Ap art history outline for notes ch.29
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This document provides an outline and overview of key concepts, figures, artists, and works from Chapter 29 of an AP Art History textbook. It covers the rise of modernism in art from the late 19th century, including movements like Realism, Pre-Raphaelitism, Impressionism, Post-Impressionism, Symbolism, and Arts and Crafts. Numerous paintings, sculptures, and architectural works are presented along with the artists and concepts they exemplify, such as Manet's Le Déjeuner representing early modernism and Cézanne's compositions emphasizing color.
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Chapter 22 high renaissance
The document provides an overview of Italian art from the High Renaissance to Mannerism periods. It examines key artists such as Leonardo da Vinci, Michelangelo, Raphael, and Titian and their major works. It also discusses the transition from the naturalism of the High Renaissance to the more expressive style of Mannerism, looking at artists like Pontormo, Bronzino, and Cellini. The document utilizes over 50 figures to illustrate important paintings, sculptures, buildings, and other works from this time in Italian art history.
Art history chap._23_a
This document provides an overview of 16th century art in Northern Europe and Spain during the Protestant Reformation. It discusses key events like the rise of Protestantism led by Martin Luther and the resulting Catholic Counter-Reformation. Important artists from this period like Durer, Cranach, Holbein and others are mentioned along with their works that explored religious and political ideas through imagery. Architecture from this time in countries like France, Germany and the Netherlands is also summarized.
Italian Renaissance--Ch. 21
The document summarizes developments in 15th century Italian art during the Renaissance period. Key factors influencing art included the spread of humanism, patronage from wealthy families and courts, and advances in perspective technique. Artists like Brunelleschi, Ghiberti, Donatello, and Masaccio incorporated classical influences and greater realism while perfecting techniques like linear and atmospheric perspective. Their works demonstrated movement, accurate anatomy, and illusionistic space that came to characterize Renaissance art.
Art history chap._19_a
This document summarizes key developments in 14th century Italian art during the transition from Gothic to Renaissance styles. It discusses how the Renaissance emerged out of revived interest in classical Greco-Roman culture and humanism. Artists like Giotto introduced more naturalistic, observation-based styles and techniques like fresco that helped establish painting as a major art form. Works by artists including Duccio, Simone Martini, and the Lorenzetti brothers incorporated classical elements while depicting religious subjects in new, emotionally expressive ways.
Indian Art Before 1200
The document provides an overview of the development of art and architecture in South and Southeast Asia before 1200 CE. It discusses the origins and spread of Hinduism and Buddhism and their influence on artistic styles. Key developments included the Indus Valley civilization, early Buddhist art influenced by stupas and figures like the Buddha, the spread of Buddhism to Southeast Asia influencing temple architecture, and the rise of prominent kingdoms like the Khmers in Cambodia who built monuments like Angkor Wat. Regional variations in the depiction of human figures between India and Southeast Asia are also examined.
Art history chap._20_a
The document summarizes 15th century art in Northern Europe and Spain, focusing on developments in oil painting, manuscript illumination, and altarpieces. Key points include: Jan van Eyck's Ghent Altarpiece used oil paints to create luminous colors and illusionistic depth; the Limbourg Brothers illuminated manuscripts with naturalistic details and new conceptions of space; Rogier van der Weyden depicted emotional religious scenes through compressed compositions and textures in oil paint.
Ap Wh Chapter 29
Joseph Stalin rose to power in the Soviet Union after eliminating political rivals. He then implemented a series of ambitious Five-Year Plans between 1928-1949 to rapidly industrialize the Soviet economy through centralized state control, increasing the power of the Communist Party domestically and internationally. The plans succeeded in industrializing the Soviet Union, but also led to major environmental changes similar to those experienced during industrialization in Western nations.
Ch. 18 Gothic
The document provides an overview of Gothic art and architecture from the 12th to 15th centuries in Europe. It discusses key developments and monuments of Early Gothic, High Gothic, and Late Gothic styles. Specifically, it examines the innovations of Abbot Suger at Saint-Denis that established characteristics of French Gothic architecture like rib vaults and stained glass windows. It then analyzes major Gothic cathedrals built in France, including Chartres, Notre-Dame de Paris, Laon, and Amiens, noting their architectural features and sculpture programs.
Art History Mesopotamia ppt.
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Chapter 30 19th Century Art In Europe And The United States 1
Chapter 30 19th Century Art In Europe And The United States 1
Similar to Ap art history outline for notes ch.29
ARTH 366 - 2. Foundational Ideas and Intro to Modernism
Foundational ideas in the discipline of art history and an introduction to modern art in the United States.
Ch. 33 Modern art
Modern Art saw many developments in the 20th century including two World Wars, the Great Depression, and scientific/technological advances like Einstein's theory of relativity and the atom bomb. New art movements emerged like Fauvism, Expressionism, Cubism, Futurism, Dada, Surrealism, Bauhaus, De Stijl, Pop Art, Minimalism, and more that experimented with color, form, materials, and concepts like incorporating everyday objects and mass culture into art. Major artists included Picasso, Matisse, Duchamp, Pollock, Warhol, and more who pushed artistic boundaries and influenced the evolution of modern art.
Materialism
In the late 19th century, industrialization allowed the Western world to dominate globally. Realist and Impressionist art movements emerged in response to social and economic changes brought by industrialization. Realist works by artists like Courbet, Millet, and Daumier documented everyday life and social issues. Impressionism, led by Monet, focused on capturing light and fleeting visual impressions. Post-Impressionists like Cézanne, Gauguin, Seurat, and Van Gogh reacted against Impressionism's limitations by emphasizing composition, emotion, and non-traditional perspectives.
Enlightenment Art.Key
This document provides information about various artists from different art periods including Baroque, Rococo, and Impressionism as well as some of their famous works. It includes descriptions of artworks by Bernini, Goya, Rembrandt, Vermeer, Monet, and Watteau among others. Key styles and characteristics of Baroque, Rococo, and Impressionism are also briefly outlined. The document appears to be providing reference material about different artists and styles for an art history quiz.
Modern surfaces
Modern surfaces focused on communication over space through signs and images rather than enclosed walls. Adolf Loos believed ornamentation of utilitarian objects should be removed and architecture should become a "living organism" rather than display superficial decoration. The Bauhaus school saw architecture sinking into decorative concepts and sought to vitalize building surfaces without becoming parasitic. Mies van der Rohe designed transparent glass skyscrapers to let light assert itself. Department stores and advertisements used stimulating visual displays to attract consumers in an era when supply exceeded demand.
Le corbusier
This document discusses the rise and principles of modernist design from the early 20th century. It provides examples of key modernist designers like Le Corbusier, Mies van der Rohe, and Marcel Breuer who rejected ornamentation in favor of clean lines and an emphasis on function. Their work in architecture and furniture design embraced new industrial materials like steel, glass, and plastic to create simple, standardized forms. While modernism dominated design for much of the 20th century, the document also suggests it began facing criticism by the late 1970s for its potentially cold and inhuman aesthetic.
31 modern art
This document provides an overview of modern art movements in Europe and the Americas between 1900-1945. It describes Art Nouveau, Fauvism, Die Brücke, Der Blaue Reiter and their associated artists. It then discusses Cubism developed by Picasso and Braque, and responses like Futurism and Orphism. Dadaism and Bauhaus are mentioned alongside early modern architecture. Surrealism and De Stijl are also summarized. Finally, it outlines modern art in North America, including Precisionism, photography, the Harlem Renaissance, and Mexican painters.
20th Century Art Part 1
The document summarizes major art movements of the 20th century, including Impressionism, Fauvism, Cubism, Futurism, Dadaism, Surrealism, German Expressionism, Suprematism, Constructivism, De Stijl, and the Bauhaus. Many of these movements emerged after World War 1 and reacted against academic traditions, with styles like Cubism and Futurism embracing abstraction, new technologies, and modern life.
Modern art timeline PPT copy.pptx
The document provides an overview of major modern art movements from Impressionism to Surrealism. It summarizes that Modernism from 1910-1950s featured formal rigor and the subjective expression of the artist, while Postmodernism from the 1960s-1980s was more inclusive, open, and featured mixing of mediums and concepts. Key modern art movements discussed include Impressionism, Post-Impressionism, Fauvism, Cubism, German Expressionism, Abstract Art, Futurism, De Stijl, Dada, and Surrealism.
Modern Art
The document provides an overview of major artistic movements in early 20th century modern art, including Fauvism, Expressionism, Cubism, Futurism, Dada, Suprematism, De Stijl, and Surrealism. It summarizes the goals and characteristics of each movement, and provides examples of influential artists and their works such as Matisse, Kandinsky, Picasso, Duchamp, Mondrian, Dali, and others. The document also discusses the impact of events like World War I and the development of abstraction on the rejection of traditional styles of art during this period.
Realism in 19th century photography
Review of development of photography in context of Realism in the 19th Century; for Ms. Fuentes AP Art History Class
scribd.vdownloaders.com_artid121-art-movements-from-1870-present.pptx
This document provides an overview of art movements from 1870 to the present day. It begins with Impressionism in the 1870s and discusses subsequent movements through each decade. Key information on Impressionism includes the main artists like Monet, Renoir, Degas, and Manet. Their works used loose brushwork, vibrant color, and captured light and movement. While controversial initially, Impressionism had a significant influence on later artistic styles and perceptions of art.
18 b pics student
Here are the key points covered in the document:
- The document discusses the transition from Neoclassicism to Romanticism in late 18th-early 19th century art, focusing on developments in architecture, painting, sculpture, and photography.
- It describes characteristics of Neoclassical and Romantic styles, as well as debates between artistic camps favoring line vs. color.
- The emergence of photography in the mid-19th century is covered, exploring its impact on perceptions of reality.
- The works and styles of major artists from this period are analyzed, including Ingres, Delacroix, Goya, Turner, Cole, Church, and early photographers like Daguerre and Cameron.
Art from 1850 to 1900
The document provides a chronological overview of major events, discoveries, and developments that occurred between 1850-1930. It discusses important inventions like the telegraph, telephone, motor car, and airplane. Major events included the American Civil War, emancipation of Russian serfs, founding of the Red Cross, and opening of the Suez Canal. In art, the document outlines the progression from Realism to Impressionism to Post-Impressionism and then to Cubism. Key artists from each movement are mentioned along with characteristics of their works and techniques.
Week12 art between_the_wars
Art Nouveau was a style popular around the turn of the 20th century characterized by organic, floral motifs and highly stylized curvilinear forms that bridged Neoclassicism and modernism. Key figures included Alphonse Mucha and Gustav Klimt. Art Deco emerged in the 1920s-1930s as an eclectic form influenced by sources like African art, machine technology, and architecture like skyscrapers. Piet Mondrian's abstract geometric style sought to eliminate representations of nature. The Bauhaus and De Stijl movements similarly aimed to integrate art and design with modern life and technology through clean, simplified forms.
Art deco
Art Deco was an artistic movement of the 1920s-1930s that combined modern styles with geometric shapes and intense colors. It celebrated modern technology and commerce through sleek, elegant designs. The name came from an exposition in Paris celebrating modern living. Art Deco incorporated aspects of Cubism, Constructivism, and Futurism and was popular across architecture, interior design, and luxury goods as well as more affordable mass-produced items.
Historicism and Romanticism Enrique
This document discusses Romanticism in 19th century art. It focused on the key characteristics of Romantic painting including movement, vivid colors, and emphasis on emotion over reason. Important Romantic painters from different countries are mentioned, including Géricault, Delacroix, and Friendrich from France and Germany, Turner from Britain, and Bécquer, Villaamil, and Fortuny from Spain. Delacroix's painting "The Lion Hunt" from 1861 is analyzed in detail.
Modernism pp
Modernism began in the late 19th century as a deliberate departure from tradition in art, literature, music, architecture and other areas influenced by industrialization and new technologies. Key developments included photography, which challenged notions of artistic originality, and World Wars I and II, which accelerated social and political changes. Modernist works often shocked audiences with controversial subjects and styles that broke from classical forms. The movement included many styles like Cubism, Dada, Surrealism and the Bauhaus school, which emphasized form following function. By mid-20th century, modernism influenced fields from art to film to product design and helped establish an international modern aesthetic. However, it also faced criticism for abandoning skill and beauty in favor
Iron and Steel Arquitecture and Realism
The document provides an overview of realism in sculpture and painting in the second half of the 19th century, as well as iron and steel architecture during the Industrial Revolution. In sculpture and painting, artists aimed to depict reality and everyday life realistically rather than idealizing subjects. In architecture, new materials like iron and steel allowed for new types of large structures such as train stations, bridges, and the Eiffel Tower. Key realist artists mentioned include Courbet, Millet, and Carpeaux.
Art Movements Throughout European History
This document provides an overview of major art movements throughout European history from the Middle Ages to the late 20th century. It describes the key themes, characteristics, areas of influence, and example artists for each movement. The movements discussed include Gothic, Renaissance, Baroque, Rococo, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Expressionism, Fauvism, Cubism, Futurism, Dada, Surrealism, Abstract Expressionism, Pop Art, Op Art, and Photorealism.
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ARTH 366 - 2. Foundational Ideas and Intro to Modernism
ARTH 366 - 2. Foundational Ideas and Intro to Modernism
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Ap art history outline for notes ch.29
- 1. AP Art History Note-taking Outline—Chapter 29 THE RISE OF MODERNISM: ART OF THE LATE 19TH CENTURY (Mnemonic: “Art of its own time—art that is Real or appears to be Real”) KEY VOCABULARY (not including artists’ names or works) Modern (chronological) Modernism (artistic) Avant-garde fin de siècle Realism Lithograph tonality The Academies Pointillism Japonisme “Arts and Crafts” Art Nouveau steel skyscraper SECTION I: REALISM (PAGES 852-866) Figure #: Subject: Artist: Key Concept: 29-2 Burial at Ornans Courbet Realism 29-3 The Gleaners Millet “Real” France
- 2. Figure #: Subject: Artist: Key Concept: 29-6 The Third-Class Carriage Daumier Social comment 29-7 Le Déjeuner Manet 1st Modernist
- 3. 29-8 Olympia Manet Subject and style Figure #: Subject: Artist: Key Concept: 29-9 Nymphs and Satyr Bouguereau Pre-Raphaelite
- 4. 29-10 The Horse Fair Bonheur Composition 29-11 The Veteran in a New Field Homer New England life
- 5. Figure #: Subject: Artist: Key Concept: 29-12 The Gross Clinic Eakins American realist 29-13 Horse Galloping Muybridge Motion photograph
- 6. 29-14 Daughters of Edward Darley Boit Sargent American portrait Figure #: Subject: Artist: Key Concept: 29-15 The Thankful Poor Tanner African-American
- 7. SECTION II: “PRE-RAPHAELITES,” IMPRESSIONISM, AND POST- IMPRESSIONISM (PAGES 867-886) 29-17 Ophelia Millais Pre-Raphaelite 29-18 Beata Beatrix Rosetti Pre-Raphaelite
- 8. Figure #: Subject: Artist: Key Concept: 29-19 Blessed Art Thou Käsebier Photo experiment 29-20 Impression: Sunrise Monet 1st Impressionist
- 9. 29-21 Saint-Lazare Train Station Monet Industrial Scene Figure #: Subject: Artist: Key Concept: 29-25 Le Moulin Renoir Parisian Life
- 10. 29-26 A Bar at the Folies-Bergère Manet Psychological 29-28 Villa at the Seaside Morisot Impressionism
- 11. Figure #: Subject: Artist: Key Concept: 29-29 Rouen Cathedral Monet Changing light 29-30 The Tub Degas Human body
- 12. 29-31 The Bath Cassatt Japonisme Figure #: Subject: Artist: Key Concept: 29-32 At the Moulin Rouge Toulouse-Lautrec Paris night life 29-34 The Night Café Van Gogh Post-Impressionist
- 13. 29-35 Starry Night Van Gogh Artist’s mindset Figure #: Subject: Artist: Key Concept: 29-36 The Vision after the Sermon Gauguin Flat plane
- 14. 29-39 A Sunday on La Grande Jatte Seurat Pointillism 29-40 Mont Sainte-Victoire Cézanne Cubes and planes Figure #: Subject: Artist: Key Concept: 29-41 The Basket of Apples Cézanne Compose in color
- 15. SECTION III: SYMBOLISTS AND SCULPTURE (PAGES 886-893) 29-45 The Sleeping Gypsy Rousseau Personal fantasy 29-46 The Scream Munch Personal agony
- 16. Figure #: Subject: Artist: Key Concept: 29-49 Walking Man Rodin Only essential parts 29-50 Burghers of Calais Rodin Narrative in stone
- 17. SECTION IV: ARTS AND CRAFTS MOVEMENT, ART NOUVEAU, AND SKYSCRAPER ARCHITECTURE (PAGES 893-900) 29-52 Luncheon Room Mackintosh Arts and Crafts style Figure #: Subject: Artist: Key Concept: 29-53 Staircase Horta Art Nouveau
- 18. 29-55 Casa Milá Gaudi Organic structure 29-56 The Kiss Klimt Fin de Siècle
- 19. Figure #: Subject: Artist: Key Concept: 29-57 Eiffel Tower Eiffel Steel 29-58 Marshall Field Richardson Interior steel frame
- 20. 29-59 Guaranty Building Sullivan Steel skyscraper Figure #: Subject: Artist: Key Concept: 29-62 Lotus lamp Tiffany Arts and Crafts