The student created recipe cards targeting older audiences. They conducted research which found older people prefer simple, sophisticated designs. The cards have a white background for ease of reading, and feature a large main image and additional close-up shots to make the design more creative. Text is in a single column divided into paragraphs. Images on the back continue the theme while changing opacity levels. The design reflects the target audience and theme of afternoon tea.
The document provides an evaluation of Hannah Mizen's recipe card project. It discusses the visual design choices made, including the layout, image to text ratio, and simplistic style. The goal was to appeal to vegetarians by emulating a school notebook aesthetic with neat organization and imperfect elements like stains. Photos were taken consistently to tie the cards together as a set. Feedback is provided on how well the finished project reflected the initial plans and brief. Minor changes were made from early concepts, and the final product was found to meet the requirements outlined in the brief.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images for a neat yet imperfect "school book" feel. Images and text are in equal ratio. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for layout and information placement, but the design aims to have a nostalgic "school" theme with ripped edges, ink splotches and a lined paper background to seem less serious. The goal was a relaxed yet professional look to appeal to a middle-aged, family-oriented audience interested in healthy eating.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images to give a school-like feel. Images and text are in equal proportion. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for their simple structures but the designs aimed to have a nostalgic, homemade theme through additions like ink splotches. The goal was to appeal to a middle-aged, family-oriented audience interested in healthy eating through gender-neutral, easy-to-follow designs.
This document summarizes the influences and decisions that went into designing recipe cards. It discusses existing recipe card products that were influences, including their use of large images, branding strips, and multiple small images. The document reflects on how these elements were emulated or adapted for the author's own recipe card designs. Key influences included a wave-shaped branding strip and cut-out pieces of the main image. The author also discusses choices around font, color palettes, and layout to appeal to target audiences like younger demographics while maintaining a mass market appeal.
The products researched all take care to not cover important visual elements in photographs with text. They also use color schemes that are bold and make the text stand out, such as dark backgrounds helping white text pop. Common features included side text placement, minimal overlay on full-page images, and gradients or shadows to integrate text attractively. Analyzing competitors helps inform an effective layout balancing images and information.
The products researched all take care to not cover important visual elements in photographs with text. They also use color schemes that are bold and make the text stand out, such as dark backgrounds helping white text pop. Common features included side text placement, minimal overlay on full-page images, and gradients or shadows to integrate text attractively. Analyzing successful magazines informed layout and design choices to engage the target audience.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, credits, and body text to draw attention. It also examines the intentional use of colors, lighting, and photos that match the tone and topic of articles. The document notes how these design choices make the magazine more visually appealing and professional, increasing the chances people will buy it. It highlights lessons for the reader's own magazine project, such as using memorable branding elements and considering how layout, colors, and photos suit the target audience and content.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, authors, and other text to draw attention. It also examines the use of colors like yellow borders and how color schemes match the tone and environment of photos. Lighting and shadows are used to make photos and text stand out. The layout incorporates both text-heavy and image-heavy pages to appeal to different readers. These design choices aim to make the magazine visually appealing and convey professional quality to entice audiences to buy the product. The document analyzes these techniques to inform the design of the author's own magazine project.
The document provides an evaluation of Hannah Mizen's recipe card project. It discusses the visual design choices made, including the layout, image to text ratio, and simplistic style. The goal was to appeal to vegetarians by emulating a school notebook aesthetic with neat organization and imperfect elements like stains. Photos were taken consistently to tie the cards together as a set. Feedback is provided on how well the finished project reflected the initial plans and brief. Minor changes were made from early concepts, and the final product was found to meet the requirements outlined in the brief.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images for a neat yet imperfect "school book" feel. Images and text are in equal ratio. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for layout and information placement, but the design aims to have a nostalgic "school" theme with ripped edges, ink splotches and a lined paper background to seem less serious. The goal was a relaxed yet professional look to appeal to a middle-aged, family-oriented audience interested in healthy eating.
The document summarizes the design choices made for a set of vegetarian recipe cards. The layout is simple with boxes and images to give a school-like feel. Images and text are in equal proportion. Photography was used to keep lighting and feelings consistent across cards. Font, sizing, and color are consistent to look handwritten. Influences included existing recipe cards for their simple structures but the designs aimed to have a nostalgic, homemade theme through additions like ink splotches. The goal was to appeal to a middle-aged, family-oriented audience interested in healthy eating through gender-neutral, easy-to-follow designs.
This document summarizes the influences and decisions that went into designing recipe cards. It discusses existing recipe card products that were influences, including their use of large images, branding strips, and multiple small images. The document reflects on how these elements were emulated or adapted for the author's own recipe card designs. Key influences included a wave-shaped branding strip and cut-out pieces of the main image. The author also discusses choices around font, color palettes, and layout to appeal to target audiences like younger demographics while maintaining a mass market appeal.
The products researched all take care to not cover important visual elements in photographs with text. They also use color schemes that are bold and make the text stand out, such as dark backgrounds helping white text pop. Common features included side text placement, minimal overlay on full-page images, and gradients or shadows to integrate text attractively. Analyzing competitors helps inform an effective layout balancing images and information.
The products researched all take care to not cover important visual elements in photographs with text. They also use color schemes that are bold and make the text stand out, such as dark backgrounds helping white text pop. Common features included side text placement, minimal overlay on full-page images, and gradients or shadows to integrate text attractively. Analyzing successful magazines informed layout and design choices to engage the target audience.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, credits, and body text to draw attention. It also examines the intentional use of colors, lighting, and photos that match the tone and topic of articles. The document notes how these design choices make the magazine more visually appealing and professional, increasing the chances people will buy it. It highlights lessons for the reader's own magazine project, such as using memorable branding elements and considering how layout, colors, and photos suit the target audience and content.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, authors, and other text to draw attention. It also examines the use of colors like yellow borders and how color schemes match the tone and environment of photos. Lighting and shadows are used to make photos and text stand out. The layout incorporates both text-heavy and image-heavy pages to appeal to different readers. These design choices aim to make the magazine visually appealing and convey professional quality to entice audiences to buy the product. The document analyzes these techniques to inform the design of the author's own magazine project.
The document analyzes several existing magazine products, focusing on their layout, design, and visual elements. It discusses how different products use fonts, colors, lighting, and photos in distinct ways tailored to their content and audiences. Key lessons highlighted include varying design across pages to maintain interest, using color schemes that make text legible, and positioning text to avoid covering important photo details. The analysis aims to understand common magazine conventions as well as unique design choices to apply to the author's own student magazine project.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, authors, and other text to draw attention. It also examines the use of colors like yellow borders and how lighting is used in photos. The layout combines large images with text-heavy pages to appeal to different readers. Two sample spreads use different color schemes, lighting, and styles - one emphasizes a dramatic underwater photo while the other focuses on information. The document analyzes these techniques to help inform the design of the author's own magazine.
The document provides examples of good and bad design principles, including use of alignment, proximity, repetition, contrast, color, and embellishment/enhancement. In the bad examples, principles are not properly applied, making the designs cluttered and difficult to understand. The good examples demonstrate how properly applying design principles can make visual content more organized, readable and achieve its purpose.
The document summarizes the production process of creating recipe cards for vegetarians. It discusses how the initial plans for bright colors and stock images did not work cohesively as a set. The team then simplified the design with a white background and two consistent colors from the logo. Feedback noted the need for consistent layouts and font placement. While some stock images stood out, the overall set reflected the goal of appealing to a general audience with a basic design. The document evaluates skills learned around planning, photography, and using feedback to improve the final products.
The document provides an evaluation of a social action advertising campaign. It discusses whether the campaign is fit for purpose by clearly communicating its message to the target audience. The evaluation notes that the campaign catches attention with bright colors and happy images. It also keeps the message simple to understand. The campaign maintains consistency across different publications using the same colors, fonts, and positive tone. While original intentions changed somewhat in execution, key elements like the color scheme and fonts remained the same.
The document describes the process of designing logos and posters for a children's environmental organization called Seas for Life. The designer created a cartoon crab character logo to appeal to children while incorporating subtle elements of the existing Surfers Against Sewage logo. They refined the logo design through several iterations to make it distinct from the original yet flexible enough to work in different contexts. Three educational posters were also created with simple, clear messaging about litter and how it affects beach animals, tailored to be understood by and engage children. The techniques used, like hand drawing and Photoshop, helped make the logo and posters visually appealing yet understandable for their intended young audience.
Here are a few key things this book says about your target audience:
- They have an interest in photography as a hobby, not just professionally. So your book appealing to amateur photographers as well as professionals would be good.
- They have some disposable income and free time to dedicate to hobbies/self-improvement. So your content should provide value beyond just casual interest.
- Both men and women are interested in the topic, so your content and design shouldn't target one gender exclusively.
- A focus on practical techniques and skills, not just theory, would engage this audience that wants to improve their photography. Step-by-step tutorials or examples could work well.
- High production values
The document summarizes the design process and decisions made for creating recipe cards for a vegetarian client. Key details include:
- The designs are busy with small details to look realistic, using more text than images depending on the recipe.
- Photographs were taken by the designers and stock photos were used, with details like tape and shadows added in Photoshop.
- The green color and messy details are meant to evoke nostalgia for childhood and school. Recipes also reference traditional school meals.
- The target audience is middle-aged adults who would feel nostalgic about their school experiences, and the designs appeal to this group through theme and language used.
This document summarizes a student's recipe card project evaluation. The student chose a simple yet interesting layout for the cards to appeal to busy audiences. Images, fonts, and colors were selected to convey creativity and happiness. The target audiences of working parents and students are described, along with how the design appeals to them through simplicity, guidance, and visual appeal. Influences including existing recipe cards were analyzed. The finished cards reflect the initial theme of quick meals but layout changes were made for clarity. The project meets the criteria of being interesting, creative designs focused on easy vegetarian recipes.
The document describes the process of designing a magazine cover and contents page layout. It discusses various design ideas and elements that were tried, such as placement of the title, images, subheadings, and color schemes. Many iterations were tested out in Microsoft Publisher and Photoshop before arriving at the final designs. Key elements of the final designs include a cut-out image on the cover for layering and a relevant book-reading image on the contents page. Room for improvement is acknowledged, such as needing neater cutouts and more practice with design software. Feedback from a student validated certain successful elements and suggested some changes.
1) The student developed their packaging design skills through multiple iterations of designing an IRN-BRU energy drink can. They focused on technical elements like ensuring accurate sizing and aesthetic qualities like using the brand's signature orange and blue colors.
2) Through planning colors, fonts, and layouts, they were able to efficiently create and modify designs. However, more exploration of color shades and creative copy could have strengthened early planning.
3) Refining initial ideas through development led the student to their final design, which featured a cartoon character and stood out from their other stripe-focused concepts. The development process significantly impacted their chosen final product.
The document summarizes the steps taken to design the front cover of a magazine. It describes adding a black masthead with styled text to catch readers' attention. An image was edited to be brighter and placed partially over the masthead. The main cover line was centered as conventional. Additional cover lines and design elements like the date, issue number, and barcode were added in the house style colors. Further images and a yellow circled image with cover line were included to make the cover more interesting and attract attention.
The document describes several changes the author made to improve the visual design and layout of a magazine cover and contents. Changes included making text and images bolder, adding filters and overlays to make elements stand out more, rearranging layouts to add more content and make information easier to read, and modifying colors, sizes, and effects to draw attention to key aspects based on feedback. The overall goal was to enhance appeal and clarity for the target audience.
This document provides an evaluation of Abbie Fowler's media product. It discusses how the product uses and develops conventions from real media products like Mixmag magazine. Specifically, it repeats conventions like masthead positioning and main image, puff promotion, and strapline placement from Mixmag. It also challenges conventions by making some elements like stories and sections clearer. Photoshop was used to help create effects and maintain a consistent color scheme. The document discusses how the product represents particular social groups that would be interested in club music. Overall, it reflects on the learning process of constructing the media product and meeting the demands of the production process.
This document discusses inspiration for digipak album cover designs. It analyzes 7 different digipak designs, summarizing what elements are effective and could be applied to the designer's own digipak. Common elements that drew the designer's attention included minimalist and abstract designs that leave intrigue, grayscale or unique color schemes, textures, and bold yet consistent fonts that clearly convey the artist's identity. The designer aims to create a digipak that stands out visually while representing the band's indie style through a simple but memorable design.
The document is an evaluation by Savannah Hardwick of advertising products created for the charity SASH. Savannah believes the products are fit for purpose because they relate to the charity's message and use bright colors to catch attention. Savannah used techniques like fading colors and emotive images to draw in audiences. While the products provide some information about the charity, Savannah notes they could provide more details about services. Overall, the evaluation examines the effectiveness, appropriateness and potential impact of the advertising campaign.
The document discusses how the author addressed their audience through color scheme, page layout, photographs, and typography in their magazine coursework. For color scheme, the author uses purple, black, white, and grey which appeal to a broad audience. Page layout is minimalistic on the cover, orderly on the contents page, and uses an unconventional running title on the double page spread. Photographs are styled to be visually pleasing, with casual photos to engage readers. Typography includes an abstract masthead font to be recognizable, contrasting fonts to prioritize information, and complementary yet varied fonts on the double page spread. Overall, the author aimed to attract a broad audience through clean, casual, and visually appealing design elements
This document analyzes and compares the front covers, contents pages, and double page spreads of three music magazines: NME, Kerrang, and Q. It discusses design elements like layout, images, colors, and text used in each magazine. Some key points made are that the covers use large central images and limited color schemes to attract readers' attention. Contents pages are neatly organized with section headings. Double page spreads employ columns of text, large anchor images, and varied use of additional photos between the magazines. Symmetrical color schemes and layouts are used across elements to provide consistency.
The document outlines a marketing and PR campaign for a new alternative band called Red5. The objectives are to promote their new album and target individuals aged 17-25. Key aspects of the campaign include managing the message to position Red5 as a unique indie band with mainstream appeal, using hyperbole and emotive language in marketing, holding meet and greets and festival performances, and motivating both the target audience and media through the band's original music and status as up-and-coming artists. The goal is to effectively promote the band and make the campaign a success.
This document provides instructions for a lesson on adding hyperlinks to a presentation and completing peer and self evaluations. It outlines tasks for watching a demonstration on how to add hyperlinks between slides, copying the hyperlinks to all slides, completing peer and self evaluation sheets, and submitting the final work. The objectives are to learn how to add hyperlinks and choose fonts, understand the importance of peer assessment, and improve work based on feedback received.
Este documento es una propuesta de venta de una centrífuga para microhematocritos a la Dirección Sub Regional de Salud Alto Mayo. La propuesta incluye una centrífuga marca KERT LAB modelo SH120-1 por un precio de S/ 4,700 e incluye IGV y gastos de envío. La centrífuga tiene capacidad para 24 tubos, programación de tiempo y velocidad, tapa transparente con seguro, y velocidad de 11,000 a 12,000 RPM. Viene con garantía de 12 meses.
This document provides instructions on how to add links to a web page. It explains the components of a URL like the domain name and file path. It also teaches how to create hyperlinks using HTML anchor tags and href attributes to link words and pages. The lesson demonstrates linking words in a table to animal websites and linking menu items to different pages of a zoo website. It encourages testing the links and provides feedback on the completed multi-page website project.
The document analyzes several existing magazine products, focusing on their layout, design, and visual elements. It discusses how different products use fonts, colors, lighting, and photos in distinct ways tailored to their content and audiences. Key lessons highlighted include varying design across pages to maintain interest, using color schemes that make text legible, and positioning text to avoid covering important photo details. The analysis aims to understand common magazine conventions as well as unique design choices to apply to the author's own student magazine project.
This document analyzes various design elements of National Geographic magazine covers and layouts. It discusses the use of different fonts for headlines, authors, and other text to draw attention. It also examines the use of colors like yellow borders and how lighting is used in photos. The layout combines large images with text-heavy pages to appeal to different readers. Two sample spreads use different color schemes, lighting, and styles - one emphasizes a dramatic underwater photo while the other focuses on information. The document analyzes these techniques to help inform the design of the author's own magazine.
The document provides examples of good and bad design principles, including use of alignment, proximity, repetition, contrast, color, and embellishment/enhancement. In the bad examples, principles are not properly applied, making the designs cluttered and difficult to understand. The good examples demonstrate how properly applying design principles can make visual content more organized, readable and achieve its purpose.
The document summarizes the production process of creating recipe cards for vegetarians. It discusses how the initial plans for bright colors and stock images did not work cohesively as a set. The team then simplified the design with a white background and two consistent colors from the logo. Feedback noted the need for consistent layouts and font placement. While some stock images stood out, the overall set reflected the goal of appealing to a general audience with a basic design. The document evaluates skills learned around planning, photography, and using feedback to improve the final products.
The document provides an evaluation of a social action advertising campaign. It discusses whether the campaign is fit for purpose by clearly communicating its message to the target audience. The evaluation notes that the campaign catches attention with bright colors and happy images. It also keeps the message simple to understand. The campaign maintains consistency across different publications using the same colors, fonts, and positive tone. While original intentions changed somewhat in execution, key elements like the color scheme and fonts remained the same.
The document describes the process of designing logos and posters for a children's environmental organization called Seas for Life. The designer created a cartoon crab character logo to appeal to children while incorporating subtle elements of the existing Surfers Against Sewage logo. They refined the logo design through several iterations to make it distinct from the original yet flexible enough to work in different contexts. Three educational posters were also created with simple, clear messaging about litter and how it affects beach animals, tailored to be understood by and engage children. The techniques used, like hand drawing and Photoshop, helped make the logo and posters visually appealing yet understandable for their intended young audience.
Here are a few key things this book says about your target audience:
- They have an interest in photography as a hobby, not just professionally. So your book appealing to amateur photographers as well as professionals would be good.
- They have some disposable income and free time to dedicate to hobbies/self-improvement. So your content should provide value beyond just casual interest.
- Both men and women are interested in the topic, so your content and design shouldn't target one gender exclusively.
- A focus on practical techniques and skills, not just theory, would engage this audience that wants to improve their photography. Step-by-step tutorials or examples could work well.
- High production values
The document summarizes the design process and decisions made for creating recipe cards for a vegetarian client. Key details include:
- The designs are busy with small details to look realistic, using more text than images depending on the recipe.
- Photographs were taken by the designers and stock photos were used, with details like tape and shadows added in Photoshop.
- The green color and messy details are meant to evoke nostalgia for childhood and school. Recipes also reference traditional school meals.
- The target audience is middle-aged adults who would feel nostalgic about their school experiences, and the designs appeal to this group through theme and language used.
This document summarizes a student's recipe card project evaluation. The student chose a simple yet interesting layout for the cards to appeal to busy audiences. Images, fonts, and colors were selected to convey creativity and happiness. The target audiences of working parents and students are described, along with how the design appeals to them through simplicity, guidance, and visual appeal. Influences including existing recipe cards were analyzed. The finished cards reflect the initial theme of quick meals but layout changes were made for clarity. The project meets the criteria of being interesting, creative designs focused on easy vegetarian recipes.
The document describes the process of designing a magazine cover and contents page layout. It discusses various design ideas and elements that were tried, such as placement of the title, images, subheadings, and color schemes. Many iterations were tested out in Microsoft Publisher and Photoshop before arriving at the final designs. Key elements of the final designs include a cut-out image on the cover for layering and a relevant book-reading image on the contents page. Room for improvement is acknowledged, such as needing neater cutouts and more practice with design software. Feedback from a student validated certain successful elements and suggested some changes.
1) The student developed their packaging design skills through multiple iterations of designing an IRN-BRU energy drink can. They focused on technical elements like ensuring accurate sizing and aesthetic qualities like using the brand's signature orange and blue colors.
2) Through planning colors, fonts, and layouts, they were able to efficiently create and modify designs. However, more exploration of color shades and creative copy could have strengthened early planning.
3) Refining initial ideas through development led the student to their final design, which featured a cartoon character and stood out from their other stripe-focused concepts. The development process significantly impacted their chosen final product.
The document summarizes the steps taken to design the front cover of a magazine. It describes adding a black masthead with styled text to catch readers' attention. An image was edited to be brighter and placed partially over the masthead. The main cover line was centered as conventional. Additional cover lines and design elements like the date, issue number, and barcode were added in the house style colors. Further images and a yellow circled image with cover line were included to make the cover more interesting and attract attention.
The document describes several changes the author made to improve the visual design and layout of a magazine cover and contents. Changes included making text and images bolder, adding filters and overlays to make elements stand out more, rearranging layouts to add more content and make information easier to read, and modifying colors, sizes, and effects to draw attention to key aspects based on feedback. The overall goal was to enhance appeal and clarity for the target audience.
This document provides an evaluation of Abbie Fowler's media product. It discusses how the product uses and develops conventions from real media products like Mixmag magazine. Specifically, it repeats conventions like masthead positioning and main image, puff promotion, and strapline placement from Mixmag. It also challenges conventions by making some elements like stories and sections clearer. Photoshop was used to help create effects and maintain a consistent color scheme. The document discusses how the product represents particular social groups that would be interested in club music. Overall, it reflects on the learning process of constructing the media product and meeting the demands of the production process.
This document discusses inspiration for digipak album cover designs. It analyzes 7 different digipak designs, summarizing what elements are effective and could be applied to the designer's own digipak. Common elements that drew the designer's attention included minimalist and abstract designs that leave intrigue, grayscale or unique color schemes, textures, and bold yet consistent fonts that clearly convey the artist's identity. The designer aims to create a digipak that stands out visually while representing the band's indie style through a simple but memorable design.
The document is an evaluation by Savannah Hardwick of advertising products created for the charity SASH. Savannah believes the products are fit for purpose because they relate to the charity's message and use bright colors to catch attention. Savannah used techniques like fading colors and emotive images to draw in audiences. While the products provide some information about the charity, Savannah notes they could provide more details about services. Overall, the evaluation examines the effectiveness, appropriateness and potential impact of the advertising campaign.
The document discusses how the author addressed their audience through color scheme, page layout, photographs, and typography in their magazine coursework. For color scheme, the author uses purple, black, white, and grey which appeal to a broad audience. Page layout is minimalistic on the cover, orderly on the contents page, and uses an unconventional running title on the double page spread. Photographs are styled to be visually pleasing, with casual photos to engage readers. Typography includes an abstract masthead font to be recognizable, contrasting fonts to prioritize information, and complementary yet varied fonts on the double page spread. Overall, the author aimed to attract a broad audience through clean, casual, and visually appealing design elements
This document analyzes and compares the front covers, contents pages, and double page spreads of three music magazines: NME, Kerrang, and Q. It discusses design elements like layout, images, colors, and text used in each magazine. Some key points made are that the covers use large central images and limited color schemes to attract readers' attention. Contents pages are neatly organized with section headings. Double page spreads employ columns of text, large anchor images, and varied use of additional photos between the magazines. Symmetrical color schemes and layouts are used across elements to provide consistency.
The document outlines a marketing and PR campaign for a new alternative band called Red5. The objectives are to promote their new album and target individuals aged 17-25. Key aspects of the campaign include managing the message to position Red5 as a unique indie band with mainstream appeal, using hyperbole and emotive language in marketing, holding meet and greets and festival performances, and motivating both the target audience and media through the band's original music and status as up-and-coming artists. The goal is to effectively promote the band and make the campaign a success.
This document provides instructions for a lesson on adding hyperlinks to a presentation and completing peer and self evaluations. It outlines tasks for watching a demonstration on how to add hyperlinks between slides, copying the hyperlinks to all slides, completing peer and self evaluation sheets, and submitting the final work. The objectives are to learn how to add hyperlinks and choose fonts, understand the importance of peer assessment, and improve work based on feedback received.
Este documento es una propuesta de venta de una centrífuga para microhematocritos a la Dirección Sub Regional de Salud Alto Mayo. La propuesta incluye una centrífuga marca KERT LAB modelo SH120-1 por un precio de S/ 4,700 e incluye IGV y gastos de envío. La centrífuga tiene capacidad para 24 tubos, programación de tiempo y velocidad, tapa transparente con seguro, y velocidad de 11,000 a 12,000 RPM. Viene con garantía de 12 meses.
This document provides instructions on how to add links to a web page. It explains the components of a URL like the domain name and file path. It also teaches how to create hyperlinks using HTML anchor tags and href attributes to link words and pages. The lesson demonstrates linking words in a table to animal websites and linking menu items to different pages of a zoo website. It encourages testing the links and provides feedback on the completed multi-page website project.
Marie, Hannah and Charlotte are conducting audience research. There are different types of vegetarians such as semi-vegetarians, pescatarians, lacto-ovo vegetarians, and vegans. People become vegetarian for reasons like animal welfare, health benefits, religion, and environmental sustainability. A typical vegan meal may include foods like tofu, rice, lentils, chickpeas, and oat milk. The number of vegetarians in the UK and USA is growing, influenced by factors such as education and awareness campaigns.
Ustaz Zhulkeflee Hj Ismail will be conducting a new "Hajj & Umrah Course in English" starting on July 8th, 2006. He has extensive experience in Islamic education, having been trained both formally and informally from a young age. He has held positions teaching and lecturing on Islam in English and has affiliations with several Islamic organizations in Singapore. The 10-lesson course will be held every Saturday at 5pm at the Centre for Islamic Management Studies. Those interested can contact Sis. Aminah Szeto or CIMS for more information and registration.
Concern Worldwide is a global humanitarian NGO that provides disaster relief and support to over 30 countries. They built their worldwide email platform on the cloud to reduce IT costs and ensure efficient communication. This allowed their 4,000 staff members across remote locations to collaborate more productively. The cloud solution provided data backup, information access from any device, and remote working capabilities. It resulted in 40% reduced costs and efficiency gains for Concern Worldwide's daily operations.
The document discusses Tanglin Trust School's (TTS) approach to additive bilingualism and supporting students' mother tongues. It notes that being bilingual provides cognitive and cultural benefits. TTS's vision is to offer mother tongue support for core languages through pathways to bilingual diplomas and external exams, using tutors and handbooks. For non-core languages, it envisions library-based study groups using parent volunteers. Currently, TTS offers external exams in French and Chinese and collects student perspectives. Payment for tutors and exams is expected to come from parents rather than TTS directly.
El Ceip Castellar de Vigo ha adquirido un planetario móvil para enseñar a los alumnos sobre el sistema solar y los cuerpos celestes de una forma lúdica y práctica. El planetario permite proyectar imágenes en alta definición del cielo nocturno y explicar conceptos astronómicos de una forma visual y didáctica que facilita su comprensión. Los alumnos podrán observar el movimiento de los planetas y las estrellas de una manera interactiva que despertará su curiosidad por el un
El documento describe la evolución del sistema escolar en tres partes. Primero, la finalidad del sistema escolar. Segundo, la inclinación natural de los conocimientos programados. Tercero, la representación de la psicología del sujeto. El sistema se divide en parámetros como filosofía, cultura, moral, religión y hábitos del niño. La evolución del sistema no es uniforme, sino que cada parte tiene su propia dinámica y se fusionan a través del tiempo de diferentes maneras dependiendo de la época, el poder político y la experiencia.
The document discusses the design of flat newspaper plans and layouts. It examines existing newspaper designs like The Times and The Guardian as inspiration. Key elements of newspaper design identified include the masthead at the top, the main story and headline in a large font, and additional featured stories. The main text is usually set in columns, which can be 4-5 columns. Images are also common and help break up the text. Captions accompany images and additional smaller images can be used within the text. Advertisements are also typically placed to attract readers.
Task7- Production Development (energydrinkpackaging)chamahan
The document describes the process of designing different cans for Irn-Bru over multiple iterations. It begins with experimenting with textures and silhouettes on the original can design. Additional elements like slogans and arrows are tested. Feedback is gathered and used to refine the designs. Color schemes and layouts are explored to develop distinct looks for different target demographics. Elements like logos, nutrition information, and barcodes are added to the back of the cans to make them appear realistic. The focus is on creating cohesive branding across the various can concepts while appealing to new audiences.
The document discusses an organization called the Kids First Fund that helps abused and abandoned children in countries with limited resources. It protects children from abuse, empowers young adults, strengthens families, builds awareness of child abuse, and currently operates projects that provide support for children in the democratic republic of Latvia located on the Baltic Sea.
Webloyalty Easter Retail Report - an economic update for 2014Webloyalty UK
Looking in depth at the UK economy, this report from Webloyalty and Conlumino reveals predictions for the Easter break. This report is not just interesting for the general public, but provides an insight for retailers around this season.
The document discusses producing print-based media for an afternoon tea theme targeted towards elderly people. It describes choosing a layout with one main image and close-ups to show detail. Most images were photographed to give a homely feel. Recipes were tested with different backgrounds and shapes to make the text clear while avoiding busyness. Ingredients were made bold for ease of reading. Stickers and boxes were used to frame images and text. The finished products reflected initial plans through experimenting with fonts, colors, and imagery to appeal to elderly audiences.
Vegetarian products have developed some common design aesthetics over time:
- Natural/organic: Many vegetarian brands emphasize natural, organic, and plant-based ingredients. Designs often feature images of fresh produce, grains, and herbs to convey these qualities. Earth tones like greens, browns and beiges are frequently used.
- Minimalist: Since vegetarian products aim to remove animal ingredients, designs sometimes take a minimalist approach focusing only on the core plant ingredients. Typography and imagery are clean and simple. Additional information is kept to a minimum.
- Wellness/health: Emphasizing the perceived wellness benefits of vegetarianism, designs may feature words like "healthy," "nutritious"
Evaluation (print based media and working to brief)chamahan
This document summarizes a student's design project creating recipe cards for a vegetarian organization. The student discusses their design process, including initial plans, changes made based on feedback, and reflections on the final products. Key points include using a scrapbook theme to appeal to older audiences, choosing images and colors carefully, and structuring recipes consistently across cards. The student evaluates strengths like the cohesive scrapbook aesthetic and weaknesses such as inconsistent sizing of some elements. Lessons learned include planning templates more thoroughly and considering different target audiences.
The document provides details about the design and production process for a set of recipe cards aimed at children ages 4-13. The designer chose simple, colorful layouts with a balance of images and text to appeal to the target audience. Feedback from peers informed changes like adjusting fonts for readability. Overall the process involved extensive planning, research on the target demographic, and iterations based on feedback to create technically competent and creative final products that met the project brief.
The document discusses the design and production process of recipe cards aimed at children ages 4-13. The author designed 5 different layouts and chose a simple design with a large image on the back and title, image, ingredients, and method on the front. Bright, bold colors were used to attract the target audience. Stock images were chosen to look professional. Feedback helped improve font readability and color contrast. The final cards met the brief and effectively targeted children through their visual design.
The document describes the process of designing recipe cards for children ages 4-13. It discusses designing 5 different layouts and choosing a simple design with the recipe image on the back and ingredients/method on the front. Bright, bold colors were used to attract children. Stock images were chosen to make the cards look professional. Feedback confirmed the enlarged back image was favored. Skills in Photoshop and group work were developed through managing time well and completing the project on schedule while meeting the brief.
The document summarizes the process of designing recipe cards for children ages 4-13. It discusses testing 5 different layouts and choosing one with a large image on the back and simple text on the front. Stock images were used to make the cards look professional. Bright, bold colors were chosen to attract children. Feedback confirmed the enlarged back image design was preferred. The finished cards met the brief and feedback helped improve readability. Skills in design, collaboration and planning were developed through the project.
This document summarizes a student's recipe card project evaluation. The student discusses designing the recipe cards to look like realistic school work with busy details. Photos were taken by the student and stock images were used. Colors, fonts, and added details like ink splotches were meant to evoke the feeling of doing school work. The intended audience is middle-aged adults who would feel nostalgic looking at school-themed cards. Influences included actual school materials like blackboards. The theme appeals to the target demographic and influences included the client, the Vegetarian Society.
Evaluation pro forma (with improvements) cloestead
The document provides an evaluation of recipe cards created by Chloe Stead for a creative media production course. The cards were designed to look like realistic school work, with busy details including images, text, ink splodges, and tape overlays. The text was formatted to fit on lined paper, with titles at the top and a branding strip at the bottom as is typical of school work. Feedback was incorporated throughout the design process to refine the theme and layout. The final products matched the brief of including branding, recipes, and nutritional information, though some recipes included imperial measurements instead of metric.
The document discusses the design process and outcomes of creating recipe cards. It describes:
- Choosing a design with a large picture and nutrient table on the back, with ingredients, instructions, and a smaller picture on the front based on audience feedback.
- Issues taking original photos led to using some stock images, though the overall design stayed consistent.
- The use of colors like green and bright hues to catch attention and match the vegetarian society branding.
- Skills gained include teamwork, planning alternatives, critical thinking, decision making, and cooperative working that could be applied to future projects.
The layout of the recipe cards has been kept simple yet professional, featuring minimal information on the front such as the title, image, and logo. The back contains the full recipe and a small decorative image. Consistency is maintained across cards through similar layout, colors, fonts, and logo/image placement. Some areas could be improved, such as ensuring consistent image and font sizes. The images are a mix of original photos and stock images to balance quality with limited time and resources. Colors, themes, and images aim to appeal to the target audience of teenage girls by featuring heart shapes, the word "love", and the symbolism of Cupid.
Our recipe card design is based on cities around the world. We chose to lay out our design to show the city straight away through a die cut skyline or landmark on the front and back. This makes our cards stand out from typical recipe cards.
The front of the card features a large image of the finished product in the middle with basic information below. Keeping the front simple helps indicate what the recipe includes clearly. The back includes the ingredients on top of the country's flag and the method below. We tried to keep the layout simple while appealing to our target audience of busy professionals.
Researching existing vegetarian products influenced our design choices. We incorporated consistent design elements like using the color green and bold fonts
The student created recipe cards for VegSoc that were designed to appeal to a target audience of middle-aged, middle-class people, mainly women. Key design elements included stock photographs of dishes, a repeated foliage graphic chosen for its connotations of nature and health, and a balanced use of color picked from the photographs. Feedback from peers helped improve elements like making the VegSoc logo more prominent. Overall, the technical quality of the final products is strong as they form a cohesive set while still allowing for individual color schemes on each card. The design reflects the brief's request for "interesting and creative designs" and matches the typical aesthetic of vegetarian products through its use of natural colors and nature imagery.
Evaluation (print based media and working to brief)savannahryan11
The document discusses Ryan Goldsmith's evaluation of a set of recipe cards he produced for a project. It summarizes the design choices made for the cards, including placing the title, image, method, and ingredients in specific locations. It also discusses using primary colors and fonts to appeal to children. Peer feedback suggested changing the font to improve readability. The project matched the brief of creating recipe cards to promote vegetarian options for children and families. Working in a group required good communication and balancing workloads.
- The document discusses the design choices made for a set of recipe cards promoting international cuisine. It includes three images and separates ingredients and instructions into columns for clarity. Icons and flags representing each country were included.
- Original photos were taken and edited for the cards. Multiple angles and crops were used to showcase the food. Colors were balanced to attract attention.
- The theme of global cuisine was chosen to showcase unusual recipes that are affordable and approachable for teenagers and adults. Iconic illustrations represented each country's cuisine and culture.
- The target audience is middle class families ages 16 to adult, appealing to both genders with an emphasis on lifestyle, culture and interests over occupation. Formatting and balanced design elements make
This document summarizes Shania Carter's evaluation of recipe cards she designed for a class project on producing print-based media. She chose designs that were aesthetically pleasing with a good picture to text ratio. Images were sourced from online and reflected the Chinese theme of the recipes. Colors like red and black were used to emphasize the Chinese cultural elements. Feedback is provided on how the finished products met the design brief and audience needs by featuring creative, interesting designs with abbreviated recipes targeted towards vegetarians.
This document summarizes Shania Carter's evaluation of recipe cards she designed for a class project on producing print-based media. She chose designs that were aesthetically pleasing with a good picture to text ratio. Images were sourced and traditional Chinese colors and fonts were used to emphasize the Chinese theme. Feedback is provided on the audience profile, use of cultural influences in the designs, and how the finished products reflected the initial plans and met the project brief.
This document discusses the design choices made for a set of recipe cards produced for the Vegetarian Society. It reflects on the layout, images, colors, fonts, and other design elements used and how they appeal to the target audience. The cards were aimed at a mass market without gender bias, using neutral colors and a professional style. Feedback was gathered through various prototypes to produce cards that provided clear instructions while looking exciting enough to attract potential buyers to vegetarianism. Semiotics of the design elements were considered to convey meanings of health, nature, and trustworthiness.
The document is a reflection on recipe cards created for VegSoc. It discusses the design choices made, including keeping the layout simple and minimalistic. Images were chosen to represent different vegetables in the recipes. Feedback was incorporated from VegSoc's existing cards. The final products included adult and children's cards. While collaboration worked well overall, in the future the student would be more assertive about including their own design ideas.
The document summarizes the design choices made for a set of recipe cards. It discusses choosing a simple layout that stands out from competition. Large images were used on the front of each card to attract attention, with instructions and ingredients on the back where more space was needed. Original photos were taken to show different angles of each dish and control lighting/editing, though stock photos may have been better for consistency. A clipping mask was used to overlay country symbols on macro shots, adding interest while keeping the design clear. Overall the goal was an eye-catching yet straightforward design informed by research on existing successful cards.
This document provides a self-evaluation of the student's process and final products for a graphic design project. The student produced three final products within the deadline: a fanzine, broadsheet, and tabloid. Time management was key to completing the projects on time. The student gained new skills using InDesign and experimenting with layouts. Feedback noted strengths like bold headlines that catch attention. Areas for improvement included refining mastheads. Overall, the student felt their technical skills with programs like InDesign and Photoshop improved over the course as their style developed.
The document provides details about the design process for a fanzine article focused on hippie fashion. It discusses exploring different layouts, typography, and image styles. Examples included a minimalist design using white space and simplistic black and white photos versus a more graphic urban style. Images would reflect hippie symbols and neon colors. Text would use decorative vintage fonts in a variety of sizes and placements. The designer experimented with manipulating photos in Photoshop and combining images and text in creative overlapping columns and rotations across the page. The goal was to create an unconventional, scrapbook-like design that captures the hippie lifestyle.
The document discusses design conventions for tabloid newspaper front pages. It notes that tabloids prioritize images over text, use candid celebrity photos, and employ colors like red prominently. Common layouts include overlapping text and images, headlines and mastheads of equal size, and multiple stories presented on the front page. Successful designs grab attention with eye-catching headlines and balance the ratio of text to large, engaging photographs that illustrate the stories.
The document discusses various typographic design experiments using techniques like duplicating, overlapping, and warping text in different orientations and combinations of fonts to create effects like reflections, distortions, and the illusion of falling letters. A range of fonts including serif, sans serif, and display styles are used along with techniques like drop shadows, strokes, and transparency to enhance the designs for different purposes and audiences. The designs are intended to be simplistic yet effective using layers, rotations, sizing, and placement of text elements.
This document summarizes the design process and decisions for a concert poster. Key elements included incorporating consistent principles while varying rotation, orientation and sizing to see which worked best. A red and black color scheme was used to attract attention while conveying warning. The header was made bolder to stand out. After experimenting, the designer preferred the header on the right for clarity. Artist names were in unique, modern fonts to appeal to younger audiences. Ticket prices were emphasized in a large red font. The layout was refined by fading text banners and using a shadow effect with red text. Social media links were made smaller. Mixing uppercase and lowercase for the date and time added visual interest while maintaining readability.
This document discusses experiments with layout and design for a fashion magazine article. It begins by using a pink and pastel color scheme with cropped face images to suggest femininity. The article is laid out in three columns. Subsequent experiments include a simplistic 5x3 grid with clean lines, wrapping text around a model silhouette, and warping overlapping text and images in multiple layers for a more abstract style appealing to younger audiences. The final design emphasizes layering cut photographs underneath text in columns of varying sizes to maintain an abstract style.
This document analyzes the layout and design of a double page magazine spread featuring an interview with Emma Watson. Key elements discussed include:
- The use of two columns of text split into paragraphs to keep the audience engaged
- A pull quote taken from the interview in the center to highlight part of the content
- Images and text blended together seamlessly through positioning and negative space
- Traditional magazine styles like serif fonts, line spacing and margins incorporated into the minimalist design.
This document summarizes three examples of factual writing:
1. A step-by-step guide for making a friendship bracelet found in a craft book or girl's magazine. It uses diagrams and minimal text with bold numbering to clearly explain the process.
2. A flyer for a museum party that informs people of dates, times, prices, and music lineup. It uses a stylized digital image and lists information in varying font sizes and a bullet point format for clarity.
3. A passage from a history textbook about Alexander the Great, using images and captions to supplement in-depth textual analysis formatted into paragraphs with bolded keywords. It aims to provide reliable information through multiple sources.
The document describes the process of creating experimental portrait photographs using mixed media techniques. To create the first image, the photographer added a black and white filter to the original photograph to make facial features stand out more. Contrast and curves were also added. Newspaper print with words related to unhappiness were layered over the top portion of the face. The eyebrows, eyes, and lips were created using a collage of cut up fashion magazine pieces. For the second image, the photographer created a collage of texts related to depression, then layered newspaper print and scanography images over the original photograph. Mixed media techniques including ripped magazine strips were used to comment on breaking through stereotypes and the idea of self discovery.
This proposal discusses creating a set of 3 photographs exploring the theme of self-discovery. The photos will use scanography to portray what lies beneath people's appearances and the fronts they put up. A model will be scanned with a focus on their face and hands to represent feeling trapped. Mixed media techniques like overlaying textures will also be used to pull out facial features as part of the image's front. The photos aim to show there is more to people than meets the eye and not to judge by appearances.
Ronny Engelmann is a 24-year-old German student and photo artist whose experimental photography work has gained recognition since 2012. He does not specialize in any specific genre and uses techniques like Photoshop compositing to create surreal black-and-white and sepia images.
Bela Borsodi is an Austrian-born still life photographer based in New York known for his mixed media works featuring household objects arranged to look like separate photos combined into one image. His surreal style reflects on fashion and has been featured in magazines and commercial campaigns.
John Stezaker is a British conceptual artist who pioneered a cut-and-paste technique in the 1970s using existing images from books and
I will conduct a scanography experiment on Tuesday, February 4th at 4:30pm using a scanner, black and white prints, cling film, and quotes written on paper. The experiment will involve taking close-up portrait shots of faces with different expressions and poses to select the best three images. These selected images will have color and text quotes added using additional layers of scanned cling film and paper. The goal is to experiment with different effects and layers to produce three final scanography images.
The document outlines a photography experiment to be conducted on February 3rd at 4:30pm using a camera. The experiment aims to create an image similar to a previous scanography but using a different technique. Close-up, eye-level shots will be used to show emotion in the eyes and draw the reader's attention. While the scanography will have closed eyes, the photography will show open eyes to reveal emotion through the eyes in a transparent layer over the scanography. Both black and white and colored images will be taken of posed and laughing subjects and then further developed in Photoshop using filters and photomontage techniques.
The document outlines planning details for a mixed media experiment taking place over two days at York College. Materials including felt tip pens, cellophane, acrylic paints, and textured paper will be used. The first experiment will involve using cellophane as a transparent layer and adding colored pen outlines to contrast emotions in scanned images. A second experiment will explore framing techniques and layering colored papers to create a collage-like effect.
This document discusses ideas for experimental photography projects related to self-discovery. It presents four ideas: 1) Using abandoned buildings to represent memories and history, applying filters and mixed media. 2) Combining scanography and mixed media to create portraits with hidden meanings. 3) Using light writing, reflection, and out-of-focus techniques to capture changes to city locations over time. 4) Creating a still life of sentimental travel objects, scanned with photomontage to represent rediscovery. Each idea discusses techniques like filters, textures, and overlays to convey themes of discovery, identity, and memory.
This proposal discusses creating a set of 3 photographs exploring the theme of self-discovery. The photos will use scanography to portray what lies beneath people's appearances and the fronts they put up. A model will be scanned with a focus on their face and hands to represent feeling trapped. Mixed media techniques like overlaying textures will also be used to pull out facial features as part of the image's front. The photos aim to show there is more to people than meets the eye and not to judge by appearances.
The document describes several experiments in experimental photography conducted by Charlotte Shaw. Shaw explored out-of-focus photography, capturing movement with long shutter speeds, capturing reflections, creating photomontages, light writing, using the Harris shutter app, and scanography. For each technique, Shaw explains the process, shares examples, and discusses ways the experiments could be further developed.
Ronny Engelmann is a 24-year-old German student and photo artist whose experimental photography work using techniques like Photoshop has gained recognition since 2012. His work has no single genre as he quotes "There are too many things in this world." The examples provided show overlays, composites, and manipulations that give his work a contemporary style within experimental photography.
Bela Borsodi is an Austrian-born still life photographer based in New York known for his surreal mixed-media works combining aspects of fine art, graphic design, and psychology. His colorful photographic compositions incorporating household objects have appeared in magazines and advertisements since the 1990s.
John Stezaker is a British conceptual artist recognized
I will conduct a scanography experiment on Tuesday, February 4th at 4:30pm using a scanner, black and white prints, cling film, and quotes written on paper. The experiment will involve taking close-up portrait shots of faces with different expressions and poses to select the best three images. These selected images will have color and text quotes added using additional layers of scanned cling film and paper. The goal is to experiment with different effects and layers to produce three final scanography images.
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
Monitoring and Managing Anomaly Detection on OpenShift.pdfTosin Akinosho
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
Skybuffer SAM4U tool for SAP license adoptionTatiana Kojar
Manage and optimize your license adoption and consumption with SAM4U, an SAP free customer software asset management tool.
SAM4U, an SAP complimentary software asset management tool for customers, delivers a detailed and well-structured overview of license inventory and usage with a user-friendly interface. We offer a hosted, cost-effective, and performance-optimized SAM4U setup in the Skybuffer Cloud environment. You retain ownership of the system and data, while we manage the ABAP 7.58 infrastructure, ensuring fixed Total Cost of Ownership (TCO) and exceptional services through the SAP Fiori interface.
zkStudyClub - LatticeFold: A Lattice-based Folding Scheme and its Application...Alex Pruden
Folding is a recent technique for building efficient recursive SNARKs. Several elegant folding protocols have been proposed, such as Nova, Supernova, Hypernova, Protostar, and others. However, all of them rely on an additively homomorphic commitment scheme based on discrete log, and are therefore not post-quantum secure. In this work we present LatticeFold, the first lattice-based folding protocol based on the Module SIS problem. This folding protocol naturally leads to an efficient recursive lattice-based SNARK and an efficient PCD scheme. LatticeFold supports folding low-degree relations, such as R1CS, as well as high-degree relations, such as CCS. The key challenge is to construct a secure folding protocol that works with the Ajtai commitment scheme. The difficulty, is ensuring that extracted witnesses are low norm through many rounds of folding. We present a novel technique using the sumcheck protocol to ensure that extracted witnesses are always low norm no matter how many rounds of folding are used. Our evaluation of the final proof system suggests that it is as performant as Hypernova, while providing post-quantum security.
Paper Link: https://eprint.iacr.org/2024/257
For the full video of this presentation, please visit: https://www.edge-ai-vision.com/2024/06/temporal-event-neural-networks-a-more-efficient-alternative-to-the-transformer-a-presentation-from-brainchip/
Chris Jones, Director of Product Management at BrainChip , presents the “Temporal Event Neural Networks: A More Efficient Alternative to the Transformer” tutorial at the May 2024 Embedded Vision Summit.
The expansion of AI services necessitates enhanced computational capabilities on edge devices. Temporal Event Neural Networks (TENNs), developed by BrainChip, represent a novel and highly efficient state-space network. TENNs demonstrate exceptional proficiency in handling multi-dimensional streaming data, facilitating advancements in object detection, action recognition, speech enhancement and language model/sequence generation. Through the utilization of polynomial-based continuous convolutions, TENNs streamline models, expedite training processes and significantly diminish memory requirements, achieving notable reductions of up to 50x in parameters and 5,000x in energy consumption compared to prevailing methodologies like transformers.
Integration with BrainChip’s Akida neuromorphic hardware IP further enhances TENNs’ capabilities, enabling the realization of highly capable, portable and passively cooled edge devices. This presentation delves into the technical innovations underlying TENNs, presents real-world benchmarks, and elucidates how this cutting-edge approach is positioned to revolutionize edge AI across diverse applications.
TrustArc Webinar - 2024 Global Privacy SurveyTrustArc
How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
In the fifth annual Global Privacy Benchmarks Survey, we asked over 1,800 global privacy professionals and business executives to share their perspectives on the current state of privacy inside and outside of their organizations. This year’s report focused on emerging areas of importance for privacy and compliance professionals, including considerations and implications of Artificial Intelligence (AI) technologies, building brand trust, and different approaches for achieving higher privacy competence scores.
See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
This webinar will review:
- The top 10 privacy insights from the fifth annual Global Privacy Benchmarks Survey
- The top challenges for privacy leaders, practitioners, and organizations in 2024
- Key themes to consider in developing and maintaining your privacy program
GraphRAG for Life Science to increase LLM accuracyTomaz Bratanic
GraphRAG for life science domain, where you retriever information from biomedical knowledge graphs using LLMs to increase the accuracy and performance of generated answers
Introduction of Cybersecurity with OSS at Code Europe 2024Hiroshi SHIBATA
I develop the Ruby programming language, RubyGems, and Bundler, which are package managers for Ruby. Today, I will introduce how to enhance the security of your application using open-source software (OSS) examples from Ruby and RubyGems.
The first topic is CVE (Common Vulnerabilities and Exposures). I have published CVEs many times. But what exactly is a CVE? I'll provide a basic understanding of CVEs and explain how to detect and handle vulnerabilities in OSS.
Next, let's discuss package managers. Package managers play a critical role in the OSS ecosystem. I'll explain how to manage library dependencies in your application.
I'll share insights into how the Ruby and RubyGems core team works to keep our ecosystem safe. By the end of this talk, you'll have a better understanding of how to safeguard your code.
Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
Digital Marketing Trends in 2024 | Guide for Staying AheadWask
https://www.wask.co/ebooks/digital-marketing-trends-in-2024
Feeling lost in the digital marketing whirlwind of 2024? Technology is changing, consumer habits are evolving, and staying ahead of the curve feels like a never-ending pursuit. This e-book is your compass. Dive into actionable insights to handle the complexities of modern marketing. From hyper-personalization to the power of user-generated content, learn how to build long-term relationships with your audience and unlock the secrets to success in the ever-shifting digital landscape.
Freshworks Rethinks NoSQL for Rapid Scaling & Cost-EfficiencyScyllaDB
Freshworks creates AI-boosted business software that helps employees work more efficiently and effectively. Managing data across multiple RDBMS and NoSQL databases was already a challenge at their current scale. To prepare for 10X growth, they knew it was time to rethink their database strategy. Learn how they architected a solution that would simplify scaling while keeping costs under control.
Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
Discover the seamless integration of RPA (Robotic Process Automation), COMPOSER, and APM with AWS IDP enhanced with Slack notifications. Explore how these technologies converge to streamline workflows, optimize performance, and ensure secure access, all while leveraging the power of AWS IDP and real-time communication via Slack notifications.
leewayhertz.com-AI in predictive maintenance Use cases technologies benefits ...alexjohnson7307
Predictive maintenance is a proactive approach that anticipates equipment failures before they happen. At the forefront of this innovative strategy is Artificial Intelligence (AI), which brings unprecedented precision and efficiency. AI in predictive maintenance is transforming industries by reducing downtime, minimizing costs, and enhancing productivity.
Dandelion Hashtable: beyond billion requests per second on a commodity serverAntonios Katsarakis
This slide deck presents DLHT, a concurrent in-memory hashtable. Despite efforts to optimize hashtables, that go as far as sacrificing core functionality, state-of-the-art designs still incur multiple memory accesses per request and block request processing in three cases. First, most hashtables block while waiting for data to be retrieved from memory. Second, open-addressing designs, which represent the current state-of-the-art, either cannot free index slots on deletes or must block all requests to do so. Third, index resizes block every request until all objects are copied to the new index. Defying folklore wisdom, DLHT forgoes open-addressing and adopts a fully-featured and memory-aware closed-addressing design based on bounded cache-line-chaining. This design offers lock-free index operations and deletes that free slots instantly, (2) completes most requests with a single memory access, (3) utilizes software prefetching to hide memory latencies, and (4) employs a novel non-blocking and parallel resizing. In a commodity server and a memory-resident workload, DLHT surpasses 1.6B requests per second and provides 3.5x (12x) the throughput of the state-of-the-art closed-addressing (open-addressing) resizable hashtable on Gets (Deletes).
Generating privacy-protected synthetic data using Secludy and MilvusZilliz
During this demo, the founders of Secludy will demonstrate how their system utilizes Milvus to store and manipulate embeddings for generating privacy-protected synthetic data. Their approach not only maintains the confidentiality of the original data but also enhances the utility and scalability of LLMs under privacy constraints. Attendees, including machine learning engineers, data scientists, and data managers, will witness first-hand how Secludy's integration with Milvus empowers organizations to harness the power of LLMs securely and efficiently.
3. Visual Language
COMPOSTITION;
How have you chosen to set out your designs and why? (Reference layout,
image/text ratio, busy/simplistic etc)
As we were targeting the older generation we came to a decision that creating
something that is simple and sophisticated would appeal to this age group,
which was also backed up by the research we gathered in the early stages of
production when a survey supported are ideas.
So to do this we kept the background white so there would be no confusion and
makes in easier to read and understand.
As a group we also made a template of what we wanted the recipe card to look
like involving the image and text, we were able to create this template as we had
a deep understanding of what the recipe card market looks for and the common
conventions to look out for such as the use of a large main image so that the
audience have a clear understanding of what they are going to make, we then
adapted this to adding another 3 close up shots of the food which made it look a
little more creative then just the original main image, as well as trying and
experimenting with different ways of presenting images which can be seen in
some of the practise cards we had produced which was done my using
Photoshop which helped us to go give us the right resources we needed in order
to get the recipe cards we wanted. The text was simply placed in one simple
column and then split into paragraphs making easier to read and understand. As
well as the text on the back of the recipe card we looked into the banner across
the front of the recipe card which stated the title, and prep, cook times and how
many it makes. Which we think makes an interesting alternative to other ways
of presenting this information. We then included other versions of the image on
the back of the recipe card to help the card appeal more to its target market and
also helped to split the text up changing the opacity and levels so some of the
images, which we experimented with before hand to get different looks. The
vegetarian logo also needed to be included in the recipe card to that it can be
referred back to that company which we did so in the bottom left hand side of
each of the recipe cards, that then helps to show contiuntinity through the
images.
Creating Templates to gather ideas together, and pulling
out the areas what were of more importance and had been
stated in the brief
Using the website survey monkey to publish are questionnaire and getting enough
response to be able to make the appropriate changes to the templates first made.
4. Visual Language
IMAGE CONSTRUCTION;
Discuss the contents of your final images and reflect upon decisions
made.(Content used- image/text/graphic, use of colour, original or stock images
etc)
The images to any recipe card is important to any recipe card as it helps the reader make a
judgement on making the product, and gives them a visual example of what the food will look
like once made. Therefore we firstly looked at sourced images of the recipes we had chosen to
gain an understand of what to expect and the type of image style that we will need to recreate,
which in some cases worked well for us as we did use most of the images we had taken,
however, there were a few images that didn’t go to plan which meant we used sourced images
such as for the scones and the cheesecake, which we felt were challenging to fit with the other
images that we had taken and work together as a collection but worked round this issue, to
make them look as professional and high quality as possible. For most of these images we used
the same images over again on both sides of the recipe card but changing aspects of them to
make them look a little more creative and interesting for the reader. Such as including a bottom
image to some of the recipe cards which had a smaller method to them meaning there was
more white space to fill up which we did by adding the image then lowering the opacity to make
it look more transparent, other ways we adapted the image was adding a clipping mask which
then inserted in image within a shape once we had this clipping mask it made the images look
more smooth and professional once we had these clipping mask we then looked to cutting
some of the image away by adding thin rectangles and lowering the opacity so that if fits with
the other effects we had used and also makes it look like visually appealing. Adapting and
cropping the image was another tool we used so get different looks and gives the reader the
impression that they are seeing a number of different images instead of the same image just
cropped to focus on different aspects of the food. We also worked with the colours picked up in
the images to reflect the colour scheme of the overall recipe card which helps to uniform the
card.
Using the cropping tool to focus on different aspects of the image in this case the scone.
Putting the 3 pictures one after each other helps to make it look more professional like a
polaird
Changing the opacity with the scroll helps to
make and small and sutable but effect
change on the original image.
Using as clipping mask to put the image into
that circular shape and then adding the lines
helping to show more creativity and makes it
and fits in with the rest of the recipe cards.
5. Visual Language
REPRESENTATIONS;
Discuss the semiotics and connotations created from the content you
have included. (What meaning or suggestions are created from the
images/colours/designs you have used?)
when creating these recipe cards we had a direct theme that we went with
throughout the whole project which was of afternoon tea and so was been
reflect in the choices we have made throughout the production, down to
the colours, image set up and the fonts.
The target audience we went for was the older generations and so when
researching into there lifestyle choices some key elements and
connotations were drawn up from this such as the fact that they like
traditional and sometimes luxury items, as well as them been very
patriotic, which we then used in the layout and presentation of the recipe
cards, such as the images that we used set out and presented in a nice way
on dollies and fine china pieces, which suggest the theme we have gone for
and will appeal to them, as well as involving cake stand and jam pots to the
image which support the afternoon tea ideas and the stereotypes of this.
The colour scheme that we have chosen upon involved pastel tones and
neutral which are seen as quiet relaxed and calming colours which will help
to appeal to the older generation and something using bright garish
colours might not have the same appeal and are therefore associated more
with the younger generation the personalities behind them. The pastel
colour schemes could also be associated with the feminine market.
The vegetarian logo is another area which has surrounding connotations
due to the colour choices such as the strong us of green which can been
seen as a colour that is environmentally friendly, and is a colour that is
associated with vegetarian and a healthy diet. See the logo -
The use of the jam pots and
dollies helps to fit with the
overall theme put does suggest
some things about the audience
and the lifestyle that they lead
and being quite upper class.
Some of the recipes that we have chosen
are also have a certain portrayal and
representation as been very British and
patriotic to the idea of afternoon and the
types of people that would be involved.
Pastel and neutral
colour scheme used
throughout are
recipe cards
6. Visual Language
AUDIENCES;
Create an audience profile of your chosen demographic (Age, gender, psychographic, geodemographic, NRS Social
Grade, hobbies, sexuality [if appropriate] etc)
When looking into are chosen target market in more detail the key areas surrounding the is that fact they classed as the
‘older generation’ aged at 50+ and are appropriate for both male and females, so at this age there lifestyle choices will
be more relaxed when getting to that age and also might be retired meaning that they have more time on there hands
to get involved in different things such as possible groups like, gardening, chess, reading, church or knitting classes that
combines there love for different actives and gives them a sense of community which people like to feel when joining
these groups. You could also say they have more money to spend on the smaller luxuries in life such as attending
different theatre's and opera's. as well as been able to shop in places like marks and spencer's and Waitrose as they like
the luxuries that that they can afford. With more time on there hands they have like to go out for lunches and
afternoon teas throughout the day which is where we based are theme around and the fact that they enjoying having
afternoon teas with family and friends so making these cards will mean that they are able to make there recipes at
home which some people may enjoy to do. When it comes down to where they live they might be found within a little
village set within the Yorkshire countryside as they like the outdoors and the sense of community within a village. They
are also very patriotic as individuals and love everything British and keep track on the events surrounding the royals
such as the weddings and jubilee's
7. Visual LanguageAUDIENCES;
How have you constructed your work to appeal to this audience? Use box below for text or page space to include an annotated copy
of an example of your work to help illustrate how you have done this. You can use a combination of the two.
after looking into audience profiles we could then move on to making it appeal to the audience and ways in which each aspect can
appeal to them. Such as the neutral and pastel colour scheme which have been used throughout each of the recipe cards, as they are
more suitable and calming colours which help to reflect them and there lifestyles, by using different colour surrounding the pastel
tones helps to appeal to both the male and female market. Which have been used when picking out colour surrounding the
photographs of the food, and then have been used in the colour of the tile and used on the striped background to create a banner
along the top and bottom of the recipe card. The images that I have used will also appeal to my target market as the images are crisp
and clear to pick up the detail on the images. The image also include different props such as cake stands and jam pots which help to
go with the whole theme of my recipe cards and fit with other things associated with afternoon teas. The font is also something that
will appeal to the older generation and it is made to hand written and it a traditional font which I have used on the title and then a
clear version of this for the text of the method and ingredients list.
The language that has been used is in a
formal manner and using words that
can be related to the food industry.
Such as the oven heat and when
describing the volume and method of
each instruction.
The scrap book effect will also
appeal as it helps to make it look a
little less formal also making it look
more creative to.
The different ways to
present the images helps
to keep the cards look
interesting and
professional.
The font is made to look hand written
which will appeal to are target audience
because it is traditional and from
research reflects the ideas surrounding
‘afternoon tea’ fonts from both the title
and the main text.
The images themselves will also be
appealing such as the Victoria
sandwiches which use the red as a
key colour throughout the image
which helps to make them stand out
and is very patriotic. They will also
find the images appealing because of
the use of props like the dollies and
jam pots.
The pink stripes appealing to the
female market which also works
well with colours surrounding the
images and pages
8. Visual Language
SOCIAL AND HISTORICAL CONTEXT;
What did you use as your design influences and why were they chosen? (What
existing media products influenced the final look of your work?)
When we begun to research into recipe cards for the older generation, and the
audience profile for that age group we were able to gain a understanding of the type
of lives that the 50+ lead. Some examples of this is looking at some of the other work
done by the vegetarian society so that we have a good idea about the visual aspects
that they have used in the past such as the layout of the text and images. Using a main
large image on the front of recipe card and then able to split up the text into small
chunks of copy for ingredients and the method. Another strong influence was from
the idea of afternoon tea that has been round for along time and seen as something
very patriotic to this country and done a lot by the older generation and so when it
came to the recipe selection using some recipes theme around this idea would help
attract are target market.
Here are some examples of
posters that we looked at to get
some ideas on the visual
aspects of the recipe cards.
some of these cards, mood
board and existing products
helps to formulate are own
ideas. An example of this could
be from these posters which
shows the types of colours, and
fonts that are used as well as
the presentation of the images.
Here are some of the design
boards created to but are
ideas together
9. Visual Language
SOCIAL AND HISTORICAL CONTEXT;
Do vegetarian products have a specific design aesthetic and how does your project reflect/contrast this?
Why?
I would say that both vegetarian and those non-vegetarian recipe cards are very similar in style expect for
the fact that they have to involve the fact that it is vegan or vegetarian friendly using the V on both the front
and back of the recipe card clearly. The colours to a vegetarian recipe card is something to address as there
is always seen as a lot of green which represents healthy living, and been environmentally friendly . They
also tend to include different tips and alternative ways to change these recipes making it more cost effective
and are easier to make in the long run.
10. Visual Language
SOCIAL AND HISTORICAL CONTEXT;
Do vegetarian products have a specific design aesthetic and how does your project reflect/contrast this? Why?
NON-VEGETARIAN VEGETARIAN
When comparing both the vegetarian and the no vegetarian a choose a recipe that was aiming to create a similar product to
that you are able to show these differences more fairly. Such as the comparison between the colour schemes as both cards
are using a deep pink/red colour scheme to match some of the colours within the product like the raspberries which are used
in both receive cards and so are taken from that, more specifically within the banner and fonts of the cards. However I feel
that the vegetarian recipe card works better because using the white font on the red background is a lot clearer to read
instead of the black which is used on the other existing product. The image quality is also very similar making sure the items
surrounding the recipe match the image that they want to create, an example of this would be the main image to the sorbet
with raspberry sauce which uses a sliver tea set which could suggest more of a social dinner, and created for more of a special
occasion the fact that there is 2 spoons on the plate suggests that it can be shared between two. Because the recipe for the
vegetarian recipe is a lot lengthier they have split this into columns. However the fact that the sorbets on one page makes it
more convenient for the consumer to look at, but i feel if this information was split up into numbered stages the recipe
could be more clearer to understand.
11. Visual Language
FINSHED PRODUCTS;
Does your finished product reflect your initial plans? How? If there are
any differences, describe why changes were made. (You can use
visual examples of flat plans and finished products to illustrate this)
The plan for are final 8 recipe cards, have run smoothly and what we
wanted to create has been made and in some cases have looked
better than what we had originally planned.
To start with we looked at different ways of presenting the information in a
new and creative way which would still be easy to understand across
the readers from theses templates that we had created showing the
basic boxes and placing of the text and images, we then developed
into the Photoshop templates to look at some of the more visual
aspects from the fonts and the image manipulation.
The only things that we have developed is the images to the back of the
recipe card changing the shapes to help to show off our skills and
make them look more professional trying multiple versions, adding a
number of circular pictures, which we then decided against because
of there been two many pictures of the food that made the page look
a little to busy.
Another aspect we added when finishing off was the stickers to the main
image which helped to give it more of a 3d look by adding the
shadow and mark it look like a scrap and would be appropriate for
are target market.
A final aspect we added was the image used at the bottom of the page and
changing the opacity we first added to all of the pages but felt when
it overlapped the text made it difficult to read and made that part of
the text look more important, and so we decided to only use this
idea on the recipe cards that had a smaller method and needed to fill
the space us otherwise it could have been seen a little boring.
template
12. Visual Language
FINSHED PRODUCTS;
Does your finished product reflect your initial plans? How? If there
are any differences, describe why changes were made. (You
can use visual examples of flat plans and finished products to
illustrate this)
Template Designs before
choosing our final template
to go by.
See examples of some of the work we created when
experimenting with different effects on the main
image.
• Repeating the images throughout the whole page
and changing the colours to the image however
as a group felt that it was to busy and wasn’t
focusing on one main image, like some of the
previous existing products that we had looked at
• In this case have looked at changing
elements on the back page to make it look
more interesting to the eye, by covering
some part of the images to give it a
checkered box look. We also look at
changing the placing of the methods and
ingredients lists but felt that it didn’t fit
with the brief as well and was more
unclear to look at the different method
and ingredients
• Another way we adapted the images was by
adding stripes through the image to blank out
some of the photograph, which is something
that we used for a final product by adding it to
the image on the back page but changing the
opacity to make it less of an impact.
13. Visual Language
FINSHED PRODUCTS;
Does your finished product match what you were set in the brief? How?
Some of the aspects stated in the brief refers to some of the presentational
requirements which we made sure we understood before creating are
recipe cards to make sure we stuck to the brief set and didn’t go off
course. They did say that they wanted high quality images which we have
done my combing and using both are own and stock images we made sure
the images were high quality be using a dslr camera to get the best results
and made sure the lighting and set up was appropriate.
“We want to see interesting and creative designs for a new series of recipe
cards. We need designs on both the front and the back of the card.
There should be a clear theme across all the cards so it is apparent
that they are a set. You could create a series based on an ingredient
or the food of a certain country.”
We have made this the case by including both text and images on either
side of the recipe card. We have also given the cards a clear theme
of ‘afternoon tea’ which has been used throughout the set of the
cards which will be appropriate for the target market. Other points
that we have made sure we included;
“Include serving number, preparation time, cooking time and vegan
suitability at the start of the recipe.”
“Keep method points as simple as possible, breaking down into shorter
sentences if a single method point involves more than one action.”
“Number method
points but not
ingredients. ”“List all ingredients separately on a new line, in the order in which
they are used in the method”
Using the
common
convention from
previous existing
products such as
the one above,
and is seen as
something that
most recipe cards
need.
14. Visual Language
FINSHED PRODUCTS;
How did the use of peer feedback help you in your production?
(Reference specific examples and their final outcome in finished
product)
While in the production process we received feedback from are tutors
and fellow students, regarding the design and look of the recipe
cards, some example of this could be the presentation of the images,
because as are tutor suggested using a clipping mask would help to
ad more interest and show something a little different to what we
had originally planned. Which we then experimented with on the
back page adding multiple circles then however decided on one
image in a circle because we felt that it was to busy and was to over
powering on the page. We then also used a clipping mask on the
main image on the front of the recipe card, adding suitable curved
edges to the page which in the end complemented the scrapbook
look we decided upon when I came to adding the sticker to the
corners of the picture. Another improvement made to the original
plans was the font used for the text on the back of the recipe card as
peers felt that it wasn’t easy enough to read, which I when we though
about using a serif font that helps the words easier to read and then
made the ingredients list into a bolder font, which helps t emphases
the more but still fits with the original theme we had gone with
complimenting the rest of the page.
15. Visual Language
FINSHED PRODUCTS;
Discuss the strengths and weaknesses of your final product regarding its technical and
aesthetical qualities. Use box below for text or page space to include an annotated copy of
your work to help illustrate how you have done this. You can use a combination of the two.
Reference what you like and dislike about the work with consistent reference to correct
terminology of tools/effects used.
When looking at the strengths of the product
• We as a group feel that it portrays the right look and is visually appealing for the older
generation which we targeted especially from the positive feedback we gained when
showing these cards to examples of are target market commenting on the fonts and
colours used which really complement the card and the ideas behind it.
• Another area I really like about my work is the image manipulation which we worked
with and planned out experimenting on Photoshop to get different look which I really
feel befitted are product and we have ended up with something exciting and
innovative, (When on Photoshop we used tools to cut parts of the image away whether
this was in a checker board look, or in stripes cutting away the image, but as a group
we liked these ideas but didn’t think that it was appropriate for the end use and took
to much of the image away which is when we used the opacity tool to look at different
effects that were created as the circular image has a number of stripes running
through the image but with the opacity lowered make the image still clear to pick up
but add a different effect to it. Then using the opacity tool on the bottom image too
which we feel was a good way to fill up some of the space in a more interesting and
different way, and so I feel that the images editing was one of are stronger points to
are work.)
However compared to an existing product they don’t tend to add different effects to there
images on the back page of there recipe cards which we have added, by starting with stripes in
block white which we then adapted to make them more transparent and easier to see but add
a different effect to the original image which has been used on the front of the recipe card.
16. Visual Language
FINSHED PRODUCTS;
However, some of the weaknesses to are recipe cards
Another weakness is the quality of some of the images which I feel are a little dark and don’t give
of the right impression of light and bright cards and reflect the time of the year that these types
of recipes would be appropriate for, it also doesn’t show of the colours of the goods as good and
degrades the camera quality or issues with lighting we would change if we were to do this project
again.
If we were doing these cards again we could also make the cards look a little more scrapbook
look as the main front image has this effect but could have been added to the back of the recipe
card to make these cards flow more as a finished set.
Are the photography that we used as we
originally planed to use all are own images but
as some of the images of the food we had
made weren’t too appealing we used some
stock images on the final products too which I
feel lets the cards down a little as they don’t
flow as much as a group of cards.
Stock Image
Own Image
17. Visual Language
FINSHED PRODUCTS;
What skills/knowledge have you gained/developed in this project? How could these be applied in future practice?
While doing this 10 week project have been able to learn new and develop there original skills, such as
• my team work skills which I have improved been able to discuss ideas openly and come to some sort of agreements
on the design and look of the recipe card, because while working in a group of three people will have different ideas
and points which we all needed to take on board and complete a project with something that we all liked, as well as
been able to delegate jobs between us and using peoples best attributes for different jobs such as the photography,
copy and the cooking of the recipes we aimed to create.
• I have also been able to improve on my cooking skills as we all worked together when it came to the making of the
chosen recipes,
•Been able to take photographs for some of the finished products making sure camera quality, lighting, focus and setup
was appropriate for the recipe cards we were making when then in hand allowed me to work on my skills In industry.
•Other skills I have also been able to work on was on my Photoshop skills trying out and experiments with different
photographs to get different look and effects, and so been able to use these skills now will benefit me in the future
when it comes to other projects involving photo manipulation and using Photoshop. I have also been able use skills I
had picked up previously and been able to develop this and make improvement and built up more skills within this
area.
18. Visual Language
PRODUCTION PROCESS;
Do you believe your work is creative and technically
competent? Why?(Reference specific examples (use images if
this will help) of where you believe your work is particularly
visually or technically impressive)
I do feel that the skills and tools involved in the making of the
recipe cards were technically demanding and expresses
creativity such as the stickers that were added to the front of
the recipe card which helped to make it look like a scrapbook,
which has also helped to made it look 3D by the shadowing and
highlighting, the creative side of the recipe cards can be seen by
the fact that some of the images have been cropped to reveal
specific detail from the image which helps to add some
dimensions to the cards and make I look a bit more interesting
instead of just one main image. The technical part of production
has come into account when looking into how we have
composed the cards such as the construction of the images
using clipping masks, cropping, opacity and drop shadowing to
make the outcome look more professional which also took some
skill to get it to the a good enough level to use. I especially like
the top right picture on the back of each recipe card which
combined different skills of clipping masks, strips though out the
picture and then lowering the opacity which I feel look creative,
is something a little different and innovative.
Here is the scrap booking sticker we have added as a final touch to
make it look more vintage and a little bit more in
formal, throughout each of the different recipe cards we have
changed the colours of the stickers to match the colour overall
recipe card which helps to make it look more uniform, and so a
way to improve on this next time could be to experiment on
incorporating this onto the back of the recipe card either around
the picture or for overlapped onto the title of the recipe card and
or even to make it look like the recipe its self has been stuck in.
Changing the opacity
Clipping mask
and the stripes
19. Visual Language
PRODUCTION PROCESS;
Do you believe your work is creative and technically competent? Why?(Reference specific examples (use images if this will help) of
where you believe your work is particularly visually or technically impressive)
When comparing our own work to what is already on the existing market, I feel that are own work is up to that professional standard,
due to the camera quality, of the photographs that we took ourselves making the pictures as bright as possible and using bright
coloured ingredients to match what is already on the market as taking photographs of food can be quiet challenging and you need to
make sure that the food itself is presented in a way that will be appealing for audiences, because we also made the recipes to,
because the example that I have used is aimed at a specific time of year the decoration is a lot more over the top to make sure that
the audience know this such as the specks of glitter and the baubles that used in the photo editing of this recipe card, and so in are
own way we have made it appropriate for are audience and the summery time of year that this would be aimed at.in terms of
creativity we have added a lot more effects and changes to the image, instead of like the existing product been more about the
design. We have instead included 3 images to each the recipe cards that all show different close ups of the food, as well including the
scrap book sticker the images to make them look more rustic, then when it came to the back of the recipe card we changed the
opacity of the images and changing the shapes of these and the adding faint lines through this to make the back page more
interesting to the consumer. But both of these recipe cards have a specific colour scheme to theme which is reflected in there choice
of fonts, editing and photographs.
20. Visual Language
PRODUCTION PROCESS;
How effectively did you manage your time? (Could you have used
time more wisely? Did a particular aspect of the project take longer
than expected? Did you complete everything on schedule?)
I feel that we used the time we had effectively as we managed to
complete the work on time and to a high standard, and so finishing
within the set time. Which also helped by the fact that we had more
than one group members meaning that we could spread the work out
between each other. The fact that we had a schedule meant that we
were able to use are time effectively as were able to plan what we
were doing on each day of production, which also went ahead of
what we first planned meaning we had more time to look into the
smaller details based on the recipe cards such as the placement of
the text and images and making sure it is as suitable as possible to
the audience. The fact that we were kept busy each day continuing
with the work and as well as within college time had finished parts of
the work at home meant that we also kept to schedule, as we did
finish before schedule next time we could think about making
something a little more challenging, helping to develop my skills
whether this is with the recipes we choose to make or the
presentation of the recipe cards and more challenging effects to the
pages. We also managed to get all the recipes done within the time
scale and the days we had booked off to do so, which was in fact
challenging but got these recipe complete on time and to a
reasonable standard to present within the recipe cards.
Week 1
Mon;
- Firstly we will look to purchase are ingredients for our 8
recipes from the super market Tesco because it is
most convenient for use and uses prices right for our
customers to pay. When it comes to buying the
different ingredients we will split the cost evenly
between each group member as when budgeting his
the costs of food comes to £34.19
- We will then plan to start the cooking process for four
of our recipes, because the ingredients we have
bought will be fresh and more colourful for
photographing, we will be making these recipes in
the kitchen of one of our team members because we
feel that it sets the scene best, when it comes to
photographing finished products to which will also be
done by one of our team members making the costs
of producing these recipe cards cheaper.
Tue;
- We will be continuing making 4 more of the recipes,
which will be of the sweet recipes we have chosen to
create. Afterwards we will be taking photos of the
food for the recipe cards. Props such as tea cups
and cake stands will be incorporated into the images
to help them fit our theme.
- To take the images we will use our own camera
equipment because we know how to use them and it
will keep costings down. We will be experimenting
with the effects on the camera to see which one
gives the most professional and high quality finish.
- After making the four meals we will save the left over
ingredients from those and try to use them into the
rest of the meals that we are going to produce. This
will overall save money on ingredients.
Wed;
- Make the last 4 meals and take the final 4 photographs
- We will be doing the same things as on Monday and
Tuesday but we will also be making sure everything
is finished and too a high standard. If it isn’t then this
is the time we will remake meals and redo images.
- We will clean up after cooking the meals so that it’s a
safe environment and that everything is organised.
- For each of these days we would have to consider the
travel costs into our budget which might include
using Public Transport to get to and from set.
See example here of week one of are schedule which in the
end didn’t go to plan as we took the photographs in the
second week and created are template and to base all are
recipe cards upon and then split the work between the 3 of
us them changing the titles and recipes, and so in the
second week we only had to place the chosen images with
the spaces and so we managed to keep to schedule and got
the work finished on time.
21. Visual Language
PRODUCTION PROCESS;
If you could repeat the process what would you do differently?
If we were to repeat this process again we could possibly
-use similar sized recipes because that is something that we didn’t
look closely at meaning that some of the recipe cards had smaller
methods and ingredients lists to others meaning that some of them
look a little different to each other. Which meant that we used
another picture on the bottom of the page to fill up some of the
blank space and changing the opacity levels to make it look more
creative and innovative to leaving it blank, and so it would have look
better on all of the recipe cards to make them look more similar.
-The photography we took are selves and could improve this if we
were making the recipes whether this is being more prepared for the
shoot, such as organising to bring a piping bag for the cupcakes to
make them look more professional and high quality. We could have
also taken the photographs on the same day and in the same set and
there can be seen as some difference between the photographs
because the lighting, set and prop is different to each other. Which
stops it looking like more of a similar collection.
- I could have also made the recipe cards for an alternative audience
such as the student market, because we can easily relate to there
lifestyle, meaning it is easier to do the market research.
Using the photography behind the text
doesn’t work as well because it was
the text unclear to read and as if there
is more of an emphasis on the bottom
of the page, and using a smaller recipe
would work better.
22. WORKING TO A BRIEF IN THE
CREATIVE MEDIA INDUSTIES
23. Constraints Experienced
What constraints did you encounter and how did you consider/avoid them?
Legal Constraints
When it came to the images used for the recipe cards using sourced images is something that needed to be considered. We
used sourced images to get an idea of the final look of the recipe card once are own images were added, I feel using these
images really helped us to understand and get an idea of what is expected and needed for the photography, such as using the
same image repetitively and picking aspects from this to emphases which meant that when it came to taking are photographs
one main image needed to be taken saving time and money. These sourced images were then replaced with are own
photography however some of these images weren’t suitable to be used on the recipe cards meaning that the original sourced
images had to be used for things such as the cheesecake and the scones. Other legal constraints could be considering the
recipes and where we got them from as see sourced all are recipes from online and places such as bbc good food, as we felt
that they gave us the recipes that we needed in enough detail and information.
Regulatory Constraints
The Acts of law that needed to be addressed when creating are recipe cards are from the ASA, as we need to ensure that the
information we present is correct when we a printing what ingredients are in these recipes and the fact that each of the
recipes we created were suitable for the vegetarian or vegan friendly market. Another aspect was the nutrition values of each
recipe that we might have included such as the calories and other values.
Financial Constraints
As we decided as a group that we would make the recipes are self so that we then got are own photography to meaning that
we had more scope and weren't restricted by photography that had already be used meaning that it would have had to match
with the rest of the cards resulting in possibly having to change the layout, which meant by making all recipes are selves we
needed to take into consideration for budgeting for buying the food product which in hand was then recorded on a spread
sheet, meaning that we had a good idea of what we needed to by and the prices of the ingredients. We also had to take into
consideration the fact that we couldn't employ someone to make the recipes meaning that we had to do each of the roles are
selves meaning that it was more cost effective. Another issue was down to the travelling of to and from college in order to
create the recipe cards, but as well as 3 days a week to college we needed to get on set to where we were doing to bake and
take the photographs of the food that we were using and so the costing of this needed to be taken into account to.
24. Management
How did you work as part of a group? (Did you lead the project? What parts of the project did you take charge of? Did you
enjoy working as part of a group? Why?)
While doing this project I was within a group of three, and feel that we wall pulled are own weight and contributed in are
own whether this was in the recipe selection, design, chosen theme or within the research. At the beginning of his project
we had set roles of each person within the group however, we all worked together to get different parts of the project
completed such as in the designs of the cards, that we worked together with when it came to choosing the fonts we searched
through many on the site called ‘dafont’ and came to an agreement on which suited the product and the audience best,
trying out may different ones until coming to some sort of agreement. When it came to designs of the recipe cards we
teamed up one computer to create a finial template/ outline. From this we then dived the amount of recipe cards between
the three of us and changed the template to suit that specific recipe, which meant that we had plenty of time to complete
and add any finishing touches that wanted to be made to make them as similar as possible to each other, and so I feel that
the creating the template was the part that I enjoyed doing most as in the end we ended up with something that we all really
and is also something that I enjoy doing, the designs and graphics side to this project, compared with the cooking of the
recipes which I found less enjoyable because some of the recipes seemed to be tricky to create and in the long run get them
to a professional standard.
How important is communication when working in a group? (Use specific examples from working in a group on this project
Communication between the members in your group is key to getting your project complete within the time scale. As a group
that doesn’t work together could end up with recipe cards that don’t fit together as a complete set, something which I think are
recipe cards do match. To make sure are cards to fit together as a collection we were constantly checking with each other the
work that we were doing down to the sizing of the fonts images and copy. Another way we made sure that they work was as
similar as possible to each other was putting all the recipe cards created together on to a PowerPoint and doing a number of
checks to make sure they are as similar as possible and evaluate are progress so far, which I feel was a good tool in order to reach
are goals. Communication is also a good way to come up with the best ideas for the recipe cards by combining are ideas which in
some cases it made the recipe cards better. Working in a group also meant that the work could be split evenly between each of
us when it came to group tasks, meaning more time could be put into the work that we had been set, and also giving us more
time to add the finishing touches to are recipe cards. Another example of this is the photography and the making of each recipe
as it meant that we were all able to develop are skills in are own way.
25. Management
What have you learnt about working in a group and how will you apply this to future practice?
While working within a group it is important to always have good communication between the group
members, because it allows ideas to be shared and discussions to be made too, and so when it comes to
making decions incorporating all of the group members ideas in the long run could come up with something
better, then what we might have first thought of such as some of the designs we created on are recipe cards
which we all worked together on from the photography of the recipes and editing and designing on the
program Photoshop, and so with these discussions help the dynamics within the group make a better working
environment. While been in a group the work can be shared out evenly too so that everyone gets to have
there own input into the work meaning the work that you have been set can have more time spent on it
putting more detail into the process if needed.
What have you learnt about working in to a brief and how will you apply this to future practice?
When it comes to working to brief there are many aspects to consider especially if it isn’t you in the long run
and so you have to go by the guidelines that they have set out themselves and then these guidelines you work
with to create something that the client wants, and so in some cases it isn’t your view that is required, and the
work just needed to be completed. Therefore in the future it is important to make sure that the you are clear
on what the brief states and what is needed to make sure that you don’t waste time or money that could be
used in other circumstances.
27. Comparison
When looking at both the recipe cards we created as a group and an existing
product they so share some similarities, such as the fact that they are similar
products they share the same colour scheme and target market, Because like
we have done the colours that were picked up in the photograph have been
used for the design of the overall recipe card. Using the red and pink colours
are very luxurious colours and also feminine to look out. The photographs
that we have seen are both very high quality images and have appropriate
props and extras in the set to show the food to the best of its ability. Making
sure there is a image on the front which simply illustrates what the end
product will look like. However, we have also added 3 extra close up shots of
the finished product which shows you a different aspect, and more of a
creative way to display the photographs. Other similarities are using a banner
at the top and bottom of the page and is a good way of showing to customer
the information needed. As well as making sure that the companies logo is
easily seen to promote there brand. And so I feel that as a group we have
made sure we had an in-depth knowledge of existing products on the market
so that we knew how to start with are own ideas.
29. Comparison
The similarities between both backs of the recipe cards are down to the layout we
have chosen, such as the presentation of the ingredients and method list making them
clear to understand for all ages such as including; what each part of the part requires
what ingredients and method. We have also similar to the existing products used
columns to split the amount of words up however, the existing product does it more
so to make it look more formal unlike the recipe cards we created which go for a more
informal look by adding the scrapbook effect. Other similarities are to the font making
sure that it is all at a readable size, and font. The language that we have used is also
appropriate for its purpose using specific language to do with the cooking and making
of the recipes. However, unlike the existing product we have used different colours for
the title and the steps, which we thought would help make it clearer for the audience
to understand and pick out the elements needed. Both of these examples have also
used bullet points and numbers to order the work which was a requirement from the
client, and because it is used in the existing product is sourced this is something that is
used in most recipe cards and is seen as a common convention in the production of
recipe cards. Like the them to we have also added an image on the back of the recipe
card to help show the customer the product too which makes it more convenient for
them. As well as helping to split up the text and making it look more visually
appealing. Like the front of the recipe we have followed the banner onto the back of
the recipe card to help make them look as similar as possible and work together as a
recipe card, however we added an effect to the photograph to by adding striped lined
to the image to help it look different from the original photograph, as well as putting
the photograph in a shape which helps to make the text flow around the image.