SlideShare a Scribd company logo
1 of 11
FROM OUTSIDE IN
by
Lucy Pratt
01425 475000
Prattl.student@ringwood.hants.sch.uk
2
*FROM OUTSIDE IN*
FADE IN:
SCENE 1: INT. BEDROOM - MORNING
Phone alarm sounds. It reads ‘Monday’. SAM’s hand turns off
the alarm, on the white bedside table and proceeds to get out
of bed, we only see the movement of the bed covers and her
legs. Sam, 17, is kind hearted and on the outside can look shy
and geeky but on the inside she suffers from severe Anxiety
and Depression and identifies as Asexual. She is also an
introvert.
SCENE 2: INT. LANDING - MORNING
SAM walks out of her room, opening the door. She reaches the
bathroom door and knocks on it, in a tired, frustrated manner.
She then leans back against the wall, waiting.
SCENE 3: INT. BATHROOM - MORNING
Seeing SAM in the bathroom mirror, she dry’s (dries) her face.
This is the first shot of her face. We continue watching in
the mirror as Sam brushes her teeth and leans out of frame to
spit.
SCENE 4: INT. LANDING - MORNING
We then see SAM from behind as she makes her way down the
stairs. The stairs are narrow with walls directly both sides.
She is carrying her school bag. It is black with a pattern at
the base. She is wearing a white and grey striped top, blue
jeans, a black jacket and black shoes.
SCENE 5: INT. KITCHEN – MORNING
Looking from above, we see SAM, in the Kitchen, making up a
bowl of cereal. We see her pour the box of cereal into a small
white bowl, with grey butterflies circling the outside, and
pouring in the milk. This all happens in one shot on the
Kitchen counter.
SCENE 6: EXT. OUTSIDE SCHOOL – MORNING
SAM is getting out of the back of her mother’s car, a black
Mocker, this is down the road from the student entrance of the
school. Once standing outside the car, SAM, leans back into
the car to grab her school bag, before stepping back, closing
the door and walking out of frame.
1
2
3
4
5
6
7
8
3
SAM stops before entering the school gate, large black gates
with card scanner to the left of them and a pad-lock that is
not currently holding the two gates together. We see her stop,
check her jean pockets, adjusts her jeans, breath and continue
through the gate.
FADE TO:
TITLE SCREEN – BLACK BACKGROUND
The logo for ‘AMETHYST PRODUCTIONS’ appears, followed by the
title screen, ‘FROM OUTSIDE IN… TIME TO POP THE BUBBLE’
SCENE 8: INT. SCHOOL STUDY – DAY
From above, SAM is sitting in one of the study cubicles, she
is writing an essay in her coursework book. We can see that
she is finishing a double page of writing and proceeds to turn
the page and continue. Her phone sits on the desk further away
from her, on the desk, to the right, it reads ‘8:20’. A pencil
and rubber sit on the desk too. Her school bag sits on the
ground by her feet.
SCENE 9: INT. CLASSROOM 1 – DAY
They are in a lesson. SAM is seated in the back right hand
corner of the room. In front and next to her are STUDENT 1 and
STUDENT 2. STUDENT 1 and STUDENT 2 are stereotypical “cool
kids” in a class, who don’t do the work and talk to one
another. They are sitting, leaning their elbows on the table,
bored. They are wearing brighter colours and/or patterns than
Sam. Sam is trying to focus on her work.
STUDENT 1(suddenly remembering)
Did you see the photos from Friday night?
STUDENT 2
Yeah, I saw them on Snapchat, what the hell
happened? …
STUDENT 1
I have no idea but it looked like…
STUDENT 1 stops as STUDENT 3 enters. They are annoyed. They
are carrying a used make-up wipe. They enter the frame and sit
down in front of Sam and turns to face STUDENT 2.
9
10
11
12
4
STUDENT 2 (CONT ‘D)
It’s not that bad, you can hardly tell.
Pause, STUDENT 3, annoyed, looks at STUDENT 2
STUDENT 3(grunting sulkily)
Wearing NO make-up is bad! I look terrible,
I can’t go all day like this.
STUDENT 1
Don’t worry about it, you look better than
you think.
STUDENT 3(annoyed)
I don’t care, I am going to re-apply it
at break.
STUDENT 2 taps on STUDENT 3’s shoulder and indicates out of
frame, towards the door, with their head.
STUDENT 1
So Hot
STUDENT 3
Yup so hot
SCENE 10: EXT. OUTSIDE SIXTH FORM BUILDING – DAY
The sound of a school bell. The automatic doors of the sixth
form block are the focus of the frame. We see STUDENT 1,
STUDENT 2, STUDENT 3, Sam and other Sixth Form students
exiting the building. STUDENT 1, STUDENT2 and STUDENT 3 are
talking and joking about and walk out of frame to the left. We
can’t make out what they are saying. Other students follow,
individually or in small groups. One other student turns to
the right, just before we see SAM walk out of the building and
to the right.
The other student then turns down the corner to the right and
SAM continue to the left. She is walking a different way to
all those around her.
13
5
SCENE 11: INT. - DAY
SERIES OF SHOTS:
A) Classroom 2, SAM sits in the centre front row with
STUDENT 1, STUDENT 2 and STUDEN 3 sitting at the desk
directly behind her. Other students fill the remaining
desks in frame. SAM is trying to stay focused on her
work, with STUDENT 1, STUDENT 2 and STUDENT 3 talking and
joking with one another. Again we cannot make out the
dialogue.
B) Classroom 3, SAM is sitting in the left seat of a 2
seated desk, she is nearest to the wall. STUDENT 1,
STUDENT 2 and STUDENT 3 are sitting on the desk in front
of SAM as well as behind. They are talking to each other
over SAM. She is still trying to do her work.
SCENE 12: EXT. / INT. FRONT DOOR – AFTERNOON
SAM then enters her house again from outside the house. Once
she opens the door we move inside to see her pull up the
handle.
SCENE 13: INT. LANDING – AFTERNOON
We then see SAM from the landing walking up the stairs with
the head down. She then walks into her room, where the lights
are off, and shuts the door.
Blackout to match the beat of the door closing. We hear the
phone alarm.
FADE TO:
SCENE 14: INT. LANDING - MORNING
We are in the opposite room as we see SAM open her bedroom
door, walk to and knock on the bathroom door. She leans on the
wall, waiting. This is exactly the same as before, however the
shot type is different.
SCENE 15:EXT. OUTSIDE SCHOOL - MORNING
We watch SAM, from behind, we see her stop, check her jean
pockets, adjust her jeans, breath and continue through the
gate. She is wearing a plain black top, blue jeans, a black
checked over shirt and black shoes.
14
15
16
17
18
19
20
6
SCENE 16:INT. – DAY
SERIES OF SHOTS:
a) School Study, we are behind SAM who is sitting in the
same cubical as before. Her phone, pencil, rubber and
coursework book are all is the same arrangement. She is
also about to turn the page again.
b) Classroom 1, SAM is seated in the back right hand corner
of the room. In front and next to her are STUDENT 1,
STUDENT 2 and STUDENT 3. Other Students are filling the
rest of the in frame desks.
c) Classroom 4, SAM sits at the front of the class, on the
furthest left, next to the wall. She is just near the
door to the classroom. STUDENT 1, STUDENT 2 and STUDENT 3
are again surrounding her.
d) Classroom 2, SAM sits in the centre front row with
STUDENT 1, STUDENT 2 and STUDENT 3 sitting at the desk
directly behind her. Other students fill the remaining
desks in frame.
SCENE 17: EXT. / INT. FRONT DOOR – AFTERNOON
Watching from afar, SAM enters her house again, we move
inside, looking at Sam pulling up the door handle. We are
watching from just behind the wall.
SCENE 18: INT. LANDING – AFTERNOON
We are then at the other end of the landing and we see SAM
ascend the stairs, open her bedroom door, walk in and shut the
door.
Blackout again to match the beat of the door closing. We hear
the phone alarm.
FADE TO:
SCENE 19: EXT. OUTSIDE SCHOOL – MORNING
Wearing a black top with small rainbows on the shoulders,
black and white checked over shirt, black jeans and black
shoes, we see SAM stop, sort out her pocket, adjust her jeans,
and then continue towards the camera, through the gate.
SCENE 20: INT. SCHOOL STUDY – MORNING
SAM is then seen in the same study cubical as the previous
days. This time we are watching from across the room. She has
the same set up on her desk and her work is at the same point
as before.
21
22
23
24
25
26
28
29
7
SCENE 21: INT. CLASSROOM 4 – DAY
SAM enters the frame not wearing her black and white checked
over shirt. She puts down her bag by her chair, puts on her
over shirt and sits down. As Sam starts to take her things out
of her school bag, STUDENT 1, STUDENT 2 and STUDENT 3, along
with other students, walk into frame, sitting in the same
seats as before. They are talking as they do so.
STUDENT 1
I know, it’s amazing
STUDENT 2(slightly jealous)
Yeah, you’re so lucky, what are they like?
STUDENT 3
I bet they are romantic…
STUDENT 3 notices that SAM is sitting in front of them, she is
trying again to focus on doing her work.
STUDENT 3 (CONT ‘D)
…Hey Sam, do you thing (think)they are hot?
SAM is shy and hesitant
SAM (without looking up)
No
STUDENT 1
Really?
Pause
Oh do you like...
SAM
No
STUDENT 2
You must like someone?
Sam doesn’t reply to this.
STUDENT 3
Well, do you like boys or girls, because
it sounds like you’re a……?
The school bell is heard.
30
8
SAM
Neither
SAM reaches down, picks up her school bag, and puts it on her
shoulder as she stands up. She then picks up the work she has
been doing, holding it in her arms, and exits the classroom
and out of the frame.
SCENE 22: INT. LANDING – AFTERNOON
We are in SAM’s bedroom and we see her walk up the stairs,
into her room and shut the door. The lights are off so this
will start the FADE TO BLACK.
Blackout again to match the beat of the door closing. We hear
the phone alarm.
SCENE 23: INT. - MORNING
SERIES OF SHOTS:
This series of shots is accompanied by the following voice
over.
a) Bathroom, SAM is seen from the mirror, as before, drying
her face. A voice over of SAM’s voice is heard.
b) Landing, we see SAM walking down the stairs, we are
watching through the banisters. She is wearing a plain
black hoody, black jeans and black and white canvas
shoes.
c) Kitchen, we watch from over SAM’s shoulder as she makes a
bowl of cereal, the same way as before.
SAM (V. O.)
Thursday, today is Thursday…….
Wait is it? ......
Ok so I have English, Media… homework,
have I done the homework, please tell
me I’ve done it. Detention.
Detention. Detention……
What if I haven’t done it, what if I’m
late, is the meeting at lunch today
or tomorrow, are we getting our
assessment results today, I bet they
are low, did I work hard enough….
31
32
33
34
35
33
34
35
9
SCENE 24: EXT. / INT. – DAY
SERIES OF SHOTS:
This series of shots is accompanied by the following voice
over.
a) Outside school, we are behind SAM as she is getting out
of the car.
She starts for the student gate, before stopping, sorting
out her pockets, adjusts her jeans and then continuing
through the gate.
b) School Study, We are SAM’s eyes, she is doing the same
work as before.
c) Classroom 1, SAM is sitting in her back right hand corner
seat as she did before. Again with STUDENT 1, STUDENT 2
and STUDENT 3 sitting around her. They are talking to one
another but we can’t make out what they are saying. Other
students are filling up the rest of the desks in frame,
again as before.
d) Classroom 3, looking over SAM’s shoulder we are looking
at the work she is doing. We can see in her peripheral
vision, STUDENT 1, STUDENT 2 and STUDENT 3, talking and
fidgeting with the work they are supposed to be doing.
Again we can’t make out what they are talking about.
The school bell is heard again, STUDENT 1, STUDENT 2,
STUDENT 3 and all the other students are quick in leaving
the classroom. SAM has not moved.
e) Outside Sixth Form building, we continue to watch SAM
from over her shoulder as she leaves the Sixth Form
building. You can see that everyone apart from one other
student, same as before, walks to the left whereas that
student and SAM walk off to the right. That Student then
turns to the right as SAM turns to the left. We see this
scene from multiple close angles.
SAM (V. O.)
I have everything I need, wait, no
I do because I didn’t take
anything out of my bag at home…..
(taking a deep breath)
Ok…..
(continue)
36
37
38
39
40
41
42
43
36
10
SAM (V. O.)(CONT ‘D)
Ok, breath, is anyone watching me, no
I’m early enough, ok….. Ah my chest
hurts, am I shaking, I hope it’s
not obvious, is someone going to see,
what will they think? …..
I hope I’ve written enough, is it good
enough, I bet its worse that everyone
in the class that does not work and
gets As, why am I so bad at this,
I’m terrible, why am I trying? …..
What’s the point, I want to stop, I’m
exhausted and it’s only my first
lesson, I want to hide….. Why are
they calling them hot, I don’t
understand what that means? .....
I need to finish this…. They need to
stop talking, distracting, work,
distracting….
(pause for school bell)
No, no, no, no, no, no... In
Conclusion…., oh that film comes out
tomorrow, FOCUS, aaaaaaaaand, done
Sam starts to pack her things.
SAM (V. O.)
Wait… where is everyone? Am I going
the right way? Please don’t be late,
please don’t. Has the bell gone? Am
I early? Oooh a new episode comes out
tonight… no, I need to find the
classroom.
SCENE 25: INT. MEDICAL BLOCK – DAY
This is a new location for SAM. She is walking down the
corridor and around the corner. She is walking slowly, the
music stopped suddenly as the scene began. The sound effect of
a heart thumping is all that can be heard. When she reaches
the door to the room she need to be at, she hesitates, knocks
and slowly enters.
37
38
39
40
41
42
43
44
11
SCENE 26: INT. JANE’S ROOM - DAY
The room has low lighting, there is peaceful music, and we are
looking at positive posters on the wall from behind SAM’s
shoulder. There’s a change in shot as SAM sits down looking at
the pillow as she does.
SAM then begins to talk, however the music drowns out what she
is saying. Each time she pauses, as if listening to someone
out of frame, the camera zooms a bit further out from SAM.
During this SAM could be crying as she is clearly talking
about her anxiety, getting everything out.
SCENE 27: INT. / EXT. – MORNING
SERIES OF SHOTS:
a) Bathroom, the same shot as each time before, looking at
SAM in the mirror as she raises her head, drying her
face. However, this time she proceeds to stop, look
straight ahead, into the mirror and take a deep breath in
and out.
b) Outside school, SAM is wearing a plain black top, a black
and white checked over shirt, black jeans and white and
black canvas shoes. We watch from inside the gate as she
stops, takes a deep breath in and out, before walking
towards the camera, through the gate.
FADE TO:
END CREDITS
FADE OUT.
THE END
45
46
47
48
49
50
51
52

More Related Content

What's hot

Brad script after first meeting with client
Brad script after first meeting with clientBrad script after first meeting with client
Brad script after first meeting with clientbradleyvgmedia
 
Monday syndrome script
Monday syndrome scriptMonday syndrome script
Monday syndrome scriptLora Jung
 
The Crimestoppers - Pilot - Screenplay
The Crimestoppers - Pilot - ScreenplayThe Crimestoppers - Pilot - Screenplay
The Crimestoppers - Pilot - ScreenplaySean Arthur
 
Dedicated new script
Dedicated new scriptDedicated new script
Dedicated new scriptharveypounds_
 
Last day (12.13.13)
Last day (12.13.13)Last day (12.13.13)
Last day (12.13.13)Seth Pascale
 
How to teach Grammar /Lesson plan
How to teach Grammar  /Lesson planHow to teach Grammar  /Lesson plan
How to teach Grammar /Lesson planMerve Özdemir
 
How to teach Grammar /Lesson plan
How to teach Grammar  /Lesson plan How to teach Grammar  /Lesson plan
How to teach Grammar /Lesson plan Merve Özdemir
 
Karen Script - Version 2
Karen Script - Version 2Karen Script - Version 2
Karen Script - Version 2plcotswold189
 

What's hot (20)

Brad script after first meeting with client
Brad script after first meeting with clientBrad script after first meeting with client
Brad script after first meeting with client
 
Monday syndrome script
Monday syndrome scriptMonday syndrome script
Monday syndrome script
 
The Crimestoppers - Pilot - Screenplay
The Crimestoppers - Pilot - ScreenplayThe Crimestoppers - Pilot - Screenplay
The Crimestoppers - Pilot - Screenplay
 
Dedicated new script
Dedicated new scriptDedicated new script
Dedicated new script
 
Script (2018)
Script (2018)Script (2018)
Script (2018)
 
Script do you miss me
Script do you miss meScript do you miss me
Script do you miss me
 
Last day (12.13.13)
Last day (12.13.13)Last day (12.13.13)
Last day (12.13.13)
 
Screenplay
ScreenplayScreenplay
Screenplay
 
Act 1, 2, 3 draft 2
Act 1, 2, 3   draft 2Act 1, 2, 3   draft 2
Act 1, 2, 3 draft 2
 
Act 1, 2, 3 draft 3
Act 1, 2, 3   draft 3Act 1, 2, 3   draft 3
Act 1, 2, 3 draft 3
 
Act 1, 2, 3 draft 4
Act 1, 2, 3   draft 4Act 1, 2, 3   draft 4
Act 1, 2, 3 draft 4
 
Screenplay
ScreenplayScreenplay
Screenplay
 
Script final
Script finalScript final
Script final
 
Script handrope
Script handropeScript handrope
Script handrope
 
Script handrope
Script handropeScript handrope
Script handrope
 
Shot list
Shot list Shot list
Shot list
 
How to teach Grammar /Lesson plan
How to teach Grammar  /Lesson planHow to teach Grammar  /Lesson plan
How to teach Grammar /Lesson plan
 
How to teach Grammar /Lesson plan
How to teach Grammar  /Lesson plan How to teach Grammar  /Lesson plan
How to teach Grammar /Lesson plan
 
Karen Script - Version 2
Karen Script - Version 2Karen Script - Version 2
Karen Script - Version 2
 
Shot list
Shot listShot list
Shot list
 

Similar to Client draft from outside in by lucy pratt

From outside in shot list
From outside in  shot listFrom outside in  shot list
From outside in shot listmediageek5
 
From outside in shooting script
From outside in  shooting scriptFrom outside in  shooting script
From outside in shooting scriptmediageek5
 
I did knock
I did knockI did knock
I did knockDeJarnaG
 
I Don't Want it to End Like This
I Don't Want it to End Like ThisI Don't Want it to End Like This
I Don't Want it to End Like ThisKevin Lin
 
Facade script draft 2
Facade   script draft 2Facade   script draft 2
Facade script draft 2sybil340
 
Hellion - Script (pdf)
Hellion - Script (pdf)Hellion - Script (pdf)
Hellion - Script (pdf)jordonj98
 
Lost mind scripts samuel lear final
Lost mind scripts samuel lear finalLost mind scripts samuel lear final
Lost mind scripts samuel lear finalSamz1273
 
Production script
Production scriptProduction script
Production scriptjordonj98
 
First Draft - Untitled Short Film
First Draft - Untitled Short FilmFirst Draft - Untitled Short Film
First Draft - Untitled Short FilmHarry Hancock
 
THE VISITOR - FINAL SCRIPT
THE VISITOR - FINAL SCRIPTTHE VISITOR - FINAL SCRIPT
THE VISITOR - FINAL SCRIPTNcampbellB
 
The ominousity script draft copy 3
The ominousity script draft copy 3The ominousity script draft copy 3
The ominousity script draft copy 3maximgummer
 

Similar to Client draft from outside in by lucy pratt (20)

From outside in shot list
From outside in  shot listFrom outside in  shot list
From outside in shot list
 
From outside in shooting script
From outside in  shooting scriptFrom outside in  shooting script
From outside in shooting script
 
Unspoken by C Morris
Unspoken by C MorrisUnspoken by C Morris
Unspoken by C Morris
 
Screenplay
ScreenplayScreenplay
Screenplay
 
I did knock
I did knockI did knock
I did knock
 
I Don't Want it to End Like This
I Don't Want it to End Like ThisI Don't Want it to End Like This
I Don't Want it to End Like This
 
Script draft 1
Script draft 1Script draft 1
Script draft 1
 
Script draft 1
Script draft 1Script draft 1
Script draft 1
 
Script draft 2
Script draft 2Script draft 2
Script draft 2
 
Screenplay
ScreenplayScreenplay
Screenplay
 
5 stages of grief 4
5 stages of grief 45 stages of grief 4
5 stages of grief 4
 
Production script
Production script Production script
Production script
 
Facade script draft 2
Facade   script draft 2Facade   script draft 2
Facade script draft 2
 
Hellion - Script (pdf)
Hellion - Script (pdf)Hellion - Script (pdf)
Hellion - Script (pdf)
 
Lost mind scripts samuel lear final
Lost mind scripts samuel lear finalLost mind scripts samuel lear final
Lost mind scripts samuel lear final
 
Initial Film Idea
Initial Film IdeaInitial Film Idea
Initial Film Idea
 
Production script
Production scriptProduction script
Production script
 
First Draft - Untitled Short Film
First Draft - Untitled Short FilmFirst Draft - Untitled Short Film
First Draft - Untitled Short Film
 
THE VISITOR - FINAL SCRIPT
THE VISITOR - FINAL SCRIPTTHE VISITOR - FINAL SCRIPT
THE VISITOR - FINAL SCRIPT
 
The ominousity script draft copy 3
The ominousity script draft copy 3The ominousity script draft copy 3
The ominousity script draft copy 3
 

More from mediageek5

02. risk assessment UPDATED
02. risk assessment UPDATED02. risk assessment UPDATED
02. risk assessment UPDATEDmediageek5
 
From outside in evidence
From outside in evidenceFrom outside in evidence
From outside in evidencemediageek5
 
Unit 16, 11 and 17 evaluation
Unit 16, 11 and 17 evaluationUnit 16, 11 and 17 evaluation
Unit 16, 11 and 17 evaluationmediageek5
 
Media from outside in evidence
Media  from outside in evidenceMedia  from outside in evidence
Media from outside in evidencemediageek5
 
Rough cut notes
Rough cut notesRough cut notes
Rough cut notesmediageek5
 
Study leave week possible plan
Study leave week possible planStudy leave week possible plan
Study leave week possible planmediageek5
 
Unit 106 evaluation
Unit 106 evaluationUnit 106 evaluation
Unit 106 evaluationmediageek5
 
Unit 106 online marketing meetings
Unit 106  online marketing meetingsUnit 106  online marketing meetings
Unit 106 online marketing meetingsmediageek5
 
Preparing for post production
Preparing for post productionPreparing for post production
Preparing for post productionmediageek5
 
Post production schedule from outside in
Post production schedule  from outside inPost production schedule  from outside in
Post production schedule from outside inmediageek5
 
Permission slip
Permission slipPermission slip
Permission slipmediageek5
 
Unit 106 school page section
Unit 106  school page sectionUnit 106  school page section
Unit 106 school page sectionmediageek5
 
Full marketing team meeting 20th dec
Full marketing team meeting 20th decFull marketing team meeting 20th dec
Full marketing team meeting 20th decmediageek5
 
Unit 106 online marketing schedule
Unit 106  online marketing scheduleUnit 106  online marketing schedule
Unit 106 online marketing schedulemediageek5
 
Rough idea for the correlations
Rough idea for the correlationsRough idea for the correlations
Rough idea for the correlationsmediageek5
 
Marketing correlation schedule
Marketing  correlation scheduleMarketing  correlation schedule
Marketing correlation schedulemediageek5
 
Rough idea for the correlations
Rough idea for the correlationsRough idea for the correlations
Rough idea for the correlationsmediageek5
 
Unit 11 evaluation
Unit 11 evaluationUnit 11 evaluation
Unit 11 evaluationmediageek5
 

More from mediageek5 (20)

02. risk assessment UPDATED
02. risk assessment UPDATED02. risk assessment UPDATED
02. risk assessment UPDATED
 
From outside in evidence
From outside in evidenceFrom outside in evidence
From outside in evidence
 
Unit 16, 11 and 17 evaluation
Unit 16, 11 and 17 evaluationUnit 16, 11 and 17 evaluation
Unit 16, 11 and 17 evaluation
 
Media from outside in evidence
Media  from outside in evidenceMedia  from outside in evidence
Media from outside in evidence
 
Rushes log
Rushes logRushes log
Rushes log
 
Rough cut notes
Rough cut notesRough cut notes
Rough cut notes
 
Study leave week possible plan
Study leave week possible planStudy leave week possible plan
Study leave week possible plan
 
Finding cast
Finding castFinding cast
Finding cast
 
Unit 106 evaluation
Unit 106 evaluationUnit 106 evaluation
Unit 106 evaluation
 
Unit 106 online marketing meetings
Unit 106  online marketing meetingsUnit 106  online marketing meetings
Unit 106 online marketing meetings
 
Preparing for post production
Preparing for post productionPreparing for post production
Preparing for post production
 
Post production schedule from outside in
Post production schedule  from outside inPost production schedule  from outside in
Post production schedule from outside in
 
Permission slip
Permission slipPermission slip
Permission slip
 
Unit 106 school page section
Unit 106  school page sectionUnit 106  school page section
Unit 106 school page section
 
Full marketing team meeting 20th dec
Full marketing team meeting 20th decFull marketing team meeting 20th dec
Full marketing team meeting 20th dec
 
Unit 106 online marketing schedule
Unit 106  online marketing scheduleUnit 106  online marketing schedule
Unit 106 online marketing schedule
 
Rough idea for the correlations
Rough idea for the correlationsRough idea for the correlations
Rough idea for the correlations
 
Marketing correlation schedule
Marketing  correlation scheduleMarketing  correlation schedule
Marketing correlation schedule
 
Rough idea for the correlations
Rough idea for the correlationsRough idea for the correlations
Rough idea for the correlations
 
Unit 11 evaluation
Unit 11 evaluationUnit 11 evaluation
Unit 11 evaluation
 

Recently uploaded

social pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajansocial pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajanpragatimahajan3
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfchloefrazer622
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfagholdier
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxVishalSingh1417
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsTechSoup
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfAyushMahapatra5
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactPECB
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Celine George
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 

Recently uploaded (20)

social pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajansocial pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajan
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdf
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 

Client draft from outside in by lucy pratt

  • 1. FROM OUTSIDE IN by Lucy Pratt 01425 475000 Prattl.student@ringwood.hants.sch.uk
  • 2. 2 *FROM OUTSIDE IN* FADE IN: SCENE 1: INT. BEDROOM - MORNING Phone alarm sounds. It reads ‘Monday’. SAM’s hand turns off the alarm, on the white bedside table and proceeds to get out of bed, we only see the movement of the bed covers and her legs. Sam, 17, is kind hearted and on the outside can look shy and geeky but on the inside she suffers from severe Anxiety and Depression and identifies as Asexual. She is also an introvert. SCENE 2: INT. LANDING - MORNING SAM walks out of her room, opening the door. She reaches the bathroom door and knocks on it, in a tired, frustrated manner. She then leans back against the wall, waiting. SCENE 3: INT. BATHROOM - MORNING Seeing SAM in the bathroom mirror, she dry’s (dries) her face. This is the first shot of her face. We continue watching in the mirror as Sam brushes her teeth and leans out of frame to spit. SCENE 4: INT. LANDING - MORNING We then see SAM from behind as she makes her way down the stairs. The stairs are narrow with walls directly both sides. She is carrying her school bag. It is black with a pattern at the base. She is wearing a white and grey striped top, blue jeans, a black jacket and black shoes. SCENE 5: INT. KITCHEN – MORNING Looking from above, we see SAM, in the Kitchen, making up a bowl of cereal. We see her pour the box of cereal into a small white bowl, with grey butterflies circling the outside, and pouring in the milk. This all happens in one shot on the Kitchen counter. SCENE 6: EXT. OUTSIDE SCHOOL – MORNING SAM is getting out of the back of her mother’s car, a black Mocker, this is down the road from the student entrance of the school. Once standing outside the car, SAM, leans back into the car to grab her school bag, before stepping back, closing the door and walking out of frame. 1 2 3 4 5 6 7 8
  • 3. 3 SAM stops before entering the school gate, large black gates with card scanner to the left of them and a pad-lock that is not currently holding the two gates together. We see her stop, check her jean pockets, adjusts her jeans, breath and continue through the gate. FADE TO: TITLE SCREEN – BLACK BACKGROUND The logo for ‘AMETHYST PRODUCTIONS’ appears, followed by the title screen, ‘FROM OUTSIDE IN… TIME TO POP THE BUBBLE’ SCENE 8: INT. SCHOOL STUDY – DAY From above, SAM is sitting in one of the study cubicles, she is writing an essay in her coursework book. We can see that she is finishing a double page of writing and proceeds to turn the page and continue. Her phone sits on the desk further away from her, on the desk, to the right, it reads ‘8:20’. A pencil and rubber sit on the desk too. Her school bag sits on the ground by her feet. SCENE 9: INT. CLASSROOM 1 – DAY They are in a lesson. SAM is seated in the back right hand corner of the room. In front and next to her are STUDENT 1 and STUDENT 2. STUDENT 1 and STUDENT 2 are stereotypical “cool kids” in a class, who don’t do the work and talk to one another. They are sitting, leaning their elbows on the table, bored. They are wearing brighter colours and/or patterns than Sam. Sam is trying to focus on her work. STUDENT 1(suddenly remembering) Did you see the photos from Friday night? STUDENT 2 Yeah, I saw them on Snapchat, what the hell happened? … STUDENT 1 I have no idea but it looked like… STUDENT 1 stops as STUDENT 3 enters. They are annoyed. They are carrying a used make-up wipe. They enter the frame and sit down in front of Sam and turns to face STUDENT 2. 9 10 11 12
  • 4. 4 STUDENT 2 (CONT ‘D) It’s not that bad, you can hardly tell. Pause, STUDENT 3, annoyed, looks at STUDENT 2 STUDENT 3(grunting sulkily) Wearing NO make-up is bad! I look terrible, I can’t go all day like this. STUDENT 1 Don’t worry about it, you look better than you think. STUDENT 3(annoyed) I don’t care, I am going to re-apply it at break. STUDENT 2 taps on STUDENT 3’s shoulder and indicates out of frame, towards the door, with their head. STUDENT 1 So Hot STUDENT 3 Yup so hot SCENE 10: EXT. OUTSIDE SIXTH FORM BUILDING – DAY The sound of a school bell. The automatic doors of the sixth form block are the focus of the frame. We see STUDENT 1, STUDENT 2, STUDENT 3, Sam and other Sixth Form students exiting the building. STUDENT 1, STUDENT2 and STUDENT 3 are talking and joking about and walk out of frame to the left. We can’t make out what they are saying. Other students follow, individually or in small groups. One other student turns to the right, just before we see SAM walk out of the building and to the right. The other student then turns down the corner to the right and SAM continue to the left. She is walking a different way to all those around her. 13
  • 5. 5 SCENE 11: INT. - DAY SERIES OF SHOTS: A) Classroom 2, SAM sits in the centre front row with STUDENT 1, STUDENT 2 and STUDEN 3 sitting at the desk directly behind her. Other students fill the remaining desks in frame. SAM is trying to stay focused on her work, with STUDENT 1, STUDENT 2 and STUDENT 3 talking and joking with one another. Again we cannot make out the dialogue. B) Classroom 3, SAM is sitting in the left seat of a 2 seated desk, she is nearest to the wall. STUDENT 1, STUDENT 2 and STUDENT 3 are sitting on the desk in front of SAM as well as behind. They are talking to each other over SAM. She is still trying to do her work. SCENE 12: EXT. / INT. FRONT DOOR – AFTERNOON SAM then enters her house again from outside the house. Once she opens the door we move inside to see her pull up the handle. SCENE 13: INT. LANDING – AFTERNOON We then see SAM from the landing walking up the stairs with the head down. She then walks into her room, where the lights are off, and shuts the door. Blackout to match the beat of the door closing. We hear the phone alarm. FADE TO: SCENE 14: INT. LANDING - MORNING We are in the opposite room as we see SAM open her bedroom door, walk to and knock on the bathroom door. She leans on the wall, waiting. This is exactly the same as before, however the shot type is different. SCENE 15:EXT. OUTSIDE SCHOOL - MORNING We watch SAM, from behind, we see her stop, check her jean pockets, adjust her jeans, breath and continue through the gate. She is wearing a plain black top, blue jeans, a black checked over shirt and black shoes. 14 15 16 17 18 19 20
  • 6. 6 SCENE 16:INT. – DAY SERIES OF SHOTS: a) School Study, we are behind SAM who is sitting in the same cubical as before. Her phone, pencil, rubber and coursework book are all is the same arrangement. She is also about to turn the page again. b) Classroom 1, SAM is seated in the back right hand corner of the room. In front and next to her are STUDENT 1, STUDENT 2 and STUDENT 3. Other Students are filling the rest of the in frame desks. c) Classroom 4, SAM sits at the front of the class, on the furthest left, next to the wall. She is just near the door to the classroom. STUDENT 1, STUDENT 2 and STUDENT 3 are again surrounding her. d) Classroom 2, SAM sits in the centre front row with STUDENT 1, STUDENT 2 and STUDENT 3 sitting at the desk directly behind her. Other students fill the remaining desks in frame. SCENE 17: EXT. / INT. FRONT DOOR – AFTERNOON Watching from afar, SAM enters her house again, we move inside, looking at Sam pulling up the door handle. We are watching from just behind the wall. SCENE 18: INT. LANDING – AFTERNOON We are then at the other end of the landing and we see SAM ascend the stairs, open her bedroom door, walk in and shut the door. Blackout again to match the beat of the door closing. We hear the phone alarm. FADE TO: SCENE 19: EXT. OUTSIDE SCHOOL – MORNING Wearing a black top with small rainbows on the shoulders, black and white checked over shirt, black jeans and black shoes, we see SAM stop, sort out her pocket, adjust her jeans, and then continue towards the camera, through the gate. SCENE 20: INT. SCHOOL STUDY – MORNING SAM is then seen in the same study cubical as the previous days. This time we are watching from across the room. She has the same set up on her desk and her work is at the same point as before. 21 22 23 24 25 26 28 29
  • 7. 7 SCENE 21: INT. CLASSROOM 4 – DAY SAM enters the frame not wearing her black and white checked over shirt. She puts down her bag by her chair, puts on her over shirt and sits down. As Sam starts to take her things out of her school bag, STUDENT 1, STUDENT 2 and STUDENT 3, along with other students, walk into frame, sitting in the same seats as before. They are talking as they do so. STUDENT 1 I know, it’s amazing STUDENT 2(slightly jealous) Yeah, you’re so lucky, what are they like? STUDENT 3 I bet they are romantic… STUDENT 3 notices that SAM is sitting in front of them, she is trying again to focus on doing her work. STUDENT 3 (CONT ‘D) …Hey Sam, do you thing (think)they are hot? SAM is shy and hesitant SAM (without looking up) No STUDENT 1 Really? Pause Oh do you like... SAM No STUDENT 2 You must like someone? Sam doesn’t reply to this. STUDENT 3 Well, do you like boys or girls, because it sounds like you’re a……? The school bell is heard. 30
  • 8. 8 SAM Neither SAM reaches down, picks up her school bag, and puts it on her shoulder as she stands up. She then picks up the work she has been doing, holding it in her arms, and exits the classroom and out of the frame. SCENE 22: INT. LANDING – AFTERNOON We are in SAM’s bedroom and we see her walk up the stairs, into her room and shut the door. The lights are off so this will start the FADE TO BLACK. Blackout again to match the beat of the door closing. We hear the phone alarm. SCENE 23: INT. - MORNING SERIES OF SHOTS: This series of shots is accompanied by the following voice over. a) Bathroom, SAM is seen from the mirror, as before, drying her face. A voice over of SAM’s voice is heard. b) Landing, we see SAM walking down the stairs, we are watching through the banisters. She is wearing a plain black hoody, black jeans and black and white canvas shoes. c) Kitchen, we watch from over SAM’s shoulder as she makes a bowl of cereal, the same way as before. SAM (V. O.) Thursday, today is Thursday……. Wait is it? ...... Ok so I have English, Media… homework, have I done the homework, please tell me I’ve done it. Detention. Detention. Detention…… What if I haven’t done it, what if I’m late, is the meeting at lunch today or tomorrow, are we getting our assessment results today, I bet they are low, did I work hard enough…. 31 32 33 34 35 33 34 35
  • 9. 9 SCENE 24: EXT. / INT. – DAY SERIES OF SHOTS: This series of shots is accompanied by the following voice over. a) Outside school, we are behind SAM as she is getting out of the car. She starts for the student gate, before stopping, sorting out her pockets, adjusts her jeans and then continuing through the gate. b) School Study, We are SAM’s eyes, she is doing the same work as before. c) Classroom 1, SAM is sitting in her back right hand corner seat as she did before. Again with STUDENT 1, STUDENT 2 and STUDENT 3 sitting around her. They are talking to one another but we can’t make out what they are saying. Other students are filling up the rest of the desks in frame, again as before. d) Classroom 3, looking over SAM’s shoulder we are looking at the work she is doing. We can see in her peripheral vision, STUDENT 1, STUDENT 2 and STUDENT 3, talking and fidgeting with the work they are supposed to be doing. Again we can’t make out what they are talking about. The school bell is heard again, STUDENT 1, STUDENT 2, STUDENT 3 and all the other students are quick in leaving the classroom. SAM has not moved. e) Outside Sixth Form building, we continue to watch SAM from over her shoulder as she leaves the Sixth Form building. You can see that everyone apart from one other student, same as before, walks to the left whereas that student and SAM walk off to the right. That Student then turns to the right as SAM turns to the left. We see this scene from multiple close angles. SAM (V. O.) I have everything I need, wait, no I do because I didn’t take anything out of my bag at home….. (taking a deep breath) Ok….. (continue) 36 37 38 39 40 41 42 43 36
  • 10. 10 SAM (V. O.)(CONT ‘D) Ok, breath, is anyone watching me, no I’m early enough, ok….. Ah my chest hurts, am I shaking, I hope it’s not obvious, is someone going to see, what will they think? ….. I hope I’ve written enough, is it good enough, I bet its worse that everyone in the class that does not work and gets As, why am I so bad at this, I’m terrible, why am I trying? ….. What’s the point, I want to stop, I’m exhausted and it’s only my first lesson, I want to hide….. Why are they calling them hot, I don’t understand what that means? ..... I need to finish this…. They need to stop talking, distracting, work, distracting…. (pause for school bell) No, no, no, no, no, no... In Conclusion…., oh that film comes out tomorrow, FOCUS, aaaaaaaaand, done Sam starts to pack her things. SAM (V. O.) Wait… where is everyone? Am I going the right way? Please don’t be late, please don’t. Has the bell gone? Am I early? Oooh a new episode comes out tonight… no, I need to find the classroom. SCENE 25: INT. MEDICAL BLOCK – DAY This is a new location for SAM. She is walking down the corridor and around the corner. She is walking slowly, the music stopped suddenly as the scene began. The sound effect of a heart thumping is all that can be heard. When she reaches the door to the room she need to be at, she hesitates, knocks and slowly enters. 37 38 39 40 41 42 43 44
  • 11. 11 SCENE 26: INT. JANE’S ROOM - DAY The room has low lighting, there is peaceful music, and we are looking at positive posters on the wall from behind SAM’s shoulder. There’s a change in shot as SAM sits down looking at the pillow as she does. SAM then begins to talk, however the music drowns out what she is saying. Each time she pauses, as if listening to someone out of frame, the camera zooms a bit further out from SAM. During this SAM could be crying as she is clearly talking about her anxiety, getting everything out. SCENE 27: INT. / EXT. – MORNING SERIES OF SHOTS: a) Bathroom, the same shot as each time before, looking at SAM in the mirror as she raises her head, drying her face. However, this time she proceeds to stop, look straight ahead, into the mirror and take a deep breath in and out. b) Outside school, SAM is wearing a plain black top, a black and white checked over shirt, black jeans and white and black canvas shoes. We watch from inside the gate as she stops, takes a deep breath in and out, before walking towards the camera, through the gate. FADE TO: END CREDITS FADE OUT. THE END 45 46 47 48 49 50 51 52