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No-One Wants That Phonecall
written by
Amy Wilkins
13 Macaulay Road
Rift House Estate
Hartlepool
TS25 4NQ
07801937370
amylouisewilkins@yahoo.co.uk
 
INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD
MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE
CENTRE OF FRAME.
Enter JANE, a teenage girl dancing around with her hairbrush
being used as a microphone.
FATHER:
(Off camera)
Jane! Your friends are here!
JANE leaves in a rush, grabbing her jacket from her bed on
the way out, passing the camera.
CUT TO BLACK.
FADE IN:
INT. NIGHT. SAME TEENAGE BEDROOM; CAMERA POSITIONED EXACTLY
THE SAME PLACE AS DURING DAY. ONLY LIGHT COMING FROM SINGLE
LAMP ON BEDSIDE TABLE.
JANE passes the camera, now dressed in pyjamas, and makes her
way to the bed, climbing in and turning off the light.
CUT TO BLACK.
INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD
MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE
CENTRE OF FRAME.
Enter JANE, this time tying hair up into a ponytail and
sorting sorting out the clothes she's wearing again, dancing
to the music playing which is different from previous day
FATHER:
(Off Camera)
Jane, come on! You don't want to be
late! Your friends are waiting!
Jane once again rushes past the camera, grabbing her jacket
on the way out.
CUT TO BLACK.
FADE IN
2.
INT. NIGHT. SAME TEENAGE BEDROOM; CAMERA POSITIONED EXACTLY
THE SAME PLACE AS DURING DAY. ONLY LIGHT COMING FROM SINGLE
LAMP ON BEDSIDE TABLE.
JANE repeats same actions, passing camera dressed in
different pyjamas and climbing into bed, reaching over with a
yawn and switching off lamp again.
CUT TO BLACK.
INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD
MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE
CENTRE OF FRAME.
Jane once again comes on camera, dancing to different music
and applying lipgloss. Her phone CHIMES with the announcement
of a text and she picks it up, reading it. JANE's expression
turns from extremely happy to troubled.
JANE walks over to her dresser, slowly opening it, and pulls
out a small plastic bag containing some sort of drug. MUSIC
BECOMES MUFFLED into background.
FATHER: (OFF CAMERA)
Jane! Jane your friends have been
here for five minutes! Hurry up or
you'll be late!
Jane snaps from her trance and blinks as if coming out of it.
JANE:
Yeah! I'm coming!
JANE stuffs the drugs into her pocket, grabbing her jacket
off the bed as an afterthought as she runs out of the room.
CUT TO BLACK.
FINAL SCENE - NIGHT
SAME SHOT SETUP
3.
SINGLE SHOT OF BED BEING EMPTY FOR A FEW MOMENTS, WITH NO
SOUNDS AT ALL.
PHONE RINGS after 2-3 seconds of silence. FOOTSTEPS muffled
through a door, with the PHONE suddenly stopping.
CUT TO BLACK.
END SCREEN COMES ON - 'NO ONE WANTS TO GET THAT PHONECALL'
WITH CLEVELAND FIRE BRIGADE LOGO.

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No-one wants that phonecall SCRIPT

  • 1. No-One Wants That Phonecall written by Amy Wilkins 13 Macaulay Road Rift House Estate Hartlepool TS25 4NQ 07801937370 amylouisewilkins@yahoo.co.uk  
  • 2. INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE CENTRE OF FRAME. Enter JANE, a teenage girl dancing around with her hairbrush being used as a microphone. FATHER: (Off camera) Jane! Your friends are here! JANE leaves in a rush, grabbing her jacket from her bed on the way out, passing the camera. CUT TO BLACK. FADE IN: INT. NIGHT. SAME TEENAGE BEDROOM; CAMERA POSITIONED EXACTLY THE SAME PLACE AS DURING DAY. ONLY LIGHT COMING FROM SINGLE LAMP ON BEDSIDE TABLE. JANE passes the camera, now dressed in pyjamas, and makes her way to the bed, climbing in and turning off the light. CUT TO BLACK. INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE CENTRE OF FRAME. Enter JANE, this time tying hair up into a ponytail and sorting sorting out the clothes she's wearing again, dancing to the music playing which is different from previous day FATHER: (Off Camera) Jane, come on! You don't want to be late! Your friends are waiting! Jane once again rushes past the camera, grabbing her jacket on the way out. CUT TO BLACK. FADE IN
  • 3. 2. INT. NIGHT. SAME TEENAGE BEDROOM; CAMERA POSITIONED EXACTLY THE SAME PLACE AS DURING DAY. ONLY LIGHT COMING FROM SINGLE LAMP ON BEDSIDE TABLE. JANE repeats same actions, passing camera dressed in different pyjamas and climbing into bed, reaching over with a yawn and switching off lamp again. CUT TO BLACK. INT. AFTERNOON INTO EVENING. A TEENAGE BEDROOM. THERE IS LOUD MUSIC PLAYING IN THE BACKGROUND, WITH A BED CLEARLY IN THE CENTRE OF FRAME. Jane once again comes on camera, dancing to different music and applying lipgloss. Her phone CHIMES with the announcement of a text and she picks it up, reading it. JANE's expression turns from extremely happy to troubled. JANE walks over to her dresser, slowly opening it, and pulls out a small plastic bag containing some sort of drug. MUSIC BECOMES MUFFLED into background. FATHER: (OFF CAMERA) Jane! Jane your friends have been here for five minutes! Hurry up or you'll be late! Jane snaps from her trance and blinks as if coming out of it. JANE: Yeah! I'm coming! JANE stuffs the drugs into her pocket, grabbing her jacket off the bed as an afterthought as she runs out of the room. CUT TO BLACK. FINAL SCENE - NIGHT SAME SHOT SETUP
  • 4. 3. SINGLE SHOT OF BED BEING EMPTY FOR A FEW MOMENTS, WITH NO SOUNDS AT ALL. PHONE RINGS after 2-3 seconds of silence. FOOTSTEPS muffled through a door, with the PHONE suddenly stopping. CUT TO BLACK. END SCREEN COMES ON - 'NO ONE WANTS TO GET THAT PHONECALL' WITH CLEVELAND FIRE BRIGADE LOGO.