3. production experiments(gaming)
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This animation is a pixelated side-scrolling ghost game set in a prison. The player character is a prisoner wearing a boiler suit to provide context without exposition. The dark prison setting creates a creepy and eerie atmosphere when viewed through the character's torch light. Horror elements like blood and darkness were included. The character is animated by duplicating layers to remain constant as the ghost disappears, creating mystery. Elements like the side-view setting and unique character designs may influence the final product, though it will not include scary or gory aspects since it is targeted toward children.
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The document summarizes the process of creating a turn-based role-playing game. It describes:
1) Creating the background and characters with a fantasy theme.
2) Designing an enemy that looks like a comical devil.
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The document summarizes the process of creating a video game production. It describes key steps taken which include:
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3. production experiments(2)
I created a prototype for a "ghost game" in Photoshop by making characters on different layers and duplicating them to simulate movement. I used a temple theme to convey a rural, lonely setting on a dark night with sparse furnishings. The ghost character was drawn with the paintbrush tool to appear faded compared to the person drawn with the pencil tool. For my final product, I will use Photoshop's animation tools to efficiently create better graphics by the deadline, having gained experience making this prototype.
Production Reflection
The document describes the process of creating characters, companions, and scenes for a video game. It discusses how the creator based characters on Final Fantasy sprites but made them more realistic. It also describes creating a cat and dog companion, using online images but modifying them. The last scene created shows shadows in a forest with a cut-out tree, providing an entrance and exit to the forest. The creator made a video game case inspired by classic Nintendo games and enjoyed using various Photoshop tools to enhance skills.
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3. research
The document summarizes key aspects of several existing endless runner games that the author is researching for their own endless runner game. The games analyzed include Mr Jump, Subway Surfers, and Crossy Road. Common features identified across the games include a side-scrolling perspective, obstacles that move towards the character, collectable items, multiple levels or biomes, animated characters and effects, vibrant colors, and background music. The analysis provides inspiration for elements to include in the author's own endless runner game.
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The document summarizes the process of creating a turn-based role-playing game. It describes:
1) Creating the background and characters with a fantasy theme.
2) Designing an enemy that looks like a comical devil.
3) Animating battle sequences like healing spells and special attacks using layers and effects in Photoshop.
4) Exporting the animation as a video and adding sound effects and music in Premiere to complete the game.
6. production reflection
The document summarizes the process of creating a video game production. It describes key steps taken which include:
- Drawing characters like ghosts and coins using online templates for reference
- Creating a simple life bar to represent the player's lives
- Duplicating coins and ghosts for consistency
- Looking up train designs online and adding smoke to represent it as a train
- Choosing less scary ghosts to not overly frighten the audience
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- Adding background music and adjusting volume and fade out levels to enhance the experience
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The document describes experiments creating a ghost game scene using pencil and paint bucket tools in pixel art style. Key elements that will be included in the final product are using pencil and paint bucket tools to create the scene and characters, plus one animation for enemies getting killed, and a pixelated art style to make the scene and characters easier to create while maintaining a retro game appearance.
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2) Creating a simple arena using the pencil and paint bucket tools due to time constraints.
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4) Placing a timer in the top center like other similar games, made with circles and text.
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2) In the second experiment, the author colored in a character image and created an animation of the character winking by coloring parts of the eye at different times to create the illusion of a wink.
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- It discusses the color palettes, art styles, camera perspectives, character designs, background textures, and other visual elements used in each game.
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7. Evaluation
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Evaluation
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6. production reflection
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6. production (gaming)
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5. pre production(gaming)
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6. production reflection
The document describes the process of creating an animated fighting game. The key steps were:
1) Designing the characters by using Gorillaz characters as a template.
2) Creating a simple arena using the pencil and paint bucket tools due to time constraints.
3) Adding a character health bar at the top and character portraits made from circles.
4) Placing a timer in the top center like other similar games, made with circles and text.
5) Animating the game using multiple layers on the timeline, moving elements slightly each frame.
Production Experiments
1) In the first experiment, the author created an animation of characters walking and running on different layers by copying them from online images and creating a timeline with repeated movements.
2) In the second experiment, the author colored in a character image and created an animation of the character winking by coloring parts of the eye at different times to create the illusion of a wink.
3) The author reflects that they may include running animations from the first experiment in a potential running game but is unsure how to include the winking animation, finding it a cool effect nonetheless.
5. pre production fmp l3
The document provides details on the pre-production of a retro-style side-scrolling video game including color schemes, character designs, gameplay features, and timing. Color blue will be used for ice effects and windows. Yellow will signify fire. Character walk cycles will differ with Iceman sliding, Fire flying, and Earth digging underground. There will be upgrades and quick time events. Enemies will get stronger as the player progresses. Costumes, box art, and sound effects are also outlined.
5. pre production fmp l3
This document provides details on the pre-production of a retro-style side-scrolling video game featuring superheroes with different powers. It discusses color palettes and fonts to be used, character walk cycles and costumes, gameplay features including upgrades and timing, and box art layouts. Reference sheets provide additional information on timing, resources needed, contingency planning, and health and safety considerations.
Alpha releasepresentation
Fenestra is a puzzle game where the player controls a man who travels between two worlds when he dies. The player must solve puzzles by bypassing obstacles, activating buttons, and unlocking doors to progress through levels and learn more about the man's troubled past. The game has a level editor that allows designers to create and modify levels by adding and editing entities, scripts, and triggers.
finished power point of graphical styles
This document discusses different graphical styles used in video games including color theory, cel shading, photorealism, exaggeration, abstraction, and color perception. It provides examples of games that exemplify each style such as The Legend of Zelda: The Wind Waker for cel shading and Call of Duty for photorealism. Each style is evaluated in terms of its genre, visual characteristics, and how it impacts the player experience.
3. production experiments (10)
The document describes several experiments the author conducted to practice and improve their pixel art skills. They traced existing character portraits and sprites to experiment with colors and shading. They created character profiles showing portraits, classes, levels, and HP. The author also drew a character riding a horse holding a sword. They used Photoshop and drew with pixels, experimenting with different colors. In a reflection, the author indicates they will draw inspiration from Fire Emblem games for the final product's character designs, art style, and color palettes.
6. production reflection
The document describes the process of creating a game landscape and environment in three stages:
1. The background landscape was created first using the pencil tool to draw rocks, dirt, hills of varying opacity to add depth and detail.
2. Interactive elements like a red house and vault were added, with the vault containing an animation of a hatch and box opening.
3. A bomb explosion scene transition was made appealing through a gradual fade to black and back through 8 layers of varying opacity black to make the change smooth.
3. FMPY1 research
This document analyzes and summarizes several existing video game products including Limbo, Gris, Monument Valley, and Inside. For each game, it describes key aspects of the game's visual style such as color palette, art style, camera angles, character and level design, and how these visual elements enhance the gameplay experience and appeal to audiences. The document aims to learn techniques for crafting compelling visuals and atmospheres from these popular games to apply to the creator's own game design.
3. research updated 2
The document analyzes existing video game products and posters to identify features to include in the author's own work, finding that games commonly use darker colors and sound effects to evoke emotion, while posters attract audiences through minimal text, character positioning, and color palettes that match the game's tone. By studying these existing works, the author aims to create immersive atmospheres and intriguing narratives in their own production.
3. research mfp updated
The document analyzes existing video game products and posters to identify features to include in the author's own work, such as using darker colors like black and white, including textures in backgrounds, and relying on sound effects to convey emotion. Common elements identified across products included narrative-driven gameplay, unique level designs, and evoking different feelings in audiences. The analysis of various styles and approaches will help the author experiment and consider new elements for their own game.
Research MFP Y1
- The document analyzes screenshots from existing video games Limbo, Gris, Monument Valley, and Inside to understand their visual design techniques.
- It discusses the color palettes, art styles, camera perspectives, character designs, background textures, and other visual elements used in each game.
- The goal is to learn from these games' effective visuals in order to inform the design of the author's own game, which will use a black and white color scheme.
Evaluation (interactive)
The document summarizes Ellie Warmingham's process for developing an interactive game. It describes her research on game styles, colors, and characters. Her planning involved experimenting with color palettes and images. Time management was a challenge, as research took longer than expected. Peer feedback suggested adding movement to characters and improving building visibility. Ellie agreed the dog should move more and buildings could be more defined.
3. production experiments(2)
The document describes an experimental ghost maze game. The game has a dark, scary background theme with pumpkins as decorations. The maze is white to make it clear where the player can go and not too difficult. For the final product, the document says it will include the maze idea to make the game challenging and fun. It will also keep the theme of a character being chased to add tension. The final game will use frame by frame animation and be point to point to give a clear objective to motivate the player.
7. Evaluation
The researcher evaluated their game design process. They found their research on game styles, architectures, and characters from games like Super Mario Bros. was helpful for influencing their ideas. However, they could have researched pixel game animations and backgrounds more to improve fluidity. Overall, their finished product met their plans in terms of locations, character sequences, and music creation within their timeframe, though character walking could have been smoother. The game aimed to appeal to audiences interested in Chinese history or art through its simple gameplay, colors inspired by architecture, and lack of graphic violence.
Evaluation
This document analyzes the trailer for Emily's Game and compares various elements to other films in the genre to make the trailer more believable and authentic. Elements like restricted audience screens, title screens with distinct fonts, end credits with company logos, establishing shots showing the forest setting, costumes like white nightgowns, and unnatural shots of characters being dragged were inspired by films like Paranormal Activity, The Last Exorcism, The Ring, and The Grudge. The story is set up through a backstory narration like in The Blair Witch Project to introduce the antagonist and plot.
This presentation will discuss all the different graphical
This presentation discusses different graphical styles used in games including color theory, cel shading, photorealism, exaggeration, and abstraction. Color theory explores how color is used to convey different feelings. Cel shading aims to make games appear hand drawn like cartoons through simple colors. Photorealism strives to make games look as realistic as possible. Exaggeration features over-the-top proportions like in anime games. Abstract games simplify graphics to basic forms rather than reproducing realism. Color perception is explored where color changes convey information like a character dying. Examples are provided for each style.
16 Costumes
The document provides details on the characters, plot, settings, and filmmaking elements for a horror film project. There are four main characters - Zara the quiet camera woman, CeCe who is protective of her spiritual friend Freya, and Darcey who is possessed by a spirit. The plot involves Darcey killing her friends who try to help remove the spirit. Settings include both indoor and outdoor locations at night to add fear and mystery. Cinematography and editing techniques like close-ups, long shots, and non-linear cutting will be used to build suspense. Darkness, sounds, and a tense soundtrack are emphasized to scare the audience through uncertainty of what may happen.
6. production reflection
The student created a game logo by enlarging and redrawing a small key image to use as the logo. They selected a wooden floor image as the background. For the game background, the student drew plain grey walls and brown borders to represent a mansion, and duplicated pixel art furniture images to furnish the rooms. The student hid a designed key image in one of the rooms. To animate the game, the student moved the character sprite between rooms in stop motion style to find the key under the bed. Finally, the student imported a light, happy backing track from an online source, trimming it in Premier Pro for use in the game.
Video Game Project - 1. production experiments
The student created experiments to help plan their final product for a pixel art video game. They started by creating a dark nighttime city theme background. Then they added simple buildings and a cat character to collect coins. For their final product, the student plans to keep the night city theme and possibly include the cat character. They also want to make a coin collecting game, which was tested in the experiments, as it will be simple to complete in the time given.
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This presentation will discuss all the different graphical
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The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
5. pre production(gaming)
The document discusses pre-production planning for a children's game, including color scheme, fonts, and layouts. Primary colors like red, blue, and yellow will be used in designs and to symbolize health, water, warmth, and danger. Fonts like Adobe Calson and Black Adder will be used for speech and signs to suit the fantasy setting. Two layouts are shown - an overhead view for exploration and a side view for battling. Software like Photoshop and Premier will be used to create and animate the game, along with gathering resources from the internet. A schedule is outlined to complete scenes and a poster over 8 days.
4. proposal(gaming)
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2. research(gaming)
Here is a summary of the audience profile:
The target audience for this game is children and young teenagers ages 10-20. Both boys and girls will be able to enjoy the game by customizing the protagonist's gender.
The game aims to appeal to emulator players who enjoy competitive and challenging games that test their skills. Features like a learnable combat system and difficulty progression will keep emulator players engaged as they work to complete the game and show their success to peers.
By using bright colors, a simple story, and avoiding offensive content, the game follows content guidelines to be accessible and enjoyable for a wide social status range from lower-income families to middle-class players. The focus is on entertaining people interested in RPG gameplay rather
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This document discusses audience profiles and target demographics for three movies: Iron Man 3, The Lego Movie, and Love Actually. It then provides definitions and examples for theory-audience, hypodermic needle, uses and gratifications, and consumer generated content concepts related to media studies.
3. production experiments
The document outlines the tools and processes used in experiments by Tahmid Ahmed, including using Photoshop tools like cropping, magic wand, and paint tools, as well as handheld tools like paper, pencil, colors, and pens. It reflects that most of these tools like Photoshop, scanner, pencil, paper, rubber and ruler will be included in the final product, with the goal of telling a better story similar to the experiments.
2. research
The research methods of product research, questionnaires, and interviews provided insights into audience preferences but had weaknesses like limited responses for questionnaires and biases for interviews; product research was most informative by identifying themes and styles popular with audiences.
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3. production experiments
The document describes experiments done for a medieval-themed horror game. It discusses how the environment was created first using tools like the pen tool, layers, color tool, and opacity tool to set the theme. Effects and animations were added to characters and environments, like different attack animations and an opening grave. The character design incorporated darker colors in line with the theme. Elements to be included in the final product are using opacity to create background depth, environmental effects impacting the player, and weapon impacts. While diverging from the original choice-based "Ghost Game" idea, the experiments still tested elements like finding and using items that could be incorporated.
2. research interactive j fpptx
Here are a few key points about your target audience based on the information provided:
- The target age range is 9 years and older, as younger children may find some scary elements too frightening. However, it aims to appeal to all ages by avoiding overly offensive content.
- Both male and female gamers can enjoy this horror game, as the content is not specifically gendered in a way that would alienate either group.
- While aiming to excite and thrill most players, the developer acknowledges that some may find certain scary aspects inappropriate based on personal opinions and interests.
- Players of all social statuses and backgrounds can find something to enjoy, as the game avoids incorporating any elements related to class, religion, ethnicity or other
2. research(2)
This document provides research and analysis on existing horror/survival game promotional posters. It finds that the posters all have quite dark, devilish views and emphasize survival aspects of their games. Key aspects that will be included in the author's own work are the survival theme, and use of darkness to create dread and mystery. An audience profile is also presented, finding the target demographic to be male gamers aged 16+ or 20-40, who would be appealed to by elements of mystery, survival, violence, darkness and dread.
3. production experiments(2)
The document describes a screenshot created for a ghost-themed game. The screenshot uses dark colors and an eerie background to set an atmospheric mood. Orange lights were added to make the image brighter and avoid a horror theme. For the final product, the designer plans to keep this theme of creating an eerie, scary experience for teenage players through game mechanics and environment.
3. production experiments
The document describes the process of creating a ghost game. First, the creator gave the game a grey background and created ledges for the ghost to jump on, some of which were faulty. A red square was made as a safe zone. Then, the ghost was drawn and its animation was set up to move between ledges. For the final product, the creator plans to include using Photoshop again with a character and background and props, as the game involves adventure and risk as the ghost must navigate between ledges to reach safety.
Research
The document discusses several existing video game products that could provide inspiration for the student's upcoming FMP video game project. It analyzes Skyrim's open world design, leveling up mechanics, and soundtrack. It also examines Baldur's Gate's medieval fantasy setting, party size, and visual aspects. Final Fantasy VI's retro graphics, dark color palette, and use of multiple playable characters are discussed. Concept art from Feng Zhu is highlighted for its fantastical landscapes and structures. Hearthstone's use of the Warcraft universe and cross-platform multiplayer are noted. The student expresses interest in Skyrim's creation aspects, Baldur's Gate's backgrounds, Final Fantasy VI's interface, and Feng Zhu's concept art style
7. production reflection
The document describes the process of creating pixel art characters, weapons, backgrounds and animations for a game. Over several days, the artist created character concepts and walk animations in Photoshop using the pencil tool. Weapons were also designed in pixel art style. Background development included a forest setting with a house for player interaction. Interior details and a non-player character were added to the house. Upcoming work involves animating battle scenes between the player and enemies.
2. research interactive
The document discusses existing horror game products that could provide inspiration for the author's own horror game. It analyzes Silent Hill, Clock Tower: The First Fear, and Alone in the Dark 3. These games feature dark, creepy environments like mansions well-suited for horror. They also include objectives of escaping or detecting ghosts/demons. Common features across the games are the atmospheric settings and similar gameplay. The author intends to incorporate these aspects, especially the artwork and gameplay style of the second slide, into their own pixel art, side-scrolling horror game.
4. production experiments game (1)
The student created pixel art assets for different game ideas using Photoshop. For an alien escape game, the student designed an alien character with green skin and a purple suit to look unusual against a dark, dreary background representing Area 51. For a match game inspired by Candy Crush, the student designed cookies like circles with dots and a gingerbread man to lay out randomly on a gray tray. The student reflected that they may include adding tone to colors, fitting backgrounds, character movement details, fast-paced music, and backing sounds in their final game based on these experiments.
4. production experiments game (1)
Andreas experimented with creating pixel art assets for different types of games. For an infinite runner game about an alien escaping Area 51, he designed the alien character with green skin and a purple suit to look unusual. The background was dark and dreary to motivate the alien's escape. For a match-3 cookie swap game, he designed different cookie types like circles with dots and gingerbread men. The background was a gray tray over brownies. For the game sound, he used BeepBox to make an 8-bit style song with a fast-paced main beat to match the chasing theme. Elements he may include are adding tone to colors, backgrounds that fit themes, character movement, and backing music to make the
3. production experiments 4
Luke Young experimented with creating a ghost scene by starting with a black background and changing it to grey to look like nighttime. He added a ghost made with the pencil tool and gave it dark grey arms. A leafless tree was added to fit the haunted theme. Three graves were included, with the ghost emerging from the largest one. Stars and a moon were added to make the nighttime scene less boring. The ghost was made to float up and down. Luke plans to include most elements from this experiment, like the ghost, graves, tree, and nighttime backdrop, in his final horror-themed ghost game product.
Pre-Production.pptx
The document discusses the pre-production equipment and visual planning for an animated short. For equipment, the creator will use an iPad and Apple Pencil to create the animation in Procreate. A storyboard is presented over several slides outlining the key scenes and story elements that will be animated. Character designs and descriptions are also provided for the two main characters (Ari/Ira) and two types of enemy characters (Silver Mages and Gold Mages) that will appear. Music considerations are also discussed, focusing on 8-bit style music to match the pixel art aesthetic.
3. production experiments (interactive)
The document describes experiments conducted for a ghost-themed pixel art game project. The experiments included: [1] Creating a pixel art ghost drawing to experiment with opacity and lighting effects; [2] Discovering that increasing the canvas size allows adding more detail; and [3] Quickly animating an enemy "Boo!" attack as an example of what may be included in the final project, if time allows. Reflection notes that the ghost drawing, character designs, and attacking animations will influence the final product, which will be a more detailed version of the mini-game described.
3. production experiments (interactive)
The document describes experiments conducted for a ghost-themed pixel art game project. The experiments included: [1] Creating a pixel art ghost drawing to experiment with opacity and lighting effects; [2] Discovering that increasing the canvas size allows adding more detail; and [3] Quickly animating an enemy "Boo!" attack as an example of what may be included in the final project, if time allows. Reflection notes that the ghost drawing, character designs, and attacking animations will influence the final product, which will be a more detailed version of the mini-game described.
3. production experiments (interactive)
This document summarizes Jessica Crosland's process for creating experiments for a ghost game. In her first experiment, she created a basic background and animated a ghost moving across the screen. Her second experiment had more detailed backgrounds with trees and blocks, and an improved ghost design with added shadows. She found animating pixels and timelines most difficult. For her final product, she plans to include multiple characters chasing each other and improve backgrounds from her experiments.
3. production experiments
The document describes experiments the author conducted for a game involving a hero, necromancer villain, graveyard setting, and ghost/skeleton minions. The author refined the character designs and added a selection screen. For the final product, the author intends to use the character designs, particularly the villain design, and aspects learned from the quick ghost game prototype.
03. Research
The document discusses and analyzes several existing 2D pixelated platformer games. It summarizes key features of 5 games, including Fuzeboy, Chasm, Kaze and the Wild Masks, Tales of Lena, and an additional film - Indiana Jones and the Raiders of the Lost Ark. Some common features across the games are obstacles to avoid, antagonists to run from, and bright, child-friendly visuals and music. Aspects the author wants to include in their own game are a focus on being child-friendly, natural surroundings like jungles, and a big but non-threatening antagonist. The bibliography cites 7 sources - 6 videos and 1 book.
3. research
The document summarizes research on existing video games to inform the development of a new animated video game. It analyzes features of Luigi's Mansion like gameplay, atmosphere created through lighting and sound, and dialogue scenes. It also examines Ghosts'n Goblins for art style, character design, and boss battles. Further, it looks at Bubble Ghost's visual style, color scheme, and character design. Animation techniques are also considered from California Games. Common elements like opening pages, color schemes, and music influencing mood are identified for inclusion in the new game.
Research
The document discusses research on existing video games to inform the production of a new role-playing game. It analyzes Doki Doki Literature Club, Undertale, The Last Night, and Monkey Island, noting gameplay elements, visual style, lighting/sound, and audience appeal. Key aspects the producer wants to include are the choice-based storytelling of Monkey Island, the pixelated art of The Last Night and Undertale, and the text boxes and music cues of Doki Doki Literature Club. The research found common features like dramatic lighting, music to set tone, and fighting/action.
2. research (interactive)(1)
Deltarune is a turn-based role-playing game where the player controls Kris and interacts with other animal-like characters. The game has a dark, mysterious tone and focuses on Kris' journey through different worlds and battles. Toby Fox created most of the game himself, including the music, art, and programming. The game has a large fan community that creates additional animations, art, and music inspired by the game.
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More from Tahmid Ahmed
Fmp planning
This document provides a planning summary for a film project. It includes sections on character sheets, locations, equipment owned and needed, personnel, schedules, shot lists, and more. The director has organized all aspects of pre-production such as securing locations, managing budgets, coordinating cast and crew schedules, and planning the filming. Over 100 hours have been allocated for filming and editing over a 4 week period during holidays to accommodate cast availability.
Problem solving 2
The document provides potential problems and solutions for an upcoming film production. It identifies issues that may arise in several areas including props/costumes, camera/audio, locations, health and safety, and experiments. For each issue, it proposes practical solutions such as purchasing backup equipment, testing props/technology in advance, accounting for weather in scheduling, and maintaining safety on set. The document indicates thorough planning to mitigate risks that could disrupt the production process.
Storyboard
This document provides planning details for a film project, including locations, cast and crew, equipment, and shot lists. It outlines items already owned and needed to purchase. Shooting will take place over 6 days during the Easter holidays. The director has organized filming schedules and editing timelines. Details such as character descriptions, filming techniques, and general shot types are included in the shot list. Costs are tracked and the color scheme/style is considered.
Storyboard
This document contains planning details for a film project, including:
- A list of equipment already owned and items needed to purchase.
- Cast and crew details, including changes made to the original plan.
- A schedule for filming over 6 days during the Easter holidays.
- A detailed shot list numbering 51 shots and describing the camera shots, movements, and durations.
- Notes on budget, locations, and managing equipment.
Fmp research
This document provides a summary of research the filmmaker conducted for their found footage horror film project.
The secondary research looked at age, gender, and social demographics for horror movie audiences from the British Film Institute. It found that the 15-24 age group most prefers horror and graphic mature films. Horror audiences have a relatively even gender split. Lower middle class audiences (C1) have the largest share of the horror audience.
The primary research was conducted through an online survey. It found that the 18-24 age group was most attracted to found footage horror. Both genders seemed to enjoy horror equally based on the survey results. Certain age groups disliked found footage more while the 18-24 group liked
Fmp research
The document analyzes audience demographics for horror movies based on data from the British Film Institute (BFI). It finds that the target age group for horror is 15-24, as this group prefers more mature genres like horror. It also finds that horror audiences are split evenly between males and females, though males prefer action elements more. Additionally, the lower middle class demographic (C1) is most relevant for horror overall.
2. idea development unit 9 (factual)
The document discusses various horror elements and games that could be incorporated into a new horror game, including themes of fear, mutilation, loss of autonomy, and the uncanny. It then provides details on story elements, puzzles, breaking the fourth wall, looping corridors, hidden messages, disturbing sounds and radio, and hinting at the story. Fonts and visual styles are discussed that relate to the Silent Hill franchise and could influence the presentation of information about the games.
6. production reflection(visual).pptx 3
The document provides a summary of the process taken to design the cover of a magazine focused on the video game The Legend of Zelda: Breath of the Wild. First, an image of Link was found and placed on the cover with a blurred blue background added. Then the magazine title "Digital" was chosen and styled with neon colors. Next, the game subtitle used rendered text with red overlay and gold border for visibility. Link was made to look 3D by positioning his arrow over the text. Details on the game were added along with downloaded Zelda font matching the cover style. Additional content headings and images were included for Dark Souls and Nintendo Switch with borders to match the theme.
Print research (1)
Here are some potential issues you may encounter and suggested solutions:
Issue: Lack of content or filler material.
Solution: Research additional games, interviews, previews, reviews etc. to have extra content ready in case you need filler material.
Issue: Technical problems with layout/design software.
Solution: Test software thoroughly before final production. Have backup plans or alternatives in case of crashes or compatibility issues.
Issue: Tight deadline.
Solution: Create a schedule with checkpoints to stay on track. Work efficiently and ask teacher for extensions if needed.
Issue: Copyright issues using game images/logos.
Solution: Get permission or use your own original photos. Cite sources properly
6. fmp production reflection.pptx 2
The document provides details about the production process for a film poster and trailer. It describes how the creator photographed actors, composited images in Photoshop, added lighting effects, and incorporated text elements. Location shots were captured using various camera techniques. Color grading, audio, and editing were used to convey meaning and fit within time constraints. Multiple locations around York were utilized to complete the project.
4. fmp production experiments.pptx 2
The document summarizes the filmmaker's experiments with lighting, color grading, stabilization, and frame rates. Some of the key things they tested included:
1. Using an LED light and reflector for lighting and setting the camera to "vision color" for a flat look suitable for color grading.
2. Stabilizing shaky footage using tracking in After Effects and zooming in to remove jitter, then color grading in Premiere.
3. Getting a steady shot using a steady cam to avoid stabilization in post.
4. Experimenting with different color grades to change the mood and environment.
5. Discovering the camera can record at higher frame rates for smooth slow motion in
3.fmp research level 3
The document summarizes research on trailers and posters for psychological thriller films. It analyzes the overall structures, sounds, and visual elements of trailers for Get Out and We Need to Talk About Kevin. It also analyzes posters for Silence of the Lambs and Black Swan. Key findings include how the trailers use tension-building music and editing to portray the films' psychological elements without revealing full plots. Common visual techniques identified are use of color symbolism and compositional elements to characterize figures and hint at themes. The analysis will inform the creator's own production work through suggestive imagery, sound design, and portrayal of characters' emotions.
Fmp initial plans 2
The document provides an initial reaction and plans for a creative brief that allows the creator to develop whatever project they want without limitations on time or format. Some initial ideas mentioned are a trailer, poster, and psychological horror or parody documentary. The creator recognizes being ambitious with ideas but challenges with execution. A mind map is then shown outlining potential plot ideas involving a sociopath named Arthur whose routine is disrupted by another character named Jack. Colors, styles, and moods from films like American Psycho, We Need to Talk About Kevin, Silence of the Lambs, and Bronson are analyzed in a mood board for how they convey characters and influence the creator's final product.
Fmp evaluation
The document provides an overview of the production process for a film evaluation project. It describes the various research, planning, and time management steps taken. For research, trailers for "Get Out" and "We Need to Talk About Kevin" were analyzed to understand editing techniques. Surveys and interviews were also conducted for audience research. Planning included mind maps, mood boards, and poster layout designs to refine ideas. Shooting was difficult to schedule due to time constraints from work and other commitments. Overall, more preparation and scheduling would have allowed for improved filming and a stronger final product.
7. fmp evaluation
The peer feedback provided insights on how to improve the comic product. Feedback noted that the dialogue could be more natural and engaging. Some drawings and panels lacked detail and clarity. It was suggested to improve drawing skills and add more depth through shading rather than color. The feedback highlighted areas to focus on such as script writing, panel design, and visual storytelling. Overall, the peer review helped identify strengths and weaknesses to strengthen future comic projects.
4. production experiments
The document describes the filming experiments of setting up shots with LED and reflector lighting to light the actor's face, and initially recording with the camera's standard color profile before changing it to "vision color" by adjusting sharpness, contrast, saturation, and color tone to give a flatter look. Footage was then stabilized in After Effects by tracking the actor's eye, though this resulted in some jitter during blinks. The footage was then color graded in Premiere by adjusting sliders like temperature, exposure, and contrast to make it look more professional. While tracking can stabilize rough shots, it was reflected that this forces removing useful footage areas and is unnatural, so a steady cam would be preferred to get steady shots
7. evaluation
The peer feedback provided insights into both the poster and film produced by the student. For the poster, feedback noted that it looked professional but could have been improved by including additional context like a DVD case. Some felt the black bars were overwhelming. For the film, peers appreciated the camera work and sound effects but noted some audio issues and unnatural dialogue. Improvements suggested were reducing the American Psycho parody, fixing audio levels, and clarifying the genre. The student agreed that more context for the poster and addressing issues like unique script, composition, and genre clarification could strengthen the work.
5. pre production
This document outlines pre-production details for a dark psychological thriller film project about a man with an uncontrollable need to harm others. It includes information on style elements inspired by the film "We Need to Talk About Kevin", potential equipment, locations, props, and contingencies. Health and safety risks of computer use like eye strain and poor posture are also addressed.
2. proposal
The document provides a proposal and schedule for a film trailer project on the topic of a sociopathic character. The proposal includes details on the target audience being ages 15-30 of both genders. It describes the concept of the trailer focusing on the contrast between a normal and psychopathic character conveyed through cinematography. The schedule outlines a 10 week plan including initial research, production experiments, pre-production, production, evaluation, and development. It provides specific tasks such as conducting surveys and interviews, filming peers, editing footage, designing style sheets and storyboards.
5. pre production
This document outlines pre-production planning for a dark psychological thriller film project about a protagonist with a dark and uncontrollable need to harm others. It includes sections on style, layout, resources and equipment needed, potential locations, contingency planning for issues that could arise, and health and safety considerations. The style sheet discusses how certain colors like white and red will be used to convey emotion and ideas without graphic depictions of violence. Layouts and storyboards are included. The resources section lists necessary camera gear, computer, lighting, costumes and locations. Contingency planning addresses solutions for technical problems, availability issues, weather delays, and injuries during filming.
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3. production experiments(gaming)
- 2. Process This animation is of a scary ghost game set in a prison and u play as a prisoner. I tried giving a unique simplistic character design to suit the pixelated game. I gave him a a prison boiler suit as it gives the character some story without showing it. The setting is very dark a through the torch light u can see it’s a setting of a prison which gives a very creepy and eerie look. I kept with the ghost idea as at the start I had added a creepy ghost that disappears. You can see I tried a horror aspect with the blood and the darkness. The genre of the game is a side scroll investigating game. I showed this by adding a torch and a trail of blood. The ghost disappearing adds mystery. To make this I used the paint, pencil, rubber, magic wand, zoom, duplicate and the animation tools. To animate the charter I constantly duplicated each layer to keep it constant. I dragged the ghost closer and stopped adding more layers of it showing that it has disappeared. To make the character seemed confused I flipped his character as well as the dark background as the torch light has to follow and then flipped them back. I then turned the torch light on an off by covering the background black.
- 3. Reflection • What elements of your experiments will you include in your final product? Refer to the brief: Ghost Game – Not many things will relate to my project however some things will such as the side angel of the setting and characters. This would be very similar to the battling aspect to my game as it will be a fighting game. The character design will be very similar to my final characters however this aspect will only be In the battling sections and the exploration parts will be an over head view. The artistic setting will also work as I want my final project to be unique and artistic. My final game will be for kids so It wont have gore and scary aspects like my ghost game.
Editor's Notes
- Discuss the tools and processes used in your experiments