Elements & Principles of Design
•
4 likes•7,012 views
The document discusses the elements and principles of design. It defines the elements as the basic components used in composition, including point, line, shape, form, texture, value, and color. It then explains the principles of design - techniques for organizing the elements, such as balance, emphasis, movement, rhythm, and unity. Symmetry, asymmetry, and radial balance are described as ways to achieve visual balance in a composition. The principles create order, structure and visual interest in artwork.
Report
Share
Report
Share
Download to read offline
Recommended
Principles of design
The document discusses the 9 principles of design: repetition, emphasis, pattern, proportion, movement, balance, variety, and unity. Repetition and pattern create unity within a work of art by repeating elements. Emphasis uses contrast to draw the viewer's eye to a particular area. Proportion ensures all parts of a work relate well. Movement guides the eye along lines and colors. Balance distributes visual weight evenly. Variety engages the viewer with different elements. Unity creates harmony between all parts for completeness.
Principles Of Design
The document discusses principles and elements of art and design. It lists principles as balance, emphasis, harmony, variety, gradation, movement, rhythm, and proportion. It then provides brief explanations of each principle, such as how balance creates a sense of equilibrium and can be symmetrical or asymmetrical. The document also lists elements of art as line, color, shape, form, texture, value, and space. It provides short definitions for each element, such as defining line as a continuous mark and color as having the properties of hue, value, and intensity.
Principles of design
The principles of design describe how elements of art are arranged in a composition. The seven principles are balance, contrast, emphasis, movement, pattern, rhythm, and unity/variety. Balance refers to the visual weight distribution around a center line and can be asymmetric, symmetric, or radial. Contrast refers to differences in elements such as color, value, shape, size, and texture. Emphasis is used to indicate importance or create a focal point. Movement guides the eye along lines and edges. Pattern is the repetition of shapes or elements. Rhythm is the repetition of similar elements. Unity/variety balances consistency with interest through contrasts.
Composition Tips
This document provides guidelines for creating interesting compositions in drawings. It defines composition as the organization and arrangement of objects within the borders of a drawing space. Some key elements of composition discussed are the focal point, overlapping, negative space, lines, and balance. Specific techniques like the rule of thirds and using leading lines to guide the viewer's eye are also explained. Effective use of these compositional elements can create visually pleasing and engaging drawings.
The Principles of Design
There are a lot of rules and best practices to consider when designing anything (regardless of the medium– website, print campaign, keynote presentation, etc.), and the process can easily become overwhelming to the uninitiated. Fortunately, various sets of principles exist to help lay out the general premise of a design. There are nine principles, and the process becomes vastly simpler after learning the concepts behind this set. Most of the time, after some practice and comprehension, the principles begin to work subconsciously within the back of your mind, guiding the creative process.
Design Principles 2017 August
The document outlines the key elements and principles of design including color, value, line, shape, texture, space, form, unity, balance, hierarchy, scale, emphasis, and similarity and contrast. It provides definitions and examples for each element and principle. The elements are the basic visual components such as color and line, while the principles describe how elements are arranged and organized, including concepts like proximity, repetition, and emphasis. Mastering both the elements and principles is necessary for effective visual design.
elements and principles of design
The document defines and describes the basic elements and principles of design, including:
Point, line, shape, form, space, color, texture, emphasis, movement, pattern, repetition, proportion, rhythm, variety, unity, axis, symmetry, hierarchy, datum, transformation, and balance. It explains what each of these elements and principles are and provides examples.
Design principles
The document discusses six graphic design principles: balance, movement, rhythm, emphasis, proportion and scale, and unity. It provides examples and definitions for each principle. Balance has several types including symmetrical, asymmetrical, radial, vertical, and horizontal. Movement uses lines, color, and repetition to create the illusion of motion. Rhythm involves the repeated use of design elements and has types such as regular, graduated, random, and gradated. Emphasis attracts the eye through size, placement, color or lines. Proportion and scale relate to the comparative sizes of elements. Unity applies consistent use of lines, color, and texture to make a design harmonious.
Recommended
Principles of design
The document discusses the 9 principles of design: repetition, emphasis, pattern, proportion, movement, balance, variety, and unity. Repetition and pattern create unity within a work of art by repeating elements. Emphasis uses contrast to draw the viewer's eye to a particular area. Proportion ensures all parts of a work relate well. Movement guides the eye along lines and colors. Balance distributes visual weight evenly. Variety engages the viewer with different elements. Unity creates harmony between all parts for completeness.
Principles Of Design
The document discusses principles and elements of art and design. It lists principles as balance, emphasis, harmony, variety, gradation, movement, rhythm, and proportion. It then provides brief explanations of each principle, such as how balance creates a sense of equilibrium and can be symmetrical or asymmetrical. The document also lists elements of art as line, color, shape, form, texture, value, and space. It provides short definitions for each element, such as defining line as a continuous mark and color as having the properties of hue, value, and intensity.
Principles of design
The principles of design describe how elements of art are arranged in a composition. The seven principles are balance, contrast, emphasis, movement, pattern, rhythm, and unity/variety. Balance refers to the visual weight distribution around a center line and can be asymmetric, symmetric, or radial. Contrast refers to differences in elements such as color, value, shape, size, and texture. Emphasis is used to indicate importance or create a focal point. Movement guides the eye along lines and edges. Pattern is the repetition of shapes or elements. Rhythm is the repetition of similar elements. Unity/variety balances consistency with interest through contrasts.
Composition Tips
This document provides guidelines for creating interesting compositions in drawings. It defines composition as the organization and arrangement of objects within the borders of a drawing space. Some key elements of composition discussed are the focal point, overlapping, negative space, lines, and balance. Specific techniques like the rule of thirds and using leading lines to guide the viewer's eye are also explained. Effective use of these compositional elements can create visually pleasing and engaging drawings.
The Principles of Design
There are a lot of rules and best practices to consider when designing anything (regardless of the medium– website, print campaign, keynote presentation, etc.), and the process can easily become overwhelming to the uninitiated. Fortunately, various sets of principles exist to help lay out the general premise of a design. There are nine principles, and the process becomes vastly simpler after learning the concepts behind this set. Most of the time, after some practice and comprehension, the principles begin to work subconsciously within the back of your mind, guiding the creative process.
Design Principles 2017 August
The document outlines the key elements and principles of design including color, value, line, shape, texture, space, form, unity, balance, hierarchy, scale, emphasis, and similarity and contrast. It provides definitions and examples for each element and principle. The elements are the basic visual components such as color and line, while the principles describe how elements are arranged and organized, including concepts like proximity, repetition, and emphasis. Mastering both the elements and principles is necessary for effective visual design.
elements and principles of design
The document defines and describes the basic elements and principles of design, including:
Point, line, shape, form, space, color, texture, emphasis, movement, pattern, repetition, proportion, rhythm, variety, unity, axis, symmetry, hierarchy, datum, transformation, and balance. It explains what each of these elements and principles are and provides examples.
Design principles
The document discusses six graphic design principles: balance, movement, rhythm, emphasis, proportion and scale, and unity. It provides examples and definitions for each principle. Balance has several types including symmetrical, asymmetrical, radial, vertical, and horizontal. Movement uses lines, color, and repetition to create the illusion of motion. Rhythm involves the repeated use of design elements and has types such as regular, graduated, random, and gradated. Emphasis attracts the eye through size, placement, color or lines. Proportion and scale relate to the comparative sizes of elements. Unity applies consistent use of lines, color, and texture to make a design harmonious.
Principles of design
This document outlines seven principles of design that artists and architects use: balance, unity, harmony, focus/emphasis, movement, contrast, and proportion/scale. Balance refers to an even distribution of elements on both sides of a composition. It can be symmetrical or asymmetrical. Unity creates cohesion by using consistent colors, patterns, shapes, or forms. Harmony is achieved through smooth transitions between different elements. Focus/emphasis draws the eye to a specific area. Movement is created by guiding the viewer's eye along a piece. Contrast uses opposing elements like different colors or shapes. Proportion/scale concerns the sizes of elements relative to each other and the overall composition.
Elements of Design
The document discusses the key elements of design including line, figure and ground, scale and proportion, texture and pattern, rhythm and repetition, direction, weight, balance, and the rule of thirds. These elements are the fundamental building blocks that designers use to create unified compositions and deliver effective visual messages to audiences. When used successfully together, these elements create design harmony.
Principles of art
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
Principles Of Design
- The document discusses various types of balance in design including symmetrical, asymmetrical, and radial balance. It provides examples of when elements are balanced horizontally and vertically.
- Unity in art can be created through repetition of elements like color, shape, and texture which visually connects the components of a work. Contrast adds variety when two related elements differ in size, value, color, etc.
- Proportion refers to the harmonious relationship between elements in a composition with respect to their size, color, and other qualities. It creates a sense of dominance or importance in a particular area.
PRINCIPLE OF ART:MOVEMENT-RHYTHM.pptx
Movement and rhythm are principles of art that refer to a feeling of organized movement achieved through repetition of elements like line, shape, color, and texture. There are several types of movement and rhythm in art:
1. Regular movement involves exact repetition of elements in an evenly spaced arrangement.
2. Random movement has no particular order but maintains unity through balanced repetition of elements.
3. Progressive movement changes elements in size, shape, or color to give the appearance of progression.
4. Flowing movement uses curved, organic shapes and lines to direct the eye in a swirling pattern.
5. Alternating movement repeats more than one element or motif in a pattern.
Elements of Design
This presentation introduces seven of the basic elements of design: line, shape, size, value, color, texture, and space. Line refers to linear marks and edges that indicate direction and movement. Shape can be organic or geometric. Size determines the relative space an object takes. Value measures lightness and darkness. Color conveys different meanings. Texture describes surface appearances. Space is the area between and around objects. Type will be covered in a later lesson.
Principle of design
The document discusses several principles of design including balance, emphasis, contrast, proximity, rhythm, proportion, and unity. Balance refers to the even distribution of visual weight in a composition. Emphasis uses focal points and subordination of other elements to direct attention. Contrast is created through differences in color and brightness that make objects distinguishable. Proximity groups related elements together and separates unrelated items. Rhythm uses repetition of elements to create movement and patterns. Proportion examines the relationship between parts and the whole in terms of scale. Unity makes all elements work cohesively to give the image an overall sense of oneness.
Principles of Design
The document discusses the principles of design based on the Gestalt Theory of Visual Perception. It describes key principles such as unity, variety, hierarchy and focal point, balance, proximity, rhythm and repetition, and scale. These principles refer to how visual elements are arranged and relate to each other to form a cohesive design. The document provides examples to illustrate concepts like symmetrical and asymmetrical balance, radial balance, and repetition versus rhythm. It encourages applying these principles to create visually unified and interesting designs that guide the viewer's eye.
Elements of Art: Line
This document defines and describes different types of lines that can be used in art. It explains that a line is a mark made between two points, and lists straight, curved, thick, thin, wiggly, broken, spiral, zig-zag and continuous as examples of different types of lines. It then categorizes lines based on their purpose or expression, such as outline lines, directional lines, emotional lines, moving lines, patterned lines, and texture lines. It concludes by providing a task that instructs the reader to draw a grid and fill each space with a different line pattern using colored markers.
Lesson 1 • Elements & Principles of Design and Art
This document provides information about the elements and principles of art and design. It discusses the key elements, which are the basic building blocks that make up a piece of art, such as line, shape, space, value, color and texture. It then covers the principles of design, which are techniques for arranging the elements, like emphasis, balance, unity, contrast, movement and pattern. Students are assigned a project to present examples that demonstrate each element and principle using their own photographs.
PRINCIPLES OF COMPOSITION
The document discusses several principles of composition including proportion, scale, balance, harmony, unity and variety, rhythm, and emphasis. It defines each principle and provides examples to illustrate different types of balance, such as symmetrical balance seen in Georgia O'Keeffe's painting "Oriental Poppies" and radial balance shown in a rose window's spiral pattern. Visual puzzles are also included asking the reader to find specified numbers of items or interpret images in different ways.
The principles of design 1
The document discusses the principles of design in art, which are techniques artists use with the elements of art to create compositions. It outlines 11 principles: balance, contrast, emphasis, variety, unity/harmony, proportion, rhythm, movement, pattern, and repetition. Each principle is defined and an example artwork is described to illustrate how that principle is applied.
The principles of design
The document discusses the four principles of design: balance, emphasis, rhythm, and unity. It provides examples of how to apply each principle when designing publications. Balance involves symmetrical or asymmetrical placement of elements. Emphasis draws the eye to key points using techniques like size, color or position. Rhythm uses repetition and variation of visual elements. Unity makes all parts seem cohesive through consistent use of elements like color, font and layout. The document also lists common design problems to avoid like trapped white space, whispering headlines and excessive formatting.
Elements of design
The document outlines the seven elements of design - line, color, shape, texture, form, space, and value. It provides examples and definitions for each element. Line is defined as the extension of a point in a direction and can be straight, curved, or diagonal. Color depends on the light reflecting off an object and can be primary, secondary, or tertiary. Shape is a two-dimensional surface with length and width but no thickness, and examples include squares and triangles. Texture describes the roughness or smoothness of a surface, such as hard, soft, rough, or smooth. Form is a three-dimensional shape with length, width and height. Space is the area around or between objects, and value refers to
Elements and Principles of Design (Updated)
Here's a complete presentation on elements and principles of design that every designer must know. So, have a look at this presentation till the end. To learn more go for our official website - https://www.admecindia.com.
Chapter 2 unity
The document discusses principles of unity in design. It defines unity as elements in an image looking like they belong together. Unity is created through repetition of similar shapes, lines, colors, and patterns. Proximity, repetition, and continuation are ways to achieve unity. Variety within a structured framework like a grid can also create unity. Both representational and abstract forms can demonstrate unity. Chaos results from a lack of unity, while too little variety makes a design dull.
Element of design
The document discusses the basic elements of design. It defines element of design as the components needed to create a design or plan. There are 7 basic elements of design: line, color, shape, space, texture, scale and size, and value. Each element is then briefly described - for example, line is the most fundamental and is used to divide space and draw attention, while color creates mood and conveys information. Shape adds interest and guides the eye. Space gives breathing room and leads the eye through a design. Texture adds realism and scale/size provide contrast and balance. Value is important for unity and eye flow.
Elements and Principles of Design
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
Organization in the visual arts and Principles of Design
This document discusses principles of design in visual arts including harmony, balance, proportion, rhythm, emphasis/subordination, shape, form, leading lines, texture, color, gradient, repetition, pattern, contrast, dominance, and unity. It defines symmetry and asymmetry, and explains how symmetrical balance places equal weights on both sides of a center point while asymmetry achieves balance through unequal weights. Movement in art can be literal, depicted through symbolic forms, or compositional, considering how a composition guides the viewer's eye.
Principles of Design
Presentation into the principles of design within the context of visual design. This is intended to be delivered to year one degree students.
The principles of design are rules to help guide a designer how to arrange the various elements of a composition in relation to each other and the overall design. By considering, applying and understanding the various Principles of Design throughout the design process you will help ensure a more positive outcome
Introduction to Design Elements
The document contains a list of 11 image URLs linking to various abstract, colorful, and graphic wallpaper images including shapes, patterns, textures and digital artworks. The high-level topic covered is abstract digital images that could be used as desktop wallpapers.
Introduction to Color
The document discusses color theory and how color can be used in design. It explains that reds, oranges and yellows are warm colors associated with heat, while blues, greens and violets are cool colors associated with sky, water, ice and snow. Black, white, grey and beige are also mentioned as neutral colors. The document further outlines concepts like complementary colors, triadic colors and monochromatic color schemes. Finally, it defines color-related terms such as hue, value, tint, shade and saturation.
More Related Content
What's hot
Principles of design
This document outlines seven principles of design that artists and architects use: balance, unity, harmony, focus/emphasis, movement, contrast, and proportion/scale. Balance refers to an even distribution of elements on both sides of a composition. It can be symmetrical or asymmetrical. Unity creates cohesion by using consistent colors, patterns, shapes, or forms. Harmony is achieved through smooth transitions between different elements. Focus/emphasis draws the eye to a specific area. Movement is created by guiding the viewer's eye along a piece. Contrast uses opposing elements like different colors or shapes. Proportion/scale concerns the sizes of elements relative to each other and the overall composition.
Elements of Design
The document discusses the key elements of design including line, figure and ground, scale and proportion, texture and pattern, rhythm and repetition, direction, weight, balance, and the rule of thirds. These elements are the fundamental building blocks that designers use to create unified compositions and deliver effective visual messages to audiences. When used successfully together, these elements create design harmony.
Principles of art
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
Principles Of Design
- The document discusses various types of balance in design including symmetrical, asymmetrical, and radial balance. It provides examples of when elements are balanced horizontally and vertically.
- Unity in art can be created through repetition of elements like color, shape, and texture which visually connects the components of a work. Contrast adds variety when two related elements differ in size, value, color, etc.
- Proportion refers to the harmonious relationship between elements in a composition with respect to their size, color, and other qualities. It creates a sense of dominance or importance in a particular area.
PRINCIPLE OF ART:MOVEMENT-RHYTHM.pptx
Movement and rhythm are principles of art that refer to a feeling of organized movement achieved through repetition of elements like line, shape, color, and texture. There are several types of movement and rhythm in art:
1. Regular movement involves exact repetition of elements in an evenly spaced arrangement.
2. Random movement has no particular order but maintains unity through balanced repetition of elements.
3. Progressive movement changes elements in size, shape, or color to give the appearance of progression.
4. Flowing movement uses curved, organic shapes and lines to direct the eye in a swirling pattern.
5. Alternating movement repeats more than one element or motif in a pattern.
Elements of Design
This presentation introduces seven of the basic elements of design: line, shape, size, value, color, texture, and space. Line refers to linear marks and edges that indicate direction and movement. Shape can be organic or geometric. Size determines the relative space an object takes. Value measures lightness and darkness. Color conveys different meanings. Texture describes surface appearances. Space is the area between and around objects. Type will be covered in a later lesson.
Principle of design
The document discusses several principles of design including balance, emphasis, contrast, proximity, rhythm, proportion, and unity. Balance refers to the even distribution of visual weight in a composition. Emphasis uses focal points and subordination of other elements to direct attention. Contrast is created through differences in color and brightness that make objects distinguishable. Proximity groups related elements together and separates unrelated items. Rhythm uses repetition of elements to create movement and patterns. Proportion examines the relationship between parts and the whole in terms of scale. Unity makes all elements work cohesively to give the image an overall sense of oneness.
Principles of Design
The document discusses the principles of design based on the Gestalt Theory of Visual Perception. It describes key principles such as unity, variety, hierarchy and focal point, balance, proximity, rhythm and repetition, and scale. These principles refer to how visual elements are arranged and relate to each other to form a cohesive design. The document provides examples to illustrate concepts like symmetrical and asymmetrical balance, radial balance, and repetition versus rhythm. It encourages applying these principles to create visually unified and interesting designs that guide the viewer's eye.
Elements of Art: Line
This document defines and describes different types of lines that can be used in art. It explains that a line is a mark made between two points, and lists straight, curved, thick, thin, wiggly, broken, spiral, zig-zag and continuous as examples of different types of lines. It then categorizes lines based on their purpose or expression, such as outline lines, directional lines, emotional lines, moving lines, patterned lines, and texture lines. It concludes by providing a task that instructs the reader to draw a grid and fill each space with a different line pattern using colored markers.
Lesson 1 • Elements & Principles of Design and Art
This document provides information about the elements and principles of art and design. It discusses the key elements, which are the basic building blocks that make up a piece of art, such as line, shape, space, value, color and texture. It then covers the principles of design, which are techniques for arranging the elements, like emphasis, balance, unity, contrast, movement and pattern. Students are assigned a project to present examples that demonstrate each element and principle using their own photographs.
PRINCIPLES OF COMPOSITION
The document discusses several principles of composition including proportion, scale, balance, harmony, unity and variety, rhythm, and emphasis. It defines each principle and provides examples to illustrate different types of balance, such as symmetrical balance seen in Georgia O'Keeffe's painting "Oriental Poppies" and radial balance shown in a rose window's spiral pattern. Visual puzzles are also included asking the reader to find specified numbers of items or interpret images in different ways.
The principles of design 1
The document discusses the principles of design in art, which are techniques artists use with the elements of art to create compositions. It outlines 11 principles: balance, contrast, emphasis, variety, unity/harmony, proportion, rhythm, movement, pattern, and repetition. Each principle is defined and an example artwork is described to illustrate how that principle is applied.
The principles of design
The document discusses the four principles of design: balance, emphasis, rhythm, and unity. It provides examples of how to apply each principle when designing publications. Balance involves symmetrical or asymmetrical placement of elements. Emphasis draws the eye to key points using techniques like size, color or position. Rhythm uses repetition and variation of visual elements. Unity makes all parts seem cohesive through consistent use of elements like color, font and layout. The document also lists common design problems to avoid like trapped white space, whispering headlines and excessive formatting.
Elements of design
The document outlines the seven elements of design - line, color, shape, texture, form, space, and value. It provides examples and definitions for each element. Line is defined as the extension of a point in a direction and can be straight, curved, or diagonal. Color depends on the light reflecting off an object and can be primary, secondary, or tertiary. Shape is a two-dimensional surface with length and width but no thickness, and examples include squares and triangles. Texture describes the roughness or smoothness of a surface, such as hard, soft, rough, or smooth. Form is a three-dimensional shape with length, width and height. Space is the area around or between objects, and value refers to
Elements and Principles of Design (Updated)
Here's a complete presentation on elements and principles of design that every designer must know. So, have a look at this presentation till the end. To learn more go for our official website - https://www.admecindia.com.
Chapter 2 unity
The document discusses principles of unity in design. It defines unity as elements in an image looking like they belong together. Unity is created through repetition of similar shapes, lines, colors, and patterns. Proximity, repetition, and continuation are ways to achieve unity. Variety within a structured framework like a grid can also create unity. Both representational and abstract forms can demonstrate unity. Chaos results from a lack of unity, while too little variety makes a design dull.
Element of design
The document discusses the basic elements of design. It defines element of design as the components needed to create a design or plan. There are 7 basic elements of design: line, color, shape, space, texture, scale and size, and value. Each element is then briefly described - for example, line is the most fundamental and is used to divide space and draw attention, while color creates mood and conveys information. Shape adds interest and guides the eye. Space gives breathing room and leads the eye through a design. Texture adds realism and scale/size provide contrast and balance. Value is important for unity and eye flow.
Elements and Principles of Design
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
Organization in the visual arts and Principles of Design
This document discusses principles of design in visual arts including harmony, balance, proportion, rhythm, emphasis/subordination, shape, form, leading lines, texture, color, gradient, repetition, pattern, contrast, dominance, and unity. It defines symmetry and asymmetry, and explains how symmetrical balance places equal weights on both sides of a center point while asymmetry achieves balance through unequal weights. Movement in art can be literal, depicted through symbolic forms, or compositional, considering how a composition guides the viewer's eye.
Principles of Design
Presentation into the principles of design within the context of visual design. This is intended to be delivered to year one degree students.
The principles of design are rules to help guide a designer how to arrange the various elements of a composition in relation to each other and the overall design. By considering, applying and understanding the various Principles of Design throughout the design process you will help ensure a more positive outcome
What's hot (20)
Lesson 1 • Elements & Principles of Design and Art
Lesson 1 • Elements & Principles of Design and Art
Organization in the visual arts and Principles of Design
Organization in the visual arts and Principles of Design
Viewers also liked
Introduction to Design Elements
The document contains a list of 11 image URLs linking to various abstract, colorful, and graphic wallpaper images including shapes, patterns, textures and digital artworks. The high-level topic covered is abstract digital images that could be used as desktop wallpapers.
Introduction to Color
The document discusses color theory and how color can be used in design. It explains that reds, oranges and yellows are warm colors associated with heat, while blues, greens and violets are cool colors associated with sky, water, ice and snow. Black, white, grey and beige are also mentioned as neutral colors. The document further outlines concepts like complementary colors, triadic colors and monochromatic color schemes. Finally, it defines color-related terms such as hue, value, tint, shade and saturation.
Principle of design used in the graphic arts
The document discusses key principles of design used in graphic arts, including balance, emphasis, pattern/repetition, proportion, movement, rhythm, contrast, and unity. Balance refers to visual equality in elements like shape, form, value and color that can be symmetrical or asymmetrical. Emphasis creates a center of interest to attract attention. Pattern and repetition unify a work through consistent visual elements. Proportion concerns the relative size of elements. Movement directs the eye along lines and colors. Rhythm relies on pattern and movement to create order. Contrast arranges opposing elements to make visual interest. Unity occurs when all elements combine into a harmonious whole.
The Systems Approach to Design
The document discusses that design is a process that involves preliminary research and collaborative planning. This allows the work to be done more efficiently and yields better results. Some key steps in the design process include asking questions about the target audience and goals, considering technical requirements and budgets, finding inspiration, sketching ideas, comparing designs, revising based on client feedback, and ensuring there are no errors.
Bits & Pieces: A Systems Approach to Web Design for Brands
This presentation is a compilation of personal work, resources and inspiration on systems design / branding for the web. It was prepared for the How Interactive Design Conference happening in San Francisco, Nov. 2014.
Elements of design (1)
The document discusses the 7 elements of art and design - line, shape, color, value, texture, form, and space. It provides descriptions and examples for each element. The assignment asks students to choose 2 elements to illustrate using mixed medias such as pencil, colored pencil, marker, or pastel. They will be graded on their understanding, communication of the elements, and creativity. The goal is for students to use the organizational principles of elements to solve visual art problems.
Your Presentation is CRAP, and That's Why I Like It
The document discusses the CRAP principles for designing effective visual presentations. It advocates using Contrast, Repetition, Alignment, and Proximity (CRAP) to create slides that are easy to understand. A series of before and after examples demonstrate how applying these principles can improve slide clarity and readability. The slides become more scannable and help audiences better understand and remember the presented information.
Principles Of Effective Design
Presentation to accompany a discussion of effective design principles in Prof. Barbara Nixon's PR Publications class. Based on a PPT by Saul Greenberg
CARP Design Principles
The powerpoint that coincided with the lecture on CARP. These are the main design principles that you will be graded on during the length of this course so study up.
7 dicas para criar dashboards no excel
Apresentação com algumas dicas para se criar um dashboard no Excel. Inclui link para download do dashboard desenvolvido.
Crap design
The document outlines the C.R.A.P. design principles:
Contrast - Elements that are different should be very different to avoid confusion. Slight differences do not provide enough contrast.
Repetition - Visual elements like color, shape, and size should be repeated throughout a design to develop organization and unity. This includes headings, subheadings, colors, images, and other graphical elements.
Alignment - Every element should have a visual connection to another on the page. Elements can be left, right, or center aligned.
Proximity - Related elements should be grouped together while separate elements should have enough space between them.
A Brief History of Graphic Design
This document provides a brief history of graphic design from cave paintings to modern times. Key developments include the invention of paper and the printing press, which reduced costs and increased demand for design. Photography emerged in the 1800s as a new communication tool for designers. Art movements like Arts and Crafts, Art Nouveau, Cubism, and Bauhaus influenced design styles. The development of new technologies and changes in society and culture continuously shaped the field of graphic design.
Humanities 101 Art Appreciation
This document provides an overview of the humanities and various aspects of art. It begins by describing a course that covers visual arts, performing arts, cinema, and literature, exposing students to classical and contemporary artists and works. It then discusses objectives like understanding the meaning and importance of art and appreciating different art forms. The document goes on to define the humanities and explain major areas like literature, visual arts, and performing arts. It also provides examples of famous works and discusses artistic styles, movements, and the subjects, forms, and values of art.
Principles of design
Design is what links creativity and innovation. It shapes ideas to become practical and attractive propositions for users, clients or customers. Design may be described as creativity deployed to a specific end
Design is the creation of a plan or convention for the construction of an object or a system. It may be an architectural blueprints, engineering drawings, business processes, circuit diagrams or sewing patterns. Design has different connotations in different fields
N.B: The presentation is compiled from articles and presentations of experts, researchers, professors working in the same field for educational purpose.
Viewers also liked (14)
Bits & Pieces: A Systems Approach to Web Design for Brands
Bits & Pieces: A Systems Approach to Web Design for Brands
Your Presentation is CRAP, and That's Why I Like It
Your Presentation is CRAP, and That's Why I Like It
Similar to Elements & Principles of Design
ELEMENTS AND PRINCIPLE OF ARTS.pdf
This document defines and describes the elements of art and principles of design. The seven elements of art are line, color, value, shape, form, space, and texture. Line can be vertical, horizontal, curved, or show emotion. Color has properties of hue, value, and intensity. Value refers to lightness or darkness. Shape can be geometric or organic. Form can be two-dimensional or three-dimensional. Space includes foreground, middleground, and background. Texture can be actual or implied. The seven principles of design are balance, emphasis, contrast, movement and rhythm, unity, variety, and proportion. Balance creates a feeling of stability. Emphasis makes one area stand out. Contrast uses differences to create
Elements principles update
This document discusses the elements of art and principles of design. It defines the seven elements of art as line, color, value, shape, form, space, and texture. It then defines and provides examples for each element. The document also defines the seven principles of design as balance, emphasis, contrast, movement and rhythm, unity, variety, and proportion. It provides definitions and examples for each principle. The purpose of the document is to provide information about the building blocks and organizational tools used in visual art to the reader.
Elements and principles of design
This document defines and describes the elements and principles of design. It discusses the key elements of line, shape, form, color, value, texture, and space. It then explains the principles of balance, movement, rhythm, contrast, emphasis, repetition, and unity. Specific examples are provided to illustrate concepts like positive and negative shapes, tint, shade, and symmetrical vs. asymmetrical balance. Sources are listed at the end from websites on art education.
Elements and Principles of Design
This document defines key elements and principles of art and design. It provides examples of lines, size, texture, form, space, shape, color, tone, composition, unity, balance, contrast, emphasis, proportion, repetition, rhythm, dominance, harmony and variety. Each element and principle is defined in 1-2 sentences. Examples of each are then shown through images, with sources cited. The document aims to concisely explain and illustrate fundamental concepts in visual art and design.
Elements principles
The seven design elements are line, shape, color, value, texture, space, and form. The design principles that guide how elements are organized are balance, emphasis, variety, movement, proportion, contrast, and unity. Without using both elements and principles, art and design cannot reach their full potential.
Humanities 1
The document discusses the key elements and principles of art. It defines humanities and describes some purposes of art such as creating beauty and expressing religious values. It then explains the elements of art including line, color, shape, space, texture, value. It categorizes each element and provides examples. Finally, it outlines the principles of composition including proportion, unity, balance, rhythm and emphasis.
Elements of Art and Principles of Design
The document discusses the elements of art (line, shape, form, value, texture, space, color) and principles of design (emphasis/focal point, balance, unity/harmony, contrast, movement, pattern/rhythm, variety, proportion/scale). It provides definitions and examples for each element and principle. The elements are the basic tools used to create art, while the principles are ways of organizing the elements within a work of art.
E & p of design
The document discusses the elements and principles of design, including line, shape, form, space, color, texture, rhythm, movement, pattern, balance, harmony, dominance, repetition, contrast, unity, variety, and proportion. It provides examples and definitions for each element and principle. Key points are that elements are the basic ingredients used in art and design, while principles describe how elements are arranged or used.
UNIT 2 - Composition (Book unit 7)
UNIT 2 - Composition (Book unit 7)
Formats, compositional schemes, visual rhythm and visual balance.
Elements of Shape
This document discusses the principles and elements of design, including line, shape, direction, size, texture, color, value, and how they relate to shape. It defines shape as a self-contained area with edges created by lines or color/value changes. Shapes can be positive or negative, and are considered a 2D element while volume is 3D. Examples are given of how shapes can organize, connect, separate, symbolize ideas, create movement, provide texture/depth, or convey mood. Shapes in web design can add interest, sustain attention, organize elements, and direct the eye. Geometric, natural, and abstract shapes are also mentioned.
The Elements Of Art
The document outlines the key elements of art that artists use to create compositions, including line, shape, form, texture, value, color, and space. It defines each element and provides examples to illustrate how artists manipulate these elements. Specifically, it discusses how lines can convey different emotions, how shapes become three-dimensional forms, the use of value to add realism and contrast, primary and secondary colors, color schemes, and how artists use foreground, middle ground and background to create the illusion of space.
Humanities1 100926034344-phpapp02
The document discusses the humanities and some of their key components. It defines humanities as a loosely defined group of cultural subjects that include the arts, like visual arts, performing arts, music, dance, and drama. It also discusses some purposes of art and lists common elements of art like line, color, shape, space, texture, and value. The document concludes by explaining several principles of artistic composition, such as proportion, unity, balance, rhythm, and emphasis.
Shape & Balance
This document discusses the element of shape in art. It defines shape as a visually perceived area created by an enclosed line, color, or change in value. Shapes can be geometric, such as triangles and circles, or organic by abstracting aspects of real-life shapes. The document also discusses space as the area activated by other elements and how positive and negative space, or figure and ground, create a fundamental visual relationship in design. Balance is introduced as a principle of design relating to distributing visual weight in a composition to create a stable design through symmetrical, asymmetrical, or radial balance. Examples of each type of balance are shown across art, architecture and graphic design.
Photography composition f
The document discusses the elements and principles of art used in photography composition. It defines lines, shape/form, space, value, texture, and color as elements, and emphasis, balance, unity, contrast, movement/rhythm, and pattern/repetition as principles. Each element and principle is described in one to three sentences explaining how it is used in photographic composition.
The elements and principles of design best
This document provides an overview of the elements and principles of design used in art. It defines the seven elements - line, texture, value, shape, form, space, and color - and gives examples of each. It also explains the principles of design - balance, emphasis, harmony, variety, gradation, movement, rhythm, and proportion - and provides examples of how artists use each principle. The overall purpose is to introduce students to the key components and concepts used in the visual analysis of artworks.
Design and colour
The document discusses the elements and principles of design that are used to create works of art. It outlines the seven elements - line, shape, direction, proportions, value, size, and texture. It then explains the principles of composition including balance, contrast, white space, rhythm/repetition, harmony, and unity. Symmetrical, asymmetrical, and radial balance are described. The importance of contrast, white space, rhythm created through repetition, and achieving harmony and unity are also summarized.
Sofa elementsof art
The document outlines the elements and principles of art, including the basic building blocks or elements of color, line, texture, shape, value, and space. It then describes the principles of art which are ways artists can use the elements, such as balance, emphasis, harmony, and movement. Specific techniques are explained for each element, like how color is created, the characteristics of different types of lines, and how artists manipulate value and create the illusion of texture and space through various artistic styles and techniques.
Elements of-art-and-principles-of-design
This document defines the elements of art and principles of design. The elements of art are color, value, line, shape, form, texture, and space. The principles of design are balance, contrast, pattern, rhythm, emphasis, unity, and variety. Artists use these elements and principles to create visual interest and guide the viewer's eye through their compositions.
Elements and Principles of Fibre and Decorative Arts
The document discusses the basic elements and principles of fibre and decorative arts. The four elements are line, shape/form, colour, and texture. The three main principles are repetition/pattern, rhythm, and balance. These elements and principles are used like ingredients and binding agents to create finished artworks, similar to how ingredients and water/fire are used to make soup. Different types of rhythm such as random, regular, alternating, flowing, and progressive are also described.
Art elements and principles 2
The document discusses the elements and principles of art. The elements are the basic forms used to create art, including line, color, tone, shape, texture, and form. The principles are ways to arrange the elements, such as composition, balance, contrast, focal point, unity, rhythm, and space. Balance can be symmetrical, with mirrored elements on both sides, or asymmetrical. Contrast creates tension between opposites. Focal points draw the viewer's eye. Unity connects all elements. Rhythm results from repetition that creates patterns. Space is created in two and three-dimensional works.
Similar to Elements & Principles of Design (20)
Elements and Principles of Fibre and Decorative Arts
Elements and Principles of Fibre and Decorative Arts
More from JShep79
Color lecture 2021
The document defines key color terminology including hue, value, shade, tint, and saturation. It describes how hue is the location of a color in the spectrum, value is the lightness or darkness, shade is when black is added to a hue, and tint is when white is added. It also explains different hue relationships such as complementary colors which are opposites on the color wheel, analogous colors which are side-by-side, triadic colors which are spaced 120 degrees apart, and monochromatic colors which share the same hue but vary in value. Complimentary color pairs are listed as red and green, and orange and blue.
What is Graphic Design?
Graphic design is a visual problem-solving process that involves creative and strategic thinking to achieve communication goals and mediate human experiences. It encompasses various types of design including web design, user interface design, user experience design, identity design, strategy design, infographic design, typography design, art direction, wayfinding, packaging design, advertising design, and motion design. The role of graphic design has evolved beyond just visual communication and now imagines new roles for emerging technologies to envision future experiences.
Color lecture
This document defines key color theory terms: hue is the color's place in the spectrum; value is its lightness/darkness, with shades being hues with black added and tints having white added; saturation is color purity decreasing to gray. It also describes color relationships - complementary colors are opposites on the wheel; analogous are adjacent; triadic are at 120 degrees; split complementary uses a base color and its two neighbors; monochromatic uses one hue at different values. Complementary examples given are red/green and orange/blue.
Fa 102a Motion Graphic Exploration
The document discusses final frames for a motion graphic exploration. It had created several motion graphic explorations and was now working on final frames. The goal was to select the best final frame for each exploration that clearly and effectively communicated the overall message or idea.
Keynote presentation
This document is a nudge design proposal to promote healthy eating at a school cafeteria. It identifies that the problem is students failing to make healthy eating choices. The proposed solution is to encourage students to make healthier choices by changing the way food is displayed, using the design tip of identifying and changing defaults.
Nudge presentation
This document proposes using nudge design to promote healthy eating choices among students in a school cafeteria. It identifies that students are currently failing to select healthy options. The proposed solution is to change the way food is displayed to encourage students to choose healthier foods, using nudges like changing the placement or presentation of items. An image illustration demonstrates one proposed optimized cafeteria layout.
Rythm & Line Examples
The document provides brief biographical information on several artists and designers, including Cy Twombly who was an American artist who died in 2011, Milton Glaser who was an American graphic designer, Sol LeWitt who worked in conceptual art and minimalism and died in 2007, Piet Mondrian who was a Dutch painter associated with the DeStijl movement, Otto Storch who was an American graphic designer known for his work for McCall's magazine in 1959, and Thonik which is a contemporary Dutch design group.
Typography lecture
Typography is the study of letterforms and typefaces, which come in serif and sans serif varieties. Good typographic design involves proper letterspacing within and between letters, kerning of individual letter pairs, tracking of letter spacing globally, and leading between lines of text. Notable figures in the history of experimental typography include the Italian poet Filippo Marinetti, who created "sound poems" using type, and American graphic designer Paula Scher.
Color packet
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against developing mental illness and improve symptoms for those who already suffer from conditions like anxiety and depression.
Assignment4 instructions 1
The document provides instructions for finding textures online and saving them in Photoshop for an assignment. It explains how to search for images on Google, select large sizes, and save the original textures in a "Native" folder. Students are then instructed to open each texture in Photoshop, save black and white versions, adjust curves to create values, and place the textures in a collage file to manipulate and combine into a finished piece. Shortcuts and tutorials for selection and editing tools are also included.
Assignment4 instructions
The document provides instructions for creating a collage in Photoshop. It explains how to place multiple black and white texture images as layers in a collage file. It then describes rasterizing each texture layer so they can be manipulated. Various eraser, cut, and masking tools are mentioned for altering the shapes of the images on each layer to assemble the collage.
Pathfinder handout illustrator
The Pathfinder tool in Adobe Illustrator allows users to manipulate paths and shapes. It contains four shape modes (Unite, Minus Front, Intersect, Exclude) and six pathfinders (Divide, Trim, Merge, Crop, Outline, Minus Back). The shape modes combine or subtract shapes, while the pathfinders separate overlapping shapes into new parts or preserve certain layers when shapes overlap. The Pathfinder tool is useful for complex manipulations of vector shapes.
First Draft of Thesis (preliminary design)
This document discusses the debate between practice and theory in communications design. It argues that the conventional approach focuses too much on practice over theory, producing commodified outcomes for clients. However, design would benefit from more exploration and research outside commercial constraints. This would allow for new discoveries in visual languages, materials and mediums. While practice serves client needs, design also plays an important role in disseminating information to society. The document examines how views shifted after World War II towards more invisible, commercial design and away from the theoretical cultural contributions of early 20th century movements. It suggests design education also reflects a bias towards practice over exploration and theory.
Presentation notes revised_042912
The document discusses using a "pure research" approach in design that employs exploratory methods and chance to achieve innovative results. It provides examples of how artists and scientists like Jackson Pollock, John Cage, Louis Pasteur and Emile Durkheim utilized pure research. The author proposes using I Ching and deterministic systems with unpredictable outcomes to conduct pure research projects in communication design, such as determining layout of a book with random numbers or creating a narrative from user-submitted photos and text ordered by I Ching.
Presentation notes revised_042912
The document discusses using a "pure research" approach in design that employs exploratory methods and chance to achieve innovative results. It provides examples of how artists and scientists like Jackson Pollock, John Cage, Louis Pasteur and Emile Durkheim utilized pure research. The author proposes using I Ching and deterministic systems with unpredictable outcomes to conduct pure research projects in communication design, such as determining layout of a book with random numbers or creating a narrative from crowdsourced images and text ordered by I Ching.
Thesis slides 042912
The document argues that communications design would benefit from more exploratory, pure research done outside the constraints of commercial production. It claims conventional design relies too heavily on proven methods and quantifiable results, rather than exploration. Pure research allows designers to make profound discoveries through free experimentation with materials and methods without a commercial goal. The author proposes a series of their own exploratory design projects involving chance operations determined by the I Ching, to demonstrate the possibilities of this approach and share findings with other practitioners.
Thesis slides 041912
Communications design would benefit from greater emphasis on pure research outside of commercial constraints. Pure research through exploratory projects unburdened by practical application could allow practitioners to make profound discoveries like new visual languages. The conventional approach elevates practice over theory and is pursued with commercial ends in mind, but free exploration of materials and methods could lead to innovative findings as it has in other fields like science and art.
Presentation notes.docx.
The document discusses the benefits of pure research over theory-driven or commodified design. It argues that pure research, like the experiments conducted at the Bauhaus, allows for unconstrained exploration that can lead to innovative discoveries. Two examples are provided: Pasteur's accidental discovery of antibodies while experimenting with pathogens and chickens, and Durkheim's sociological study of suicide rates. The document proposes that communications design should incorporate pure research through exploratory projects done independently or collaboratively, with findings published to share knowledge with other practitioners. Possible projects mentioned include exploring meaning creation through "syntactigrams" that play with language and visual signifiers.
New Hypothesis and Research Outline
The document proposes that communications design should be studied as a pure science through experimental methodologies conducted outside of commercial constraints. This theoretical research could lead to unexpected discoveries about meaning, production methods, and how meaning is translated for audiences. Later, theoretical findings could inform applied practice. The document discusses methodologies from science, art, and communications design that could be applied to theoretical research labs for communications design. These labs could explore topics like semiotics, substrates, and interdisciplinary fields with the goal of increasing creativity and establishing new laws and theories of the field.
More from JShep79 (20)
Recently uploaded
GridMate - End to end testing is a critical piece to ensure quality and avoid...
End to end testing is a critical piece to ensure quality and avoid regressions. In this session, we share our journey building an E2E testing pipeline for GridMate components (LWC and Aura) using Cypress, JSForce, FakerJS…
“I’m still / I’m still / Chaining from the Block”
“An Outlook of the Ongoing and Future Relationship between Blockchain Technologies and Process-aware Information Systems.” Invited talk at the joint workshop on Blockchain for Information Systems (BC4IS) and Blockchain for Trusted Data Sharing (B4TDS), co-located with with the 36th International Conference on Advanced Information Systems Engineering (CAiSE), 3 June 2024, Limassol, Cyprus.
UiPath Test Automation using UiPath Test Suite series, part 5
Welcome to UiPath Test Automation using UiPath Test Suite series part 5. In this session, we will cover CI/CD with devops.
Topics covered:
CI/CD with in UiPath
End-to-end overview of CI/CD pipeline with Azure devops
Speaker:
Lyndsey Byblow, Test Suite Sales Engineer @ UiPath, Inc.
Full-RAG: A modern architecture for hyper-personalization
Mike Del Balso, CEO & Co-Founder at Tecton, presents "Full RAG," a novel approach to AI recommendation systems, aiming to push beyond the limitations of traditional models through a deep integration of contextual insights and real-time data, leveraging the Retrieval-Augmented Generation architecture. This talk will outline Full RAG's potential to significantly enhance personalization, address engineering challenges such as data management and model training, and introduce data enrichment with reranking as a key solution. Attendees will gain crucial insights into the importance of hyperpersonalization in AI, the capabilities of Full RAG for advanced personalization, and strategies for managing complex data integrations for deploying cutting-edge AI solutions.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
Dr. Sean Tan, Head of Data Science, Changi Airport Group
Discover how Changi Airport Group (CAG) leverages graph technologies and generative AI to revolutionize their search capabilities. This session delves into the unique search needs of CAG’s diverse passengers and customers, showcasing how graph data structures enhance the accuracy and relevance of AI-generated search results, mitigating the risk of “hallucinations” and improving the overall customer journey.
Large Language Model (LLM) and it’s Geospatial Applications
Large Language Model (LLM) and it’s Geospatial Applications.
Essentials of Automations: The Art of Triggers and Actions in FME
In this second installment of our Essentials of Automations webinar series, we’ll explore the landscape of triggers and actions, guiding you through the nuances of authoring and adapting workspaces for seamless automations. Gain an understanding of the full spectrum of triggers and actions available in FME, empowering you to enhance your workspaces for efficient automation.
We’ll kick things off by showcasing the most commonly used event-based triggers, introducing you to various automation workflows like manual triggers, schedules, directory watchers, and more. Plus, see how these elements play out in real scenarios.
Whether you’re tweaking your current setup or building from the ground up, this session will arm you with the tools and insights needed to transform your FME usage into a powerhouse of productivity. Join us to discover effective strategies that simplify complex processes, enhancing your productivity and transforming your data management practices with FME. Let’s turn complexity into clarity and make your workspaces work wonders!
Elizabeth Buie - Older adults: Are we really designing for our future selves?
Elizabeth Buie - Older adults: Are we really designing for our future selves?
A tale of scale & speed: How the US Navy is enabling software delivery from l...
Rapid and secure feature delivery is a goal across every application team and every branch of the DoD. The Navy’s DevSecOps platform, Party Barge, has achieved:
- Reduction in onboarding time from 5 weeks to 1 day
- Improved developer experience and productivity through actionable findings and reduction of false positives
- Maintenance of superior security standards and inherent policy enforcement with Authorization to Operate (ATO)
Development teams can ship efficiently and ensure applications are cyber ready for Navy Authorizing Officials (AOs). In this webinar, Sigma Defense and Anchore will give attendees a look behind the scenes and demo secure pipeline automation and security artifacts that speed up application ATO and time to production.
We will cover:
- How to remove silos in DevSecOps
- How to build efficient development pipeline roles and component templates
- How to deliver security artifacts that matter for ATO’s (SBOMs, vulnerability reports, and policy evidence)
- How to streamline operations with automated policy checks on container images
GraphSummit Singapore | Graphing Success: Revolutionising Organisational Stru...
Sudheer Mechineni, Head of Application Frameworks, Standard Chartered Bank
Discover how Standard Chartered Bank harnessed the power of Neo4j to transform complex data access challenges into a dynamic, scalable graph database solution. This keynote will cover their journey from initial adoption to deploying a fully automated, enterprise-grade causal cluster, highlighting key strategies for modelling organisational changes and ensuring robust disaster recovery. Learn how these innovations have not only enhanced Standard Chartered Bank’s data infrastructure but also positioned them as pioneers in the banking sector’s adoption of graph technology.
Securing your Kubernetes cluster_ a step-by-step guide to success !
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
Maruthi Prithivirajan, Head of ASEAN & IN Solution Architecture, Neo4j
Get an inside look at the latest Neo4j innovations that enable relationship-driven intelligence at scale. Learn more about the newest cloud integrations and product enhancements that make Neo4j an essential choice for developers building apps with interconnected data and generative AI.
Video Streaming: Then, Now, and in the Future
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
Neha Bajwa, Vice President of Product Marketing, Neo4j
Join us as we explore breakthrough innovations enabled by interconnected data and AI. Discover firsthand how organizations use relationships in data to uncover contextual insights and solve our most pressing challenges – from optimizing supply chains, detecting fraud, and improving customer experiences to accelerating drug discoveries.
Unlock the Future of Search with MongoDB Atlas_ Vector Search Unleashed.pdf
Discover how MongoDB Atlas and vector search technology can revolutionize your application's search capabilities. This comprehensive presentation covers:
* What is Vector Search?
* Importance and benefits of vector search
* Practical use cases across various industries
* Step-by-step implementation guide
* Live demos with code snippets
* Enhancing LLM capabilities with vector search
* Best practices and optimization strategies
Perfect for developers, AI enthusiasts, and tech leaders. Learn how to leverage MongoDB Atlas to deliver highly relevant, context-aware search results, transforming your data retrieval process. Stay ahead in tech innovation and maximize the potential of your applications.
#MongoDB #VectorSearch #AI #SemanticSearch #TechInnovation #DataScience #LLM #MachineLearning #SearchTechnology
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
Leonard Jayamohan, Partner & Generative AI Lead, Deloitte
This keynote will reveal how Deloitte leverages Neo4j’s graph power for groundbreaking digital twin solutions, achieving a staggering 100x performance boost. Discover the essential role knowledge graphs play in successful generative AI implementations. Plus, get an exclusive look at an innovative Neo4j + Generative AI solution Deloitte is developing in-house.
Artificial Intelligence for XMLDevelopment
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Recently uploaded (20)
GridMate - End to end testing is a critical piece to ensure quality and avoid...
GridMate - End to end testing is a critical piece to ensure quality and avoid...
UiPath Test Automation using UiPath Test Suite series, part 5
UiPath Test Automation using UiPath Test Suite series, part 5
Full-RAG: A modern architecture for hyper-personalization
Full-RAG: A modern architecture for hyper-personalization
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
Large Language Model (LLM) and it’s Geospatial Applications
Large Language Model (LLM) and it’s Geospatial Applications
Essentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FME
Elizabeth Buie - Older adults: Are we really designing for our future selves?
Elizabeth Buie - Older adults: Are we really designing for our future selves?
A tale of scale & speed: How the US Navy is enabling software delivery from l...
A tale of scale & speed: How the US Navy is enabling software delivery from l...
GraphSummit Singapore | Graphing Success: Revolutionising Organisational Stru...
GraphSummit Singapore | Graphing Success: Revolutionising Organisational Stru...
Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
Unlock the Future of Search with MongoDB Atlas_ Vector Search Unleashed.pdf
Unlock the Future of Search with MongoDB Atlas_ Vector Search Unleashed.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
Elements & Principles of Design
- 1. THE ELEMENTS & PRINCIPLES OF DESIGN //////////////////////////////////////////// ////////////////////////////////////////////
- 2. THE ELEMENTS OF DESIGN The fundamental items that make up a composition.These are forms and figures that are used to articulate space. COMPOSITION the artistic arrangement of the parts of a picture POINT, LINE & PLANE SHAPE VALUE TEXTURE COLOR
- 3. POINT
- 4. LINE LINE is the path of a moving point. OBLIQUE LINES diagonal lines, neither vertical or horizontal, create dynamism and movement in a composition. DOG
- 5. PLANE The path of a moving line or a flat surface extending in height and width. • Can be flat or skewed, or recede into space.
- 6. SHAPE A plane with edges A shape can be organic or geometric. ORGANIC curvy or freeform, corresponding with shapes in nature GEOMETRIC an angular or hard edged shape with regular mathemetical measurements on all sides
- 7. VALUE • The relative lightness or darkness of an object. • Differences in value can make an object more visible/readable or less. • Value can indicate importance or emphasis. • Your eye goes to darker objects on a light surface.
- 8. TEXTURE Texture is defined as the surface characteristics of a material that can be experienced through the sense of touch or the illusion of touch. ACTUAL TEXTURE when the surface of an object is actually raised. i.e. the leather texture of a book jacket IMPLIED TEXTURE when visual elements are used to suggest the illusion of texture (this is more frequently used in digital design) VIRTUAL TEXTURE includes photographs of real textures. The sur- face is not actually raised, but is a realistic rep- resentation of a raised surface.
- 10. COLOR PRIMARY COLORS: blue, red, yellow SECONDARY COLORS: created by mixing any two primary colors– Primary Colors: blue, red, yellow SECONDARY COLORS: created by mixing any two primary colors– orange, green, and purple TERTIARY COLORS: created by mixing a secondary color and a primary color i.e. red + orange = red orange In digital design we talk about two types of digital color: RGB CMYK
- 12. THE PRINCIPLES OF DESIGN BALANCE SCALE EMPHASIS HIERARCHY RHYTHM MOVEMENT UNITY THE PRINCIPLES OF DESIGN Principles for organizing the elements of design.
- 13. BALANCE Visual balance is the state of objects in a composition having equilibrium. It occurs when the weight of one or more things is distributed evenly or proportionately in space.
- 14. SYMMETRY When a composition has the same weight of elements on either side of a central axis. A symmetrical composition will feel stable. Each side is a mirror image or close to a mirror image. If you folded a piece of paper in half, each half would be similar.
- 17. Damien Hirst
- 19. Jasper Johns
- 20. BALANCE: ASSYMETRY When the two sides of a composition have different weights but still maintain a sense of equilibrium. For instance a small item on one side of the composition may be balanced by a larger one on the other side. However the composition still maintains a feeling that one side has more weight than the other.
- 22. Kurt Schwitters, German painter and designer, 1887-1948
- 23. Van Gogh, Starry Night
- 24. Edvard Munch, The Scream
- 25. BALANCE: RADIAL
- 26. Damien Hirst
- 27. SCALE The size of an object, particulary in relationship to the composition or to other elements on the page. Emphasis and balance can be acheived through by experimenting with scale.
- 28. EMPHASIS Also known as focal point. When one item draws your attention more than others through the use of scale, color, or balance.
- 29. MOVEMENT The visual properties of a compositional element that provide the illusion of movement. • Items that are skewed or distorted can suggest movement. • The placement or repetition of items on a page can also suggest movement.
- 30. MOVEMENT
- 31. MOVEMENT Nude Descending a Staircase by Marcel Duchamp Gives the illusion of move- ment through the repeated figures and lines.
- 32. RHTHYM A type of visual or actual movement in an artwork. It is created by repeating visual elements in a regular beat or order. Rhythms can be described as regular, alternating, flowing, progressive, or jazzy. A regular rhythm is a one-beat repetition – such as one the same shape being repeated over and over again. An alternating rhythm repeats a set of visual elements, for example, a circle, a triangle, a circle, a triangle, and so on.
- 33. Robert Delauney, French painter, 1885-1941
- 34. RHYTHM: PATTERN Pattern is a type of rhythm. This textile design by Annie Albers creates a rhythm through the intricate repetition of shapes and lines.
- 35. UNITY Unity is the overall harmony of a composition. Unity is acheived when all elements of a composition seem related and as though they work together as a team or when particular elements are repeated throuought a work to make it feel unified. The Scream by Edvard Munch feels unified because of the repetition of wavy, organic lines.