Chapter 1




• The Nature of Art and Creativity
What Is Art?
• Work of art-visual expression of an idea or
  experience formed with skill through use
  of a medium
• Media/medium-type of tools used to create
  the artwork
   – clay, fiber, stone, wood, paint, video,
     photography,
• Some communication can only be
  expressed through visual form or music...
Purposes and Functions of Art

• Art can:
  – tell us things
  – elevate our spirits
  – show beauty
  – show injustice
Art for Communicating Information

• Through the ages, art has been used to
  impart information
Lauren Greenfield. The View North, toward Burj Dubai. 2009.


             Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Dorothea Lange
Robert Frank
James Nachtwey
Art for Day to Day Living

• Objects made to delight the eye as well as
  serve useful functions
Yves Behar. Mission One. 2009.


Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Eames
Dish. East Iran. 10th Century.
          Diameter 8-1/4".

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Art for Worship and Ritual

• Through the ages people have used art to
  use for prayer, worship, magic, and
  ceremony
Dance Wand in Honor of Eshu. Elegba Cult. Yoruba, Nigeria.
                    Height 19-3/4".

            Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Beatrice Wood (1893–1998). Chalice. 1986.
              7-5/8" × 7/8".

    Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Stephen Cox. St. Anselm's Altar. 2006.
            Height 35".

  Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Art for Personal Expression

• The artist uses their medium to express
  their personality and/or feelings to the
  viewer
Rembrandt van Rijn. Self-Portrait. 1658.
         52-5/8" × 40-7/8".

  Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Yong Soon Min. Dwelling. 1994.
        72" × 42" × 28".

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Romare Bearden. Rocket to the Moon. 1971.
             13" × 9-1/4".

    Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Romare Bearden

• “ The biggest thing I learned was reaching
  into your consciousness of black
  experience and relating it to the universal.”
Romare Bearden.


Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Romare Bearden. Prevalence of Ritual: Tidings. 1967.


         Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Art For Social Causes

• Humans are influenced by what they see
• Artists can use their art to influence the
  public
Francisco Goya. The Disasters of War, No. 18: Bury Them and Say
                        Nothing. 1818.
                        5-7/8" × 8-3/8".

               Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Félix González-Torres. Untitled (Death by Gun). Installation view. 1990.
                          44-1/2" × 32-1/2".

                  Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Félix González-Torres. Untitled (Death by Gun). Single sheet. 1990.
                        44-1/2" × 32-1/2".

                Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Christian Boltanski
Chaz Maviyane-Davies. Global Warning. 1997.


     Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Art for Visual Pleasure

• Art is often identified solely by this
  definition
• Art made to be visually attractive and well
  crafted
Decorative Panel from the Alhambra. Granada, Spain.
            Nasrid Period, 14th Century.
                    60" × 50-5/8".

         Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Miriam Schapiro. Heartland. 1985.
           85" × 94".

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
What is Creativity?

• The ability to bring forth something new
  that has value
Robin Rhode. He Got Game. 2000.


Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Untrained Artists

• Outsider artists or folk artists- people with
  no formal art education
   – folk artists work within a tradition
   – outsider artists rarely know about the
     trends and history of art
       • they work outside of traditional art
         guidelines
Anna Zemankova. Untitled (M). c. 1970s.
  24-1/4" × 17-3/4" (61.6 × 45.1 cm).

   Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Sabatino "Simon" Rodia. Nuestro Pueblo. Watts, Calif. Distant view.
                   1921–1954. Height 100'.

                Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Sabatino "Simon" Rodia. Nuestro Pueblo. Watts, Calif.
Detail of enclosing wall with construction tool impressions. 1921–1954.
                               Height 100'.

                  Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
James Hampton. Throne of the Third Heaven of the Nations' Millennium
                General Assembly. c. 1950–1964.
                       10'6" × 27' × 14'6".

                 Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Mola Embroidery

Art Appreciation: Chapter1

  • 1.
    Chapter 1 • TheNature of Art and Creativity
  • 2.
    What Is Art? •Work of art-visual expression of an idea or experience formed with skill through use of a medium • Media/medium-type of tools used to create the artwork – clay, fiber, stone, wood, paint, video, photography, • Some communication can only be expressed through visual form or music...
  • 3.
    Purposes and Functionsof Art • Art can: – tell us things – elevate our spirits – show beauty – show injustice
  • 4.
    Art for CommunicatingInformation • Through the ages, art has been used to impart information
  • 5.
    Lauren Greenfield. TheView North, toward Burj Dubai. 2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 6.
  • 7.
  • 8.
  • 9.
    Art for Dayto Day Living • Objects made to delight the eye as well as serve useful functions
  • 10.
    Yves Behar. MissionOne. 2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 11.
  • 16.
    Dish. East Iran.10th Century. Diameter 8-1/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 17.
    Art for Worshipand Ritual • Through the ages people have used art to use for prayer, worship, magic, and ceremony
  • 18.
    Dance Wand inHonor of Eshu. Elegba Cult. Yoruba, Nigeria. Height 19-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 19.
    Beatrice Wood (1893–1998).Chalice. 1986. 7-5/8" × 7/8". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 20.
    Stephen Cox. St.Anselm's Altar. 2006. Height 35". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 21.
    Art for PersonalExpression • The artist uses their medium to express their personality and/or feelings to the viewer
  • 22.
    Rembrandt van Rijn.Self-Portrait. 1658. 52-5/8" × 40-7/8". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 23.
    Yong Soon Min.Dwelling. 1994. 72" × 42" × 28". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 24.
    Romare Bearden. Rocketto the Moon. 1971. 13" × 9-1/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 25.
    Romare Bearden • “The biggest thing I learned was reaching into your consciousness of black experience and relating it to the universal.”
  • 26.
    Romare Bearden. Copyright ©2011,©2009 Pearson Prentice Hall Inc.
  • 27.
    Romare Bearden. Prevalenceof Ritual: Tidings. 1967. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 28.
    Art For SocialCauses • Humans are influenced by what they see • Artists can use their art to influence the public
  • 29.
    Francisco Goya. TheDisasters of War, No. 18: Bury Them and Say Nothing. 1818. 5-7/8" × 8-3/8". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 30.
    Félix González-Torres. Untitled(Death by Gun). Installation view. 1990. 44-1/2" × 32-1/2". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 31.
    Félix González-Torres. Untitled(Death by Gun). Single sheet. 1990. 44-1/2" × 32-1/2". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 32.
  • 33.
    Chaz Maviyane-Davies. GlobalWarning. 1997. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 34.
    Art for VisualPleasure • Art is often identified solely by this definition • Art made to be visually attractive and well crafted
  • 35.
    Decorative Panel fromthe Alhambra. Granada, Spain. Nasrid Period, 14th Century. 60" × 50-5/8". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 36.
    Miriam Schapiro. Heartland.1985. 85" × 94". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 37.
    What is Creativity? •The ability to bring forth something new that has value
  • 38.
    Robin Rhode. HeGot Game. 2000. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 39.
    Untrained Artists • Outsiderartists or folk artists- people with no formal art education – folk artists work within a tradition – outsider artists rarely know about the trends and history of art • they work outside of traditional art guidelines
  • 40.
    Anna Zemankova. Untitled(M). c. 1970s. 24-1/4" × 17-3/4" (61.6 × 45.1 cm). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 41.
    Sabatino "Simon" Rodia.Nuestro Pueblo. Watts, Calif. Distant view. 1921–1954. Height 100'. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 42.
    Sabatino "Simon" Rodia.Nuestro Pueblo. Watts, Calif. Detail of enclosing wall with construction tool impressions. 1921–1954. Height 100'. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 43.
    James Hampton. Throneof the Third Heaven of the Nations' Millennium General Assembly. c. 1950–1964. 10'6" × 27' × 14'6". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 44.

Editor's Notes

  • #6 © Lauren Greenfield/Institute for Artist Management.
  • #11 Mission Motors, San Francisco. Designer: Yves Behar. Courtesy Mission Motors.
  • #17 Courtesy of the Freer Gallery of Art, Smithsonian Institution, Washington, D.C. F1965.27
  • #19 © 2010, Indiana University Art Museum: Raymond and Laura Wielgus Collection 87.24.2. Photographers: Michael Cavanagh and Kevin Montague.
  • #20 Collection of The Newark Museum. Inv.: 86.4. © The Newark Museum, Newark, New Jersey, U.S.A.
  • #21 Chapel of St. Anselm, Canterbury Cathedral, England. Stephen Cox.
  • #23 Copyright The Frick Collection, New York.
  • #24 Photo by Erik Landsberg. Courtesy of the artist.
  • #25 © Romare Bearden Foundation/Licensed by VAGA, New York, NY.
  • #27 Bernard Brown & Associates.
  • #28 © Romare Bearden Foundation/Licensed by VAGA, New York, NY.
  • #30 S.P. Avery Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs. The New York Public Library, Astor, Lenox, and Tilden Foundations.
  • #31 The Museum of Modern Art, New York/Licensed by Scala-Art Resource, New York. Purchased in part with funds from Arthur Fleisher, Jr., and Linda Barth Goldstein. Photograph: © 2002 The Museum of Modern Art, New York.
  • #32 The Museum of Modern Art, New York/Licensed by Scala-Art Resource, New York. Purchased in part with funds from Arthur Fleisher, Jr., and Linda Barth Goldstein. Photograph: © 2002 The Museum of Modern Art, New York.
  • #34 Courtesy of Chaz Maviyane-Davies.
  • #36 Museo de la Alhambra.
  • #37 Collection of Orlando Museum of Art, Orlando, Florida. Gift of the Women for Special Acquisition and the Council of 101, 87.1.
  • #39 Perry Rubenstein Gallery, New York. © Robin Rhode.
  • #41 Courtesy of the artist and Cavin-Morris Gallery, NY.
  • #42 Photographs: Duane Preble.
  • #43 Photographs: Duane Preble.
  • #44 Copyright National Museum of American Art, Smithsonian, Washington, D.C./Art Resource, NY.