The document discusses Marx's views on labor and capitalism. It notes that under capitalism, workers do not own the products of their labor and are alienated. It also discusses how religion relates to the oppressed conditions of workers. The document then analyzes the Chinese film Beijing Bicycle in the context of commodity fetishism, exploring how the bicycle represents a commodity and the migrant worker's relationship to capital. It argues that commodity fetishism is evident in modern society through brand worship and the cultural role of brands.