5.pre production
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The document outlines the pre-production planning for an animated pixel art game. It discusses the color palette, fonts, layouts, characters, locations, and schedule. Green, brown, and blue colors were selected to represent grass, poop, and sky/eyes. Pixel art examples were shown. The game involves a cat avoiding poop dropped by an old woman who moves sideways. The schedule allocates 8 days to create backgrounds, characters, items, and animate the game. Contingency plans address technical issues like memory stick or computer failure.
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6. production reflection
The document provides a reflection on the production process of creating a video game background and characters. It includes 10 screenshots showing the progression from basic to more detailed designs. The student used basic tools like the pencil brush tool in Photoshop and struggled with using the software at first, producing very simple and basic images. Later screenshots show improved coloring, additional details like swirls and text, and multiple characters including a main cat character and an old lady character in purple clothing. The final screenshots depict animated elements like scores and dying messages to enhance game play.
7.evaluation
This document summarizes a student's final product evaluation for an FMP assignment. It includes sections on research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. For research, the student looked at similar games to help with ideas but found it time consuming. Planning involved mind maps and experiments, but took too much time. Time management was good with a schedule. Peer feedback suggested improvements like fixing character clipping and adding more detail. The student agrees some improvements could have been made.
5. pre production
The document discusses pre-production planning for a game. It describes using different colors in the game to represent environmental changes after a bomb drops, such as turning grass from green to gray, to signal to players that wildlife is dead. It also outlines using colors like orange and red for enemy animations to show damage from being shot. The document includes a schedule for an 8 day production period focusing on tasks like creating backgrounds, environments, visual and audio effects, characters, and animations in software like Photoshop, Illustrator, and Premiere Pro. It also addresses potential issues and solutions involving backing up work, offensive content, performance problems, and audio syncing.
3. production experiments (interactive)
This document summarizes Jessica Crosland's process for creating experiments for a ghost game. In her first experiment, she created a basic background and animated a ghost moving across the screen. Her second experiment had more detailed backgrounds with trees and blocks, and an improved ghost design with added shadows. She found animating pixels and timelines most difficult. For her final product, she plans to include multiple characters chasing each other and improve backgrounds from her experiments.
4. experiments
The document summarizes two experiments the author conducted for a game design project. The first experiment involved creating a still image for a side-scrolling game where the player dodges items to get to class on time. The author created the image in Photoshop and was pleased with the detailed, cartoon-like outcome. A simple repeated tune was made for the theme music. The second experiment involved a puzzle game made in Photoshop. The author realized they prefer creating more detailed designs and want to focus on production for the final project. A faster, more repetitive theme was made to match the single-screen puzzle game. Elements the author wants to include are a detailed design, careful use of color, and avoiding annoyingly repetitive
Interactive - Pre-Production
The document outlines pre-production plans for a game, including font and color choices, initial level layout designs, and required resources and software. The first layout depicts an upward-scrolling desert level made in Photoshop using the Chalkduster font. The second layout shows a different colored setting with added bushes. A schedule is provided to complete base elements, characters, levels, and a final boss over 8 days using Photoshop.
P4 - 5. Pre-Production (Interactive)
The document discusses Tamzin Twose's pre-production plans for a pixelated jungle-themed game. It includes style sheets for graphics and fonts, color schemes, layout mockups, and a schedule for creating gameplay assets over 8 days in Adobe Photoshop. Contingency plans are also outlined to avoid issues with scale, layers, software/hardware failures, and health and safety concerns during the design process.
Video Game Production reflection
Alice created the home screen, background, and platforms for her jungle-themed game. She designed challenges like pits of fire and water and added collectible items. Alice animated her character walking and using tools like ladders and bows to pass obstacles. She added a main menu, completed the animation, and exported the final game with custom music and sound effects.
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6. production reflection
The document provides a reflection on the production process of creating a video game background and characters. It includes 10 screenshots showing the progression from basic to more detailed designs. The student used basic tools like the pencil brush tool in Photoshop and struggled with using the software at first, producing very simple and basic images. Later screenshots show improved coloring, additional details like swirls and text, and multiple characters including a main cat character and an old lady character in purple clothing. The final screenshots depict animated elements like scores and dying messages to enhance game play.
7.evaluation
This document summarizes a student's final product evaluation for an FMP assignment. It includes sections on research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. For research, the student looked at similar games to help with ideas but found it time consuming. Planning involved mind maps and experiments, but took too much time. Time management was good with a schedule. Peer feedback suggested improvements like fixing character clipping and adding more detail. The student agrees some improvements could have been made.
5. pre production
The document discusses pre-production planning for a game. It describes using different colors in the game to represent environmental changes after a bomb drops, such as turning grass from green to gray, to signal to players that wildlife is dead. It also outlines using colors like orange and red for enemy animations to show damage from being shot. The document includes a schedule for an 8 day production period focusing on tasks like creating backgrounds, environments, visual and audio effects, characters, and animations in software like Photoshop, Illustrator, and Premiere Pro. It also addresses potential issues and solutions involving backing up work, offensive content, performance problems, and audio syncing.
3. production experiments (interactive)
This document summarizes Jessica Crosland's process for creating experiments for a ghost game. In her first experiment, she created a basic background and animated a ghost moving across the screen. Her second experiment had more detailed backgrounds with trees and blocks, and an improved ghost design with added shadows. She found animating pixels and timelines most difficult. For her final product, she plans to include multiple characters chasing each other and improve backgrounds from her experiments.
4. experiments
The document summarizes two experiments the author conducted for a game design project. The first experiment involved creating a still image for a side-scrolling game where the player dodges items to get to class on time. The author created the image in Photoshop and was pleased with the detailed, cartoon-like outcome. A simple repeated tune was made for the theme music. The second experiment involved a puzzle game made in Photoshop. The author realized they prefer creating more detailed designs and want to focus on production for the final project. A faster, more repetitive theme was made to match the single-screen puzzle game. Elements the author wants to include are a detailed design, careful use of color, and avoiding annoyingly repetitive
Interactive - Pre-Production
The document outlines pre-production plans for a game, including font and color choices, initial level layout designs, and required resources and software. The first layout depicts an upward-scrolling desert level made in Photoshop using the Chalkduster font. The second layout shows a different colored setting with added bushes. A schedule is provided to complete base elements, characters, levels, and a final boss over 8 days using Photoshop.
P4 - 5. Pre-Production (Interactive)
The document discusses Tamzin Twose's pre-production plans for a pixelated jungle-themed game. It includes style sheets for graphics and fonts, color schemes, layout mockups, and a schedule for creating gameplay assets over 8 days in Adobe Photoshop. Contingency plans are also outlined to avoid issues with scale, layers, software/hardware failures, and health and safety concerns during the design process.
Video Game Production reflection
Alice created the home screen, background, and platforms for her jungle-themed game. She designed challenges like pits of fire and water and added collectible items. Alice animated her character walking and using tools like ladders and bows to pass obstacles. She added a main menu, completed the animation, and exported the final game with custom music and sound effects.
5. pre production(2) (finished)
The document outlines plans for an advergame, including using a bright comic book style for graphics and gameplay. Two background layouts are proposed: the starting area shows a house where the player's character will pick up items, and a map on the top right will track movement. The second area has the character encounter another player and lose a fight, ending the game. No props or locations are needed. Contingency plans address potential issues like file loss or software crashes. Health and safety concerns about eye strain, headaches and hand cramps will be avoided with breaks. A 5-day schedule is outlined for creating poster and presentation assets using Photoshop.
7. Production Reflection
Hannah created a retro-style video game for a school project. On the first day, she experimented with game ideas and designs. She settled on a space-themed game featuring a spaceship character defending Earth from enemies. Over subsequent days, Hannah designed backgrounds, menus, instructions slides and animated character movements. She spent a long time ensuring her animations were smooth. By the end of the week, Hannah had animated the full game mechanics but lacked sound effects and soundtrack due to computer issues. She planned to complete these details after the weekend.
2. initial plans
Samuel plans to create a platformer video game similar to Inside and Little Nightmares. He wants the game to feature puzzle-solving and obstacle avoidance. Samuel enjoyed shading in his previous game and wants to improve lighting effects. He will use a checkpoint system with one life, resetting the player to checkpoints if they die. The game will have a monotone, teal color scheme and take place in a dull, wooden environment. Samuel created a mood board and mind map to plan atmospheric elements and will draw inspiration from games like Inside, Jetpack Joyride, and Little Nightmares for his design. He outlined a 5-week schedule to research, prototype, produce, and evaluate the game.
Planning
The document provides details on pre-production planning for a fantasy game concept, including choosing color palettes and fonts, designing layouts and HUDs, scheduling production, and planning assets like characters, environments, music, and sound effects. The production schedule spans 8 weeks and includes tasks like sketching concepts, 2D and 3D design, modeling, sound design, and evaluation. Resources needed include software like Photoshop, GarageBand, and video editing tools. The goal is to create an engaging fantasy adventure game with bright colors, pixelated fonts, and an open forest environment.
Proposal adv project 2020
This document outlines a proposal for a video game called "Dream of Dreams" based on a movie concept. The game would target male gamers aged 15-25 and involve completing levels that represent different dreams of the main character Ash. Each dream would have a mission for Ash to complete in order to progress to the next dream level. The proposal includes a rationale, project concept, production techniques, schedule, and bibliography. Production would involve using photography, video editing, and sound recording software and equipment to create cut scenes, gameplay, and advertisements for the game. Progress and final evaluations would assess likes/dislikes, improvements, and changes from the original plan.
5. pre production(2)
The document discusses plans for a game animation project. It will use black and white graphics with yellow for selecting and red for attacks. Inspiration will come from games like Pokemon. The animations will be created in Photoshop and screenshots will be collected in a Word document. Potential issues around computer crashes, copyright, and health and safety are addressed. The schedule outlines 7 days to create the background, enemy, text, health bars, and animate the project while collecting screenshots.
Production Reflection
The document describes the process of creating characters, companions, and scenes for a video game. It discusses how the creator based characters on Final Fantasy sprites but made them more realistic. It also describes creating a cat and dog companion, using online images but modifying them. The last scene created shows shadows in a forest with a cut-out tree, providing an entrance and exit to the forest. The creator made a video game case inspired by classic Nintendo games and enjoyed using various Photoshop tools to enhance skills.
(1) production experiments
For this experiment, the creator tried recreating popular Mario characters and items to get used to the 8-bit pixel art style using a 1x1 pixel pencil tool. This helped them understand basic character composition and design. In future experiments, they planned to add more detail through shading and highlights.
In another experiment, the creator added a changing sky background by creating multiple sky layers of different blue shades to turn on and off, simulating the sky changing as the sun and moon move across. This adds realism and interest over a static background.
A third experiment involved animating a cursor selecting character options, making sure to follow the 180x20 pixel ratio. Frame times were mostly 0.1 seconds except
6. production (gaming)
The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
6. production reflection(2)
Amy Foster created a ghost game experiment in Photoshop but found it difficult to create recognizable characters like trains and goats. After completing the game in Photoshop, she animated it and exported a 3 second MP4 file that turned out blurry, making the game seem less professional. To add audio, she used Premier Pro, which she found easy to use, and doubled the game footage to make the clip longer so the audio could be heard properly.
Pre production
The document provides details on the pre-production planning for a space-themed video game. It describes the color scheme and font choices, and explains that black, purple, orange and red were selected to represent space and nebulas, while blue and white give off a glowing color like stars. Image styles and layout designs are presented, showing main menus, gameplay, and background elements like planets and nebulas. A schedule is outlined to develop artwork and animations in Photoshop over 8 days, adding sound in Premier Pro.
4. pre production(1)
This document outlines pre-production work for a pixel turn-based strategy game and accompanying manga. It includes details on the purpose, target audience, and distribution method. Color palettes, fonts, reference images, storyboards, sound effects, and music are selected. Production schedules are laid out over three weeks to create backgrounds, character models, animations, and integrate audio. Contingency plans and health and safety considerations are also addressed.
5. pre production(gaming)
The document discusses pre-production planning for a children's game, including color scheme, fonts, and layouts. Primary colors like red, blue, and yellow will be used in designs and to symbolize health, water, warmth, and danger. Fonts like Adobe Calson and Black Adder will be used for speech and signs to suit the fantasy setting. Two layouts are shown - an overhead view for exploration and a side view for battling. Software like Photoshop and Premier will be used to create and animate the game, along with gathering resources from the internet. A schedule is outlined to complete scenes and a poster over 8 days.
production reflection
The student developed their animation skills to create a moving background and object. They adapted the animation to improve the timing and placement of words moving with the background. They also added a flashing effect to the object to give it an "old pixel game" look. The student refined their "boss" character design from a more childlike drawing to a more intimidating yet still comical look. They experimented with a background to learn necessary animations for their final project, increasing detail and dimension in the revised version. Previously, the background did not fit the game screen, so the student redid it in under two days. Animation of the game process was challenging but the student worked to complete it on time. Color and design ideas from
Game evaluation
This document provides an evaluation of Daniel Firth's research, planning, time management, technical, aural, aesthetic, and audience appeal qualities for a video game project based on the musical "We Will Rock You." Some strengths included thorough research from multiple sources, contingency planning, and finishing on time. Weaknesses included a lack of playing inspiration games to understand gameplay and only researching half the musical's script. The game has direction, scene transitions, references to peers' games, and a changing soundtrack. It aims to appeal to fans of Queen and the musical through its story and 8-bit artistic style.
Game project- initial plans
Alice plans to create a platform/adventure video game for her project. She enjoyed the creative aspects of frame animation in a previous project. For her new game, she will design characters and backgrounds set in a jungle environment. The game may include challenges like collecting objects and crossing bridges. Alice will allow players to choose from animal or human characters. She will also create additional selectable characters. Objects like coins and mushrooms could be collected during gameplay. Alice has created a schedule to design characters, backgrounds, and program character and object movement over five weeks. She has researched popular mobile and video games like Temple Run and Super Mario Bros to inform her project plans.
4. proposal(gaming)
The document proposes a fantasy role-playing game called "King's Empire" set in a medieval world dictated by an evil empire. The game's purpose is to be immersive, fun, and competitive through an intriguing story and exciting gameplay shown in a trailer. It will have character customization and involve defeating evil kings in each kingdom to battle the main antagonist, King of Kings. The target audience is ages 10-20 of all genders and races, attracting emulator players through difficult gameplay. Inspiration comes from Nintendo games like Zelda and Pokémon.
3. production experiments(2)
In her experiment creating a ghost game in Photoshop, Amy Foster found it challenging at first to work in pixels and create characters. However, after experimenting with Photoshop's tools, she got used to it and managed to make a simple sketch. For her final product, she will apply what she learned about using different pixel shades to make characters more realistic from her initial trial-and-error experiments in Photoshop.
5. pre production(2)
The document outlines Jordanne Kay's pre-production plan for an educational advergame for children. It includes details on style sheets, layouts, resources, contingency planning, health and safety considerations, and a production schedule. Bright colors and clear fonts were selected. Sketches show intended gameplay, characters, and an app icon design. The plan addresses potential issues like technical problems, missing elements, and delays to ensure successful completion.
7. detailed presentation pro forma
Jack Sullivan created an 8-bit side-scrolling pixelated video game called "Cloud Hop" using Photoshop. The game is set in sky levels where the player controls a character to collect coins and reach the flag at the end of each level before losing all their lives. Artwork is presented showing the character, level screenshots, menus, and a loading screen where the character walks and the word "loading" lights up. The target audience is children, teenagers, and adults ages 7+ due to its similarity and accessibility to Mario games.
6. production reflection
The document discusses the editing process for several photos. For each photo, the author lists the editing tools used, such as vibrance, brightness/contrast, and exposure tools. They also explain how each tool was used to enhance the photos, such as making colors more vibrant or certain features stand out. For some photos, the author notes how they would improve the photos if taken again, such as changing the angle or focus.
7. evaluation
The document provides an evaluation of a magazine product created by Adele Rolf. It includes sections on research, planning, time management, target audience appeal, technical qualities, aesthetic qualities, and peer feedback. The research and planning helped develop the concept, but limited time caused rushed work. The target audience was teens and young adults, and content on music festivals and artists aimed to appeal to them. Peer feedback praised the professional look but suggested improving fonts and adding more text columns.
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5. pre production(2) (finished)
The document outlines plans for an advergame, including using a bright comic book style for graphics and gameplay. Two background layouts are proposed: the starting area shows a house where the player's character will pick up items, and a map on the top right will track movement. The second area has the character encounter another player and lose a fight, ending the game. No props or locations are needed. Contingency plans address potential issues like file loss or software crashes. Health and safety concerns about eye strain, headaches and hand cramps will be avoided with breaks. A 5-day schedule is outlined for creating poster and presentation assets using Photoshop.
7. Production Reflection
Hannah created a retro-style video game for a school project. On the first day, she experimented with game ideas and designs. She settled on a space-themed game featuring a spaceship character defending Earth from enemies. Over subsequent days, Hannah designed backgrounds, menus, instructions slides and animated character movements. She spent a long time ensuring her animations were smooth. By the end of the week, Hannah had animated the full game mechanics but lacked sound effects and soundtrack due to computer issues. She planned to complete these details after the weekend.
2. initial plans
Samuel plans to create a platformer video game similar to Inside and Little Nightmares. He wants the game to feature puzzle-solving and obstacle avoidance. Samuel enjoyed shading in his previous game and wants to improve lighting effects. He will use a checkpoint system with one life, resetting the player to checkpoints if they die. The game will have a monotone, teal color scheme and take place in a dull, wooden environment. Samuel created a mood board and mind map to plan atmospheric elements and will draw inspiration from games like Inside, Jetpack Joyride, and Little Nightmares for his design. He outlined a 5-week schedule to research, prototype, produce, and evaluate the game.
Planning
The document provides details on pre-production planning for a fantasy game concept, including choosing color palettes and fonts, designing layouts and HUDs, scheduling production, and planning assets like characters, environments, music, and sound effects. The production schedule spans 8 weeks and includes tasks like sketching concepts, 2D and 3D design, modeling, sound design, and evaluation. Resources needed include software like Photoshop, GarageBand, and video editing tools. The goal is to create an engaging fantasy adventure game with bright colors, pixelated fonts, and an open forest environment.
Proposal adv project 2020
This document outlines a proposal for a video game called "Dream of Dreams" based on a movie concept. The game would target male gamers aged 15-25 and involve completing levels that represent different dreams of the main character Ash. Each dream would have a mission for Ash to complete in order to progress to the next dream level. The proposal includes a rationale, project concept, production techniques, schedule, and bibliography. Production would involve using photography, video editing, and sound recording software and equipment to create cut scenes, gameplay, and advertisements for the game. Progress and final evaluations would assess likes/dislikes, improvements, and changes from the original plan.
5. pre production(2)
The document discusses plans for a game animation project. It will use black and white graphics with yellow for selecting and red for attacks. Inspiration will come from games like Pokemon. The animations will be created in Photoshop and screenshots will be collected in a Word document. Potential issues around computer crashes, copyright, and health and safety are addressed. The schedule outlines 7 days to create the background, enemy, text, health bars, and animate the project while collecting screenshots.
Production Reflection
The document describes the process of creating characters, companions, and scenes for a video game. It discusses how the creator based characters on Final Fantasy sprites but made them more realistic. It also describes creating a cat and dog companion, using online images but modifying them. The last scene created shows shadows in a forest with a cut-out tree, providing an entrance and exit to the forest. The creator made a video game case inspired by classic Nintendo games and enjoyed using various Photoshop tools to enhance skills.
(1) production experiments
For this experiment, the creator tried recreating popular Mario characters and items to get used to the 8-bit pixel art style using a 1x1 pixel pencil tool. This helped them understand basic character composition and design. In future experiments, they planned to add more detail through shading and highlights.
In another experiment, the creator added a changing sky background by creating multiple sky layers of different blue shades to turn on and off, simulating the sky changing as the sun and moon move across. This adds realism and interest over a static background.
A third experiment involved animating a cursor selecting character options, making sure to follow the 180x20 pixel ratio. Frame times were mostly 0.1 seconds except
6. production (gaming)
The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
6. production reflection(2)
Amy Foster created a ghost game experiment in Photoshop but found it difficult to create recognizable characters like trains and goats. After completing the game in Photoshop, she animated it and exported a 3 second MP4 file that turned out blurry, making the game seem less professional. To add audio, she used Premier Pro, which she found easy to use, and doubled the game footage to make the clip longer so the audio could be heard properly.
Pre production
The document provides details on the pre-production planning for a space-themed video game. It describes the color scheme and font choices, and explains that black, purple, orange and red were selected to represent space and nebulas, while blue and white give off a glowing color like stars. Image styles and layout designs are presented, showing main menus, gameplay, and background elements like planets and nebulas. A schedule is outlined to develop artwork and animations in Photoshop over 8 days, adding sound in Premier Pro.
4. pre production(1)
This document outlines pre-production work for a pixel turn-based strategy game and accompanying manga. It includes details on the purpose, target audience, and distribution method. Color palettes, fonts, reference images, storyboards, sound effects, and music are selected. Production schedules are laid out over three weeks to create backgrounds, character models, animations, and integrate audio. Contingency plans and health and safety considerations are also addressed.
5. pre production(gaming)
The document discusses pre-production planning for a children's game, including color scheme, fonts, and layouts. Primary colors like red, blue, and yellow will be used in designs and to symbolize health, water, warmth, and danger. Fonts like Adobe Calson and Black Adder will be used for speech and signs to suit the fantasy setting. Two layouts are shown - an overhead view for exploration and a side view for battling. Software like Photoshop and Premier will be used to create and animate the game, along with gathering resources from the internet. A schedule is outlined to complete scenes and a poster over 8 days.
production reflection
The student developed their animation skills to create a moving background and object. They adapted the animation to improve the timing and placement of words moving with the background. They also added a flashing effect to the object to give it an "old pixel game" look. The student refined their "boss" character design from a more childlike drawing to a more intimidating yet still comical look. They experimented with a background to learn necessary animations for their final project, increasing detail and dimension in the revised version. Previously, the background did not fit the game screen, so the student redid it in under two days. Animation of the game process was challenging but the student worked to complete it on time. Color and design ideas from
Game evaluation
This document provides an evaluation of Daniel Firth's research, planning, time management, technical, aural, aesthetic, and audience appeal qualities for a video game project based on the musical "We Will Rock You." Some strengths included thorough research from multiple sources, contingency planning, and finishing on time. Weaknesses included a lack of playing inspiration games to understand gameplay and only researching half the musical's script. The game has direction, scene transitions, references to peers' games, and a changing soundtrack. It aims to appeal to fans of Queen and the musical through its story and 8-bit artistic style.
Game project- initial plans
Alice plans to create a platform/adventure video game for her project. She enjoyed the creative aspects of frame animation in a previous project. For her new game, she will design characters and backgrounds set in a jungle environment. The game may include challenges like collecting objects and crossing bridges. Alice will allow players to choose from animal or human characters. She will also create additional selectable characters. Objects like coins and mushrooms could be collected during gameplay. Alice has created a schedule to design characters, backgrounds, and program character and object movement over five weeks. She has researched popular mobile and video games like Temple Run and Super Mario Bros to inform her project plans.
4. proposal(gaming)
The document proposes a fantasy role-playing game called "King's Empire" set in a medieval world dictated by an evil empire. The game's purpose is to be immersive, fun, and competitive through an intriguing story and exciting gameplay shown in a trailer. It will have character customization and involve defeating evil kings in each kingdom to battle the main antagonist, King of Kings. The target audience is ages 10-20 of all genders and races, attracting emulator players through difficult gameplay. Inspiration comes from Nintendo games like Zelda and Pokémon.
3. production experiments(2)
In her experiment creating a ghost game in Photoshop, Amy Foster found it challenging at first to work in pixels and create characters. However, after experimenting with Photoshop's tools, she got used to it and managed to make a simple sketch. For her final product, she will apply what she learned about using different pixel shades to make characters more realistic from her initial trial-and-error experiments in Photoshop.
5. pre production(2)
The document outlines Jordanne Kay's pre-production plan for an educational advergame for children. It includes details on style sheets, layouts, resources, contingency planning, health and safety considerations, and a production schedule. Bright colors and clear fonts were selected. Sketches show intended gameplay, characters, and an app icon design. The plan addresses potential issues like technical problems, missing elements, and delays to ensure successful completion.
7. detailed presentation pro forma
Jack Sullivan created an 8-bit side-scrolling pixelated video game called "Cloud Hop" using Photoshop. The game is set in sky levels where the player controls a character to collect coins and reach the flag at the end of each level before losing all their lives. Artwork is presented showing the character, level screenshots, menus, and a loading screen where the character walks and the word "loading" lights up. The target audience is children, teenagers, and adults ages 7+ due to its similarity and accessibility to Mario games.
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6. production reflection
The document discusses the editing process for several photos. For each photo, the author lists the editing tools used, such as vibrance, brightness/contrast, and exposure tools. They also explain how each tool was used to enhance the photos, such as making colors more vibrant or certain features stand out. For some photos, the author notes how they would improve the photos if taken again, such as changing the angle or focus.
7. evaluation
The document provides an evaluation of a magazine product created by Adele Rolf. It includes sections on research, planning, time management, target audience appeal, technical qualities, aesthetic qualities, and peer feedback. The research and planning helped develop the concept, but limited time caused rushed work. The target audience was teens and young adults, and content on music festivals and artists aimed to appeal to them. Peer feedback praised the professional look but suggested improving fonts and adding more text columns.
3. production experiments
Adele Rolf conducted experiments for a radio project by using various audio editing techniques. She used fade ins and outs to gradually increase and decrease the volume of music over time. Chorus and delay effects were added to snippets of audio to make the experiment more interesting. Background music and sound effects of dogs barking were included to add humor. For the final project, Adele plans to include fade effects, delays, and a full-length background song to keep listeners engaged.
5. pre production
The document outlines Adele Rolf's pre-production process for a Christmas photography portfolio. It discusses choosing green, red, gold, and white colors along with Castellar and Gabriola fonts that represent Christmas. Test photos focused on particular objects found styles and angles to emulate. Mockups edited photos of people in a winter scene and a dog in a Christmas outfit. A schedule is provided to take practice, on-location, and staged photos over 8 days to develop and edit into a portfolio. Safety, equipment, and contingency plans are also addressed.
2. research
The document analyzes three existing products that are similar to the author's planned cat-themed video game. All three researched products involve a character collecting items or avoiding obstacles. The author notes that the games use bright colors, fast movement, and lack of lives as common features and plans to incorporate these aspects into their own game along with a summer garden setting and catch-and-avoid gameplay.
7.evaluation
The document provides an evaluation of the student's final major project (FMP) for a photography portfolio. It discusses the strengths and weaknesses of researching, planning, time management, technical and aesthetic qualities of images, audience appeal, and peer feedback. The student found researching gave ideas but was time consuming. Planning helped but there was little time. A schedule helped time management but more time was needed. Peer feedback noted professional presentation but some images could be improved with different editing tools or focus.
1. initial plans adele complete
The document outlines initial plans for a project that includes creating a mind map, mind map, and mood board. It lists Adele Rolf as the creator and includes three bullet points for mind map, mind map, and mood board, suggesting these are the top level tasks or deliverables in the early planning stages.
5.re production
This document outlines the pre-production planning for a magazine cover project on David Bowie. It includes details on the style sheet, layout options considered, equipment and locations needed, contingency planning for potential issues, health and safety considerations, and a weekly schedule. The style sheet includes color and font options. Layouts experiment with background images, photos, and text. Safety measures are proposed to prevent equipment damage or health problems while working.
4.proposal
This proposal is for a game called "CATCH IT" aimed at children ages 6 to 11. The game involves an old lady dropping items in her garden for her cat to either catch, like treats, or avoid, like cat poo. The purpose is to entertain children with a simple yet enjoyable interactive game. Legal and ethical considerations include following ASA rules and getting parental consent through email verification before children can access the game to avoid any offensive content.
2. research
Here are a few key points to evaluate your research:
- You used multiple methods (product research, surveys, interviews) which provided a well-rounded perspective. Using various methods strengthened your research.
- Surveys allowed you to gather quantitative data from a larger sample size than interviews alone. However, response rates for online surveys can be low.
- Interviews provided rich, qualitative insights but with a smaller sample than surveys. Conducting two interviews was a good amount to gain varied perspectives.
- Product research informed your understanding of styles and techniques but required more time than surveys/interviews.
Overall it seems you conducted thoughtful research using different methods to understand your audience and inform your portfolio concept. The mix of
2. research(2)
The document discusses potential audience profiles for a music magazine cover, identifying the target age range as 15-21 year olds who would be fans of the genre featured. Both male and female genders are identified as the target audience. The proposed psychographic profile for the audience is "emulator," as fans of the band on the cover would seek to emulate the musicians they idolize.
Cv ye
Adele Rolf is currently working as a breakfast host assistant at the Holiday Inn Express in York, England. She has held this position since April 2014. In this role, she clears tables, helps guests, keeps food stocked, and maintains the kitchen. She has proven herself a dedicated employee by regularly working weekends and volunteering during holidays. Adele completed her education at Huntington Secondary School and is currently studying at York College, where she earned a BTEC in Music. She hopes to work in the music or media industries someday, ideally as a front of house manager for live events.
2. research
The student conducted research through product analysis, questionnaires, and interviews to inform their nature photography portfolio. Questionnaires distributed on Facebook and to peers provided feedback from over 25 people mostly aged 16-19. While this engagement helped shape the work, surveys can be time-consuming. Interviews offered detailed responses but could make people uncomfortable. Overall, the research highlighted including varied angles, focus techniques, and the color green in landscapes and portraits featuring trees, animals, and the sky.
1. work related learning research
This document provides information on work-related learning and opportunities in media-related fields. It includes links to the author's online portfolios, three job postings for a media project manager, photographer, and social media content writer in Leeds, and requirements for the positions. It also lists three university media courses and an action plan to meet entry requirements. A case study on photographer Zack Ahern is included at the end.
4.proposal
This proposal is for a podcast reviewing a live performance by the band King No One. The podcast will be entertaining and informative, using sound effects, music clips, and an upbeat tone. It will discuss the opening acts, the atmosphere at the show, and the experience of attending with friends. The target audience is ages 16-24 of both genders, as those are typical concert-goers. It will appeal to fans of the band's genre and promote local bands. There may be some offensive language, so it will be restricted to ages 12+. It will not offend social groups and focuses on a local band to differentiate it from reviews of major artists.
1. initial plans
The mood board was created using images from various music magazine brands to represent different artists, producers, and people in the music industry. No repeated colors, styles, or tones were used to ensure variety in the mood board. The mood board will influence the final magazine covers and articles by providing inspiration for high quality, engaging designs that stand out, as well as influence the music genre topic and layout style.
Comunucation methods
The document provides an overview of various communication methods used in marketing, including their strengths and weaknesses. It discusses compliance rules, how to ensure marketing communications are clearly identified as advertisements, guidelines around misleading ads, preventing harm and offense, rules for advertising to children, privacy regulations, and health claims related to food products. The mind map, mood board, style sheet, layout plan, brainstorming, informal pitch, group idea generation, formal pitch, storyboards, initial reaction, sketches, and formal proposal are then each summarized, focusing on their strengths, weaknesses, and whether the method was found useful.
6. production reflection
This document summarizes Adele Rolf's process for creating magazine spreads in a design project. It describes her progress from initial cover page designs through multiple attempts at double-page spreads. For the cover, she refined the layout and added details like the issue number. Her double-page spreads evolved from basic designs to more polished versions with improved formatting, effects and photo placement. In her final spread, she experimented with an opaque background and slanted photos to create a unique and interesting design.
7.evaluation
This document summarizes the evaluation of an audio podcast production project. It covers the research, planning, time management, target audience, aural qualities, technical qualities, and peer feedback aspects of the project. The research helped determine the style of the podcast. Planning included creating a schedule and script. Time management was aided by the schedule. The target audience was ages 16-24 and the genre was indie rock. The podcast generally sounded good but could be improved by re-recording parts and better editing. Peer feedback suggested editing out mistakes and adjusting volume levels.
3. formal proposal video
A proposed advertisement titled "coke is sugoi" would feature an anime-style narrative about a girl who trips and spills her drink, but is helped up by a guy who gives her a bottle of Coke to share. The ad would target 16-19 year old anime fans in Japan, England, North America, Canada, South Korea, and Australia on platforms like YouTube and Facebook, with the goal of portraying Coke as bringing people together. Legal and ethical considerations would ensure the ad does not offend any groups or infringe on copyrights.
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5. pre production
The document discusses the pre-production planning for a nature photography portfolio. It includes details on style elements like fonts and colors, sample layouts, necessary equipment, locations, contingency planning, health and safety considerations, and a production schedule. The photographer wants to capture different moods and aspects of nature through landscape and portrait photos with a focus on green hues and different fonts and images to showcase their work.
4. proposal
This proposal is for an online photography portfolio focused on nature. The purpose is to showcase photos of various natural subjects like animals, flowers, trees and landscapes to appeal to young adults aged 16-24. The content will depict different angles and aspects of nature through the photographer's unique perspective.
To achieve the goal of selling photos, the portfolio will be advertised on social media and through word of mouth. Legal and ethical considerations include avoiding disrespectful or indecent images, getting permission before photographing people, and including signatures to prevent copyright issues. The photos will comply with advertising standards to prevent offending anyone.
3. production experiments
Adele Rolf conducted experiments editing two photos to practice skills for a final product. In the first photo, levels and contrast tools were used to deepen grass and blossom colors and make the image brighter. The second photo aimed to show tree bark detail; contrast and levels tools brightened the image and made pink blossoms stand out against the bark. Reflection notes confidence grew from learning new Photoshop tools and techniques like subtle color overlays. Elements from the experiments, such as using levels tools to subtly alter photos' feels, will be incorporated into the final product.
6. production reflection
The document summarizes the production process of Adele Rolf's podcast. It discusses how she organized audio files onto multiple tracks for layout and editing. Effects were added to voices and music was faded in/out or overlaid at various points to enhance the listening experience and keep the podcast interesting. Volume levels were manually adjusted throughout to maintain consistent audio balance.
5. pre production
This document outlines the pre-production plan for a podcast, including sound effects, music, props, locations, and contingency planning. Sound effects like laughter, screaming fans, and party horns will be sourced from YouTube and recordings. Music tracks from various artists will play throughout for backing and to showcase different styles. Potential issues addressed include dead batteries, technical problems, health and safety hazards. An 8-day schedule is proposed to find music, record audio, edit in Premiere Pro, and add effects and transitions.
2. research
The document summarizes three existing podcasts that are similar to the podcast being developed. All three podcasts discuss music - either reviewing albums, previewing upcoming albums, or playing music. They use both formal and informal language to discuss the music in an entertaining way for audiences. Effects like reverb are used in some podcasts. The podcasts attract audiences through honest opinions about music and intrigue around the music being discussed or played. Features like professional sound quality and the use of special effects to keep audiences entertained will be adopted for the new podcast. The target audience for the new podcast is expected to be those between ages 16-24 who will be interested in discussions of concerts and live music events.
3. production experiments
The document describes an experiment creating a ghost video game. The creator used various tools including a pencil brush tool to draw a black background and create a bright, happy ghost. They animated the ghost to pop out and had text slide in and flash to draw attention. Colors were added at the ends of the screen to add more depth. Reflection notes the creator will include using the pencil brush tool to create backgrounds and features, as well as bright colors, in their final product. They will also use the text tool instead of drawing text.
1. initial plans
The document discusses initial plans for a project that include creating a mind map, mood board, and analyzing the mood board. The mood board contains repeated images influenced by the color green, which the creator feels would work well for their video game. The mood board will influence the final product by informing the use of green colors and providing a cat model to copy for the weakest creative area and to save time.
7.evaluation
This document provides a summary of Adele Rolf's evaluation of her Christmas portfolio production process. Some key points:
- When researching for the portfolio, it was easy to find information but hard to please everyone given different opinions. Researching different demographic preferences was time consuming.
- Planning strengths included a time management sheet. Weaknesses included not having enough time so the work felt rushed.
- Peer feedback noted some shots lacked focus and composition could be improved. Variety through different locations and subjects was a strength.
- Based on the feedback, Adele would retake some shots with better focus and use a variety of angles and techniques to keep audiences interested.
4. proposal
The document proposes a Christmas photography portfolio that will showcase the diversity of Christmas traditions through photos taken by the author. It will include traditional depictions of Christmas characters and families celebrating, as well as natural scenes and lights displays, to appeal to a wide audience. The portfolio aims to both entertain and educate viewers on different styles of Christmas celebration. While some high-class individuals may not be interested, the document suggests the portfolio could appeal to people of various ages, genders, and social classes. It is not expected to offend any religions or beliefs, as the content will avoid bias and follow advertising standards to prevent harm.
3. production experiments
The document discusses experiments editing photos for a Christmas portfolio using Photoshop. It summarizes editing different photos for holidays like Easter, Halloween, 4th of July and birthdays. Effects used include color fade, enhancer, brightness/contrast adjustments, posterize and black and white. The final reflection notes most editing tools from the experiments will be included in the final product to make images stand out for the Christmas theme.
1. initial plans adele
My initial plans for my photography portfolio involve capturing Christmas through photos in a natural way, showing the happiness and family feelings of the season. I will take photos of items like deer, Christmas trees without decorations, as well as Christmas food and city lights to show how cities celebrate. I will need Christmas items from home, possibly fairy lights, and to borrow a college camera to capture night photos of York city lights. My target audience will be families of all ages who can relate to the photos and vibes of the holiday. I chose not to make a CD case or hair dye posters as my project due to lack of interest and Photoshop skills.
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5.pre production
- 2. Style sheet I think that I will use these three colours the most because of the setting I have decided to create in my product. The green will represent the grass in the garden, the brown will represent the poo the needs to avoid in order to survive the game and the blue will represent the sky and colour of the old lady's eyes. The pixel art shows the type of work I want to produce when creating my own pixel art cat. These three fonts would work well with my genre game because of the childish appearance they have. This would help draw attention to my target audience and maybe draw to parents that could introduce this game to their children.
- 3. Layout 1 Title would slide across the screen until gamer started to play the game. The old woman would move sideways and drop poo that the cat must avoid in order to continue the game. This images represents the type of cat I want to create in my final piece.
- 5. Props & Locations Props/Costume needed Locations needed Computer College classroom Photoshop LRC Office suite ( word, power point) Mac rooms(college) Designs College computer& Photoshop software Planning document Office suite
- 6. Contingency Planning Potential Issue Solution memory sticks breaks emails all updated work to the tutor at the end of every lessen to ensure your work stays safe. computer has a technical failure, meaning all your work is lost. back all work up as many times as possible, using different methods to ensure your work will be safe. Photoshop malfunctions Before using the software make sure there area warnings around the computer warning you of potential issues I could fall ill I would try and do as much work as possible at home but it would be difficult because you might not have Photoshop at home. work loss during production save work regularly so that of computer breaks when doing work you will know that you will have only lost a small amount of work. designs don’t work with the animation back up animations
- 7. Health and Safety Potential Issue How will the issue be avoided? computer could have an electrical fault and shock me make sure to check computer before use eye strain take short breaks so that eyes can rest. back pain make sure you have adjusted seats according to your own comfort in order to prevent the issue Could spill water on desk causing sparks and potential shock hazards make sure to keep drinks away from any electronic equipment in classrooms in order to minimise the this risk. trip over chair as you leave the classroom make sure to tuck chair in under table to minimise this risk.
- 8. Schedule Day Plan of Action Resources Required Day 1 look back at layout ideas in pre production power point to refresh your mind. computer Office suite Day 2 use Photoshop to start the background of the product. Also experiment with colours quickly in order to see which colour work the best together computer Photoshop Day 3 once the background has being completed start the design of the cat computer Photoshop Day 4 finish cat design make sure everything has been emailed to tutor so that you have a another copy in case you loose your memory stick or it corrupts. computer Photoshop Student email Day 5 start work on the old lady and looking over work already to make sure its done at the best of your ability. computer Photoshop Day 6 finish the old lady and start creating the poo and treats for the game. computer Photoshop Day 7 once the poo and treats have being created start animating the game computer Photoshop Day 8 Finish animating the game and go over everything and patch up silly mistakes then hand in to tutor. computer Photoshop
Editor's Notes
- Explore colours, fonts and image styles similar to what you want to produce. Discuss all three elements in relation to why you chose them and where you may use them in your project. Go over as many pages as you need to
- Mock up of a potential design using the colours and fonts established in your style sheet and sourced images
- Mock up of a potential design using the colours and fonts established in your style sheet and sourced images