Presentation by Bruno Sagna at the Workshop “Opening up the collection – reuse and publishing” of the LIBER Working Group “Digitial Collections”, 7 June 2016, Göttingen.
Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
The European Library - Connecting Knowledge - TELEuropeana
The document discusses the history and current state of The European Library. It launched in 2005 and provides access to over 23 million records from more than 2200 institutions across 33 European countries. It aggregates content from libraries, museums, archives and film archives through projects like Europeana. The NEW European Library is an important discovery tool that provides quality and value for both end users and libraries worldwide.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
- The EuropeanaLocal project aims to make digital cultural heritage content from local and regional European institutions accessible through Europeana.
- It focuses on helping smaller institutions overcome interoperability issues and make their metadata harvestable according to Europeana standards.
- Through EuropeanaLocal, millions of additional items from local and regional partners across Europe have been added to Europeana, significantly expanding its scope and cultural coverage.
EuropeanaTV Pilot @ Europeana Space Conference, Venice, Italy October 16thKelly Mostert
Presentation of the EuropeanaTV pilot as was shown at the Europeana Space conference in Venice, Italy at the Ca Foscari University October 16th.
The EuropeanaTV pilot aims to create a toolkit for creative thinkers and developers to tinker with and design new applications that promote the (re)use of cultural heritage for TV in Europe. The toolkit aims not just to inspire but to directly assist in the creation of new applications. A EuropeanaTV Hackathon will be held in The Netherlands in April 2015. Stay tuned!
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
The European Library - Connecting Knowledge - TELEuropeana
The document discusses the history and current state of The European Library. It launched in 2005 and provides access to over 23 million records from more than 2200 institutions across 33 European countries. It aggregates content from libraries, museums, archives and film archives through projects like Europeana. The NEW European Library is an important discovery tool that provides quality and value for both end users and libraries worldwide.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
- The EuropeanaLocal project aims to make digital cultural heritage content from local and regional European institutions accessible through Europeana.
- It focuses on helping smaller institutions overcome interoperability issues and make their metadata harvestable according to Europeana standards.
- Through EuropeanaLocal, millions of additional items from local and regional partners across Europe have been added to Europeana, significantly expanding its scope and cultural coverage.
EuropeanaTV Pilot @ Europeana Space Conference, Venice, Italy October 16thKelly Mostert
Presentation of the EuropeanaTV pilot as was shown at the Europeana Space conference in Venice, Italy at the Ca Foscari University October 16th.
The EuropeanaTV pilot aims to create a toolkit for creative thinkers and developers to tinker with and design new applications that promote the (re)use of cultural heritage for TV in Europe. The toolkit aims not just to inspire but to directly assist in the creation of new applications. A EuropeanaTV Hackathon will be held in The Netherlands in April 2015. Stay tuned!
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
Sound Connections pilot @ Europeana Creative Culture Jam 2015, VIennaLizzy Komen
Lizzy Komen from the Netherlands Institute for Sound and Vision presented the "Sound Connections" social networks pilot. The pilot allows communities to explore and enrich sound collections from several cultural institutions through a social networking platform. Partners in the pilot include the British Library, Historypin, Ontotext, and the Netherlands Institute for Sound and Vision. The pilot connects thousands of audio tracks from each institution. Users can tag and comment on sounds, and cultural institutions receive notifications about user contributions. Historypin has extended the platform by allowing other institutions to host collections and by increasing scale through projects on the First World War Centenary Hub.
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
Dynamics and partnerships with local associations involved in LoCloud: a case...locloud
Presentation given by Agnès Vatican, Director of the Gironde Archives and
Nathalie Gascoin, LoCloud project manager In collaboration with Julien Dutertre and James Lemaire
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Music in Movement – an interactive guide to contemporary classical music (DRA...FIAT/IFTA
This document outlines an interactive guide to classical and contemporary music called Music in Movement. It discusses the project's goals of disseminating the work of four prominent European composers and depicting their influence. Partners include organizations from Poland, the Netherlands, Estonia, and France. The project aims to retell the stories of European composers in innovative ways online and through educational activities. It highlights challenges like content sourcing and translations but emphasizes lessons learned through collaboration and using new technologies to make music more accessible.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Presentation to Coding Dürer, a five-day international and interdisciplinary hackathon for Art History and Information Science, held in Munich, Germany, 13-17 March 2017.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
Muziekschatten - pioneering with digital sheet music, linked open data and mo...Eric van Balkum
Abstract:
In a 2-year project the Dutch Radio and Television Sheet Music Archive discloses its collection of about 450,000 items of sheet music (all genres), digitizing and making available 60,000 items of it (for its members, at €20 per annum), publishing the metadata as Linked Open Data and seeking connections with other Dutch music collections. In this presentation Van Balkum will elaborate on the experiences in this projects, on its results and on its future.
This document discusses the digitization of cultural heritage in Europe. It provides an overview of the Digital Agenda for Europe initiative and its goals of improving access to cultural content and creating a legal framework for digitizing works. A key part of this effort is Europeana, the EU digital library, which has over 30 million digitized objects and aims to have all public domain masterpieces available online by 2015. The document also reviews funding programs that support digitization, coordination efforts between member states, and survey results indicating that while about 17% of collections on average are currently digitized, over 50% still need to be digitized.
User engagement: The key element to Exhibitions and User Generated Content pr...EUscreen
Presentation by Aubéry Escande about how user engagement is the key element to exhibitions and user generated content projects.
Presented at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Academic Access to TV archives (HILL, KERRIGAN and MÄUSLI)FIAT/IFTA
The document summarizes a conference on academic access to television archives that brought together archivists, television professionals, and academics. It discusses challenges around discovering, accessing, and making available historical television material held in archives. It also reports on a survey of 39 archives in 23 countries that found academic researchers occasionally or often use most archives for research, but restrictions relate mainly to copyright. The document advocates for closer collaboration between archives and academics to uncover new histories, identify significant materials, and enhance public awareness and value of archival collections.
Expanding frontiers of collaboration: EUscreenXLMariana Salgado
This is a presentation we have done (Mariana Salgado
Inga Vizgirdiene) in Tallinn, Estonia on the 28.10.2015. We describe the reasons for archives to participate in this kind of projects and the process of designing tools for portals such EUscreenXL. The conference was BAAC (Baltic Audiovisual Archive Council).
Online portals: opportunities for library professionals?LIBER Europe
The document discusses opportunities for libraries through online portals. It summarizes LIBER, a network of European research libraries working to advance strategies in areas like scholarly communications, digitization, and preservation. It argues that libraries should push services to researchers' work environments through portals, but also enrich portals with more digitized content. Portals could also facilitate data exchange and support for open access. While mobile access is growing, libraries still need to support traditional services.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
This document summarizes a workshop on using cultural heritage resources for education from Europeana. It discusses how teachers currently find online resources, their skill levels in using digital resources, and feedback on Europeana's offerings. Teachers found collections, Pinterest, and search by filters most useful but struggled with searching, licensing, and broken records. The workshop aimed to discuss developing partnerships, bringing more content to educators, growing the user community, and improving Europeana's educational offerings like curated resources and datasets on topics identified by teachers. Attendees provided input on including specialized subjects like archaeology and making content accessible to secondary students.
Apvienojot visas cilvēku sarunas, veidojas milzīgs informācijas aisbergs. Līdz ar jauno mediju popularitāti daļa aisberga ir iznirusi. Kā to pētīt un ko tas dod zīmoliem un to veidotājiem?
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
Sound Connections pilot @ Europeana Creative Culture Jam 2015, VIennaLizzy Komen
Lizzy Komen from the Netherlands Institute for Sound and Vision presented the "Sound Connections" social networks pilot. The pilot allows communities to explore and enrich sound collections from several cultural institutions through a social networking platform. Partners in the pilot include the British Library, Historypin, Ontotext, and the Netherlands Institute for Sound and Vision. The pilot connects thousands of audio tracks from each institution. Users can tag and comment on sounds, and cultural institutions receive notifications about user contributions. Historypin has extended the platform by allowing other institutions to host collections and by increasing scale through projects on the First World War Centenary Hub.
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
Dynamics and partnerships with local associations involved in LoCloud: a case...locloud
Presentation given by Agnès Vatican, Director of the Gironde Archives and
Nathalie Gascoin, LoCloud project manager In collaboration with Julien Dutertre and James Lemaire
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Music in Movement – an interactive guide to contemporary classical music (DRA...FIAT/IFTA
This document outlines an interactive guide to classical and contemporary music called Music in Movement. It discusses the project's goals of disseminating the work of four prominent European composers and depicting their influence. Partners include organizations from Poland, the Netherlands, Estonia, and France. The project aims to retell the stories of European composers in innovative ways online and through educational activities. It highlights challenges like content sourcing and translations but emphasizes lessons learned through collaboration and using new technologies to make music more accessible.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Presentation to Coding Dürer, a five-day international and interdisciplinary hackathon for Art History and Information Science, held in Munich, Germany, 13-17 March 2017.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
Muziekschatten - pioneering with digital sheet music, linked open data and mo...Eric van Balkum
Abstract:
In a 2-year project the Dutch Radio and Television Sheet Music Archive discloses its collection of about 450,000 items of sheet music (all genres), digitizing and making available 60,000 items of it (for its members, at €20 per annum), publishing the metadata as Linked Open Data and seeking connections with other Dutch music collections. In this presentation Van Balkum will elaborate on the experiences in this projects, on its results and on its future.
This document discusses the digitization of cultural heritage in Europe. It provides an overview of the Digital Agenda for Europe initiative and its goals of improving access to cultural content and creating a legal framework for digitizing works. A key part of this effort is Europeana, the EU digital library, which has over 30 million digitized objects and aims to have all public domain masterpieces available online by 2015. The document also reviews funding programs that support digitization, coordination efforts between member states, and survey results indicating that while about 17% of collections on average are currently digitized, over 50% still need to be digitized.
User engagement: The key element to Exhibitions and User Generated Content pr...EUscreen
Presentation by Aubéry Escande about how user engagement is the key element to exhibitions and user generated content projects.
Presented at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Academic Access to TV archives (HILL, KERRIGAN and MÄUSLI)FIAT/IFTA
The document summarizes a conference on academic access to television archives that brought together archivists, television professionals, and academics. It discusses challenges around discovering, accessing, and making available historical television material held in archives. It also reports on a survey of 39 archives in 23 countries that found academic researchers occasionally or often use most archives for research, but restrictions relate mainly to copyright. The document advocates for closer collaboration between archives and academics to uncover new histories, identify significant materials, and enhance public awareness and value of archival collections.
Expanding frontiers of collaboration: EUscreenXLMariana Salgado
This is a presentation we have done (Mariana Salgado
Inga Vizgirdiene) in Tallinn, Estonia on the 28.10.2015. We describe the reasons for archives to participate in this kind of projects and the process of designing tools for portals such EUscreenXL. The conference was BAAC (Baltic Audiovisual Archive Council).
Online portals: opportunities for library professionals?LIBER Europe
The document discusses opportunities for libraries through online portals. It summarizes LIBER, a network of European research libraries working to advance strategies in areas like scholarly communications, digitization, and preservation. It argues that libraries should push services to researchers' work environments through portals, but also enrich portals with more digitized content. Portals could also facilitate data exchange and support for open access. While mobile access is growing, libraries still need to support traditional services.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
This document summarizes a workshop on using cultural heritage resources for education from Europeana. It discusses how teachers currently find online resources, their skill levels in using digital resources, and feedback on Europeana's offerings. Teachers found collections, Pinterest, and search by filters most useful but struggled with searching, licensing, and broken records. The workshop aimed to discuss developing partnerships, bringing more content to educators, growing the user community, and improving Europeana's educational offerings like curated resources and datasets on topics identified by teachers. Attendees provided input on including specialized subjects like archaeology and making content accessible to secondary students.
Apvienojot visas cilvēku sarunas, veidojas milzīgs informācijas aisbergs. Līdz ar jauno mediju popularitāti daļa aisberga ir iznirusi. Kā to pētīt un ko tas dod zīmoliem un to veidotājiem?
Este documento resume los proyectos y actividades realizadas en el taller de mantenimiento vehicular del IES Cinco Villas entre los años 2003 y 2009. Se detalla la construcción de un invernadero, trabajos en circuitos eléctricos, reparación de bicicletas y motos, mejoras en el jardín de la escuela, colaboración con otros talleres, y cultivo y trasplante de plantas. El documento concluye indicando que las actividades continuarán desarrollándose.
¿What is Design? y ¿Can we Re-design a whole Society?
PermaCulture is a holistic science based in design & this is not easily understandable by a society where we are taught (mainly) to follow recepies & copy things (consume) instead of create & think for our selves.
In this class we explore why learning to design, from first principles (which we always question) is of vital importance, we explore what design is about & how it can be applied at any scale.
Un invernadero es una construcción de vidrio o plástico que permite cultivar plantas a una temperatura más alta que en el exterior aprovechando el efecto invernadero. Existen diferentes tipos como el de raspa y amagado, que tiene una cubierta con forma de cumbrera, o el asimétrico, con mayor superficie expuesta al sur para captar más radiación solar en invierno. Ambos tipos presentan ventajas como un mayor volumen térmico e impermeabilidad, pero también inconvenientes como mayores pérdidas de calor.
The document discusses ragging in Indian universities and colleges. It describes the Coalition to Uproot Ragging from Education (CURE), a nonprofit organization established in 2001 to eliminate ragging and promote positive senior-freshman interaction. CURE works to establish public opinion against ragging, dispel myths about it through research and advocacy, and provide a platform for individuals to share anti-ragging opinions.
of the PDC+++ in Integral Permaculture
see www.PermaCultureScience.com
What is Collective Intelligence? & can we design for increasing it? Possibly the most crucial issue of our times of change: if we don't manage to work together, we will not achieve a more rational society. (Or the other way round ...)
What are the fundamental Energy Laws?
There are some basic energy laws the ignorance of which lead us to make very big & avoidable mistakes, as global as peak oil or as individual as believing our salvation will come from 'free energy'. Not understanding the basic laws that govern energy also lead us to staying permanently confused & therefore open to being manipulated with regards to any new technology or 'new miracle fuel' that is proposed. No progress can be made in terms of future energy choices if the majority of the population cannot distinguish myth from science in these important areas, and in this class we aim to firmly lay the foundations for understanding energy, which are also the foundation of any good sustainable design.
This document discusses touchpoint marketing and the new customer journey. It notes that customers do not think in terms of channels and have complex, cross-channel journeys influenced by external factors like reviews. It emphasizes that branding is about building relationships through consistent personality, communication, and behavior across touchpoints. Effective branding creates difference and tells a brand's story to attract customers and drive conversion.
This document discusses dermatological problems in older people, with a focus on pruritus (itching). It provides information on how aging affects the skin and increases vulnerability to conditions. It then presents a case study of an 85-year-old woman experiencing itching for 6 months. Through examination, the diagnosis of scabies is determined. Scabies is described, including transmission, symptoms, diagnosis via microscopy, and treatment guidelines. The patient is successfully treated with topical permethrin cream and antihistamines, resolving her itching and allowing her improved sleep and quality of life. The value of nurses properly diagnosing and treating such conditions is emphasized.
This document summarizes the Europeana Sounds project, which aims to make more audio content available online by building a network of stakeholders to aggregate and enrich audio metadata. The three-year project is funded by the European Commission and involves 24 organizations from 12 countries working to develop the Europeana Music channel. This will provide search and playback of audio recordings through Europeana's portal and API to promote open access and reuse of sound collections.
Europeana is an online platform that aggregates over 14.6 million digital objects from over 1,500 cultural heritage institutions across Europe. It was launched in 2008 as a prototype and became fully operational in 2010. Europeana follows four strategic tracks - aggregate, distribute, facilitate, and engage. It aggregates content from various institutions and aggregators, makes the content available on its portal, provides tools to help users access and interact with the data, and works to build engagement with partners, stakeholders, and users. The benefits of unlocking digital repositories through Europeana include increased visibility and access to cultural heritage collections, cost savings and efficiencies for participating organizations, and broader economic and social impacts like new businesses and jobs in tourism and education.
The document provides an overview and updates on Europeana and related projects. It discusses changes to the Europeana backend including improvements to the API, ingestion processes, and repository. It also outlines plans to improve search functionality on Europeana including refine search, alternative suggestions, social tagging integration, and visual browsing options. Upcoming projects and priorities for Europeana are mentioned including a focus on improving the end user experience, ensuring sustainability, and developing strong collection and partner programs.
Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.
Europeana sounds: improving access to Europe's digital audio archivesEuropeana_Sounds
Presentation by Richard Ranft, coordinator for Europeana Sounds, at the Annual Conference of the Baltic Audiovisual Archival Council (europeanasounds.eu/event/baac-annual-conference-2014), 18 September 2014
Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.
Europeana update, Aggregation, Collections and Project Shift - Strategies and...Europeana
Annette Friberg presented an update on Europeana including its strategy, partner network, and aggregation models. Europeana's strategy focuses on developing its partner network through task forces and a register. Content is aggregated through national and domain aggregators as well as projects. Over 26 million objects are represented in Europeana from various countries and providers, with the top 15 providers representing over 80% of the total content.
Hungarian National Digital Archive and Hungarian participation in EuropeanaEuropeanaLocal Project
Monguz Ltd. is a Hungarian company that develops software for libraries and museums. It has over 200 partners in Hungary, Romania, and Slovakia. Monguz participates in Europeana by aggregating content from Hungarian institutions for Europeana. The Hungarian government is launching a new initiative called MaNDA (Hungarian National Digital Archive) to standardize metadata and contribute more Hungarian content to Europeana between 2011-2014. MaNDA will establish new aggregators, digitize additional collections beyond the public domain, and harvest content from neighboring countries.
Europeana er ein felles fleirspråkleg portal som gir brukarane tilgang til digitalt materiale frå ABM institusjonar i heile Europa. Komen vil fortelje om uviklinga av Europeana, demonstrere Europeana-prototypen og gi eit oversyn over relaterte prosjekt.
This document summarizes a presentation on improving access to cultural heritage through digitization projects. It discusses two specific projects: Europeana Regia, which created a digital library of 1,298 royal manuscripts from Medieval and Renaissance Europe; and Europeana Newspapers, which has digitized over 18 million newspaper pages. Both projects worked to aggregate content and metadata from various institutions to make the collections accessible through Europeana and other portals. The document outlines the digitization, aggregation, and user needs considerations of the projects. It also discusses sustainability through best practices, networking among institutions, and reusing digitized content. The overall goal is to integrate digitization into cultural heritage institutions and use authority data to create "islands of meaning" accessible
This document discusses EuropeanaLocal, a project aimed at aggregating local and regional digital content from across Europe into Europeana. It provides an overview of the project objectives, partners involved, and progress to date. Key points include:
1) EuropeanaLocal has 32 partners across 10 European countries and aims to contribute over 3 million items to Europeana by 2011.
2) The project seeks to improve interoperability and access to local digital content through mapping metadata and establishing processes for content providers.
3) Significant content has already been ingested, but national aggregation is needed long-term to ensure local content remains available through Europeana after the project ends.
Europeana, the Commons and CC0 - Copenhagen, Dec 2012Europeana
Europeana aims to make digital cultural heritage openly accessible to foster knowledge exchange and cultural understanding in Europe. It aggregates over 24 million objects from 2,200 content providers through 142 aggregators. While it distributes content through various platforms, Europeana sees issues with its current "linear" model and governance structure. It proposes rethinking itself as a "commons" through principles of access, mutuality, engagement, and attribution. Three pilot projects are planned for an infrastructure commons, research commons, and cultural tourism commons to test different approaches and find sustainable solutions.
Promoting Austrian Cultural and Scientific Heritage via EUROPEANAEuropeanaConnect
Mag. Gerda Koch, AIT Angewandte Informationstechnik Forschungsgesellschaft mbH
14th International Congress Cultural Heritage and New Technologies Vienna, 17 November 2009
Similar to Europeana Sounds: improving access to Europe’s digital audio archives (20)
Data processing for digital libraries: the experience of the BnF with Europea...Europeana_Sounds
Presentation by Anila Angjeli, Bertrand Caron, Emmanuelle Bermes, at WLIC 2016 Satellite meeting "Data in libraries: the big picture", Chicago, 10 August 2016
Challenges on modeling annotations in the europeana sounds projectEuropeana_Sounds
Presented at iAnnotate16 (http://iannotate.org/) by Hugo Manguinhas on 19 May 2016.
Cultural heritage institutions are looking at crowdsourcing as a new way and opportunity to improve the overall quality of their data and contribute to a better semantic description and link to the web of data. This is also the case for Europeana, as crowdsourcing under the form of annotations is envisioned and being worked on in several projects. As part of the EU Europeana Sounds project (http://www.europeanasounds.eu/), we have identified the user stories and requirements that cover the following annotation scenarios: open and controlled tagging; geotagging, enrichment of metadata; annotation of media resources; linking to other objects; moderation and general discussions.
As a central point on all the efforts around annotations is an agreement on how these should be modelled in a uniform way for all these scenarios, as it is essential to bring such information to Europeana and in a way that can also be easily exploited and shared beyond our portal. For this, we are using the recent W3C Web Annotation Data Model (WADM) supported by the Open Annotation community as it is the most promising model at the moment.
Due to its flexible design and early stage of development, at the moment, there is insufficient recommendations on how some of our user stories and requirements can be modelled. In our presentation we will make proposals on how the WADM can be applied for these scenarios and we are looking for discussion/feedback from the community in the hope that it will help cultural heritage institutions and other communities to better understand how annotations can be modelled.
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015
Moderator: Lisette Kalshoven, Advisor on copyright, heritage and open education, Kennisland
with Isabel Bordes Cabrera, Head of the Digital Library, National Library of Spain, Dr. Krisztina Rozgonyi, Senior Regulator and Legal Advisor, Senior Lecturer, ELTE University of Budapest, and Dr. Simone Schroff, Researcher in Copyright Law, Institute for Information Law, University of Amsterdam. CC BY-SA
Presentation by Richard Ranft, Head of Sound and Vision, British Library & Project Coordinator of Europeana Sounds
Conference "Europeana Sounds 2015: the Future of Historic Sounds", Paris, 2 October 2015.
This document summarizes an aggregation workshop that took place on June 25th, 2015 in Athens. The workshop included presentations on metadata ingestion plans and progress, publishing content to Europeana, and recapping a previous training session. There was also a discussion of KPI targets for different institutions to contribute images, text, sound, and video to Europeana over the next year. Participants were asked to share updates and timelines for working on collections to help meet contribution targets.
Publication of Europeana Sounds data in EuropeanaEuropeana_Sounds
The document discusses the publication of sound recordings from the Europeana Sounds project in Europeana. Over 26,000 sound records were published in May 2015 with more to be added in June. It provides information on the processes for new submissions, updates, and feedback. Guidelines are given on metadata quality like mandatory properties and direct links. Enriching data with sound vocabularies is also discussed to improve presentation in the Europeana Music channel. Help and guidance resources are listed for working with Europeana Professional and the Content inbox.
This document provides an overview of the Europeana Data Model (EDM) and how it can be used to represent audio and sound cultural heritage objects within Europeana. It describes the key EDM classes - ProvidedCHO, WebResource, Aggregation, and contextual classes like Agent, Place, TimeSpan and Concept. It also outlines the EDM profile for sounds, which specifies additional properties and subclasses to better describe audio objects and their relationships in EDM. The document aims to help providers understand how to represent sound objects and their associated metadata and digital resources using the EDM framework.
The document describes Europeana's aggregation workflow including:
- Europeana's aggregation team handles partner relationships and technical support.
- Data is submitted according to Europeana's publication policy and on a monthly cycle with deadlines.
- The ingestion process involves validation, mapping data to EDM, and publishing on Europeana's portal and API.
- Guidance is provided to help partners meet acceptance criteria around rights, metadata quality, and the EDM schema.
- Future plans aim to open up more of the ingestion workflow for partners to do mapping and validation themselves.
This document provides an overview of Europeana Sounds' metadata ingestion plan and targets. It discusses the four main stages of aggregation: content selection, metadata preparation, metadata ingestion, and metadata curation. It outlines the targets for metadata sets to be ingested by certain milestones. Progress will be measured against targets in the Description of Work. The document provides guidance on metadata quality, rights, and using controlled vocabularies to enhance discovery.
This document summarizes a previous training session on using the MINT platform to transform metadata into the Europeana Data Model (EDM) format. It discusses basic EDM concepts, the EDM Sounds profile extension, how to use MINT to map provider metadata to EDM Sounds, transform the metadata, and publish it to Europeana. Upcoming topics for a second training session are also listed.
Short introduction to RDF model based on the EDM sounds profileEuropeana_Sounds
The document provides an introduction to the RDF data model and the Europeana Data Model (EDM) for describing digital cultural heritage objects such as sounds. It explains that RDF uses URIs to identify resources and describes them with properties and property values. It provides examples of how EDM represents a sound object and its related metadata and aggregation information using RDF syntax and as a graph. It also discusses two approaches for representing the grouping of objects into collections within the EDM model using RDF.
This document discusses different types of mappings that can be performed when mapping metadata between schemas, including:
- Xpath mapping by dragging xpath elements between schemas
- Enumerated mappings for elements with predefined lists of values
- Constant mappings to apply the same value to all items
- Concatenate mappings to combine multiple mappings
- Functional mappings to modify values using string manipulation functions
- Conditional mappings to set conditions on mappings
- Value mappings to align specific values between schemas
- Structural mappings to reflect complex types between schemas
- Thesaurus mappings to align terms to controlled vocabularies
This document discusses Europeana's use of unique identifiers and provides guidance on publishing and republishing metadata. It notes that Europeana uses EDM resource identifiers to distinguish items and detect duplicates. It advises ensuring unique local identifiers are used for each imported item to avoid duplicates being discarded. It also presents four cases involving publishing new or updated metadata and actions to take, such as unpublishing existing imports before publishing overlapping new ones.
- Europeana Sounds was a 3-year project from 2014-2017 funded by the European Commission to make more audio content available through Europeana's online platform. It aimed to improve access to and experience of searching for sounds, music, and other audio files.
- The project established a network of 24 organizations across Europe to aggregate audio collections and provide metadata. It developed new technical infrastructure and processes to enrich audio metadata and make content available through various Europeana channels.
- By 2016-2017, Europeana Sounds had expanded Europeana's audio offerings by building out additional search, browsing, and content display features on its website and other online channels. It sought to promote reuse of audio recordings and engage various stakeholders in cultural heritage institutions
Europeana Sounds training session on intellectual property rights (24 June 2015)Europeana_Sounds
Lisette Kalshoven facilitated this training session on intellectual property rights that took place in Athens Concert Hall on June 24th, 2015 in the frame of Europeana Sounds' aggregation and mid-year meeting.
This presentation by Tim Capel, Director of the UK Information Commissioner’s Office Legal Service, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Thibault Schrepel, Associate Professor of Law at Vrije Universiteit Amsterdam University, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Nathaniel Lane, Associate Professor in Economics at Oxford University, was made during the discussion “Pro-competitive Industrial Policy” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/pcip.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Katharine Kemp, Associate Professor at the Faculty of Law & Justice at UNSW Sydney, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Yong Lim, Professor of Economic Law at Seoul National University School of Law, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Professor Giuseppe Colangelo, Jean Monnet Professor of European Innovation Policy, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “Pro-competitive Industrial Policy” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/pcip.
This presentation was uploaded with the author’s consent.
1.) Introduction
Our Movement is not new; it is the same as it was for Freedom, Justice, and Equality since we were labeled as slaves. However, this movement at its core must entail economics.
2.) Historical Context
This is the same movement because none of the previous movements, such as boycotts, were ever completed. For some, maybe, but for the most part, it’s just a place to keep your stable until you’re ready to assimilate them into your system. The rest of the crabs are left in the world’s worst parts, begging for scraps.
3.) Economic Empowerment
Our Movement aims to show that it is indeed possible for the less fortunate to establish their economic system. Everyone else – Caucasian, Asian, Mexican, Israeli, Jews, etc. – has their systems, and they all set up and usurp money from the less fortunate. So, the less fortunate buy from every one of them, yet none of them buy from the less fortunate. Moreover, the less fortunate really don’t have anything to sell.
4.) Collaboration with Organizations
Our Movement will demonstrate how organizations such as the National Association for the Advancement of Colored People, National Urban League, Black Lives Matter, and others can assist in creating a much more indestructible Black Wall Street.
5.) Vision for the Future
Our Movement will not settle for less than those who came before us and stopped before the rights were equal. The economy, jobs, healthcare, education, housing, incarceration – everything is unfair, and what isn’t is rigged for the less fortunate to fail, as evidenced in society.
6.) Call to Action
Our movement has started and implemented everything needed for the advancement of the economic system. There are positions for only those who understand the importance of this movement, as failure to address it will continue the degradation of the people deemed less fortunate.
No, this isn’t Noah’s Ark, nor am I a Prophet. I’m just a man who wrote a couple of books, created a magnificent website: http://www.thearkproject.llc, and who truly hopes to try and initiate a truly sustainable economic system for deprived people. We may not all have the same beliefs, but if our methods are tried, tested, and proven, we can come together and help others. My website: http://www.thearkproject.llc is very informative and considerably controversial. Please check it out, and if you are afraid, leave immediately; it’s no place for cowards. The last Prophet said: “Whoever among you sees an evil action, then let him change it with his hand [by taking action]; if he cannot, then with his tongue [by speaking out]; and if he cannot, then, with his heart – and that is the weakest of faith.” [Sahih Muslim] If we all, or even some of us, did this, there would be significant change. We are able to witness it on small and grand scales, for example, from climate control to business partnerships. I encourage, invite, and challenge you all to support me by visiting my website.
Gamify it until you make it Improving Agile Development and Operations with ...Ben Linders
So many challenges, so little time. While we’re busy developing software and keeping it operational, we also need to sharpen the saw, but how? Gamification can be a way to look at how you’re doing and find out where to improve. It’s a great way to have everyone involved and get the best out of people.
In this presentation, Ben Linders will show how playing games with the DevOps coaching cards can help to explore your current development and deployment (DevOps) practices and decide as a team what to improve or experiment with.
The games that we play are based on an engagement model. Instead of imposing change, the games enable people to pull in ideas for change and apply those in a way that best suits their collective needs.
By playing games, you can learn from each other. Teams can use games, exercises, and coaching cards to discuss values, principles, and practices, and share their experiences and learnings.
Different game formats can be used to share experiences on DevOps principles and practices and explore how they can be applied effectively. This presentation provides an overview of playing formats and will inspire you to come up with your own formats.
Why Psychological Safety Matters for Software Teams - ACE 2024 - Ben Linders.pdfBen Linders
Psychological safety in teams is important; team members must feel safe and able to communicate and collaborate effectively to deliver value. It’s also necessary to build long-lasting teams since things will happen and relationships will be strained.
But, how safe is a team? How can we determine if there are any factors that make the team unsafe or have an impact on the team’s culture?
In this mini-workshop, we’ll play games for psychological safety and team culture utilizing a deck of coaching cards, The Psychological Safety Cards. We will learn how to use gamification to gain a better understanding of what’s going on in teams. Individuals share what they have learned from working in teams, what has impacted the team’s safety and culture, and what has led to positive change.
Different game formats will be played in groups in parallel. Examples are an ice-breaker to get people talking about psychological safety, a constellation where people take positions about aspects of psychological safety in their team or organization, and collaborative card games where people work together to create an environment that fosters psychological safety.
6. 6
24 organisations from 12 countries
7 National Libraries
5 Archive & Research Centres
2 other Public Bodies
4 Non-profit Organisations
3 Universities
3 Companies
7. 7
• Three-year EC funded project
February 2014 to January 2017
• Budget: 6,14 million €
80% from the European Commission
• Europeana’s fifth aggregation domain
8.
9. 9
Building a network of
stakeholders
Credit: jalroagua, flickr.com/photos/31065898@N08/8220970905/