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Audience Theory 
Francesca Orton
Audience Theory 
Reception theory is a version of reader response literary 
theory that emphasizes the reader's reception of a 
literary text. It is more generally called audience 
reception in the analysis of communications models. In 
literary studies, reception theory originated from the 
work of Hans-Robert Jauss in the late 1960s.
Audience Theory 
The audience is split into negotiation and opposition, they 
are not passive. 
This means that a text (a book, a movie, a magazine, or 
newspaper) is not simply passively accepted by the 
audience, each individual interprets the meanings of the 
text based on their individual cultural background and life 
experiences. 
The meaning of a text is not within the text itself, but is 
created within the relationship between the text and the 
reader.
Audience Theory 
Stuart Hall - the role of social positioning in the 
interpretation of mass media texts by different social 
groups 
He suggested there are three hypothetical interpretative 
codes that audiences may have
Audience Theory 
Dominant reading: the reader fully shares the text's 
code and accepts and reproduces the preferred reading 
(a reading which may not have been the result of any 
conscious intention on the part of the author - in such a 
stance the code seems 'natural' and ‘transparent')
Audience Theory 
Negotiated reading: the reader partly shares the text's 
message and broadly accepts the preferred reading, but 
sometimes resists and modifies it in a way which reflects 
their own position, experiences and interests 
(local and personal conditions may be seen as 
exceptions to the general rule) - this position involves 
contradictions;
Audience Theory 
Oppositional reading: the reader, whose social situation 
places them in a directly oppositional relation to the 
dominant code, understands the preferred reading but 
does not share the text's code and rejects this reading, 
they create their own alternative interpretation (radical, 
feminist etc.) 
(e.g. when watching a television broadcast produced on 
behalf of a political party they normally vote against).

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Audience Theory A2 Media Studies

  • 2. Audience Theory Reception theory is a version of reader response literary theory that emphasizes the reader's reception of a literary text. It is more generally called audience reception in the analysis of communications models. In literary studies, reception theory originated from the work of Hans-Robert Jauss in the late 1960s.
  • 3. Audience Theory The audience is split into negotiation and opposition, they are not passive. This means that a text (a book, a movie, a magazine, or newspaper) is not simply passively accepted by the audience, each individual interprets the meanings of the text based on their individual cultural background and life experiences. The meaning of a text is not within the text itself, but is created within the relationship between the text and the reader.
  • 4. Audience Theory Stuart Hall - the role of social positioning in the interpretation of mass media texts by different social groups He suggested there are three hypothetical interpretative codes that audiences may have
  • 5. Audience Theory Dominant reading: the reader fully shares the text's code and accepts and reproduces the preferred reading (a reading which may not have been the result of any conscious intention on the part of the author - in such a stance the code seems 'natural' and ‘transparent')
  • 6. Audience Theory Negotiated reading: the reader partly shares the text's message and broadly accepts the preferred reading, but sometimes resists and modifies it in a way which reflects their own position, experiences and interests (local and personal conditions may be seen as exceptions to the general rule) - this position involves contradictions;
  • 7. Audience Theory Oppositional reading: the reader, whose social situation places them in a directly oppositional relation to the dominant code, understands the preferred reading but does not share the text's code and rejects this reading, they create their own alternative interpretation (radical, feminist etc.) (e.g. when watching a television broadcast produced on behalf of a political party they normally vote against).