discover Ireland Digital campaign
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Evaluation 4 - Who would be the audience for your media product?
Evaluation 4 - Who would be the audience for your media product?
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Evaluation question 1- Shauna
The document provides an analysis of the opening sequence of a psychological thriller film titled "Diagnosis". It summarizes that the sequence establishes mystery around the main character Mayson's situation through his solitary confinement in an isolation room. Visual elements like the red title font, black and white cinematography, close-up shots, and Mayson's clues with paper and pens aim to engage the audience in unraveling what is occurring and solve the puzzle before him. The analysis also explains how characteristics of Mayson's autism are portrayed through his facial expressions and behaviors to further immerse the viewers in the psychological elements of the genre.
Evaluation question 7
This document discusses improvements made to cinematography, editing, mise-en-scene, and other film techniques between a preliminary task and final diagnosis opening sequence. For the preliminary task, techniques like continuity, 180-degree rule, and match on action were executed poorly with shaky cameras and cuts. However, the diagnosis sequence applied these techniques professionally with strategically placed cameras and smooth edits. It also expanded the use of shots, added effects and music, and incorporated props to better develop character and setting. Overall, experience and research led to a more advanced understanding and application of film techniques in the final sequence.
insomnia still images
This document analyzes still shots from the film Insomnia and how they are used to set mood and create mystery for the audience. It discusses several shots including titles fading in and out like blood or ink to set an ominous tone. An extreme close-up of a red liquid on a white material is meant to look like blood and imply violence. Settings with muted colors in isolated areas without human activity create a bleak, depressing mood. Shots over a character's shoulder or only showing their eyes are used to build mystery about what they are doing and expressing without revealing their full identity. Props related to an investigation give a sense of mystery about what is being investigated. Fog obscuring the view builds further mystery about what lies
Media still images
The document discusses various film techniques used in the title sequence for the film Insomnia. These techniques include fade ins and outs to create mystery, extreme close ups of a blood stain to highlight its significance and convey a sense of the unknown, white backgrounds and muted colors to portray bleakness and isolation, and over the shoulder shots to question reality. Angles are also used to direct attention to important props like a newspaper providing clues to the mystery narrative. Fog is employed to further shroud the story in mystery and engage the imagination of what may exist beyond it. Overall, the techniques analyzed in the title sequence aim to establish themes of mystery and unsettle conventions through their symbolic meanings and technical applications.
Casino royale essay shakir
The document provides an analysis of the opening scenes of the James Bond film Casino Royale. It summarizes that the black and white opening fight scene establishes this as a flashback. James Bond is shown talking confidently with another man who seems to be a villain. The animated title sequence features fighting and cards to set the tone. Both James Bond and the villain are dressed sharply and talk confidently, showing they have equal power and status. Various camera angles are used, like low shots on the villain, to convey meanings like power. Dark lighting and quiet sounds create tension. Themes of action, spying, violence, status and corruption are signaled.
Evaluation 1
Our film titled "Diagnosis" tells the story of a dangerous and contagious disease spreading worldwide. The main character, Mason, is forced into isolation to help resolve the crisis. Scenes in the opening sequence establish Mason as mentally unstable through his abnormal facial expressions and twitchy, anxious behaviors as he works frantically on research about the disease. Close-up shots are used to heighten the physiological thriller elements and convey Mason's deteriorating mental state.
Evaluation 3
Cinemas, film festivals, and TV are potential institutions to distribute an independent psycho thriller film. Cinemas appeal to wide audiences but most cinemas are currently showing more mainstream genres. Film festivals could help bring popularity back to less common genres and expose the film to industry professionals. TV is also a good option as most people own one, but the film may fit better on niche channels that show similar genres. In conclusion, film festivals or young filmmaker competitions are recommended to get exposure and feedback that could lead to broader distribution.
opening scene (diagnosis) Props
The document outlines various props needed for the opening scene of a film, including a plain white room to convey isolation, a desk to show the character's work, a computer to demonstrate their research, a clock to indicate a time limit, newspapers with exaggerated headlines to represent a large problem, paper covering the walls to display the character's stress and efforts to find a solution, a Rubik's cube to illustrate the character's intelligence through their ability to solve it quickly, and black clothing for the character to stand out against the white room and signify elegance, sophistication and mystery.
Evaluation question 7-Shauna
Continuity, the 180 degree rule, match on action, shot/reverse shot techniques, and mise-en-scene were areas the document identifies for improvement in cinematography skills. The preliminary task revealed issues like an unsteady camera, lack of shot variety, and costumes not suiting the scene. The diagnosis summarizes how the opening sequence applied lessons learned - using a tripod, wider shot selection motivated by meaning, and costumes fitting the character. Research into film techniques and examples supported developing a polished opening sequence adhering to genre conventions.
Evaluation 6
Cameras were used to film scenes for a movie project. While the picture and sound quality were good, handheld filming led to shaky footage. Mac computers were powerful for editing but took time to learn. Ordinary PCs were easier to use but less powerful. Final Cut Express was used for video editing and had useful tools but was time-consuming. YouTube was used to share videos but uses data. Prezi converted PowerPoints for the class blog. Blogger hosted all class work but was difficult to learn.
Evaluation 2
This document compares the characters from the film "Into the Wild" and the opening scene of another work. Both characters are alone and isolated, with the "Into the Wild" protagonist choosing isolation in nature while Mason from the other work is forcibly isolated from all things. Both eventually go insane due to their solitary situations, though the causes and types of isolation differ between the characters.
Media still images
This document discusses several film techniques used in a thriller genre film. It describes a fade in and out editing feature that enhances mystery and suspense. An extreme close-up of blood indicates it is a thriller. Shot of a white, unknown location establishes it as bleak and isolated, with black and white colors suggesting muted, sparse surroundings. An over the shoulder shot and reflection in a mirror create a sense of mystery and question reality. An extreme close-up shows characterization and gives a sense of worry or panic, with the main focus being on the character's eyes.
Pulp Fiction Micro Analysis
The document analyzes the opening sequence of a film depicting a conversation between a male and female character in a coffee shop. Some key details include:
- The characters are casually dressed and having a casual conversation that hints at their criminal plans to rob the coffee shop.
- Mise-en-scene elements like the coffee shop setting, casual costumes, and props like cigarettes establish the scene but subvert expectations for criminal characters.
- Shot types include establishing shots, shot-reverse-shot during dialogue, and a zoom-in on the male character to build tension around robbing the diner.
- Editing uses match cuts and straight cuts during dialogue to clearly follow the conversation and build tension when
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This report analyzes the Irish cinema industry by comparing five major cinema chains: Vue Cinemas, the Irish Film Institute, the Savoy Theatre, Cineworld, and the Odeon. Methods of analysis included reviewing their websites, social media presence, mobile apps, and BOSS metrics. The report found that Vue could host more events and loyalty programs. The Irish Film Institute and Savoy could improve by developing mobile apps. Cineworld could enhance their seating quality. Overall, the team worked enthusiastically and creatively, maximizing each member's strengths.
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This report analyzes the Irish cinema industry by comparing several major cinema chains: Vue Cinemas, the Irish Film Institute, the Savoy Theatre, Cineworld, and the Odeon. Methods of analysis included reviewing their websites, social media presence, mobile apps, and BOSS metrics. The report found that Vue could host more events and loyalty programs. The Irish Film Institute and Savoy could improve by developing mobile apps. Cineworld could enhance their seating quality. Overall, the team worked enthusiastically and creatively, maximizing each member's strengths.
Met Film School Prospectus 2013 email-smallest size low res
Study Metro help international students to study in UK and Abroad Countries , Call our adviser at 91-8088-867-867 or visit www.studymetro.com
Evaluation question 3 Marco
This document evaluates potential media institutions that could distribute a psychological thriller film. It is suggested that independent cinemas, film festivals like the British Film Institute Festival, and online streaming services on platforms like Netflix, Amazon Prime, and YouTube would be good fits. The document analyzes current films showing at local cinemas and determines they do not typically feature psychological thrillers. It is concluded independent cinemas and online streaming would provide the broadest reach and be best suited to showcase the film.
Presentation1
The London Film Festival is organized by the BFI to promote diverse films and television cultures locally and internationally. It receives most of its funding from private sources like individual supporters, trusts, and corporations. This funding helps it attract wide audiences and promote the best cultural films. It screens films at various venues across London, with its main venue located in South Bank and others situated in central locations like Leicester Square and independent cinemas in East London.
Question 3 1 1
The document discusses potential media institutions for distributing a student-created opening film sequence called "Dream Paralysis". It analyzes various cinema options and concludes that while large cinema chains primarily show mainstream Hollywood films, smaller independent cinemas and film festivals may be more suitable options. Specifically, the Surrey Film Festival is identified as a realistic choice because it welcomes submissions from student filmmakers and accepts a variety of genres.
Evaluation question 3
This document discusses potential distribution options for a low-budget independent film. It analyzes that the film would not be suitable for mainstream cinemas like the Odeon due to its low budget. Better options would be independent cinemas, film festivals, or online distributors. Specifically, it recommends the Electric Cinema in London, film festivals like CINEMAGIC or Sundance, and the online distributor IndieFlix which allows worldwide access and pays filmmakers based on views. The best strategy concluded would be online distribution to guarantee views and payment with a simpler application process than film festivals.
Presentation final
The London Film Festival promotes diverse films and television cultures locally and internationally. It is run by the BFI and receives most of its funding from private sources like individual supporters, trusts, and corporations. This funding helps the festival attract wide audiences and promote the best cultural films. It screens films at various venues across London, including its main venue in South Bank as well as theaters in central and east London.
The Inbetweeners and UK Cinema
The Inbetweeners was a British sitcom that aired from 2008 to 2010 about four teenage boys. It was created by Ian Morris and Damon Beesley and followed the boys' awkward experiences with school, relationships, and family life. A film based on the series was released in 2011 and was a box office success, grossing over £57 million globally. A sequel film was released in 2014. The original creators and cast returned for both films, which were shot on location in Greece and Australia but also in the UK for cost reasons. Marketing involved partnerships with newspapers and magazines to promote the films and DVD releases.
Warp Films and working title films
This document provides information about the production and reception of the 1994 British romantic comedy film Four Weddings and a Funeral. It details that the film follows a group of friends through various weddings and a funeral, and was directed by Mike Newell with a screenplay by Richard Curtis. Though it was made on a modest budget of under £3 million, it became a major commercial success, grossing over $245.7 million worldwide. The film received positive reviews from critics and an Academy Award nomination for Best Picture.
Question 3
The document discusses potential distribution options for an independent, low-budget thriller film. It analyzes why large chain cinemas and major TV networks would be unlikely given the film's scale. Better prospects mentioned include smaller UK film festivals in London focusing on student/indie films, and independent cinemas in London and Bristol that showcase new work. Young filmmakers competitions are highlighted as a good opportunity to screen the film. Online filmmaking forums are also identified as places for independent filmmakers to share knowledge and seek advice.
UK cinema Warp films & Working titles
An Insight on the history of British Cinema and the two production hose that re within the British film industry
Single camera productions designed for different distribution platforms
This document discusses single camera productions across different distribution platforms including television, film festivals, cinema/film, and interactive digital platforms. It provides examples of single camera television shows like Sex and the City and The Office. It also discusses major film festivals and their role in showcasing films. Additionally, it notes that the UK film industry is thriving and generates billions for the economy each year, and discusses the use of single camera shots in short films. Finally, it describes the rise of interactive digital platforms for streaming and on-demand viewing like Netflix, and their impact on media consumption.
Evaluation question 3
The document discusses potential distribution outlets for an independently produced student film called "The Last Task". It analyzes the genres shown at various cinemas, festivals, and TV channels to determine where the film might best be distributed. It concludes that smaller, less mainstream venues like The Electric Cinema, Film4, young filmmaker competitions, or a YouTube channel would be more suitable options than larger chains like Odeon or more prominent channels like BBC due to the independent nature and lack of funding/promotion for the student film.
What kind of media institution might distribute your media product
The document discusses potential media institutions that could distribute a psychological thriller film produced by media students. It analyzes that independent cinemas and film festivals like Sundance and BFI would be most suitable since they showcase new and aspiring filmmakers. Local cinemas and television channels like BBC and Film4 would not likely distribute the film due to it being a small student production without publicity or popular actors. The document concludes that film festivals are the most probable distribution avenue to gain support, publicity and recognition for the new filmmakers.
Empire 2013 media_pack_fina_lv6
This document provides information about Empire magazine, which is described as the world's biggest movie magazine. It discusses the growth of the UK film market and cinema admissions. It then provides details about Empire's growing readership and circulation, noting it has over 850,000 readers and is the second largest men's magazine in the UK. The document outlines Empire's online, iPad and podcast presences and annual Empire Awards event.
Empire 2013 media_pack_fina_lv6
This document is a media pack for Empire magazine that provides information about the magazine to potential advertisers. Some key points:
1) Empire is the largest movie magazine in the world with a circulation of over 167,000 and a readership of over 857,000. It dominates the UK film market with over 72% share.
2) Empire online reaches over 2.5 million dedicated movie fans through its website, social media, and international editions. The Empire iPad app combines the magazine's editorial with interactive content.
3) Empire readers are passionate and influential movie fans that are twice as likely to spend on designer clothing and entertainment. Major filmmakers regularly praise the magazine.
4) The
Empire 2013 media_pack_fina_lv6
This document provides information about Empire magazine, which is described as the world's biggest movie magazine. It discusses the growth of the UK film market and cinema admissions. It then provides details about Empire's growing readership and circulation, noting it has over 850,000 readers and is the second largest men's magazine in the UK. The document outlines the content of Empire, including main features, interviews, and reviews. It also discusses Empire's online and digital properties, including its website, podcasts, and iPad app. Finally, it briefly describes the annual Empire Awards ceremony.
Warp Films
Warp Films is a British independent film company based in London that has had success with films like This is England and Submarine. This is England won several awards including Best British Film at the BAFTAs. Submarine had a budget of £1.2 million and made a box office profit of £2.03 million in its opening weekend in the UK and US. Warp Films collaborates with other companies internationally, such as a partnership with Australian distributor Madman Entertainment.
Evaluation 3
The document discusses potential distribution outlets for a short film opening sequence with no budget. It notes that major cinema chains like the Odeon would not be suitable due to the very short length and lack of profit potential. Independent cinemas also may not accept it if the genre is not popular locally. Online indie websites are suggested as they have lower costs and barriers. Television stations like BBC and Film4 that seek to make profits are also not realistic options. The conclusion is that platforms like BBC Three or free online movie websites may be best for a no-budget short film.
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What kind of media institution might distribute your media product
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Evaluation question 2
The combination of the band's main products was effective in portraying their concept of "remedy" and brand identity. Each side of the digipack featured a band member with colorful explosions and chemical bottles to represent the remedy concept. Colors were coordinated across products to link them. Though somewhat obscure, the products captured the band's quirky, fun personality and indie genre through unusual imagery and rejection of conventions. The combination was successful in communicating the key ideas but could have made the links between the video and other products more overt.
Evaluation question 2
The combination of the band's main products was effective in conveying their concept of "remedy" and quirky brand identity. Each side of the digipack featured a band member with their instrument and a chemical bottle/color explosion, representing the remedy concept. Colors were consistently used across products to link them. While some links between the music video and other products could have been made clearer, overall the combination of products portrayed the remedy concept and band's fun, unique identity well.
Media ad anaylsis
This magazine advertisement for Kings of Leon's new album uses abstract photography with the band members' faces cut up and arranged around an eagle. The ad has a gloomy tone to match the likely sound of the album. While keeping a simple black background, the band's name stands out in font that is different colored but the same style as the album font, making the two easy to distinguish. The ad follows conventions by prominently featuring the artist and showing each band member through the fragmented faces around the eagle.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
Magazine analysis
This advertisement for Lana Del Rey's album "Born to Die" uses minimalist design and lighting to draw attention to the up-and-coming artist. The simple color palette and focus on Lana through a low-angle shot and central positioning make her the clear subject. While the production costs are low, this maximizes potential attention for Lana by not overshadowing her with complex graphics or effects. The ad also promotes Lana's brand and website to increase exposure around the album release.
Indie rock analysis
This document provides summaries of three indie rock music videos:
1) "6 Feet" by Scarlxrd uses dark imagery and costumes to portray themes of mental instability. Unique editing and cinematography make the video impactful.
2) "Naive" by The Kooks tells a narrative embedded in performance scenes and uses typical indie rock styles. Simple editing focuses on the artist's expressions.
3) "Radioactive" by Imagine Dragons blends narrative scenes of teddy bear fighting with performance sections of the band. Casual clothing reflects the indie genre.
Summer assignment
The document provides an analysis of several music videos. It summarizes each video in 1-2 paragraphs, describing elements like genre, themes, imagery, and how the video relates to the song. Key points analyzed include how the videos represent the artists' images and messages, use of costumes, lighting, locations, and references to other works. The document examines videos for songs by KSI, Fame on Fire, and Yellow Claw featuring themes of isolation, partying, and not conforming to others' expectations.
Andrew goodwin’s music video rules
There are several rules that music videos typically follow:
1) The music video style reflects the genre of music. For the alternative rock song "Amsterdam" by Nothing But Thieves, the video features the band performing in an abandoned factory alongside dancers.
2) The visuals in a music video relate to the song lyrics, whether illustrating, amplifying or contradicting them. In "Amsterdam", scenes of the dancers emphasize lyrics about craziness and living under the same sun.
3) The visuals also relate to the music itself, using elements like tempo. In "No More Sad Songs" by Little Mix, the climax of the music is reflected in an intensification of the visuals
Summer homework media music video analysis task
This document analyzes three music videos according to Andrew Goodwin's six rules for music videos. Each video is summarized in terms of genre, relationship between lyrics and visuals, relationship between music and visuals, presence of close-ups of artists, references to looking, intertextual references, and whether it is performance, narrative or concept-based. The conclusion finds that most mainstream music videos are narrative-based to engage younger audiences, though some bands subvert this with alternative styles like Fall Out Boy's performance-focused video.
Evaluation question 3
The document discusses potential media institutions that could distribute a media product. It suggests that Netflix would be a good option due to its history of supporting independent films and having a catalog of similar genre films. Certain multiplex cinemas could also work as some have shown independent British films before. The BFI cinema may be suitable since it occasionally shows indie films to engage varied audiences, in addition to major films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product and analyzes which might be suitable for the author's film. It identifies festivals, Netflix, and some multiplex cinemas as potential distribution outlets. Festivals often feature independent and niche films, while Netflix and select cinemas occasionally show smaller British productions. The author's crime thriller would fit in with genres typically presented on these platforms.
Media question 3
The document discusses different types of media for releasing a film, including various cinemas and film festivals. It analyzes the target audiences and marketing approaches of different venues. Based on the research, television is identified as the best option to reach the film's target 18-22 year old audience nationally, as it is easier for viewers than cinemas or festivals and offers broad exposure without the large competition of other options. Releasing on television balances advantages and disadvantages better than the alternatives.
Evaluation question 3 neamh
The document discusses distributing an independent thriller film. It analyzes different distribution options like independent cinemas versus large chains, and film festivals versus online forums. Independent cinemas and film festivals like Tribeca that feature thrillers are recommended over large chains or prestigious festivals like Cannes. Online forums are also suggested to generate reviews and exposure. In conclusion, independent cinemas are where the film would likely end up if successful, through a festival run and indie release that targets the appropriate audience for a psychological thriller.
Question 3
The document discusses potential media institutions that might distribute an independent thriller film. It analyzes what types of films are shown at mainstream cinemas (fantasy films), independent cinemas (dramas), and film festivals (mostly dramas that could win awards). It determines that an independent cinema or young filmmakers festival would be the most realistic venues, as mainstream cinemas primarily show larger budget films. Online sharing through websites like YouTube could also be an option to reach a wide audience.
Evaluation question 3 correct
The document evaluates potential outlets for showcasing a film. It is analyzed that mainstream cinemas like Odeon and Woking Theatre primarily show large budget films and are not currently interested in crime thrillers. Independent cinemas like BFI and Reading Theatre show a variety of genres and would be better options. Film festivals like Sundance and BFI could provide exposure but have many entries. A young filmmakers competition would allow comparison to similar skills and budgets and is concluded to be the best overall showcase for the film.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Mainstream cinemas primarily show big budget fantasy films, while independent cinemas focus more on drama genres. Film festivals commonly feature drama films that are more art-house in nature. Given that the film is an independent thriller, it would likely be shown at a young filmmakers' festival or shared online through websites like YouTube, as these venues are more open to lower budget, independent productions. Realistically, the best venue would be a youth festival if the film's production quality was high.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Based on the genres typically featured at each, it determines that independent cinemas and young filmmakers' festivals would be most receptive to an independent thriller. Realistically, it concludes the film would likely be shown at a young people's festival if of high quality, or could alternatively be shared online via forums and YouTube.
Evaluation question 3 2
The document discusses several options for showcasing an independent film, including film festivals, cinemas, streaming services, and young filmmaker competitions. It determines that film festivals like BFI and independent cinemas would be most suitable, as they showcase a variety of genres and budgets. However, the best choice is a young filmmakers competition, as it directly compares films from similar experience levels.
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Evaluation 3
- 2. Odeon Cinemas is a British chain of cinemas operating in the United Kingdom and Ireland. The company is one of the largest cinema chains in Europe. All the latest mainstream movies are shown at this state-of-the- art chain cinema with family deals. Cineworld Group plc is a cinema chain operating in the United Kingdom, Ireland, Jersey and continental Europe as Cinema City International. The UK chain consists of 81 cinemas, 79 of which are located in the UK, with one each in Ireland and Jersey. Popular Cinemas
- 3. These are the most popular movies of 2014. Most of them are of thriller genre, however none of them have the same type of storyline or sub-genre as our opening sequence. Our sub-genres are not very popular, I have not found many in the top 100 that I looked. The main popular genres are sci fi, adventure and action. Our movie will have a lot of action but the main genre is disaster. This genre has died down, it used to be popular but if we work hard enough we may be able to bring it back. We have a very good advantage that could make it work. We have the recent outbreak of the Ebola disease, we could use this fear of the public to draw them in. People will be attracted to the storyline as it will be based off something real. The very popular film 2012 used the same technique. The producers of the film used the public fear of the world ending and created a film that would show the public what may happen. We hope that we could do the same thing here. 2014 Popular releases
- 4. Cinema
- 5. Popular releases Guildford These are the popular films viewed in Guildford. These are very mainstream, latest and popular fims out at the moment. Comedy is the most popular genre in Guildford at the moment because it is a very happy moment for every. Christmas has just gone and the a new year has started and most people are in the mood for comedy.
- 6. Popular releases Woking These are the popular films in Woking. It is different to Guildford. In Woking there are more of a range of genres that are popular. Drama is very popular in Woking at the moment however there are lots of different types of genres that are also popular.
- 8. BFI London Film Festival A four-screen cinema venue showing over 2,000 classic and contemporary films each year, with film seasons, director and actor retrospectives, and extended runs of cinema classics. You can view over 1000 hours of free film and TV. In the BFI London Film Festival they view all the latest film releases. At the moment the most popular genres are Drama and Biography. There are a couple of thrillers out for example The Imitation Game. This could be a perfect opportunity to make our film popular because at the end they give out awards. If our film is liked then the word will spread and if we win the award the film would be more respected.
- 9. Founded in 2000, the East End Film Festival is one of the UK’s largest film festivals. It is an annual multi-platform festival held in London, the EEFF presents a rich and diverse programme of international premieres, industry master classes, free pop-up screenings and immersive live events. East End Film Festival East End Film Festival are advertising this film called Dermaphoria. Judging by the trailer it looks similar to what our film would be and this film festival looks like it would suit to view it.
- 11. Reading Film Theatre was established over 40 years ago as an independent cinema with a policy to show the best films from around the world. RFT hires the largest auditorium from the University on a regular basis, using its own equipment and employing RFT staff, most of whom are volunteers. The cinema is open to everyone, and being based on a university campus, it screens films only during term time. Reading Film Theatre As the Reading Film Theatre is based on a university it gives us an advantage because one of our main target audiences are young adults such as uni students. Another advantage is that there thrillers are popular in this theatre and will allow our film to fit in.
- 12. BFI Film Forever A four-screen cinema venue showing over 2,000 classic and contemporary films each year, with film seasons, director and actor retrospectives, and extended runs of cinema classics. View over 1000 hours of free film and TV in the Mediatheque, visit the library and film shop, and enjoy two of the South Bank’s best restaurant bars
- 13. Broken City
- 14. Enigma