Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
Europeana Sounds: improving access to Europe’s digital audio archives Europeana_Sounds
Presentation by Bruno Sagna at the Workshop “Opening up the collection – reuse and publishing” of the LIBER Working Group “Digitial Collections”, 7 June 2016, Göttingen.
Europeana sounds: improving access to Europe's digital audio archivesEuropeana_Sounds
Presentation by Richard Ranft, coordinator for Europeana Sounds, at the Annual Conference of the Baltic Audiovisual Archival Council (europeanasounds.eu/event/baac-annual-conference-2014), 18 September 2014
This document summarizes the Europeana Sounds project, which aims to make more audio content available online by building a network of stakeholders to aggregate and enrich audio metadata. The three-year project is funded by the European Commission and involves 24 organizations from 12 countries working to develop the Europeana Music channel. This will provide search and playback of audio recordings through Europeana's portal and API to promote open access and reuse of sound collections.
- The EuropeanaLocal project aims to make digital cultural heritage content from local and regional European institutions accessible through Europeana.
- It focuses on helping smaller institutions overcome interoperability issues and make their metadata harvestable according to Europeana standards.
- Through EuropeanaLocal, millions of additional items from local and regional partners across Europe have been added to Europeana, significantly expanding its scope and cultural coverage.
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
This document summarizes the Europeana project and EUscreen project. Europeana aggregates metadata from content providers and makes it searchable. It provides enriched data back to providers. The EUscreen project builds on prior work to provide access to digitized television content from across Europe. It aims to develop technical and community solutions to support interoperable audiovisual collections.
Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
Europeana Sounds: improving access to Europe’s digital audio archives Europeana_Sounds
Presentation by Bruno Sagna at the Workshop “Opening up the collection – reuse and publishing” of the LIBER Working Group “Digitial Collections”, 7 June 2016, Göttingen.
Europeana sounds: improving access to Europe's digital audio archivesEuropeana_Sounds
Presentation by Richard Ranft, coordinator for Europeana Sounds, at the Annual Conference of the Baltic Audiovisual Archival Council (europeanasounds.eu/event/baac-annual-conference-2014), 18 September 2014
This document summarizes the Europeana Sounds project, which aims to make more audio content available online by building a network of stakeholders to aggregate and enrich audio metadata. The three-year project is funded by the European Commission and involves 24 organizations from 12 countries working to develop the Europeana Music channel. This will provide search and playback of audio recordings through Europeana's portal and API to promote open access and reuse of sound collections.
- The EuropeanaLocal project aims to make digital cultural heritage content from local and regional European institutions accessible through Europeana.
- It focuses on helping smaller institutions overcome interoperability issues and make their metadata harvestable according to Europeana standards.
- Through EuropeanaLocal, millions of additional items from local and regional partners across Europe have been added to Europeana, significantly expanding its scope and cultural coverage.
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
This document summarizes the Europeana project and EUscreen project. Europeana aggregates metadata from content providers and makes it searchable. It provides enriched data back to providers. The EUscreen project builds on prior work to provide access to digitized television content from across Europe. It aims to develop technical and community solutions to support interoperable audiovisual collections.
Olaf Janssen on benefits of collaboration between Europeana and archives duri...Olaf Janssen
In this presentation Olaf Janssen - project manager at Europeana - introduces Europeana to the archival community.
He outlines the mutual benefits of collaboration between European archives and Europeana
Olaf held this talk during the APEnet General Assembly on 12-10-2009 in Lund, Sweden
The European Library - Connecting Knowledge - TELEuropeana
The document discusses the history and current state of The European Library. It launched in 2005 and provides access to over 23 million records from more than 2200 institutions across 33 European countries. It aggregates content from libraries, museums, archives and film archives through projects like Europeana. The NEW European Library is an important discovery tool that provides quality and value for both end users and libraries worldwide.
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Europeana is a digital portal that provides access to over 20 million digitized items from museums, libraries, archives and audiovisual collections across Europe. It was launched in 2008 with 2 million items and has since expanded significantly. Europeana aims to aggregate Europe's cultural heritage online, make the materials freely available, and engage users through the portal and social media platforms.
User engagement: The key element to Exhibitions and User Generated Content pr...EUscreen
Presentation by Aubéry Escande about how user engagement is the key element to exhibitions and user generated content projects.
Presented at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Workshop jointly hosted by CARARE and Europeana which took place at the University of Leiden, Faculty of Archaeology on 14 June 2017. The theme of the workshop was Archaeology and Architecture in Europeana.
Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
The document summarizes the history and activities of The European Library. It was launched in 2005 to provide access to library collections across Europe. It has grown to include over 23 million records from more than 2,200 institutions in 33 countries. The European Library also partners with Europeana to provide broader access to cultural heritage collections, such as libraries, museums, and archives. It continues working on projects to increase the number of partner institutions and collections available through this important discovery tool for researchers worldwide.
Why Europeana means opportunity for cultural entrepreneursEuropeana
Europeana provides open access to over 32 million digitized items from European cultural institutions, including books, photographs, paintings, and archival materials. It supports a community of over 2,500 members who contribute content and work together on technology and business opportunities. Europeana offers resources like its API and tools to developers, entrepreneurs, educators and others to support the creation of new applications and businesses that reuse cultural heritage content.
Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
This document discusses several locations that are considered sites of miracles or supernatural events:
- Terespol, Poland where an oily liquid flows from an icon of the Virgin Mary with reported healing properties
- Medjugorje, Bosnia and Herzegovina where the Virgin Mary has appeared to visionaries since 1981
- Sokółka, Poland where a Eucharistic miracle occurred involving a host and human heart tissue
- Akita, Japan where a statue of the Virgin Mary was reported to cry and bleed from 1973-1981
- Jasna Góra, Poland where the Black Madonna icon is located and many miracles of healing have been reported.
The document discusses the benefits of meditation for reducing stress and anxiety. Regular meditation practice can help calm the mind and body by lowering heart rate and blood pressure. Studies have shown that meditating for just 10-20 minutes per day can have significant positive impacts on both mental and physical health over time.
Olaf Janssen on benefits of collaboration between Europeana and archives duri...Olaf Janssen
In this presentation Olaf Janssen - project manager at Europeana - introduces Europeana to the archival community.
He outlines the mutual benefits of collaboration between European archives and Europeana
Olaf held this talk during the APEnet General Assembly on 12-10-2009 in Lund, Sweden
The European Library - Connecting Knowledge - TELEuropeana
The document discusses the history and current state of The European Library. It launched in 2005 and provides access to over 23 million records from more than 2200 institutions across 33 European countries. It aggregates content from libraries, museums, archives and film archives through projects like Europeana. The NEW European Library is an important discovery tool that provides quality and value for both end users and libraries worldwide.
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Europeana is a digital portal that provides access to over 20 million digitized items from museums, libraries, archives and audiovisual collections across Europe. It was launched in 2008 with 2 million items and has since expanded significantly. Europeana aims to aggregate Europe's cultural heritage online, make the materials freely available, and engage users through the portal and social media platforms.
User engagement: The key element to Exhibitions and User Generated Content pr...EUscreen
Presentation by Aubéry Escande about how user engagement is the key element to exhibitions and user generated content projects.
Presented at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Workshop jointly hosted by CARARE and Europeana which took place at the University of Leiden, Faculty of Archaeology on 14 June 2017. The theme of the workshop was Archaeology and Architecture in Europeana.
Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
The document summarizes the history and activities of The European Library. It was launched in 2005 to provide access to library collections across Europe. It has grown to include over 23 million records from more than 2,200 institutions in 33 countries. The European Library also partners with Europeana to provide broader access to cultural heritage collections, such as libraries, museums, and archives. It continues working on projects to increase the number of partner institutions and collections available through this important discovery tool for researchers worldwide.
Why Europeana means opportunity for cultural entrepreneursEuropeana
Europeana provides open access to over 32 million digitized items from European cultural institutions, including books, photographs, paintings, and archival materials. It supports a community of over 2,500 members who contribute content and work together on technology and business opportunities. Europeana offers resources like its API and tools to developers, entrepreneurs, educators and others to support the creation of new applications and businesses that reuse cultural heritage content.
Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
This document discusses several locations that are considered sites of miracles or supernatural events:
- Terespol, Poland where an oily liquid flows from an icon of the Virgin Mary with reported healing properties
- Medjugorje, Bosnia and Herzegovina where the Virgin Mary has appeared to visionaries since 1981
- Sokółka, Poland where a Eucharistic miracle occurred involving a host and human heart tissue
- Akita, Japan where a statue of the Virgin Mary was reported to cry and bleed from 1973-1981
- Jasna Góra, Poland where the Black Madonna icon is located and many miracles of healing have been reported.
The document discusses the benefits of meditation for reducing stress and anxiety. Regular meditation practice can help calm the mind and body by lowering heart rate and blood pressure. Studies have shown that meditating for just 10-20 minutes per day can have significant positive impacts on both mental and physical health over time.
Este documento presenta un manual integral de ITIL 2015. Contiene una introducción sobre ITIL, que describe a ITIL como una metodología para la gestión de servicios de TI que propone estándares, mejora continua de procesos y documentación. También incluye un capítulo que resume los principales aspectos del soporte a servicios y la provisión de servicios según ITIL, así como información sobre las certificaciones de EXIN e ISEB en tres niveles de gestión de servicios TI.
This document summarizes a legend about the devil Boruta from Polish folklore. Boruta was originally a poor forester who was rewarded with riches and nobility by King Carmir for helping him escape a swamp. However, Boruta became conceited in his new status. After death, he went to hell but was cunning enough to become the lord of all Polish devils. Boruta now resides in the ruins of his castle in the town of Łęczyca and is depicted in different forms guarding the castle's treasures and misleading travelers. The legend explains the origins of Boruta and his enduring presence around Łęczyca in Polish folk beliefs.
LoCloud geolocation enrichment tools: On the Maplocloud
Presentation given by (Stein) Runar Bergheim
Asplan Viak Internet AS, Norway
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Este documento describe un kiosco didáctico que permitiría a los estudiantes personalizar y imprimir materiales como monografías, biografías, mapas y esquemas de forma individual. El kiosco tendría una pantalla táctil para navegar entre opciones y permitiría seleccionar e imprimir solo el material necesario en diferentes formatos y colores. El objetivo es facilitar las tareas escolares de los estudiantes de manera más eficiente y sustentable.
Este documento presenta la ficha técnica de una empacadora fabricada en acero inoxidable. Proporciona detalles sobre las especificaciones, partes, función y procedimiento de limpieza y desinfección de la máquina. La empacadora se usa para envasar agua y tiene un motor de 1.2 HP, 1800 RPM, pesa 106 kg y funciona con 110V. El procedimiento de limpieza involucra lavar la máquina con jabón alcalino, enjuagar con agua y desinfectar con hipoclorito de sodio.
Digital Cultural Heritage: EU Policy and ActionsEuropeana
Javier Hernández-Ros (Head of Unit G2 – Creativity – DG Communication networks, Content and Technologies (CNECT)), 'Europeana for Smart Cities' Luxembourg Presidency, 14-15 October 2015, Luxembourg
This document summarizes funding opportunities and initiatives from the European Commission related to cultural heritage and the digital economy. It outlines recommendations and directives on digitizing cultural works. Major funding programs mentioned include Horizon 2020, which allocates €12.5 billion to ICT research, and the Connecting Europe Facility, which provides €1 billion for digital infrastructure projects like Europeana. Specific calls are noted that provide funding for areas like virtual museums, increasing access to cultural works, and boosting collaboration between artists and technologists.
The document presents information on encryption standards including Data Encryption Standard (DES), Triple DES (TDES), Advanced Encryption Standard (AES), and RSA. It discusses the encryption process, key features of standards such as block size and key size, and provides details on the algorithms and implementations of DES, TDES, and AES. Implementation results for DES and TDES are also presented, along with proposals for modified versions of TDES and DES with the goal of reducing area and power consumption.
Increasing Visibility of Cultural Heritage Objects: A Case of Turkish Conten...locloud
Presentation given by Bülent Yılmaz, Özgür Külcü, Tolga Çakmak
Hacettepe University Department of Information Management. Turkey
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
El documento describe los pasos para construir un invernadero, incluyendo los materiales necesarios como madera, polietileno y herramientas. Explica que un invernadero permite cultivar plantas fuera de temporada y mejorar la producción. También destaca los beneficios de los invernaderos para la agricultura y economía familiar.
Zuarguss / Personīgā attīstība
Digitālā Fabrika 2016, Rīgā
Veiksmīgas digitālās stratēģijas ražotne
Laikā, kad internetu izmanto vairāk kā puse Latvijas iedzīvotāju un tas ir kļuvis vieglāk pieejams kā svaigs gaiss, ir radīta Digitālā Fabrika. Tā ir vieta, kurā uzzināt digitālās pasaules jaunākās tendences un izzināt tēmas, kas palīdz biznesam atrast savus klientus un nodibināt veiksmīgu sadarbību.
Seko mums Facebook un Twitter
https://www.facebook.com/DigitalaFabrika/
https://twitter.com/digitalafabrika
Ieskats seminārā "Ķermeņa valodas lasīšana"Artis Ivanovs
Ieskats insideout.lv seminārā "Ķermeņa valodas lasīšana"
Preview for insideout.lv workshop "Reading of body language"
Vairāk informācijas // More info: www.insideout.lv
Stereotypes are overgeneralized beliefs about groups that may not accurately reflect individual members. They can negatively impact how people are perceived and treated based on characteristics like gender, ethnicity, age, and more. While stereotypes may provide a sense of predictability, relying on them risks missing each person's unique qualities and experiences.
Europe’s Common Cultural Heritage – Unity in Diversity: Digital Technologies ...Aneta Kozuchowska
Bellevue Programme 2011 - EU Seminar: Bruxelles, 2 March 2011. Presentation by Giuliana De Francesco (Ministry for Cultural Heritage, Italy, Stiftung Preussischer Kulturbesitz, Germany)
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
The e-documentation of the Past in 3D: A Challenge and a Risk for the Present...Marios Pitikakis
The e-documentation of the Past in 3D: A Challenge and a Risk for the Present and the Future. Presentation at VSMM09 Workshop on 3D Knowledge Technologies for Cultural Heritage Applications.
Enhancing user access to european digital heritageEuropeanaConnect
EuropeanaConnect is a project co-funded by the European Commission to build the technical infrastructure for Europeana and enhance user access to digital cultural heritage collections. It involves 30 partners from 14 countries and will add new audio content, build semantic capabilities, and develop multilingual and mobile access channels for Europeana. The project aims to better understand user needs through personas, surveys and testing and involve users in contributing annotations and comments.
Judaica Europeana provides a single access point through Europeana.eu to digitized Jewish heritage collections from various institutions. It documents Jewish history and culture in Europe, focusing on urban Jewish life. The project network includes 26 partners in Europe, Israel, and the US. Aggregating these collections through Europeana allows users to explore related content across borders and formats, benefiting research.
The document summarizes the National Library of Latvia (NLL) Project, which involves constructing a new building for the national library called the "Castle of Light", as well as several related digital library and information network initiatives. It discusses how the project has received international support through UNESCO resolutions, and has led to synergies like the development of the State Unified Library Information Network (Light Net) and Digital Library (Lighthouse), as well as renovations of municipal libraries around Latvia.
Europeana is a digital platform that provides access to millions of digitized items from European cultural heritage institutions. It was established in 2006 with a vision of creating a common access point for Europe's distributed digital cultural heritage. The Europeana Foundation oversees the development and operation of Europeana. Content comes from various aggregators and projects and represents different domains and countries. Providing metadata according to Europeana standards enables institutions to contribute content and gain benefits like increased visibility and exchange of best practices. The Rhine release in 2010 aimed to provide access to 10 million items.
The Europeana Music Collections presented at EVA/MINERVA 2015 http://www.digital-heritage.org.il/program2015.html on 2015-11-09
These slides supported a presentation of the Europeana Music Collections, built on the Europeana platform, as part of a session on making audio-visual collections from libraries, archives and museums more available online.
The document introduces the Europeana Music Collections, which is a thematic collection within Europeana Collections focused on music-related content. It will include music recordings, sheet music, images of musical instruments and performers, and other texts about music history. The presentation provides an overview of Europeana Collections and thematic collections, previews the music collection content and demo site, and outlines the launch timeline and opportunities to get involved by sharing or curating music-related data and collections.
Europeana er ein felles fleirspråkleg portal som gir brukarane tilgang til digitalt materiale frå ABM institusjonar i heile Europa. Komen vil fortelje om uviklinga av Europeana, demonstrere Europeana-prototypen og gi eit oversyn over relaterte prosjekt.
The document discusses the launch of the Europeana Music Collections, which will showcase music-related collections from across Europe. It provides an overview of the thematic collection capabilities being added to Europeana, with music being the first theme. The music collections will include recordings, sheet music, images related to music history, and other materials. The presentation demonstrates the music collections website, outlines the launch timeline, and discusses future developments and how people can get involved.
LoCloud: Local content in the Europeana cloud overview, Kate Fernielocloud
The LoCloud project aims to add over 4 million digital resources from small and medium-sized cultural institutions to Europeana. It seeks to make it easier for these institutions to provide quality content and increase local history and heritage resources available. This will enable more views of content related to local areas for education, tourism, and creativity. The project is funded by the European Commission and involves cultural organizations across Europe digitizing collections and publishing them online through Europeana to transform the world with culture.
EuropeanaConnect is a 2.5 year, €5.6 million project funded by the European Commission to enhance Europeana. It involves 30 partners from 14 countries led by the Austrian National Library. The project aims to add audio content to Europeana, build tools for users, develop the semantic layer and multilingual access, create licensing frameworks and services, and provide infrastructure support. To date it has aggregated over 151,000 audio items and files from 165 collections and made them available through Europeana.
Challenges and opportunities of aggregating multiple databases in EuropeanaDavid Haskiya
Presentation about Europeana made at the SHIPWHER (http://www.muinas.ee/shipwher-1 ) project's final seminar. It's a pretty general introduction to Europeana but with some focus on how Europeana could become a more useful service for maritime archaeologists and historians.
The document provides information about Europeana, a digital platform that aggregates and provides access to millions of books, paintings, films, museum objects and archival documents that have been digitized throughout Europe. It discusses Europeana's vision of making cultural heritage openly accessible online to promote cultural understanding. Key points include that Europeana receives content from over 2,200 providers, has over 26 million digitized objects, and uses an API to allow developers to build apps and websites that incorporate Europeana content.
A few metrics about Open Data in the cultural sectorJoris Pekel
Presentation at the Open Knowledge Conference in Geneva. Here I talked about the importance of good quality metadata and open licenses in order to get institutions data to be found, and included some metrics.
Expanding frontiers of collaboration: EUscreenXLMariana Salgado
This is a presentation we have done (Mariana Salgado
Inga Vizgirdiene) in Tallinn, Estonia on the 28.10.2015. We describe the reasons for archives to participate in this kind of projects and the process of designing tools for portals such EUscreenXL. The conference was BAAC (Baltic Audiovisual Archive Council).
Similar to A virtual jukebox for europe's sound heritage (20)
Data processing for digital libraries: the experience of the BnF with Europea...Europeana_Sounds
Presentation by Anila Angjeli, Bertrand Caron, Emmanuelle Bermes, at WLIC 2016 Satellite meeting "Data in libraries: the big picture", Chicago, 10 August 2016
Challenges on modeling annotations in the europeana sounds projectEuropeana_Sounds
Presented at iAnnotate16 (http://iannotate.org/) by Hugo Manguinhas on 19 May 2016.
Cultural heritage institutions are looking at crowdsourcing as a new way and opportunity to improve the overall quality of their data and contribute to a better semantic description and link to the web of data. This is also the case for Europeana, as crowdsourcing under the form of annotations is envisioned and being worked on in several projects. As part of the EU Europeana Sounds project (http://www.europeanasounds.eu/), we have identified the user stories and requirements that cover the following annotation scenarios: open and controlled tagging; geotagging, enrichment of metadata; annotation of media resources; linking to other objects; moderation and general discussions.
As a central point on all the efforts around annotations is an agreement on how these should be modelled in a uniform way for all these scenarios, as it is essential to bring such information to Europeana and in a way that can also be easily exploited and shared beyond our portal. For this, we are using the recent W3C Web Annotation Data Model (WADM) supported by the Open Annotation community as it is the most promising model at the moment.
Due to its flexible design and early stage of development, at the moment, there is insufficient recommendations on how some of our user stories and requirements can be modelled. In our presentation we will make proposals on how the WADM can be applied for these scenarios and we are looking for discussion/feedback from the community in the hope that it will help cultural heritage institutions and other communities to better understand how annotations can be modelled.
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015
Moderator: Lisette Kalshoven, Advisor on copyright, heritage and open education, Kennisland
with Isabel Bordes Cabrera, Head of the Digital Library, National Library of Spain, Dr. Krisztina Rozgonyi, Senior Regulator and Legal Advisor, Senior Lecturer, ELTE University of Budapest, and Dr. Simone Schroff, Researcher in Copyright Law, Institute for Information Law, University of Amsterdam. CC BY-SA
Presentation by Richard Ranft, Head of Sound and Vision, British Library & Project Coordinator of Europeana Sounds
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015.
This document summarizes an aggregation workshop that took place on June 25th, 2015 in Athens. The workshop included presentations on metadata ingestion plans and progress, publishing content to Europeana, and recapping a previous training session. There was also a discussion of KPI targets for different institutions to contribute images, text, sound, and video to Europeana over the next year. Participants were asked to share updates and timelines for working on collections to help meet contribution targets.
Publication of Europeana Sounds data in EuropeanaEuropeana_Sounds
The document discusses the publication of sound recordings from the Europeana Sounds project in Europeana. Over 26,000 sound records were published in May 2015 with more to be added in June. It provides information on the processes for new submissions, updates, and feedback. Guidelines are given on metadata quality like mandatory properties and direct links. Enriching data with sound vocabularies is also discussed to improve presentation in the Europeana Music channel. Help and guidance resources are listed for working with Europeana Professional and the Content inbox.
This document provides an overview of the Europeana Data Model (EDM) and how it can be used to represent audio and sound cultural heritage objects within Europeana. It describes the key EDM classes - ProvidedCHO, WebResource, Aggregation, and contextual classes like Agent, Place, TimeSpan and Concept. It also outlines the EDM profile for sounds, which specifies additional properties and subclasses to better describe audio objects and their relationships in EDM. The document aims to help providers understand how to represent sound objects and their associated metadata and digital resources using the EDM framework.
The document describes Europeana's aggregation workflow including:
- Europeana's aggregation team handles partner relationships and technical support.
- Data is submitted according to Europeana's publication policy and on a monthly cycle with deadlines.
- The ingestion process involves validation, mapping data to EDM, and publishing on Europeana's portal and API.
- Guidance is provided to help partners meet acceptance criteria around rights, metadata quality, and the EDM schema.
- Future plans aim to open up more of the ingestion workflow for partners to do mapping and validation themselves.
This document provides an overview of Europeana Sounds' metadata ingestion plan and targets. It discusses the four main stages of aggregation: content selection, metadata preparation, metadata ingestion, and metadata curation. It outlines the targets for metadata sets to be ingested by certain milestones. Progress will be measured against targets in the Description of Work. The document provides guidance on metadata quality, rights, and using controlled vocabularies to enhance discovery.
This document summarizes a previous training session on using the MINT platform to transform metadata into the Europeana Data Model (EDM) format. It discusses basic EDM concepts, the EDM Sounds profile extension, how to use MINT to map provider metadata to EDM Sounds, transform the metadata, and publish it to Europeana. Upcoming topics for a second training session are also listed.
Short introduction to RDF model based on the EDM sounds profileEuropeana_Sounds
The document provides an introduction to the RDF data model and the Europeana Data Model (EDM) for describing digital cultural heritage objects such as sounds. It explains that RDF uses URIs to identify resources and describes them with properties and property values. It provides examples of how EDM represents a sound object and its related metadata and aggregation information using RDF syntax and as a graph. It also discusses two approaches for representing the grouping of objects into collections within the EDM model using RDF.
This document discusses different types of mappings that can be performed when mapping metadata between schemas, including:
- Xpath mapping by dragging xpath elements between schemas
- Enumerated mappings for elements with predefined lists of values
- Constant mappings to apply the same value to all items
- Concatenate mappings to combine multiple mappings
- Functional mappings to modify values using string manipulation functions
- Conditional mappings to set conditions on mappings
- Value mappings to align specific values between schemas
- Structural mappings to reflect complex types between schemas
- Thesaurus mappings to align terms to controlled vocabularies
This document discusses Europeana's use of unique identifiers and provides guidance on publishing and republishing metadata. It notes that Europeana uses EDM resource identifiers to distinguish items and detect duplicates. It advises ensuring unique local identifiers are used for each imported item to avoid duplicates being discarded. It also presents four cases involving publishing new or updated metadata and actions to take, such as unpublishing existing imports before publishing overlapping new ones.
- Europeana Sounds was a 3-year project from 2014-2017 funded by the European Commission to make more audio content available through Europeana's online platform. It aimed to improve access to and experience of searching for sounds, music, and other audio files.
- The project established a network of 24 organizations across Europe to aggregate audio collections and provide metadata. It developed new technical infrastructure and processes to enrich audio metadata and make content available through various Europeana channels.
- By 2016-2017, Europeana Sounds had expanded Europeana's audio offerings by building out additional search, browsing, and content display features on its website and other online channels. It sought to promote reuse of audio recordings and engage various stakeholders in cultural heritage institutions
Europeana Sounds training session on intellectual property rights (24 June 2015)Europeana_Sounds
Lisette Kalshoven facilitated this training session on intellectual property rights that took place in Athens Concert Hall on June 24th, 2015 in the frame of Europeana Sounds' aggregation and mid-year meeting.
This presentation by Katharine Kemp, Associate Professor at the Faculty of Law & Justice at UNSW Sydney, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
1.) Introduction
Our Movement is not new; it is the same as it was for Freedom, Justice, and Equality since we were labeled as slaves. However, this movement at its core must entail economics.
2.) Historical Context
This is the same movement because none of the previous movements, such as boycotts, were ever completed. For some, maybe, but for the most part, it’s just a place to keep your stable until you’re ready to assimilate them into your system. The rest of the crabs are left in the world’s worst parts, begging for scraps.
3.) Economic Empowerment
Our Movement aims to show that it is indeed possible for the less fortunate to establish their economic system. Everyone else – Caucasian, Asian, Mexican, Israeli, Jews, etc. – has their systems, and they all set up and usurp money from the less fortunate. So, the less fortunate buy from every one of them, yet none of them buy from the less fortunate. Moreover, the less fortunate really don’t have anything to sell.
4.) Collaboration with Organizations
Our Movement will demonstrate how organizations such as the National Association for the Advancement of Colored People, National Urban League, Black Lives Matter, and others can assist in creating a much more indestructible Black Wall Street.
5.) Vision for the Future
Our Movement will not settle for less than those who came before us and stopped before the rights were equal. The economy, jobs, healthcare, education, housing, incarceration – everything is unfair, and what isn’t is rigged for the less fortunate to fail, as evidenced in society.
6.) Call to Action
Our movement has started and implemented everything needed for the advancement of the economic system. There are positions for only those who understand the importance of this movement, as failure to address it will continue the degradation of the people deemed less fortunate.
No, this isn’t Noah’s Ark, nor am I a Prophet. I’m just a man who wrote a couple of books, created a magnificent website: http://www.thearkproject.llc, and who truly hopes to try and initiate a truly sustainable economic system for deprived people. We may not all have the same beliefs, but if our methods are tried, tested, and proven, we can come together and help others. My website: http://www.thearkproject.llc is very informative and considerably controversial. Please check it out, and if you are afraid, leave immediately; it’s no place for cowards. The last Prophet said: “Whoever among you sees an evil action, then let him change it with his hand [by taking action]; if he cannot, then with his tongue [by speaking out]; and if he cannot, then, with his heart – and that is the weakest of faith.” [Sahih Muslim] If we all, or even some of us, did this, there would be significant change. We are able to witness it on small and grand scales, for example, from climate control to business partnerships. I encourage, invite, and challenge you all to support me by visiting my website.
This presentation by Thibault Schrepel, Associate Professor of Law at Vrije Universiteit Amsterdam University, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Nathaniel Lane, Associate Professor in Economics at Oxford University, was made during the discussion “Pro-competitive Industrial Policy” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/pcip.
This presentation was uploaded with the author’s consent.
The importance of sustainable and efficient computational practices in artificial intelligence (AI) and deep learning has become increasingly critical. This webinar focuses on the intersection of sustainability and AI, highlighting the significance of energy-efficient deep learning, innovative randomization techniques in neural networks, the potential of reservoir computing, and the cutting-edge realm of neuromorphic computing. This webinar aims to connect theoretical knowledge with practical applications and provide insights into how these innovative approaches can lead to more robust, efficient, and environmentally conscious AI systems.
Webinar Speaker: Prof. Claudio Gallicchio, Assistant Professor, University of Pisa
Claudio Gallicchio is an Assistant Professor at the Department of Computer Science of the University of Pisa, Italy. His research involves merging concepts from Deep Learning, Dynamical Systems, and Randomized Neural Systems, and he has co-authored over 100 scientific publications on the subject. He is the founder of the IEEE CIS Task Force on Reservoir Computing, and the co-founder and chair of the IEEE Task Force on Randomization-based Neural Networks and Learning Systems. He is an associate editor of IEEE Transactions on Neural Networks and Learning Systems (TNNLS).
This presentation by Juraj Čorba, Chair of OECD Working Party on Artificial Intelligence Governance (AIGO), was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
Why Psychological Safety Matters for Software Teams - ACE 2024 - Ben Linders.pdfBen Linders
Psychological safety in teams is important; team members must feel safe and able to communicate and collaborate effectively to deliver value. It’s also necessary to build long-lasting teams since things will happen and relationships will be strained.
But, how safe is a team? How can we determine if there are any factors that make the team unsafe or have an impact on the team’s culture?
In this mini-workshop, we’ll play games for psychological safety and team culture utilizing a deck of coaching cards, The Psychological Safety Cards. We will learn how to use gamification to gain a better understanding of what’s going on in teams. Individuals share what they have learned from working in teams, what has impacted the team’s safety and culture, and what has led to positive change.
Different game formats will be played in groups in parallel. Examples are an ice-breaker to get people talking about psychological safety, a constellation where people take positions about aspects of psychological safety in their team or organization, and collaborative card games where people work together to create an environment that fosters psychological safety.
This presentation by OECD, OECD Secretariat, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
• For a full set of 530+ questions. Go to
https://skillcertpro.com/product/servicenow-cis-itsm-exam-questions/
• SkillCertPro offers detailed explanations to each question which helps to understand the concepts better.
• It is recommended to score above 85% in SkillCertPro exams before attempting a real exam.
• SkillCertPro updates exam questions every 2 weeks.
• You will get life time access and life time free updates
• SkillCertPro assures 100% pass guarantee in first attempt.
This presentation by Yong Lim, Professor of Economic Law at Seoul National University School of Law, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
1. A virtual jukebox for
Europe's sound heritage
Richard Ranft (The British Library)
Juozas Markauskas (DIZI)
BAAC conference, November 2015, Tallinn
2.
3. Current extent of Europeana
• a single access point to Europe’s cultural
heritage…
• …aggregates metadata records - at
continental scale - from 3,000 cultural
heritage institutions across Europe…
• … that link to 45 million objects: photos,
books, paintings, sounds, videos, etc, from 36
countries
• multilingual interface in 32 European
languages
4. Europeana content
• From galleries, libraries, archives, museums, AV
collections
• From all 28 EU member states, plus 8 other countries
→24m images
→16m texts
→0.52m sounds
→0.70m videos
→21,000 3-D objects
• Note: sound = 1.5% of total, but x10 number of accesses
5. →“Europe’s Sound Heritage
at your fingertips”
→Feb 2014 – Jan 2017
Europeana Sounds project
→Represents the 5th
aggregation domain,
alongside EFG,
EUscreen, APEX, TEL
→Funded by EC’s ICT
Policy Support
Programme
6.
7. Objectives
→ Double the number of audio items on Europeana, to >1m;
additional 0.2m related items: scores, texts, images, videos
→ Improve discovery and use by enriching and cross-linking
metadata for 2m audio and related items
→ work with rights holders to unlock access to Europe’s audio
heritage
→ Improve usability by creating Europeana channels for audio
and other content
→ improve Europeana’s technical infrastructure for
aggregating time-based content
→ Promote among end-users and other content providers
→ build a sustainable network of content providers with IASA
14. 24 organisations from 12 countries
7 National Libraries
5 Archive & Research Centres
2 other Public Bodies
4 Non-profit Organisations
3 Universities
3 Companies
+ work with SoundCloud,
HistoryPin - and IASA
europeanasounds.eu
Project partners
15. IASA’s role
→ Europeana Sounds Task Force
→ Sustain work after project ends
→ Advocacy for audio heritage
→ Seek funding
→ Invite Associate Partners
→ Training programme for aggregation
→ Disseminate skills and tools to other IASA
members
→ Get involved!
20. 1980
Irla irla ukum pukum
(harvesting song turning
lullaby, in Lithuanian)
Since the 16th century, historians/ethnographers
mention the end of harvest and pasture in
autumn. During this holiday, a goat was
sacrificed. In the 20th century, songs written
about the goat are assigned to children’s
repertory. This is probably due to the increasing
influence of Christianity, when the significance of
rites were lost and turned into songs for children’s
games.
Recording by Kotryna Pilinkienė, DIZI
(http://bit.ly/1I8o32z).
Image: Goat mask, photo by Gaila Kirdienė, CC-
BY.