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Thriller Film- Student 
Examples
The Therapist 
• Strengths- Effective use of sound to build 
up suspense e.g use of heartbeat and 
discordant music. The fade in of the credits 
at the start of the film is also effective as 
its short and subtle. Over the shoulder shot 
use is particularly effective and makes the 
audience feel as if they are there. 
• Weaknesses- The film as a whole lacks 
dialogue which can create confusion about 
the plot. There is also an argument to be 
made that they have overused the jump 
cuts which has made the film disjointed, 
however in moderation they work very well 
in terms of adding surprises and suspense.
The Therapist 
• Elements we may use in our film- The 
sound of a heartbeat, and one or two 
fade outs to black within specific 
scenes as we believe this will help to 
create a smooth transition for when our 
setting changes suddenly during our 
film. 
• Elements we will try to avoid- overusing 
the fade out and jump cut effects, also 
the lack of dialogue to the point where 
the plot of the film is too ambiguous.

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Thriller film student examples

  • 2. The Therapist • Strengths- Effective use of sound to build up suspense e.g use of heartbeat and discordant music. The fade in of the credits at the start of the film is also effective as its short and subtle. Over the shoulder shot use is particularly effective and makes the audience feel as if they are there. • Weaknesses- The film as a whole lacks dialogue which can create confusion about the plot. There is also an argument to be made that they have overused the jump cuts which has made the film disjointed, however in moderation they work very well in terms of adding surprises and suspense.
  • 3. The Therapist • Elements we may use in our film- The sound of a heartbeat, and one or two fade outs to black within specific scenes as we believe this will help to create a smooth transition for when our setting changes suddenly during our film. • Elements we will try to avoid- overusing the fade out and jump cut effects, also the lack of dialogue to the point where the plot of the film is too ambiguous.