Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Slides 2 - 39:Europeana Network Association General Assembly by Marco de Niet, Georgia Angelaki, Erwin Verbruggen, Fred Truyen and Sara Di Giorgio
Slide 40: Keynote Frédéric Kaplan
Slide 41: State Secretary Angela Ferreira
Slide 42: Wrap up day one by Marco de Niet
Slide 45: Welcome by Marco de Niet
Slide 46: Welcome by Maria Ines Cordeiro
Slide 47: Europeana Strategy 2020+ by Rehana Schwinninger-Ladak
Slides 48 - 142: Developments at Europeana by Harry Verwayen
Slides 143 - 147: Welcome & Introduction to the conference programme by Marco de Niet
Slides 149 - 191: The Europeana Innovation Agenda highlights by Ina Blümel, Johan Oomen, Sara Di Giorgio, Lorna Hughes, Pedro Santos and Andy Neale
Slides 193 - 194: Introduction of the afternoon programme by Fred Truyen
Slides 195 - 231: We transform the world with culture by Harry Verwayen, Elisabeth Niggemann, Rehana Schwinninger-Ladak, Katherine Heid and Merete Sanderhoff
Slides 232 - : The Europeana Innovation Agenda highlights by Gregory Markus, Chris Dijkshoorn, Maarten Dammers and Harald Sack
Slide 285: Pitch your project (See pitch your project presentation slides)
Slides 286 - 290: Unsung Heroes by Marco de Niet
Slides 291 - 292: Wrap up and closure of day two by Sara Di Giorgio
Promoting Austrian Cultural and Scientific Heritage via EUROPEANAEuropeanaConnect
Mag. Gerda Koch, AIT Angewandte Informationstechnik Forschungsgesellschaft mbH
14th International Congress Cultural Heritage and New Technologies Vienna, 17 November 2009
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Slides 2 - 39:Europeana Network Association General Assembly by Marco de Niet, Georgia Angelaki, Erwin Verbruggen, Fred Truyen and Sara Di Giorgio
Slide 40: Keynote Frédéric Kaplan
Slide 41: State Secretary Angela Ferreira
Slide 42: Wrap up day one by Marco de Niet
Slide 45: Welcome by Marco de Niet
Slide 46: Welcome by Maria Ines Cordeiro
Slide 47: Europeana Strategy 2020+ by Rehana Schwinninger-Ladak
Slides 48 - 142: Developments at Europeana by Harry Verwayen
Slides 143 - 147: Welcome & Introduction to the conference programme by Marco de Niet
Slides 149 - 191: The Europeana Innovation Agenda highlights by Ina Blümel, Johan Oomen, Sara Di Giorgio, Lorna Hughes, Pedro Santos and Andy Neale
Slides 193 - 194: Introduction of the afternoon programme by Fred Truyen
Slides 195 - 231: We transform the world with culture by Harry Verwayen, Elisabeth Niggemann, Rehana Schwinninger-Ladak, Katherine Heid and Merete Sanderhoff
Slides 232 - : The Europeana Innovation Agenda highlights by Gregory Markus, Chris Dijkshoorn, Maarten Dammers and Harald Sack
Slide 285: Pitch your project (See pitch your project presentation slides)
Slides 286 - 290: Unsung Heroes by Marco de Niet
Slides 291 - 292: Wrap up and closure of day two by Sara Di Giorgio
Promoting Austrian Cultural and Scientific Heritage via EUROPEANAEuropeanaConnect
Mag. Gerda Koch, AIT Angewandte Informationstechnik Forschungsgesellschaft mbH
14th International Congress Cultural Heritage and New Technologies Vienna, 17 November 2009
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Nutrición parenteral modular. un nuevo concepto. Objetivo: disminuir las crgas de trabajo para hacer NPT individualizadas y ajustadas a las necesidades de cada paciente
Europeana - American Art Collaborative LOD MeetingAntoine Isaac
Presentation at a seminar on linked data and art museums at the Smithsonian Institute, April 29 2013.
Other presentations at http://lodlam.net/2013/05/07/linked-open-data-in-art/
Making Audiovisual Heritage Accessible and Valuable through EUscreenXLEUscreen
Presentation about the audiovisual domain, EUscreenXL and their connection to Europeana, by Erwin Verbruggen &
Joris Pekel at the Joint IASA-BAAC conference in Vilnius, September 2013
LoCloud: Local content in the Europeana cloud overview, Kate Fernielocloud
Overview of the LoCloud project and the support offered to local cultural institutions in getting their content online and making it available via Europeana. Given by Kate Fernie at the LoCloud workshop at ICOMOS 2014 in Florence.
http://www.locloud.eu
Slides 2 - 6: Introduction to the programme by Georgia Angelaki
Slides 7 - 9: Keynote Michael Edson
Slides 10 - 40: Europeana Aggregators Forum by Marco Rendina
Slides 42 - 75: Promoting Cultural Heritage with digital invasion by Altheo Valentini-Egina and Marianna Marcucci
Slides 77 - 97: Opportunities for digital cultural heritage and the public domain, under the EU Copyright Rules by Paul Keller, Steven Stegers, Jurga Gradauskaite, Antje Schmidt, Sebastiaan ter Burg and Harry Verwayen
Slides 98 - 101: Climate Call for Action: Outcomes by Barbara Fischer
Slides 102 - 114: Wrap up and closure by Marco de Niet
Europeana 2019 - Connect Communities - Pitch your projectEuropeana
Slides 3 - 10: The GIFT Box: Helping museums make richer digital experiences for their visitors by Anders Sundnes Lovlie
Slides 11 - 18: Between people and things - Transfer of knowledge at SHMH by Elisabeth Böhm
Slides 19 - 30: Automated recognition of historical image content by Tino Mager
Slides 31 - 51: 50s in Europe: Kaleidoscope by Sofie Taes
Slides 52 - 63: CrowdHeritage: Crowdsourcing Platform for Enriching Europeana Metadata by Vassilis Tzouvaras
Slides 64 - 73: One by One: developing digital literacy in museums by Anra Kennedy
Slides 74 - 85: HeritageMaps.ie - Ireland's One-Stop Heritage Portal by Patrick Reid
Slides 86 - 90: Open GLAM now! - Sharing knowledge openly online by Larissa Borck
Slides 91 - 103: Endangered Archives Programme the world's most diverse online archive by Tristan Roddis
Slides 104 - 109: We transform the world with culture - Our impact on climate change by Barbara Fischer, Killian Downing and Peter Soemers
Slide 2 - 66: Shaping innovatin in education with cultural heritage by Fred Truyen, Steven Stegers, Evita Tasiopoulou and Marco Neves
Slides 67 - 152: Multilingual access and machine translation by Andy Neale, Antoine Isaac, Pavel Kats, Alex Raginsky and Sergiu Gordea
Slides 155 - 164: How to implement the FAIR principles in digital culture by Sara Di Giorgio, Saskia Scheltjens and Makx Dekkers, Seamus Ross, Franco Niccolucci and Erzsébet Tóth-Czifra
Slide 166: EuropeanaTech Unconference by Clemens Neudecker
Slides 2 - 35: Introduction to Impact Workshop by Dafydd Tudur, Maja Drabczyk, Julia Fallon and Simon Tanner
Slides 36 - 68: Music to my ears: Making rights understandable by Juozas Markauskas and Jurga Gradauskaite
Slides 70 - 92: Achieving inclusivity & diversity in the Europeana Network by Killian Downing, Larissa Borck and Tola Dabiri
Slides 94 - 123: Communicating the value of digital culture to stakeholders by Susan Hazan, Eleanor Kenny and Katherine Heid
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
2. Europeana Essentials: how to use it
This presentation aims to provide you with some key information
about Europeana
Please pick and choose the slides you need to add to your own
presentations
The topics covered are:
• What is Europeana?
• What does Europeana provide?
• Who provides content to Europeana?
• Europeana Licensing Framework
• Re-use of Europeana data
The information in this presentation is correct as of June 2014
4. Europeana’s vision and mission
Europeana is a catalyst for change in the world of
cultural heritage.
Our mission: The Europeana Foundation and its Network
create new ways for people to engage with their cultural
history, whether it’s for work, learning or pleasure.
Our vision: We believe in making cultural heritage openly
accessible in a digital way, to promote the exchange of ideas
and information. This helps us all to understand our cultural
diversity better and contributes to a thriving knowledge
economy.
5. 32.6m records from
2,300 European
galleries, museums,
archives and libraries
Books, newspapers,
journals, letters, diaries,
archival papers
Paintings, maps,
drawings, photographs
Music, spoken word,
radio broadcasts
Film, newsreels,
television
Curated exhibitions
31 languages
Europe’s cultural heritage portal
6. The Digital Agenda for Europe
‘Europe has probably the world's greatest
cultural heritage. Digitisation brings culture
into people's homes and is a valuable
resource for education, tourism, games,
animation and the whole creative industry.
Investing in digitisation will create new
companies and generate new jobs.’
Europeana is Europe’s ‘flagship digitisation
project’ and ‘one of Europe’s most
amibitious cultural projects, and a
successful one. It is a trusted source for our
collective memory and a representation of
European cultural heritage online.’
Neelie Kroes
European Commission
Vice-President
for the Digital Agenda
7. History of Europeana
April 2005: Jacques Chirac wrote to European Commission President
José Manuel Barroso, recommending the creation of a virtual
European library
EC’s Information Society and Media Directorate had been supporting
European digital information exchange projects for 15 years
September 2005: publication of EC’s i2010 strategy on digital libraries
2007: European Digital Library Network – EDLnet – began building
Europeana, funded under i2010
November 2008: Europeana prototype launched
Summer 2010: prototype became an operational service funded under
the EC’s CIP ICT-PSP (Competitiveness and Innovation Framework
Programme)
January 2011: New Renaissance Report published - endorses
Europeana as ‘the reference point for European culture online’
September 2012: Europeana metadata released under CC0 waiver,
making it freely available for re-use
8. Strategic Plan 2011-2015
Engage – We cultivate new ways
for people to participate in their
cultural heritage
Aggregate – We are building the open,
trusted source for European cultural content
Facilitate – We support the cultural
heritage sector through knowledge
transfer, innovation and advocacy
Distribute – We make heritage available to
people wherever they are, whenever they
want it
9. Executive committee
• Currently 8 members
Board of participants
• 20 organisations plus
6 elected Network Officers
Europeana Network
• 900 members elect
the 6 Network Officers
Europeana Office
• 40+ members of staff based in
The Hague and the UK
Over a thousand people working on Europeana-related
projects, activities and Task Forces across Europe
Europeana Structure
16. How does Europeana get its content?
Through its aggregation structure, Europeana represents 2,300
organisations across Europe
From 150 Aggregators
• Promoting national aggregation structures
• More efficient than working with every individual content provider
• Helps to achieve international standardisation
End-user generated content
• Crowd-sourcing projects such as Europeana 1914-1918 and
Europeana 1989
17. Who submits data to Europeana?
Domain Aggregators National initiatives
Audiovisual
collections
National Aggregators
Regional Aggregators
Archives
Thematic collections
Libraries
e.g. Musées
Lausannois
e.g.
Culture
Grid,
Culture.fr
e.g. The
European
Library
e.g. APEX
e.g. EUScreen,
European Film
Gateway
e.g. Judaica Europeana,
Europeana Fashion
18. Types of aggregators
Pan-European
National Initiatives
National Organisations
National Organisations
Direct Suppliers
Europeana
Projects (themes)
Projects (domain)
Single Domain
organisations
National
Single
Domain
Cross
domain
22. The Europeana Licensing Framework
The Framework consists of:
Europeana Data Exchange
Agreement
Creative Commons Zero
Universal Public Domain Dedication
(CC0 waiver)
Europeana Data Use Guidelines
Europeana Terms for User
Contributions
EDM:rights field of the Europeana
Data Model
These elements ensure all data can
be aggregated and freely re-used.
25. How do users access Europeana
content?
Europeana aims to provide content in the users’ workflow –
where they want it, when they want it.
Europeana portal
• e.g. via searches, virtual exhibitions, featured items
Project portals/exhibitions
• e.g. BHL- Poisonous Nature, Europeana Fashion
Websites and apps using Europeana API – devised at
hackathons or independently
Social media/blogs
• e.g. Facebook, Twitter, Pinterest, Retronaut
26. Europeana’s huge cultural dataset open for re-use
As of September 2012, Europeana’s metadata became
available free of restrictions under the terms of the Creative
Commons Zero Public Domain Dedication – CC0.
Great news for developers
• API
• Hack4Europe! is a series of hack days held in different locations
across Europe, where developers have access to the API and
two days to create an app using it.
• Search widgets for websites, e.g. National Library of Ireland
catalogue, Partage Plus
• Independent development – anyone can request API-keys
• Linked Open Data – a subset of data is available for use in LOD
initiatives
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Editor's Notes
The i2010 strategy announced the intention to promote and support the creation of a European digital library which aims to foster growth in the information society and media industries.
EDLnet was aimed at building a prototype of a cross-border, cross-domain, user-centred service. It was funded by the European Commission under its eContentplus programme, one of the research and development funding streams of i2010.
The New Renaissance Report by Comite des Sages - about bringing Europe’s cultural heritage online - said ‘All public domain masterpieces should be brought into Europeana’ and that ‘Public funding for digitisation should be conditional on free accessibility through Europeana’.
The Strategic Plan 2011-2015 separates activity into four tracks.
The Strategic Plan isn’t just a high level document, it translates to the work we carry out on a day-to-day basis and to each individual’s responsibilities.
Aggregate: source content (increasing diversity); expand the network; improve data quality
Facilitate: Strengthen advocacy (e.g. defend public domain); share knowledge among heritage professionals; foster research & development
Distribute: Develop partnerships to deliver content in new ways, upgrade portal, put content in users’ workflow
Engage: Enhance users’ experience; extend social media presence; broker new user/curator relationships (e.g. Europeana 1914-1918 UGC)
The governance of Europeana ensures integration and collaboration between the cultural heritage domains at the policy and strategy level. That has enabled Europeana to achieve the scale and scope of content realised to date.
This list of the Board of Participants includes the chairs and presidents of all the international associactions for cultural heritage, giving Europeana stakeholder engagement at the highest level.
Image is the dominant type
Text is increasing
Video and sound are still more challenging and costly to digitise with copyright and production issues
Europeana actively tries to increase the video and audio content, which is also reflected in its content strategy.
Les Miserables: Victor Hugo’s handwritten manuscripts: http://www.europeana.eu/portal/record/9200103/5372912AF66AB529E188218BC1F747E75EB1A18F.html
BnF, public domain
Matisse ‘53 in the form of a double helix’ http://www.europeana.eu/portal/record/9200104/F8D60AB9136C8A59B59DF1CFEC278A6CABA8B0C6.htmlThe Wellcome Library (CC-BY-NC-ND)
‘söprűtánc’ – Hungarian traditional dance http://www.europeana.eu/portal/record/08901/E1A7B01BE4AED87FD239672F4F3941F52262D6B2.html
Hungarian Academy of Sciences Institute for Musicology, public domain
‘Neurologico reggae’ Music album http://www.europeana.eu/portal/record/08901/ADC241BCBF8470988DBA6EEAFCF13F14D88E5534.html
DISMARC – EuropeanaConnect Paid Access
‘Castle of Kavala’ 3D exploration of a Greek castle http://www.europeana.eu/portal/record/2020703/05607B24D15BD516EE2B765F74CDA39C7427F7FB.html
Cultural and Educational Technology Institute - Research Centre Athen CARARE CC-BY-NC-ND
Example used is:
http://preview.europeana.eu/portal/record/90402/174D436CF5C61F8AA999090C98DA48B9C7024087.html
Een vrouw met een kind in een kelderkamer by Pieter de Hooch, Rijksmuseum, public domain
An aggregator in the context of Europeana is an organisation that collects metadata from a group of data providers and transmits them to Europeana. Aggregators also support the data providers with administration, operations and training.
Europeana aims to create strong partnerships and to support the developments of aggregators on a national level in Europe and of pan-European aggregators representing a specific domain or sector.
Besides getting direct data contributions from national aggregation initiatives, Europeana gets contributions from pan-European aggregators as, for example, EU-funded projects representing a specific segment or sector, like the Euroepan Film Gateway. These projects enable large amounts of data to be provided to Europeana. The aggregators also improve data, solve language issues and develop new technologies.
At a working level, we operate in a network of aggregators. We can’t work directly with 2,200 organisations, so we rely on aggregators to
collect data, harmonise it, and deliver to Europeana.
Aggregators are important because they share a background with the organisations whose content they bring together, so there is close understanding.The aggregation model enables Europeana to collect huge quantities of data from thousands of providers, through only a handful of channels.
Europeana’s content providers/aggregators represent or are linked to an estimated 60,000 content suppliers. 2,200 of those are actively supplying metadata via 150 aggregators.
28 current projects are supplying content on specific content areas for example newspapers, audiovisual records, fashion.
21 national initiatives are operating or starting in 2013.
28% of metadata comes from aggregators, 30% from projects and 32% from others such as direct suppliers.
Germany 15.44%
France 10.97%
Netherlands 9.67%
Sweden 9.44%
Spain 9.98%
UK 6.98%
Norway 6.60%
Italy 5.4%
Ireland 4.04%
Poland 4.02%
Europe 3.95%
Finland 2.95%
Austria 2.05%
Belgium 1.61%
Hungary 1.26%
The Data Exchange Information Form identifies types and numbers of objects, data owners etc. According to this information, Europeana will be able to decide whether the partner can provide the data directly or whether it will be re-routed through other aggregators such as projects or national initiatives.
The Data Exchange Agreement formalises the collaboration between Europeana and Cultural Heritage Organisation.
The Content Contribution Form contains: type of submission (new/update), licensing and metadata information, transfer mechanism that will be used (preferably OAI-PMH) etc. When the operations are completed the Cultural Heritage Organisation receives a notification from the Europeana Operations Team that the data is published on the Europeana Portal.
When the Cultural Heritage Organisation updates or creates new datasets, the Europeana Operations Team will repeat the final steps.
1. The Europeana Data Exchange Agreement (DEA) structures the relationship of Europeana and its data providers. It details the exchange whereby data providers receive back enriched metadata as well as access to other metadata of interest. It establishes rules for updating and deleting metadata stored by Europeana and deals with issues such as liability and removal of data at the request of third parties.
2. The Creative Commons Zero Universal Public Domain Dedication (CC0 waiver). The CC0 waiver is a legal tool that has been developed by Creative Commons for making data available without restrictions on re-use. This means that anyone can use the metadata published by Europeana for any purpose without any restrictions whatsoever.
3. The Europeana Data Use Guidelines. These guidelines make best practice requests to users of the metadata. The Data Use Guidelines deal with issues like attribution and Data integrity.
4. The Europeana terms for user contributions. These terms apply to end users who contribute content to Europeana, so that Europeana can use content provided by its users and integrate it with other Europeana-held content and data.
5. The EDM rights field of the Europeana Data Model. The Europeana Data Model Specifies how data needs to be formatted so that Europeana can use it. This specification includes rights information relating to digital objects that are made available via Europeana.
Poisonous nature exhibition includes content from Europeana, http://poisonousnature.biodiversityexhibition.com/
Europeana Fashion portal will go live in May 2013
Data is available as ‘data dumps’ for Linked Open Data initiatives from data.europeana.eu.
Europeana's move to CC0 is a step change in open data access. Releasing data from across the memory organisations of every EU country sets an important new international precedent, a decisive move away from the world of closed and controlled data.
Note that previews can only be used in accordance with the rights information displayed next to them.
HISPANA and Partage Plus both use the Europeana API to include Europeana search results on their own websites
Practical examples of our support for innovation
Art Space promotes access to art in everyday situations i.e. Europeana collections can be made available in public places such as coffee shops, libraries, schools, and hotels. Making use of LCD displays and an online Collection Management System allows a ‘Virtual art leasing’ service and a highly personalised curation.
Practical examples of our support for innovation
We are particularly interested in developing apps and other services around cultural tourism and education
This one is a geolocation app – you take a picture of a site or monument today, and using the geolocation co-ordinates, it can bring up earlier pictures held in the Euroepana database
Click on the still to go to the video at http://vimeo.com/36752317 if you have internet connection