This content page from KERRANG! magazine follows a dark color scheme of black, white, and yellow to match the genre of rock music. Black represents power while yellow reflects energy. Sans serif fonts are used boldly to emphasize importance and loudness. Careful contrast of light and dark colors allows text and images to stand out against backgrounds. The layout is organized with boxes, and design elements like color and fonts are repeated consistently throughout the magazine.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
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The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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http://sandymillin.wordpress.com/iateflwebinar2024
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Ethnobotany and Ethnopharmacology:
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1. House style:
For KERRANG!the house style isusually quite darkandthiscontentspage inparticular followsthe pattern.The darkgrey
of the backgroundiscomplementedbywhite andyellowwhichhasa bigimpacton the audience; the colouryellow
reflectsenergyandblackrepresentspower,thisworkswell asitfitsinandreflectsthe genre of the magazine- rock. The
usesof black andwhite are classiccolourswhichwere usedinmanyrock videos. The fontalsoreflectsthisasthe sans
serif,crackedfontfollowsthe house style throughoutthe contentspage.Itisalsoboldwhichexpressesanimportance but
alsoloudness,aswe wouldsee awordwrittenincap locks as someone shouting, emphasisingthe genre of rock further.
The designof the contentspage is carefullythoughtoutdue tothe contrast of light to dark.The white helpsemphasize the
textand pictures;howeverthere isablackbox around the yellowtext,thisisbecauseitwouldbe hardtoread if itwas
placedontop of the white background.Thisisalsoapparentonthe otherhalf of the page where a white box isneededto
showthe black writing.The frequentuse of boxesmakesitlooksorganisedandprofessionalso the audience candepict
froma title andinformation.
Designbalance
The designbalance isclearlypresentwithinthe contentspage anditis repeatedthrougheach
KERRANG!magazine.Rule of thirdsisusedwithinthe image whichprovidesaperfectspace for
textand pictures,helpingtoframe itto create a focal pointfor the viewer.Designelementsare
repeatedthroughoutthispage suchasthe blackand yellowheadingsandwhitespaces.This
causesthe readerto feel thatareasare connectedandpart of an overall composition. The overall
page is balanceddue tothe symmetry;the contrastof blackand white isbalancedinformally
across the horizontal axisandispresentedmuchlike acollage.
Imagery:
The photographusedon the top half of the page blendsinto
the background,whichalsosetsone part of the colourtheme
of black. Blackis a classiccolourto use as it wasusedin rock
videosandalsowornby classicrock bandssuch as Guns n
Roses. The image of slash usedisrule of thirdswhichis
convenientforthe Guttenbergprinciple,helpingtoprovide a
place for the picturesandtext.The mainimage isquite dark
and mysteriousdue tothe costume hidinghisidentity.Italso
suggeststhathe is featuredinthe magazine alongwiththe
othersmall images presentingtoursandotherbands.The
darknessof these images reflectsthe atmosphere of the
whole magazine.
Target audience andneed:
The target audience of the magazine canbe predicted
fromthe type of imageryusedandcontent.Forthis
magazine itwouldbe aimedatpeople agedaround16-
36 due to the type of genre, butcouldalsobe aimedat
an olderaudience due tothe classicrock bandsand
musiciansfeaturedsuchasSlash,whichwere aroundin
the 70’s/80’s. There is an obvioususe of
advertisementsof productsandanemphasisonrock
bandsand musicians,proving ittobe a needforthe
viewer.Thisisimportantasitis the mainfocusof the
audience,assome readersmaybuythe magazine for
the musician/bandfeaturedandothersforthe
productsadvertised.
The Guttenbergprinciple:
Thisprinciple helpsthe magazine rankthe mostimportant
coverlinestothe least,whilstalsohelpingittolook
professional.The image andtextatthe top leftof the
page are positionedinthe primaryoptical area,suggesting
that theyare the maincoverlinesof the magazine. The
offerfora bundle of magazine ispositionedinthe
terminal areawhichisthe lastthinga viewerwouldread
due to the fact that people naturallyreadfromleftto
right.Thisindicatesthattheyare the leastimportantand
isn’tthe sellingpointforthe magazine.Whereas the
image of Slashis foundinthe strongfallowarea
suggestingitisthe mainsellingpoint. The weakfallow
area can be foundinthe bottomlefthandcornerof the
magazine,where inthiscase the journalistof the
magazine isfoundas it isn’tas importantsubjecttothe
viewerasSlash.
2. House style
Withthiscontentspage there isa prominentuse of black,pinkandwhite.The blackresemblessophisticationand
givesa magazine alookof professionalism.The pinkisenergeticandeye catchingfittinginwiththe genre of the
magazine,thisbeingdance music.Itreflectsthe energy associatedwithdance andtherefore setsthe colourtheme.
The white contrastswiththe black, highlightingthe textandrepresentingaformality. The sansserif fontof the
masthead‘mixmag’doesn’tcarry onthrough the magazine buta bolderandharsh textisused.Thischange infont
createsa diversityandhelpsthe readerdistinguishfromdifferenttexts.The backgroundof the page iscompletely
blackwiththe onlycolourcomingfrom the imagery.There isnobalance withinthe layoutbutthe positioningof the
textisneatlyplacedsoit isclearto the audience alsosuggestingformalitycomparedtoKERRANG!Magazine.The text
doesnotneeda boarderdue to the fact that you can see itclearlyontop of the backgrounditsself,andyouclearly
distinguishbetweenaheadingandinformationfromthe size andfont.E.g.CONTENTS.
Designbalance
The imagesusedcarry visual weightforthe audience presentingone image biggerthanthe othermakesitclear
that these elementsare differentandreflecttheirimportance tothe magazine. The mainimage carriesthe
mostvisual weightdue tothe combinationof itssize,positionandcolour. The positioningof the mainimage
providesafocal pointfor the page helpingthe readertodistinguishfromdifferentelements.Overall,there is a
combinationof elementssittingacrossthe horizontal axisandthe vertical axis. However,the elementssitting
on the vertical axisholdmore visual weight,therefore itismore dominantandoverall beingformally
unbalanced.
Imagery
The imageryusedonthispage isenergeticwhichcomplimentsthe
coloursof pink,blue andyellow. The warmcoloursadvance intothe
foregroundwhich acreatesclearfieldof view forthe reader,thus
reflectingthe importanceof the image forthe magazine due to
visual weight- itisthe sellingpointforthe magazine.Italso
emphasisesthe genre of the magazine of dance music,whichcanbe
gatheredfromthe confetti, dancingandinthe smallerimage,which
alsofeaturessubjectsrelatedtothe genre,suchas the head
phones.The mainimage considersthe factthatthe magazine is
promotingclubbingortoursgiventhe factthat there isan advertfor
an eventatthe bottomof the page.
The Guttenbergprinciple
The main image occupiestwoareasof the Guttenberg
principle- the primaryoptical areaandweakfallowarea.
Thisallowsmore attentiontobe broughttowardsthe text
bellowitdue tothe fact that the viewernaturally reads
fromright to left. However,the mastheadisoccupying
the primaryoptical area completelydue toitssignificance
of the magazine, alongwiththe title of the page
“CONTENTS”whichis positionedinthe strongfallowarea.
Alsoa smallerimage,holdinglessvisual weightthanthe
mainimage,sharesthe strongfallowareawiththe title.
Thissuggeststhatthere is a relationshipbetweenthis
image andthe contentwithinthe magazine,therefore
beingone of the coverlines.The textunderneaththe
mainimage followingthe horizontalaxis goesfromthe
weakfallowareainto terminal area.Thissuggeststhatit
doesn’thasas much significanceasthe otherelements
consideringitholdsthe leastvisualweight.
Target audience andneed
Consideringthe genre representedbythe imagery
and colourscheme the targetaudience couldbe
readersagedaround16-36. However,due toimagery
of people atclubsthismaysuggestthatthis particular
magazine isaimedatpeople of anolderage,such as
18+, due to the fact that there isan age restriction to
go clubbing.The advertisementsforupcomingevents
and the latestmusicianssuggestthatthisisthe main
focusfor the viewer.However,the needforevents
that have happenedseemto be more of a focal point
than upcomingevents,due tovisual weight.The main
image representsarecentevent whichseemstoa
sellingpointforthe magazine.