Ap art history outline for notes ch.34
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This document provides an outline for an AP Art History chapter on art from the modern to postmodern era in the late 20th century. It includes key vocabulary terms and figures with brief descriptions of works categorized into sections on modernism, sculpture/performance/conceptual art, superrealism/environmental art/architecture, and new media. Major artists mentioned include Pollock, De Kooning, Rothko, Smith, Stella, Bacon, Giacometti, Johns, Rauschenberg, Lichtenstein, Warhol, Chicago, Hammons, and Viola. The figures explore themes of formalism, expressionism, minimalism, conceptual art, pop art, earth art, and works addressing politics, mass
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Beckmann
Max Beckmann (1884-1950) was a German artist known for his expressive and symbolic works. [1] Beckmann viewed the world as a lonely, empty void that humans try to cover up with ideas like nation, love, and art. [2] His paintings, such as The Night (1918-19), use symbolism and allegory to express his bleak perspective on humanity and society. [3] Beckmann's self-portraits, like Self-Portrait with a Cigarette (1923), also reflect his changing moods and role as an artist over the years.
Mark rothko
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The document provides an overview of Gothic art and architecture from the 12th to 15th centuries in Europe. It discusses key developments and monuments of Early Gothic, High Gothic, and Late Gothic styles. Specifically, it examines the innovations of Abbot Suger at Saint-Denis that established characteristics of French Gothic architecture like rib vaults and stained glass windows. It then analyzes major Gothic cathedrals built in France, including Chartres, Notre-Dame de Paris, Laon, and Amiens, noting their architectural features and sculpture programs.
Art History Mesopotamia ppt.
The document discusses the rise of civilization in the Ancient Near East from 3500 BCE to 636 CE. It summarizes the key developments and artistic styles of ancient Mesopotamian cultures like the Sumerians, Akkadians, Babylonians, Assyrians, and Persians. The art evolved from early pictographs to more naturalistic sculptures and reliefs depicting important historical and religious narratives. Architecture advanced from temples and ziggurats to massive palaces and fortified cities.
Art history chap._24_a
The document provides an overview of Baroque art and architecture in 17th century Europe. It discusses key Italian Baroque artists like Bernini, Borromini, Caravaggio and their major works. Bernini's designs completed St. Peter's Basilica in Rome and included the baldachin and Scala Regia. Borromini's buildings featured dynamic curved facades and interiors like at San Carlo alle Quattro Fontane. Caravaggio introduced dramatic realism through paintings like the Conversion of Saint Paul.
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Similar to Ap art history outline for notes ch.34
Europe and US, 1945-70
This document summarizes major artistic movements and events in Europe and America between 1945-1970. It describes how abstract expressionism emerged in the postwar period as a rejection of objective representation. Figures like Pollock and de Kooning embraced gestural abstraction and an emphasis on the act of painting. In the 1960s, pop art arose as a commentary on consumer culture and mass media, as seen in the works of Warhol and Lichtenstein. Minimalism rejected expressionism in favor of pure abstraction using the inherent qualities of materials. Superrealism aimed for photorealistic depiction of everyday subjects and scenes.
Abstract expressionism and the rise of formalism .fys pptx
This document discusses the rise of formalism in art and its relationship to political and cultural contexts. It provides background on Expressionism and defines key terms like formalism and modernism. Clement Greenberg is discussed as a major art critic who championed Abstract Expressionism and formalism. He argued that art should focus solely on its formal qualities and maintain purity from mass culture. The CIA is also mentioned as covertly promoting Abstract Expressionist art during the Cold War to promote American cultural values over Soviet communism.
Abstract expressionism and the rise of formalism copy
Modernism refers to a 20th century movement in the arts that rejected realism and romanticism. Abstract Expressionism was an influential modernist movement in American painting in the 1940s-1950s. It emphasized non-representational forms and the physical act of painting. Critics like Clement Greenberg played a key role in promoting Abstract Expressionism by emphasizing its formal qualities and "purity" over other concerns. Greenberg argued that each artistic medium should focus on its unique properties to avoid becoming kitsch. This view helped establish Abstract Expressionism as the leading avant-garde movement in American art during the Cold War period.
Unit 21 pics a
After World War II, art moved away from modernism and toward postmodernism. Postmodern art explored identity, politics, and the relationship between art and mass culture. Styles included abstract expressionism, minimalism, pop art, conceptual art, and earthworks. Artists like Pollock, Rothko, and Judd created abstract works that emphasized process, emotion, and the qualities of materials over recognizable subjects. Later artists engaged popular culture and examined the definition of art through new media.
Potd22 abstract expressionism
This POTD is Abstract Expressionism. We're getting to actual "Painting of the Days" slowly but surely. Feedback is appreciated.
Potd22 abstract expressionism
Abstract Expressionism run-down. NYC art movement of the late 40's to late 50's shifted the focus of the art world from Europe to New York. See POTD
ART102Art History IIUnit 8 LecturePost-War to Contemp.docx
ART102
Art History II
Unit 8 LecturePost-War to
Contemporary Art
1945-1980
The end of World War II marked the end of a
16 year history of poverty and despair for the
world. European painters from the Surrealist and
Dadaist camps were emigrating to New York City,
where American artists like Jackson Pollock were
studying with them. Abstract Expressionism is the
result of this collaboration. Working in purely non-
objective compositions, these action paintings are
meant to evoke rhythm, overwhelming movement
and improvisation of material. Pollock used
numbers as titles to avoid using any text that could
imply a theme.
One: Number 31
Woman I
No. 61
Odalisk
Three Flags
The Bay
Drowning Girl
Gold Marilyn Monroe
Untitled
Triptych
Running Fence
The Prevalence of
Ritual: Baptism
The Dinner Party
Vietnam Veteranโs
Memorial
To the Unknown Painter
Horn Players
Jackson Pollock
One: Number 31
Ca. 1950
Enamel on canvas
Museum of Modern Art, New York
Willem de Kooning
Woman I
Ca. 1950-1952
Oil on canvas
Museum of Modern Art, New York
De Kooning, another abstract expressionist,
returned to paint the figure after a series of purely
abstract pieces.
Using a female nude as a subject a subject matter is
a direct reference to the traditions of Western art
as we have seen throughout the course. The way it
is being painted is very different.
De Kooning would attack the canvas, aggressively
paint, wipe down, re-paint the surface, upwards of
60 times on one canvas, until it started to fall apart.
He was quite literally wrestling out his ideas through
the act of painting.
His style appears aggressive, his female appears
manipulated through the marks, and the result is
overwhelming. It is supposed to be open to personal
interpretations, yet de Kooning was surprised that
viewers did not see the humor in his parody.
One: Number 31
Woman I
No. 61
Odalisk
Three Flags
The Bay
Drowning Girl
Gold Marilyn Monroe
Untitled
Triptych
Running Fence
The Prevalence of
Ritual: Baptism
The Dinner Party
Vietnam Veteranโs
Memorial
To the Unknown Painter
Horn Players
Artists like Mark Rothko, who is also considered an
abstract expressionist, has a completely different
approach to painting.
The desire for non-objective art is still important,
also the desire to create imagery meant to evoke
emotion when viewing.
Rather than achieving that through action and
gestures, Rothko uses color-field painting: large,
simple planes of color that quietly interact with each
other and implies a meditative state.
This tradition of color-field painting can be seen in
the past works of Joan Miro.
Abstract Expressionism only lasted around ten
years, but itโs impact was profound.
Mark Rothko
No. 61
Ca. 1953
Oil on canvas
Museum of Contemporary Art,
Los Angeles
One: Number 31
Woman I
No. 61
Odalisk
Three Flags
The Bay
Drowning Girl
Gold Marilyn Monroe
Untitled
Triptych
Running Fence
The Prevalence of ...
Totalitarism in Art
The document discusses the art of totalitarian regimes such as Nazi Germany, Stalinist Soviet Union, and Fascist Italy between 1922-1953. It describes how the dictators manipulated art to promote their ideologies and glorify themselves and the state. Art focused on themes like large public works, portraits of leaders, and the idealization of the body. Specific artists and styles endorsed by each regime are also mentioned. The objective was to use art for propaganda purposes rather than individual expression.
Abstractexpressionism 3rdppt-130423091945-phpapp02
The document summarizes Abstract Expressionism, a post-World War II art movement. It discusses the main influences of surrealism, cubism and impressionism. It profiles several prominent Abstract Expressionist artists like Pollock, de Kooning, and Rothko who pioneered techniques like drip painting and color field painting. These artists sought to evoke emotion through unconventional uses of color, texture and scale. While controversial initially, Abstract Expressionism came to be accepted and boosted public morale in the postwar period in the United States.
Week 9 abstract expressionism
Abstract Expressionism emerged in the late 1940s as a radical new art movement in America that focused on formal qualities and emphasized the autonomy of art over political or social concerns; critics like Clement Greenberg championed Abstract Expressionism and formalism, arguing that art should separate itself from mass culture and popular tastes through an emphasis on formal innovation and medium-specific purity; Greenberg's theories helped establish Abstract Expressionism as the leading avant-garde movement in America and positioned it as an anti-communist symbol during the Cold War era.
Week 6 Lecture, 20th Century
- In the 1940s, American artists distanced themselves from politically driven avant-garde styles and Marxism. Diego Rivera included communist imagery in his Rockefeller Center mural, causing controversy.
- Surrealist artists like Andre Breton and Wolfgang Paalen experimented with automatism and techniques like frottage and fumage. Many European surrealist artists fled to the US to escape Nazi persecution.
- Abstract expressionism emerged in the late 1940s in New York, exemplified by artists like Pollock, Rothko, Motherwell, and de Kooning. Pollock's drip paintings in the late 1940s were especially influential in establishing this new American style of abstract art.
Art History Final Presentation - Shayna Hirsch
The document compares and contrasts the Neoclassical and Romantic art movements between 1740-1850. Neoclassicism was influenced by Enlightenment ideals and featured logical, realistic depictions of classical themes. Romanticism emerged in reaction to Neoclassicism, prioritizing emotion and dramatic compositions over logic. It sought to portray current events and evoke feelings in viewers. Both movements were responses to their historical contexts, including revolutions and new scientific discoveries of the time.
Abstract Art
Basic information on abstract art. What is abstract art? What are you looking at when you see abstract art? is abstract art a type of art at all? abstract art Examples. Abstract art project/ presentation. famous abstract artworks.
1.1 Intro Art Since 1945
This document provides an introduction to an art history course on contemporary art since 1945. It discusses how postwar art challenged expectations of what art should look like, moving away from traditional subjects and embracing abstraction. Modernism is defined as favoring non-representational forms and the autonomy of art. However, postmodernism emerged as a reaction against some tenets of modernism, incorporating eclectic styles and questioning notions of progress. The reading explores the development of avant-garde art and its relationship to social and political currents over this period.
Modernism postmodernism
After World War 2, the art world underwent major changes and disruptions. Modernism shifted from Paris to New York City and took on a stricter formalism under the influence of Clement Greenberg. In Europe, art reflected existentialist themes of despair through works like Francis Bacon's painting. Abstract Expressionism emerged in New York featuring gestural paintings like Pollock's. Minimalism and Pop Art also emerged, simplifying forms and using imagery of mass culture. New movements challenged assumptions through Happenings, Conceptual art, and Land art. Architecture integrated sculpture and structure in works like Wright's Guggenheim Museum.
Abstract Expressionism
The document summarizes Abstract Expressionism, a major art movement that emerged in post-World War 2 America. It outlines the key influences of surrealism, cubism and impressionism. It then profiles some of the major artists like Pollock, de Kooning and Rothko who pioneered techniques like action painting and color field painting. Their work expressed angst over World War 2 and reacted against social pressures through bold uses of color and brushwork. While controversial initially, abstract expressionism came to be accepted and boosted public morale during a difficult time.
Painting
The document discusses various styles and movements in postmodernist painting from the 1960s onward. It covers pop art, photorealism, bad painting, and how postmodernism emerged in opposition to modernist painting. Examples are given of seminal works from artists such as Andy Warhol, Roy Lichtenstein, Chuck Close, and Jean-Michel Basquiat that helped define these postmodernist movements and challenge definitions of what constitutes a painting.
Europe and America, 1930-45
The document discusses art and architecture in America and Europe between 1930-1945. It describes works by Grant Wood, Dorothea Lange, and Jacob Lawrence that captured the struggles of the Great Depression in America. In Europe, Picasso's Guernica commented on the fascist bombing in Spain. The Bauhaus school and works by Le Corbusier and Frank Lloyd Wright pioneered the International Style of modern architecture using steel, concrete, and open floor plans.
Politics and art 1900 1940 presentation
This document discusses the relationship between politics and art in Europe from 1900 to 1940. It notes that many modern art movements like Fauvism, German Expressionism, Cubism, Futurism, Constructivism, Dada, and Surrealism emerged during this period of political upheaval including two world wars, socialist revolution in Russia, and the rise of fascism. It provides examples of artworks from these movements and discusses how artists engaged with politics through their work, whether directly commenting on events or embracing new aesthetics that challenged traditional forms of art. The document considers how the monetary value of art from this period has changed over time and debates what defines political art.
Mid 20th cent 2018
In the early 20th century, the center of the art world moved from Paris to New York. Major developments included Social Realism, Abstraction, Cubism influenced by African art, and the Armory Show which introduced European modernism to America. In the 1950s-60s, Pop Art emerged in response to Abstract Expressionism, appropriating images from popular culture. Other movements included Color Field painting, Earth works, and Dada/Surrealism with its emphasis on the subconscious. Key artists mentioned include Pollock, Rothko, Warhol, Duchamp, Kahlo, and Oldenburg.
Similar to Ap art history outline for notes ch.34 (20)
Abstract expressionism and the rise of formalism .fys pptx
Abstract expressionism and the rise of formalism .fys pptx
ย
Abstract expressionism and the rise of formalism copy
Abstract expressionism and the rise of formalism copy
ย
ART102Art History IIUnit 8 LecturePost-War to Contemp.docx
ART102Art History IIUnit 8 LecturePost-War to Contemp.docx
ย
Abstractexpressionism 3rdppt-130423091945-phpapp02
Abstractexpressionism 3rdppt-130423091945-phpapp02
ย
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- 1. AP Art History Note-taking OutlineโChapter 34 FROM THE MODERN TO THE POSTMODERN AND BEYOND: THE LATER 20TH CENTURY (Mnemonic: โModernism and โLess is Moreโ to Postmodernism and โLess is a Bore!โโ) KEY VOCABULARY (not including artistsโ names or works) Modernism Formalism Postmodernism Modernist Formalism abstract expressionism Minimal Art Post-Painterly Abstraction Color-Field Painting Conceptual Art โNon-Artโ Performance Art Pop Art Earth Art SECTION I: MODERNISM, FORMALISM, EXPRESSIONISM (PAGES 1031- 1043) Figure #: Subject: Artist: Key Concept: 34-1 Painting Francis Bacon Brutality of War 34-3 Man Pointing Giacometti Existential Human
- 2. Figure #: Subject: Artist: Key Concept: 34-4 Number 1, 1950 Pollock Abstract expression 34-6 Woman I De Kooning Raw abstraction 34-8 No. 14 Rothko Meaning in color
- 3. Figure #: Subject: Artist: Key Concept: 34-9 Cubi XIX David Smith Stainless steel weld 34-11 Mas o Menos Frank Stella Purity of paint 34-14 Die Tony Smith Minimal art
- 4. SECTION II: SCULPTURE, PERFORMANCE ART, CONCEPTUAL ART, POP ART (PAGES 1043-1054) Figure #: Subject: Artist: Key Concept: 34-16 Vietnam Wall Maya Ying Lin Power of minimal 34-19 Hang-Up Eva Hesse โNon-Artโ art 34-25 One and Three Chairs Kosuth Conceptual art
- 5. Figure #: Subject: Artist: Key Concept: 34-26 The True Artist. . . Nauman Conceptual art 34-27 Just What Is It. . .? Hamilton Pop art 34-28 Flag Jasper Johns Commonly seen
- 6. Figure #: Subject: Artist: Key Concept: 34-29 Canyon Rauschenberg Combines media 34-30 Hopeless Lichtenstein Art in cartoons 34-31 Green Coca-Cola Bottles Warhol Repetition is art
- 7. Figure #: Subject: Artist: Key Concept: 34-32 Marilyn Diptych Warhol Mass culture SECTION III: SUPERREALISM, ENVIRONMENTAL ART, ARCHITECTURE (PAGES 1054-1067) 34-34 Marilyn Flack Superrealism 34-37 Spiral Jetty Smithson Earth art
- 8. Figure #: Subject: Artist: Key Concept: 34-41 Guggenheim Museum F. L. Wright Organic forms 34-42 Notre-Dame-du-Haut Le Corbusier Sculpted forms 34-46 Seagram Building Rohe &Johnson Steel and glass
- 9. Figure #: Subject: Artist: Key Concept: 34-49 AT&T Building Johnson & Burgee Classic elements 34-52 Pompidou Center Rogers and Piano Deconstruction SECTION IV: NEW MEDIA (PAGES 1068-1090) 34-59 The Dinner Party Judy Chicago Celebrating women
- 10. Figure #: Subject: Artist: Key Concept: 34-70 Public Enemy Hammons Viewer introspection 34-71 Trade Quick-to-See Smith Native American 34-74 โWhen I put my hands. . .โ Wojnarowicz Dealing with AIDS
- 11. Figure #: Subject: Artist: Key Concept: 34-79 The Crossing Viola Digital Sensory Experience 34-82 A Short History of Modernist Painting Tansey Critique of art history