The document describes the filming experiments of setting up shots with LED and reflector lighting to light the actor's face, and initially recording with the camera's standard color profile before changing it to "vision color" by adjusting sharpness, contrast, saturation, and color tone to give a flatter look. Footage was then stabilized in After Effects by tracking the actor's eye, though this resulted in some jitter during blinks. The footage was then color graded in Premiere by adjusting sliders like temperature, exposure, and contrast to make it look more professional. While tracking can stabilize rough shots, it was reflected that this forces removing useful footage areas and is unnatural, so a steady cam would be preferred to get steady shots