Ap art history outline for notes ch.24
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This document provides a note-taking outline for an AP Art History chapter on Baroque art in Europe between the 17th-18th centuries. It includes key vocabulary terms and over 70 figures with subjects of important artworks from the period, the artists who created them, and brief concepts about each. The chapter covers art from the Catholic Church and papacy, as well as from France, Spain, the Netherlands, England, and the development of royal portraiture and architecture.
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Ap art history outline for notes ch.34
This document provides an outline for an AP Art History chapter on art from the modern to postmodern era in the late 20th century. It includes key vocabulary terms and figures with brief descriptions of works categorized into sections on modernism, sculpture/performance/conceptual art, superrealism/environmental art/architecture, and new media. Major artists mentioned include Pollock, De Kooning, Rothko, Smith, Stella, Bacon, Giacometti, Johns, Rauschenberg, Lichtenstein, Warhol, Chicago, Hammons, and Viola. The figures explore themes of formalism, expressionism, minimalism, conceptual art, pop art, earth art, and works addressing politics, mass
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This document provides information about Impressionism, a style of art that emerged in Europe in the late 19th century. Some key points:
- Impressionist artists aimed to capture fleeting impressions and the effects of light on their subjects. They would paint outdoors to accurately depict how color appears at different times of day.
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The document compares and contrasts the Neoclassical and Romantic art movements between 1740-1850. Neoclassicism was influenced by Enlightenment ideals and featured logical, realistic depictions of classical themes. Romanticism emerged in reaction to Neoclassicism, prioritizing emotion and dramatic compositions over logic. It sought to portray current events and evoke feelings in viewers. Both movements were responses to their historical contexts, including revolutions and new scientific discoveries of the time.
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The document provides an overview of Neoclassicism and Romanticism in the arts during the late 18th and early 19th centuries. Neoclassicism drew inspiration from classical antiquity and was characterized by order, restraint, and idealized historical subjects. Leading artists included Jacques-Louis David and Jean Auguste Dominique Ingres. Romanticism emphasized emotion, nature, and individualism in reaction to Neoclassicism's restraint. Key Romantic artists were Eugène Delacroix, Francisco Goya, and landscape painters of the Barbizon school like Théodore Rousseau. Both periods saw developments in painting, sculpture, and architecture inspired by Greek and Roman styles.
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This document provides an overview of art from the modern to postmodern eras in the later 20th century. It discusses how World War 2 shifted the center of western art from Paris to New York. Modernist styles like abstract expressionism, minimalism, and conceptual art are examined. The document also explores postmodern reactions like pop art, earthworks, and new organic architectures. Key artists and their representative works from each movement are illustrated to understand the theories and styles and critique of modernism in late 20th century art.
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Ap art history outline for notes ch.24
- 1. AP Art History Note-taking Outline—Chapter 24 POPES, PEASANTS, MONARCHS, AND MERCHANTS: BAROQUE ART (Mnemonic: “If it’s not Baroque, don’t fix it”) KEY VOCABULARY (not including artists’ names or works) Quadro riportato still life camera obscura Galerie des Glaces Versailles baldacchino Tenebroso Las Meninas Baroque Façade piazza tripartite façade Holofernes and Judith Figure #: Subject: Artist: Key Concept: 24-2 St. Peter’s façade Maderno Completion 24-3/4 Piazza Bernini Welcoming arms
- 2. Figure #: Subject: Artist: Key Concept: 24-5 Baldacchino Bernini Extravagance 24-7 David Bernini Baroque dynamic 24-9 Ecstasy of St. Theresa Bernini Baroque drama
- 3. Figure #: Subject: Artist: Key Concept: 24-10 Façade of San Carlo Borromini Baroque complex 24-16 Inner dome Guarini Baroque dynamic 24-18 Conversion of St. Paul Caravaggio Baroque drama
- 4. Figure #: Subject: Artist: Key Concept: 24-19 Calling of Matthew Caravaggio Baroque light 24-20 Entombment Caravaggio Composition 24-21 Judith Slaying Holofernes Gentileschi Woman artist
- 5. Figure #: Subject: Artist: Key Concept: 24-22 Flight into Egypt Carracci Classical ideal 24-23 Ceiling of Farnese Carracci Quadro riportato 24-28 Martyrdom of St. Bartholomew Ribera Spanish drama
- 6. Figure #: Subject: Artist: Key Concept: 24-33 Las Meninas Velazquez Spanish royalty 24-34 Elevation of the Cross Rubens Flanders Baroque 24-37 Allegory of War Rubens Baroque allegory
- 7. Figure #: Subject: Artist: Key Concept: 24-38 Charles I Van Dyck Pose and portrait 24-42 Archers Frans Hals Dutch life 24-44 Anatomy Lesson Rembrandt Baroque diagonal
- 8. Figure #: Subject: Artist: Key Concept: 24-47 Self-Portrait (1659) Rembrandt Psychological 24-48 Christ with the Sick Rembrandt Etching 24-49 Self-portrait Leyster Woman artist
- 9. Figure #: Subject: Artist: Key Concept: 24-51 View of Haarlem Van Ruisdael Dutch landscape 24-52 The Letter Vermeer Light and culture 24-56 Still Life Kalf Color and allegory
- 10. Figure #: Subject: Artist: Key Concept: 24-59 Burial of Phocion Poussin French classicism 24-60 Landscape Lorrain French classical 24-62 Family Le Nain French realism
- 11. Figure #: Subject: Artist: Key Concept: 24-65 Louis XIV Rigaud Royal portraiture 24-67 Versailles Perrault/Le Brun Royal architecture 24-72 Dome of the Invalides Mansart French classical
- 12. Figure #: Subject: Artist: Key Concept: 24-74 St. Paul’s Wren English classical