Futurism..
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Futurism was an early 20th century art movement founded in Italy in 1909 that celebrated modern technology and urbanization. It contrasted with Romanticism's focus on nature. Futurist artworks depicted speed, machines, cities, and motion through techniques like fragmented lines and unusual angles to incorporate time into static paintings. Examples include Giacomo Balla's paintings of movement like Street Light and Swifts: Paths of Movement. The movement declined in the 1920s but influenced later art styles.
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This document provides information on several Italian Futurist artists and their works from 1908-1914 including Giacomo Balla, Gino Severini, Umberto Boccioni, and Carlo Carra. It lists the titles, dates, materials, dimensions and locations of approximately 30 paintings and sculptures by these artists that exemplify their Futurist styles of capturing motion, speed, and dynamism.
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Aula - Degas, Toulouse - Lautrec e Seurat
This document provides information on various artworks by Georges Seurat, Pierre Puvis de Chavannes, Edgar Degas, Hiroshige, Hokusai, Utamaro, and Kitagawa. It includes the title, date, medium, dimensions and current location of over 50 paintings, drawings, prints and photographs by these artists spanning from the 15th century to the late 19th/early 20th century. The artworks depicted a wide range of subjects including landscapes, figures, portraits and scenes of daily life.
Modernism in Art: An Introduction: 'Standing in the sumit...' Futurisms' bec...
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Chapter 9 european art after cubism
1) Several European avant-garde art movements emerged in the early 20th century in response to industrialization, including Cubism, Futurism, Vorticism, and Rayonism.
2) Futurism, founded in Italy, celebrated modern technology and the machine age, while Vorticism, centered in Britain, also incorporated Cubist and Futurist ideas in their rejection of the past.
3) Key figures experimented with depicting motion and multiple perspectives, like Boccioni's sculpture Unique Forms of Continuity in Space and Balla's Dynamism of a Dog on a Leash.
20th cent art
This document provides an overview of early 20th century modern art movements from 1900-1950, including Fauvism, Die Brucke, Der Blaue Reiter, Cubism, and key artists. It summarizes:
- Fauvism emerged around 1904-1908 in France, known for wild brushwork and bright, unnatural colors. Leaders were Matisse and Derain.
- Die Brucke formed in 1905 in Germany and emphasized emotional expression through color and distorted forms. Key members were Kirchner and Nolde.
- Der Blaue Reiter formed in Germany and promoted spiritual and symbolic uses of color. Kandinsky and Marc moved toward abstraction.
Aula - Literalidade e Experiência na Arte Contemporânea
This document provides information on artworks by several prominent modern artists including Joan Miró, Henri Matisse, Pablo Picasso, Constantin Brancusi, Alberto Giacometti, Andy Warhol, Donald Judd, Carl Andre, Gerhard Richter, Bram van Velde, Eva Hesse, and Richard Serra. It includes the titles, dates, materials, dimensions and current locations of each work. The artworks span several decades from the early 20th century to the late 20th century and include paintings, sculptures, prints and installations.
Modern art after 1940
The document provides an overview of major art movements and styles from 1945 to the present. It discusses Abstract Expressionism, Pop Art, Minimalism, and Postmodern architecture as some of the prominent developments. It also examines feminist art and conceptual art forms like performance, earthworks, and new media that combined art with other disciplines or eliminated the physical object. The document seeks to familiarize readers with influential artists, key works, styles, and theories across this period of modern to contemporary Western and American art.
The First Cry
The document discusses Constantin Brancusi's sculpture "The First Cry" from 1914. It provides background information on Brancusi's early studies for the sculpture from 1913. It also discusses the different materials and locations of various versions of "The First Cry" sculpture, including the polished bronze version from 1914 in the Art Gallery of Ontario that reduced the form to an egg shape.
Aula - Giacometti
This document provides information on artworks by Marc Chagall, Constantin Brancusi, and Alberto Giacometti. It includes titles, dates, materials, dimensions and current locations for 15 different sculptures and paintings by these three modern artists ranging from 1911 to 1956. The artworks include figures, portraits and abstract forms in media such as oil on canvas, marble, brass and bronze.
ARH 151 Chapter 21 Guide The New York School • Abstr.docx
ARH 151 Chapter 21 Guide
The New York School
• Abstract Expressionism emerged in New York in the mid-20th century.
• The art of the New York School emphasized:
- spontaneity.
- gestural brushstrokes.
- nonobjective imagery.
- fields of intense color.
• Some Abstract Expressionists, like Jackson Pollock, focused on gestural painting methods.
• Other Abstract Expressionists, like Mark Rothko, explored subtle interactions of color.
Jackson Pollock
• Gestural painting method
• “Action painting”
1 - Fig. 21.1 Jackson Pollock at work in his Long Island studio (1950).
2 - Fig. 21.2 Jackson Pollock, One (Number 31, 1950) (1950). Oil and enamel paint on canvas, 8’ 10” x 17’ 5 5/8”.
Joan Mitchell
• Second generation Abstract Expressionist
• Female artist whose gestural painting methods earned her recognition
3 - Fig. 21.5 Joan Mitchell, Cercando un Ago (1957). Oil on canvas, 94 1/8” x 87 5/8”.
4 - Joan Mitchell, Bonjour Julie (1971). Birmingham Museum of Art, Birmingham, AL.
Mark Rothko
• Chromatic painting
• “Floating squares of color”
5 - Fig. 21.6 Mark Rothko, Number 22 (1949). Oil on canvas, 117” x 107 1/8”.
6 - Fig. 21.7 Mark Rothko, Black on Grey (1970). Acrylic on canvas, 80 1/4” x 89”.
Post-Painterly Abstraction
• Color field painting & Amorphous shapes (Fig. 21.8)
• Hard-edge painting & shaped canvases (Fig. 21.14)
7 - Fig. 21.8 Helen Frankenthaler, The Bay (1963). Acrylic on canvas, 80 1/4” x 81 3/4”.
8 - Fig. 21.14 Frank Stella, Mas o Menos (More or Less) (1964). Metallic powder in acrylic emulsion on canvas, 118” x 164 1/2”.
Constructed Sculpture
9 - Fig. 21.9 David Smith, Cubi XVIII (1964). Stainless steel.
• Components of constructed sculpture may include materials such as rods, bars, tubes, planks,
dowels, blocks, fabric, wire, thread, glass, plastic, and machined geometric solids .
• David Smith burnished the surface of this constructed steel sculpture, leaving “gestural” marks
reminiscent of Pollock’s signature painting style.
Pop Art
10 - Fig. 21.17 Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). Collage, 10 1/4”
x 9 3/4”.
• Pop Art relies on universal images of popular culture, such as movie posters, billboards,
magazine and newspaper photographs, and advertisements.
• Through their selections of commonplace and familiar objects, as seen in Richard Hamilton’s
collage, Pop artists challenged commonplace conceptions about the meaning of art.
Robert Rauschenberg
11 - Fig. 21.18 Robert Rauschenberg, The Bed (1955). Combine painting; oil and pencil on pillow, quilt, and sheet on wood
supports. 75 1/4” x 31 1/2” x 6 1/2”.
• Combine paintings blurred the boundaries between painting and sculpture
• Rauschenberg aimed “to bridge the gap between art and life” in his selection of materials and
subject matter
Jasper Johns
12 - Fig. 21.19 Jasper Joh.
12 Realism to Impressionism
Slideshow complements Gardner's Art Through the Ages (Global) textbooks. Prepared for ART 102 - Montgomery County Community College - Jean Thobaben - Adjunct Instructor.
ARH 151 Chapter 19 GuideNeoclassicism· Modern art declared its o.docx
Neoclassicism emerged in the late 18th century as a rejection of the Rococo style. It featured harsh lines, subdued palettes, and classical subject matter. Jacques-Louis David was a leading Neoclassical painter who used themes like Napoleon's rule to promote ideals. Romanticism emerged alongside Neoclassicism and emphasized emotion and virtuosity over restraint. Realism and Impressionism developed in the 19th century, focusing on everyday subjects painted outdoors with light and color effects. Post-Impressionists like Van Gogh and Gauguin coordinated line, color, and symbolism in more experimental styles that influenced later movements.
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Futurism..
- 2. Futurism • international art movement founded in Italy in 1909 • contrast to Romanticism • speed, noise, machines, pollution, and cities • Fearing and attacking technology
- 3. • published by the poet Filippo Marinetti on the front page of the February 20, 1909, issue of Le Figaro • very first manifesto of this kind.
- 4. • Futurist painters made the rhythm of their repetitions of lines • Inspired by some photographic experiments, they were breaking motion into small sequences, and using the wide range of angles within a given time-frame all aimed to incorporate the dimension of time within the picture
- 5. • Brilliant colors and flowing brush strokes • mixed activism and artistic research • died out during the 1920s
- 6. Examples • Giacomo Balla (Italian, 1871-1958), Street Light (Lampada — Studio di luce), 1909, oil on canvas, 68 3/4 x 45 1/4 inches (174.7 x 114.7 cm), Museum of Modern Art, NY. An extra-large image of this painting.
- 7. • Giacomo Balla, Speeding Automobile (Automobile in corsa), 1912, oil on wood, 21 7/8 x 27 1/8 inches (55.6 x 68.9 cm), Museum of Modern Art, NY.
- 8. • Giacomo Balla, Abstract Speed — The Car has Passed, 1913, oil on canvas, 50.2 x 65.4 cm, Tate Gallery, London.
- 9. • Giacomo Balla, Figure in Movement, 1913, pencil and waterc olor on paper, 22.5 x 29.5 cm, Tehran Museum of Contemporary Art, Iran.
- 10. • Giacomo Balla, Swifts: Paths of Movement + Dynamic Sequences (Volo Rondini Grondaia Cielo), 1913, oil on canvas, 38 1/8 x 47 1/4 inches (96.8 x 120 cm), Museum of Modern Art, NY.
- 11. • Joseph Stella (American, 1877- 1946), Battle of Lights, Coney Island, c. 1913-14, oil on canvas, 39 x 29 1/2 inches, Sheldon Memorial Art Gallery and Sculpture Garden, U of Nebraska, Lincoln. One of very few American Futurists, Stella's contribution to Futurism is contained in a series of paintings celebrating the dynamism of New York's Brooklyn Bridge and Coney Island. This painting seems to be a kind of final synthesis of the series as a whole.
- 12. • Umberto Boccioni (Italian, 1882-1916), The City Rises (La città che sale / La ville qui monte), 1910, oil on canvas, 6 feet 6 1/2 inches x 9 feet 10 1/2 inches (199.3 x 301 cm), Museum of Modern Art, NY. Boccioni also produced a Study for The City Rises, 1910, crayon, chalk and charcoal on paper, 23 1/8 x 34 1/8 inches (58.8 x 86.7 cm).
- 13. • Umberto Boccioni, The Laugh (La risata), 1911, oil on canvas, 43 3/8 x 57 1/4 inches (199.3 x 301 cm), Museum of Modern Art, NY.
- 14. • Gino Severini (Italian, 1883-1966), Dynamic Hieroglyphic of the Bal Tabarin, 1912, oil on canvas with sequins, 63 5/8 x 61 1/2 inches (161.6 x 156.2 cm), Museum of Modern Art, NY.
- 15. • Gino Severini, Armored Train in Action (Train blindé en action), 1915, oil on canvas, 45 5/8 x 34 7/8 inches (115.8 x 88.5 cm), Museum of Modern Art, NY.
- 16. • Luigi Russolo (Italian, 1885-1947), Dynamism of an Automobile, 1912- 1913, oil on canvas, 106 x 140 cm, Georges Pompidou Center, Paris.
- 17. • Marcel Duchamp, The Passage from Virgin to Bride (Le passage de la vierge à la mariée, July- August, 1912, oil on canvas, 23 3/8 x 21 1/4 inches (59.4 x 54 cm), Museum of Modern Art, NY.