The document provides an overview of early Chinese and Korean art from Neolithic times through the Song Dynasty. It discusses the beginnings of Chinese civilization and influential religious beliefs like Daoism, Confucianism, and later Buddhism. Major artistic periods covered include the Shang Dynasty known for bronze work, the Qin and Han Dynasties notable for burial art, the Tang Dynasty marked by grottoes and cave paintings, and the Song Dynasty renowned for landscape painting. Korean art is also examined, including distinctive pottery and Buddhist influence on architecture like the granite Buddha at Sokkuram cave temple.
Gothic architecture, architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. In the 12th–13th centuries, feats of engineering permitted increasingly gigantic buildings
The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects.
A Brief History of Chinese Painting 3.0Jerry Daperro
A brief history of chinese paintings - 中國美術史
Two approaches to painting arts.
The development of Chinese painting took a different path to that of the West. In this very brief on the Chinese painting, we can see how culture, politics and society had shaped its development. In the West, religion and commissioning system have played a very important part in the history of western painting. Buddhism and Daoism in Chinese had the same kind of influence on Chinese paintings as its Western counterpart. But instead the imperial court and the intelligentsia were more important to the development of Chinese painting.
The two approaches were played to two different audiences. In the West it mainly aimed to the public and hang on palaces. In China paintings were appreciated in private, by individual and more likely to be found in library or private studies.
17 Aug 2016.
this is the presentation of Chinese art history these are the few collection of images of ancient Chinese history. hope you guys loved watching this ppt share this presentation
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
6. Figure 7-1 Yangshao Culture vases, from Gansu Province, China, mid third millennium BCE. Earthenware.
7. Figure 7-2 Guang, probably from Anyang, China, Shang dynasty, twelfth or eleventh century BCE. Bronze, 6 1/2” high. Asian Art Museum of San Francisco, San Francisco (Avery Brundage Collection).
8. Figure 7-3 Standing figure, from Sanxingdui, China, ca. 1200–1050 BCE. Bronze, 8’ 5” high, including base. China Cultural Relics Promotional Center, Beijing.
9. Figure 7-4 Bi (disk), from Jincun(?), China, Eastern Zhou dynasty, fourth to third century BCE. Nephrite, 6 1/2” in diameter. Nelson-Atkins Museum of Art, Kansas City.
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11. Figure 7-5 Army of the First Emperor of Qin in pits next to his burial mound, Lintong, China, Qin dynasty, ca. 210 BCE. Painted terracotta, average figure 5’ 10 7/8” high.
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14. Figure 7-8 Model of a house, Han dynasty, first century CE. Painted earthenware, 4’ 4” high. Nelson-Atkins Museum of Art, Kansas City.
15. Figure 7-9 Shakyamuni Buddha, Zhao Dynasty, Period of Disunity, 338. Gilded bronze, 1’ 3 1/2” high. Asian Art Museum of San Francisco, San Francisco (Avery Brundage Collection).
16. Figure 7-10 GU KAIZHI, Lady Feng and the Bear, detail of Admonitions of the Instructress to the Court Ladies, Period of Disunity, late fourth century. Handscroll, ink and colors on silk, 9 3/4” X 11’ 4 1/2”. British Museum, London.
20. Figure 7-15 Attributed to YAN LIBEN, Emperor Xuan and attendants, detail of The Thirteen Emperors, Tang dynasty, ca. 650. Handscroll, ink and colors on silk, detail: 1‘ 8 1/4” X 1’ 5 1/2”; entire scroll, 17’ 5” long. Museum of Fine Arts, Boston.
21. Figure 7-16 Palace ladies, detail of a wall painting in the tomb of Princess Yongtai, Qianxian, China, Tang dynasty, 706. Approx. 5’ 10” X 6’ 6”.
22. Figure 7-17 Neighing Horse, Tang dynasty, eighth to ninth century. Glazed earthenware, 1’ 8” high. Victoria and Albert Museum, London.
23. Figure 7-18 FAN KUAN, Travelers among Mountains and Streams, Northern Song period, early eleventh century. Hanging scroll, ink and colors on silk, 6’ 7 1/4” X 3’ 4 1/4”. National Palace Museum, Taibei.
24. Figure 7-19 Attributed to HUIZONG, Auspicious Cranes, section of a handscroll, Northern Song period, 1112. Ink and colors on silk, 1’ 8 1/8” X 4’ 6 3/8”. Liaoning Provincial Museum, Shenyang.
25. Figure 7-20 Meiping vase, from Xiuwi, China, Northern Song period, twelfth century. Stoneware, Cizhou type, with sgraffito decoration, 1’ 7 1/2” high. Asian Art Museum of San Francisco, San Francisco (Avery Brundage Collection).
28. Figure 7-22 Plan and cross-section of Foguang Si Pagoda, Yingxian, China, Liao Dynasty, 1056. (after L. Liu)
29. Figure 7-23 MA YUAN, On a Mountain Path in Spring, Southern Song period, early thirteenth century. Album leaf, ink and colors on silk, 10 3/4” X 17”. National Palace Museum, Taibei.
30. Figure 7-24 ZHOU JICHANG, Arhats Giving Alms to Beggars, Southern Song period, 1184. Ink and colors on silk, 3’ 8” X 1’ 9”. Museum of Fine Arts, Boston.
31. Figure 7-25 LIANG KAI, Sixth Chan Patriarch Chopping Bamboo, Southern Song period, early thirteenth century. Hanging scroll, ink on paper, 2’ 5 1/4” high. Tokyo National Museum.
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33. Figure 7-27 Shakyamuni Buddha, at entrance to cave temple, Sokkuram, Korea, Great Silla, 751–774. Granite, approx. 11’ high.
