Data processing for digital libraries: the experience of the BnF with Europea...Europeana_Sounds
Presentation by Anila Angjeli, Bertrand Caron, Emmanuelle Bermes, at WLIC 2016 Satellite meeting "Data in libraries: the big picture", Chicago, 10 August 2016
Data processing for digital libraries: the experience of the BnF with Europea...Europeana_Sounds
Presentation by Anila Angjeli, Bertrand Caron, Emmanuelle Bermes, at WLIC 2016 Satellite meeting "Data in libraries: the big picture", Chicago, 10 August 2016
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
Europeana Sounds: improving access to Europe’s digital audio archives Europeana_Sounds
Presentation by Bruno Sagna at the Workshop “Opening up the collection – reuse and publishing” of the LIBER Working Group “Digitial Collections”, 7 June 2016, Göttingen.
Challenges on modeling annotations in the europeana sounds projectEuropeana_Sounds
Presented at iAnnotate16 (http://iannotate.org/) by Hugo Manguinhas on 19 May 2016.
Cultural heritage institutions are looking at crowdsourcing as a new way and opportunity to improve the overall quality of their data and contribute to a better semantic description and link to the web of data. This is also the case for Europeana, as crowdsourcing under the form of annotations is envisioned and being worked on in several projects. As part of the EU Europeana Sounds project (http://www.europeanasounds.eu/), we have identified the user stories and requirements that cover the following annotation scenarios: open and controlled tagging; geotagging, enrichment of metadata; annotation of media resources; linking to other objects; moderation and general discussions.
As a central point on all the efforts around annotations is an agreement on how these should be modelled in a uniform way for all these scenarios, as it is essential to bring such information to Europeana and in a way that can also be easily exploited and shared beyond our portal. For this, we are using the recent W3C Web Annotation Data Model (WADM) supported by the Open Annotation community as it is the most promising model at the moment.
Due to its flexible design and early stage of development, at the moment, there is insufficient recommendations on how some of our user stories and requirements can be modelled. In our presentation we will make proposals on how the WADM can be applied for these scenarios and we are looking for discussion/feedback from the community in the hope that it will help cultural heritage institutions and other communities to better understand how annotations can be modelled.
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015
Moderator: Lisette Kalshoven, Advisor on copyright, heritage and open education, Kennisland
with Isabel Bordes Cabrera, Head of the Digital Library, National Library of Spain, Dr. Krisztina Rozgonyi, Senior Regulator and Legal Advisor, Senior Lecturer, ELTE University of Budapest, and Dr. Simone Schroff, Researcher in Copyright Law, Institute for Information Law, University of Amsterdam. CC BY-SA
Presentation by Richard Ranft, Head of Sound and Vision, British Library & Project Coordinator of Europeana Sounds
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015.
Europeana Sounds training session on intellectual property rights (24 June 2015)Europeana_Sounds
Lisette Kalshoven facilitated this training session on intellectual property rights that took place in Athens Concert Hall on June 24th, 2015 in the frame of Europeana Sounds' aggregation and mid-year meeting.
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
Europeana Sounds: improving access to Europe’s digital audio archives Europeana_Sounds
Presentation by Bruno Sagna at the Workshop “Opening up the collection – reuse and publishing” of the LIBER Working Group “Digitial Collections”, 7 June 2016, Göttingen.
Challenges on modeling annotations in the europeana sounds projectEuropeana_Sounds
Presented at iAnnotate16 (http://iannotate.org/) by Hugo Manguinhas on 19 May 2016.
Cultural heritage institutions are looking at crowdsourcing as a new way and opportunity to improve the overall quality of their data and contribute to a better semantic description and link to the web of data. This is also the case for Europeana, as crowdsourcing under the form of annotations is envisioned and being worked on in several projects. As part of the EU Europeana Sounds project (http://www.europeanasounds.eu/), we have identified the user stories and requirements that cover the following annotation scenarios: open and controlled tagging; geotagging, enrichment of metadata; annotation of media resources; linking to other objects; moderation and general discussions.
As a central point on all the efforts around annotations is an agreement on how these should be modelled in a uniform way for all these scenarios, as it is essential to bring such information to Europeana and in a way that can also be easily exploited and shared beyond our portal. For this, we are using the recent W3C Web Annotation Data Model (WADM) supported by the Open Annotation community as it is the most promising model at the moment.
Due to its flexible design and early stage of development, at the moment, there is insufficient recommendations on how some of our user stories and requirements can be modelled. In our presentation we will make proposals on how the WADM can be applied for these scenarios and we are looking for discussion/feedback from the community in the hope that it will help cultural heritage institutions and other communities to better understand how annotations can be modelled.
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015
Moderator: Lisette Kalshoven, Advisor on copyright, heritage and open education, Kennisland
with Isabel Bordes Cabrera, Head of the Digital Library, National Library of Spain, Dr. Krisztina Rozgonyi, Senior Regulator and Legal Advisor, Senior Lecturer, ELTE University of Budapest, and Dr. Simone Schroff, Researcher in Copyright Law, Institute for Information Law, University of Amsterdam. CC BY-SA
Presentation by Richard Ranft, Head of Sound and Vision, British Library & Project Coordinator of Europeana Sounds
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015.
Europeana Sounds training session on intellectual property rights (24 June 2015)Europeana_Sounds
Lisette Kalshoven facilitated this training session on intellectual property rights that took place in Athens Concert Hall on June 24th, 2015 in the frame of Europeana Sounds' aggregation and mid-year meeting.
17. Nome del canale
17e u r o p e a n a s o u n d s . e u
Barra di ricerca
Immagine
Presentazione
delle
collezioni
Modalità di
navigazione
Mostre virtuali
collegate
Responsabile(i)
del canale
Social media
Esempio del canale Musica
24. • Progetto di tre anni co-finanziato dalla Commissione Europea
da febbraio 2014 a gennaio 2017
• Budget: 6,14 milioni €
di cui l’80% proveniente dalla Commissione Europea
• Quinto aggregatore di Europeana
24e u r o p e a n a s o u n d s . e u
25. 24 organizzazioni proventienti da 12 paesi
7 Biblioteche nazionali
5 Archivi e centri di ricerca
2 altri Enti pubblici
4 Organizzazioni no-profit
3 Università
3 Aziende
25e u r o p e a n a s o u n d s . e u
26. Struttura di gestione
26e u r o p e a n a s o u n d s . e u
Responsabile
di supporto al
progetto
(British
Library)
Assemblea generale
(un rappresentante per ogni partner)
Europeana Sounds
Struttura amministrativa
(febbraio 2014)
Gruppo di
consultazione
degli utenti
Comitato
consultivo
Direttore
tecnico
Responsabili
dei gruppi di
lavoro (WP1-
WP7)
Project
Manager
(British
Library)
Coordinatore
del progetto
(British
Library)
Consiglio di gestione del
progetto
UE
DG Connect
27. Architettura dei piani di lavoro
27e u r o p e a n a s o u n d s . e u
WP7
Gestione del
progetto e
sostenibilità
(BL)
WP5
Infrastruttura
tecnica
(NTUA)
WP1
Aggregazione
(BL)
WP2
Arricchimento e
partecipazione
(NISV)
WP3
Linee guida sulle
licenze
(KL)
WP4
Sviluppo dei canali
(EF)
WP6
Diffusione e
networking
(BnF)
28. e u r o p e a n a s o u n d s . e u
Editori e
detentori di
copyright
Canale di
Europeana
Sounds
Platea di
Europeana
Politiche
per le
licenze
Fornitori
di
contenuti
Marketing
Portale Europeana
Metadati
audio
esistenti
Processi di
arricchimento
Sistema di
aggregazione
Infrastruttura tecnica
Rete di buone pratiche
Nuovi
metadati
API di
terze parti
per
Europeana
28