Fonts!
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This document discusses the font choices made for a set of recipe cards. It describes five different fonts that were considered: Baskerville Old Face, Brush Script Std, Calibri Body, Arial, and Comic Sans MS. For each font, a brief reason is given for why it was either chosen or rejected for use on the cards. The document aims to find fonts that suit the theme, style, and target market of the recipe cards.
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Fonts!!
The document discusses different fonts that were considered for use on recipe cards. It describes Baskerville Old Face as clear with an older look, chosen for one title. Brush Script Std was selected for having an Italian touch relating to the theme. Calibri Body did not suit the theme or stand out enough. Arial was chosen as a common, easy-to-read font for quick vegetarian meals. Lucida Calligraphy was ultimately used for titles and headings due to its clear portrayal.
Fonts
The document discusses several fonts being considered for use in a magazine masthead and other headings. It provides opinions on each font's boldness, uniqueness, ability to attract readers, and suitability for filling space. The fonts are assessed based on qualities like extended layout, sleek outlines, straight lines, thickness, sophistication, and differences from other fonts that make them stand out visually.
Kentucky Kernel Rebranding
This document provides recommendations for rebranding the social media presence of the Kentucky Kernel student publications. It suggests using a clean, professional black and white aesthetic with touches of blue. Graphics and layouts should be consistent across platforms using specific fonts. The newsletter heading was updated to jointly feature both the KRNL and Kernel logos. Instagram posts and stories can feature photos with headlines or graphics and stickers to engage audiences. Highlights on Instagram can feature different sections of the publications. Twitter and Facebook should regularly share articles with matching graphics and engage with audiences through likes, shares and replies.
Display typeface talk given by Garry
The document discusses the history and development of typefaces from the 1570s to present day. It describes how early printers experimented with font size, color, and patterns to differentiate text. In the 1700s, masters developed different pen pressures and strokes to create styles of writing. Over time, more typefaces were created and styles like slim, regular, and bold were developed for font families. The document also discusses early digital fonts and software as well as challenges in designing typefaces for different languages.
fonts
This font is eye-catching and bold, making it suitable for magazine titles and covers where grabbing attention is important. It also matches styles seen in other football magazines. Although a similar "College" font could work, the author prefers "Millionaire" as it seems bolder and better suited to matching other magazines. A hollowed out black gradient text is unusual for magazines and not eye-catching enough for the author's purposes.
Font analysis
The document discusses font choices for an R&B magazine masthead and content pages. Three potential masthead fonts are presented: one in varying unique uppercase styles, one in a slanted superhero style, and one in a graffiti style. The author chooses the unique uppercase style font for the masthead and content pages because it is bold, distinctive, and reflects the cool and masculine feel of R&B.
Media
This document discusses font choices and styles across several magazine covers and advertisements. It notes that important text is typically larger and bolder, often in all capital letters or contrasting colors to draw the eye. Less important details are written in smaller, regular fonts. Specific fonts are chosen to match the item being advertised, like a DVD cover, while others use curly or italicized text to make certain parts stand out more. Contrast, size, capitalization and color are used strategically to direct attention to essential information.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
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Fonts!!
The document discusses different fonts that were considered for use on recipe cards. It describes Baskerville Old Face as clear with an older look, chosen for one title. Brush Script Std was selected for having an Italian touch relating to the theme. Calibri Body did not suit the theme or stand out enough. Arial was chosen as a common, easy-to-read font for quick vegetarian meals. Lucida Calligraphy was ultimately used for titles and headings due to its clear portrayal.
Fonts
The document discusses several fonts being considered for use in a magazine masthead and other headings. It provides opinions on each font's boldness, uniqueness, ability to attract readers, and suitability for filling space. The fonts are assessed based on qualities like extended layout, sleek outlines, straight lines, thickness, sophistication, and differences from other fonts that make them stand out visually.
Kentucky Kernel Rebranding
This document provides recommendations for rebranding the social media presence of the Kentucky Kernel student publications. It suggests using a clean, professional black and white aesthetic with touches of blue. Graphics and layouts should be consistent across platforms using specific fonts. The newsletter heading was updated to jointly feature both the KRNL and Kernel logos. Instagram posts and stories can feature photos with headlines or graphics and stickers to engage audiences. Highlights on Instagram can feature different sections of the publications. Twitter and Facebook should regularly share articles with matching graphics and engage with audiences through likes, shares and replies.
Display typeface talk given by Garry
The document discusses the history and development of typefaces from the 1570s to present day. It describes how early printers experimented with font size, color, and patterns to differentiate text. In the 1700s, masters developed different pen pressures and strokes to create styles of writing. Over time, more typefaces were created and styles like slim, regular, and bold were developed for font families. The document also discusses early digital fonts and software as well as challenges in designing typefaces for different languages.
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This font is eye-catching and bold, making it suitable for magazine titles and covers where grabbing attention is important. It also matches styles seen in other football magazines. Although a similar "College" font could work, the author prefers "Millionaire" as it seems bolder and better suited to matching other magazines. A hollowed out black gradient text is unusual for magazines and not eye-catching enough for the author's purposes.
Font analysis
The document discusses font choices for an R&B magazine masthead and content pages. Three potential masthead fonts are presented: one in varying unique uppercase styles, one in a slanted superhero style, and one in a graffiti style. The author chooses the unique uppercase style font for the masthead and content pages because it is bold, distinctive, and reflects the cool and masculine feel of R&B.
Media
This document discusses font choices and styles across several magazine covers and advertisements. It notes that important text is typically larger and bolder, often in all capital letters or contrasting colors to draw the eye. Less important details are written in smaller, regular fonts. Specific fonts are chosen to match the item being advertised, like a DVD cover, while others use curly or italicized text to make certain parts stand out more. Contrast, size, capitalization and color are used strategically to direct attention to essential information.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
Magazine Stylesheet
The document evaluates four different font options for a magazine masthead:
1) Zwodrei font with a thick, rectangular border that would stand out on any page color
2) Ailerons font with a thinner style that looks cleaner than the first option
3) Manifesto font featuring only uppercase letters without a border that may be too unique and cause confusion
4) Coco Puff font with a medium thickness and border that achieves a balance between options one and two in line with the magazine's style.
The document also selects League Spartan for headlines, Droid Serif for body text, and establishes a primary color scheme of black, white, and red.
Testing fonts
- The document discusses font choices for different sections of a magazine called "Leeds Life".
- "Chanson Heavy SF" was chosen as the bold main title font to grab readers' attention.
- "Balloonist SF" was selected as the slightly less bold subheading font to clearly distinguish it from the main title.
- "Myriad Pro" was picked for smaller headings and body text because it doesn't stand out as much as the other fonts.
Testing fonts
- The document discusses font choices for different sections of a magazine called "Leeds Life".
- "Chanson Heavy SF" was chosen as the bold main title font to grab readers' attention.
- "Balloonist SF" was selected as the slightly less bold subheading font to clearly distinguish it from the main title.
- "Myriad Pro" was picked for smaller headings and body text because it doesn't stand out as much as the other fonts.
Billboards research pdf
The document discusses the research done on magazine billboard codes and conventions. It first looked at regional magazines, then fashion magazines like Vogue and Elle to inform a new magazine. It found magazine billboards were rare so also examined newspaper and advertising billboards. By combining codes from magazines, it hopes to create an effective billboard for its new magazine.
Magazine research
We chose to use Little White Lies magazine for our ancillary product because it will allow us to be more creative and tie the magazine more closely to our teaser trailer and film. By drawing cover art and adding elements related to the title and themes, the magazine can enhance audience understanding and immersion. In contrast, other magazines like Empire are more focused on big budget Hollywood films rather than our lower budget, amateur style of film.
Magazine research
Little White Lies magazine was chosen as the ancillary product because it allows for more creativity in design elements that connect to the film's title and themes. In contrast to other magazines focused on blockbuster movies, Little White Lies is more suited to lower budget, amateur films like theirs and will permit highlighting the film's mystery through creative use of artwork, text snippets, and polaroids in the magazine and across marketing materials.
Front cover in depth mock up
This document provides details on the design choices made for the mock-up cover of a clubbing magazine. Key elements include using bold fonts and italics to draw attention to important headlines and articles. The title and main article kicker are the largest fonts to stand out on shelves. Consistent yet varied fonts and sizes create an organized, eye-catching design to appeal to the target audience and entice readers to learn more inside.
Fonts and colours
This document discusses the importance of fonts and colors in conveying the right message to audiences. It analyzes several fonts like "Adobe Fan Heiti Std B" and "Adobe Caslon Pro Bold" and how they convey different meanings. Display fonts are recommended for mastheads as they are bold and easy to read from a distance. The document also discusses how colors should complement each other and fit the genre being portrayed. Both fonts and colors need to accurately represent the media product and attract the target audience.
Fonts analysis
This document evaluates several fonts for use in an indie music magazine. It provides pros and cons for each font and analyzes their suitability for different elements like body text, headers, and mastheads. Three masthead design ideas are also presented using different font combinations. In the end, the following final font choices are made: Source Sans Pro for body text as it looks professional and is easy to read; Big John for headers and the masthead as it is bold and eye-catching; and Slim Joe for callouts and pull quotes as it complements Big John.
Masthead Designs
The document evaluates 5 different fonts for a magazine masthead based on boldness, eye-catching appeal, and ability to stand out amongst other magazines. Font 1 is deemed bold and eye-catching due to the contrast between red and black colors which match the magazine's branding. Font 2 is also seen as bold and eye-catching by separating the letters in the masthead. Font 3 is assessed as too simplistic and thin to stand out effectively. Font 4 is considered bold due to color contrast and a defining white line. Font 5 again separates the letters for recognizability and a bold, eye-catching appearance.
Front cover analysed
The document discusses magazine cover design. It explains that the masthead is in a large, bold, unique font at the top of the page to attract attention. Cover lines provide information about the magazine's contents but never obstruct the front-facing model's face. Backgrounds are usually simple with blank colors so cover lines are easy to read. Price, masthead, cover lines, and celebrity names are prominently displayed to attract buyers.
Music magazine fonts
The document discusses different font styles for a magazine masthead and evaluates them based on readability, conformity to genre expectations, and uniqueness. It considers fonts that are easy to read but also capture the rebellious spirit of rock music. Block capitals and distressed styles are described as eye-catching while still readable. Uniform fonts are criticized for being too conventional despite clarity. Decorative and texture elements are praised for making fonts more interesting without sacrificing functionality. Overall, the fonts are judged on balancing genre appropriateness and audience expectations with basic design principles.
Masthead designs
Bethany Barrows is designing a magazine masthead and considers several font options. She analyzes each font's style, noting whether they appear professional, stylish, edgy, bold, unique, elegant, classic, or fitting for a music magazine. Barrows selects fonts that will stand out on the dark background and effectively fill the cover's top space to identify the magazine title.
Task 8 research
The document analyzes and summarizes the key design elements of multiple soccer fanzines. It discusses the mastheads, fonts, layouts, pictures and writing styles used across several fanzines. For one Liverpool fanzine, it notes the faded masthead text, emblem, warning and font. It describes the bold sans-serif font and leading lines used in the main body text. It also analyzes the fonts, layout and interview format of an Arsenal fanzine, and the informal, biased writing and pictures used in another Liverpool fanzine.
Masthead font styles
The document discusses different font styles considered for the masthead of a music magazine. It analyzes the denotation and connotation of five fonts: "wrestle mania", "scorched earth", "All rights reserved", "Campus A", and again "scorched earth". In the end, it concludes that "scorched earth" font will be chosen because its eroded look suits the music genre and will attract and interest the target audience to read the magazine.
FMP Week 11 Feedback
The feedback provided suggestions for improving various elements of the fanzine project. For the title font, recommendations were made to use fonts 17 and 14 for "Blood" and "Ice Cream" respectively in different colors. While two reviewers liked the pixelated artwork style, one found it obscured the characters. It was also suggested to better integrate the text visually. The feedback advised including both text and text-less images to balance information and visual exploration. Overall, incorporating different fonts, colors, text treatments and a mix of image styles was believed to strengthen the fanzine as both an artistic and informative work.
Choosing Font for my CD Cover:
The document discusses choosing fonts for a CD cover. It evaluates several fonts - Fox & Cat, Blogger Sans, Giogia, Gogoia Deco, Capsuula, Raleway, and Simplifica. For each font, it comments on features like the cursive style, thickness, curves, and whether the font fits the indie theme desired for the CD cover. Most of the fonts are deemed too similar to Comic Sans or too abstract/modern for the intended theme. Raleway is praised for its cursive style, smooth curves, and the way the 'w' fits the indie vibe.
Evaluation pro forma!!
This document discusses the design choices made for a set of recipe cards produced for the Vegetarian Society. It reflects on the layout, images, colors, fonts, and other design elements used and how they appeal to the target audience. The cards were aimed at a mass market without gender bias, using neutral colors and a professional style. Feedback was gathered through various prototypes to produce cards that provided clear instructions while looking exciting enough to attract potential buyers to vegetarianism. Semiotics of the design elements were considered to convey meanings of health, nature, and trustworthiness.
House style
The document discusses selecting a title and design for a new music magazine. Several potential titles like "Pulse", "Strike", and "Impulse" were considered but ultimately rejected for various reasons. "Unison" was preferred by questionnaire respondents and chosen as the title. For the font, the magazine team selected "Hotel CORAL Essex" which fits their theme of being bold and edgy. Their cover layout places the title on the right instead of left for a unique look. The contents page will be a double-page spread with scattered images and information to maintain an edgy, rough theme.
Fonts and colours
The document discusses testing different fonts and colors for a magazine targeted at a specific audience. It tests three fonts before selecting one that has proper spacing and sizing for the masthead. It chooses a simple font that will suit the target audience and complement a documentary with captions. It also explores using shades of blue, the color most associated with the magazine's topic of social media's effect on education. It selects a soft blue to make the double page spread visually appealing without looking dull.
Text analysis for Cd cover and advert
1) The document discusses choosing a font for a band's album cover and advertisement. Several handwritten-style fonts were considered.
2) Five fonts were selected as good options. These were evaluated based on how much they looked like actual handwriting and their thickness, boldness, and other aesthetic qualities.
3) In the end, one font was chosen because it incorporated larger first letters well without looking unprofessional or "too cartoon like." This simple, slim font was deemed to have a memorable yet not intimidating look.
Planning for print
The document discusses the planning process for creating a film magazine cover and movie poster. It includes exploring different font choices, layouts, color schemes, images and drafting multiple concepts before deciding on final designs. The planning considers genre, target audience, consistency across projects and stereotypical magazine/poster elements. Feedback from others helped identify aspects to improve for more professional and effective end products.
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Magazine Stylesheet
The document evaluates four different font options for a magazine masthead:
1) Zwodrei font with a thick, rectangular border that would stand out on any page color
2) Ailerons font with a thinner style that looks cleaner than the first option
3) Manifesto font featuring only uppercase letters without a border that may be too unique and cause confusion
4) Coco Puff font with a medium thickness and border that achieves a balance between options one and two in line with the magazine's style.
The document also selects League Spartan for headlines, Droid Serif for body text, and establishes a primary color scheme of black, white, and red.
Testing fonts
- The document discusses font choices for different sections of a magazine called "Leeds Life".
- "Chanson Heavy SF" was chosen as the bold main title font to grab readers' attention.
- "Balloonist SF" was selected as the slightly less bold subheading font to clearly distinguish it from the main title.
- "Myriad Pro" was picked for smaller headings and body text because it doesn't stand out as much as the other fonts.
Testing fonts
- The document discusses font choices for different sections of a magazine called "Leeds Life".
- "Chanson Heavy SF" was chosen as the bold main title font to grab readers' attention.
- "Balloonist SF" was selected as the slightly less bold subheading font to clearly distinguish it from the main title.
- "Myriad Pro" was picked for smaller headings and body text because it doesn't stand out as much as the other fonts.
Billboards research pdf
The document discusses the research done on magazine billboard codes and conventions. It first looked at regional magazines, then fashion magazines like Vogue and Elle to inform a new magazine. It found magazine billboards were rare so also examined newspaper and advertising billboards. By combining codes from magazines, it hopes to create an effective billboard for its new magazine.
Magazine research
We chose to use Little White Lies magazine for our ancillary product because it will allow us to be more creative and tie the magazine more closely to our teaser trailer and film. By drawing cover art and adding elements related to the title and themes, the magazine can enhance audience understanding and immersion. In contrast, other magazines like Empire are more focused on big budget Hollywood films rather than our lower budget, amateur style of film.
Magazine research
Little White Lies magazine was chosen as the ancillary product because it allows for more creativity in design elements that connect to the film's title and themes. In contrast to other magazines focused on blockbuster movies, Little White Lies is more suited to lower budget, amateur films like theirs and will permit highlighting the film's mystery through creative use of artwork, text snippets, and polaroids in the magazine and across marketing materials.
Front cover in depth mock up
This document provides details on the design choices made for the mock-up cover of a clubbing magazine. Key elements include using bold fonts and italics to draw attention to important headlines and articles. The title and main article kicker are the largest fonts to stand out on shelves. Consistent yet varied fonts and sizes create an organized, eye-catching design to appeal to the target audience and entice readers to learn more inside.
Fonts and colours
This document discusses the importance of fonts and colors in conveying the right message to audiences. It analyzes several fonts like "Adobe Fan Heiti Std B" and "Adobe Caslon Pro Bold" and how they convey different meanings. Display fonts are recommended for mastheads as they are bold and easy to read from a distance. The document also discusses how colors should complement each other and fit the genre being portrayed. Both fonts and colors need to accurately represent the media product and attract the target audience.
Fonts analysis
This document evaluates several fonts for use in an indie music magazine. It provides pros and cons for each font and analyzes their suitability for different elements like body text, headers, and mastheads. Three masthead design ideas are also presented using different font combinations. In the end, the following final font choices are made: Source Sans Pro for body text as it looks professional and is easy to read; Big John for headers and the masthead as it is bold and eye-catching; and Slim Joe for callouts and pull quotes as it complements Big John.
Masthead Designs
The document evaluates 5 different fonts for a magazine masthead based on boldness, eye-catching appeal, and ability to stand out amongst other magazines. Font 1 is deemed bold and eye-catching due to the contrast between red and black colors which match the magazine's branding. Font 2 is also seen as bold and eye-catching by separating the letters in the masthead. Font 3 is assessed as too simplistic and thin to stand out effectively. Font 4 is considered bold due to color contrast and a defining white line. Font 5 again separates the letters for recognizability and a bold, eye-catching appearance.
Front cover analysed
The document discusses magazine cover design. It explains that the masthead is in a large, bold, unique font at the top of the page to attract attention. Cover lines provide information about the magazine's contents but never obstruct the front-facing model's face. Backgrounds are usually simple with blank colors so cover lines are easy to read. Price, masthead, cover lines, and celebrity names are prominently displayed to attract buyers.
Music magazine fonts
The document discusses different font styles for a magazine masthead and evaluates them based on readability, conformity to genre expectations, and uniqueness. It considers fonts that are easy to read but also capture the rebellious spirit of rock music. Block capitals and distressed styles are described as eye-catching while still readable. Uniform fonts are criticized for being too conventional despite clarity. Decorative and texture elements are praised for making fonts more interesting without sacrificing functionality. Overall, the fonts are judged on balancing genre appropriateness and audience expectations with basic design principles.
Masthead designs
Bethany Barrows is designing a magazine masthead and considers several font options. She analyzes each font's style, noting whether they appear professional, stylish, edgy, bold, unique, elegant, classic, or fitting for a music magazine. Barrows selects fonts that will stand out on the dark background and effectively fill the cover's top space to identify the magazine title.
Task 8 research
The document analyzes and summarizes the key design elements of multiple soccer fanzines. It discusses the mastheads, fonts, layouts, pictures and writing styles used across several fanzines. For one Liverpool fanzine, it notes the faded masthead text, emblem, warning and font. It describes the bold sans-serif font and leading lines used in the main body text. It also analyzes the fonts, layout and interview format of an Arsenal fanzine, and the informal, biased writing and pictures used in another Liverpool fanzine.
Masthead font styles
The document discusses different font styles considered for the masthead of a music magazine. It analyzes the denotation and connotation of five fonts: "wrestle mania", "scorched earth", "All rights reserved", "Campus A", and again "scorched earth". In the end, it concludes that "scorched earth" font will be chosen because its eroded look suits the music genre and will attract and interest the target audience to read the magazine.
FMP Week 11 Feedback
The feedback provided suggestions for improving various elements of the fanzine project. For the title font, recommendations were made to use fonts 17 and 14 for "Blood" and "Ice Cream" respectively in different colors. While two reviewers liked the pixelated artwork style, one found it obscured the characters. It was also suggested to better integrate the text visually. The feedback advised including both text and text-less images to balance information and visual exploration. Overall, incorporating different fonts, colors, text treatments and a mix of image styles was believed to strengthen the fanzine as both an artistic and informative work.
Choosing Font for my CD Cover:
The document discusses choosing fonts for a CD cover. It evaluates several fonts - Fox & Cat, Blogger Sans, Giogia, Gogoia Deco, Capsuula, Raleway, and Simplifica. For each font, it comments on features like the cursive style, thickness, curves, and whether the font fits the indie theme desired for the CD cover. Most of the fonts are deemed too similar to Comic Sans or too abstract/modern for the intended theme. Raleway is praised for its cursive style, smooth curves, and the way the 'w' fits the indie vibe.
Evaluation pro forma!!
This document discusses the design choices made for a set of recipe cards produced for the Vegetarian Society. It reflects on the layout, images, colors, fonts, and other design elements used and how they appeal to the target audience. The cards were aimed at a mass market without gender bias, using neutral colors and a professional style. Feedback was gathered through various prototypes to produce cards that provided clear instructions while looking exciting enough to attract potential buyers to vegetarianism. Semiotics of the design elements were considered to convey meanings of health, nature, and trustworthiness.
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Similar to Fonts!
House style
The document discusses selecting a title and design for a new music magazine. Several potential titles like "Pulse", "Strike", and "Impulse" were considered but ultimately rejected for various reasons. "Unison" was preferred by questionnaire respondents and chosen as the title. For the font, the magazine team selected "Hotel CORAL Essex" which fits their theme of being bold and edgy. Their cover layout places the title on the right instead of left for a unique look. The contents page will be a double-page spread with scattered images and information to maintain an edgy, rough theme.
Fonts and colours
The document discusses testing different fonts and colors for a magazine targeted at a specific audience. It tests three fonts before selecting one that has proper spacing and sizing for the masthead. It chooses a simple font that will suit the target audience and complement a documentary with captions. It also explores using shades of blue, the color most associated with the magazine's topic of social media's effect on education. It selects a soft blue to make the double page spread visually appealing without looking dull.
Text analysis for Cd cover and advert
1) The document discusses choosing a font for a band's album cover and advertisement. Several handwritten-style fonts were considered.
2) Five fonts were selected as good options. These were evaluated based on how much they looked like actual handwriting and their thickness, boldness, and other aesthetic qualities.
3) In the end, one font was chosen because it incorporated larger first letters well without looking unprofessional or "too cartoon like." This simple, slim font was deemed to have a memorable yet not intimidating look.
Planning for print
The document discusses the planning process for creating a film magazine cover and movie poster. It includes exploring different font choices, layouts, color schemes, images and drafting multiple concepts before deciding on final designs. The planning considers genre, target audience, consistency across projects and stereotypical magazine/poster elements. Feedback from others helped identify aspects to improve for more professional and effective end products.
Our magazine
The document discusses options for the name of a film magazine: FilmTalk, Film Review, or Film. It suggests that FilmTalk is the best option as it is short, tells audiences what is in the magazine, and will look better on paper without being too long or short. It will help fill space on the page to avoid empty areas.
creating my masthead
Theresa Kuhn describes the process of designing a masthead for her new indie music magazine called TONIC. She wanted the masthead to have an edgy, original typography that represented the indie genre. After brainstorming trends like Aztec patterns, she researched Aztec fonts for inspiration. She tested designs using fonts like "Parqa" and "Nomed" and received feedback that her initial designs were unclear. She adjusted letters like the "t" and "c" to improve readability. Her final design uses an Aztec-inspired font in a bold, pastel color with a black outline to clearly convey the magazine title while matching her aesthetic vision.
How effective is the combination of your main product and ancillary texts?
- The document discusses analyzing the covers of the magazine "Little White Lies" to determine conventions for text usage and layout on a magazine cover. Examples of LWL covers focus primarily on artwork with minimal text.
- Additional research was done into movie posters to determine appropriate fonts, colors, and layout that fit within horror genre conventions. Different fonts were chosen for the magazine, poster, and trailer to suit each format while maintaining a consistent brand identity.
- Overall, the document evaluates how the chosen fonts and text styles for the magazine, poster, and trailer work effectively together to promote the main product while adhering to genre conventions in each format.
Masthead and Subheading fonts.docx
This document discusses potential masthead and subheading font designs for a new regional magazine focused on Hertfordshire, England. Four potential masthead titles are considered: "InsideHearts", "BehindTheScenes", "Scene", and "Scenic". The author decides that "InsideHearts" and "BehindTheScenes" best convey the magazine's focus on local people rather than picturesque scenery. Several masthead font designs are tested for these titles, with "Bebas Neue" selected for its formal, memorable style. Four subheading fonts are also briefly analyzed for pros and cons in terms of audience appeal, readability and visual impact.
Final cards
We designed a set of recipe cards for The Vegetarian Society that met their requirements. The cards feature The Vegetarian Society logo and website, recipes, ingredients lists, and a consistent color scheme and fonts. We aimed the cards at families wanting quick, easy vegetarian meals and included feedback from surveys. While photography issues arose, the final cards featured readable fonts and layout in a colorful, summery style as requested. With more time, the fronts could have been more engaging.
Final cards
We designed a set of recipe cards for The Vegetarian Society that met their requirements. The cards feature The Vegetarian Society logo and website, recipes, ingredients lists, and a consistent color scheme and fonts. We selected quick and easy vegetarian salad recipes to match a summer theme. A bright color scheme and fonts like Orange Juice and Impregnable that are clear but stylish were used. Feedback from audiences indicated a preference for easily readable nutrition information, so that was included. While photography was mixed, the final cards met the key goals but could be improved with more visual interest on the fronts.
Peer feedback(1)
The document provides feedback on designs for different newspaper layouts: a broadsheet, tabloid, and fanzine.
For the broadsheet design, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid design, the feedback praises the attention-grabbing headline font but notes a minor issue with the number of asterisks used.
For the fanzine designs, the feedback appreciates the consistent color scheme and cropped photo style. However, it suggests using a clearer font color and reducing the number of fonts for better readability.
Peer feedback
The document provides feedback on three layout designs: a broadsheet newspaper, tabloid newspaper, and fanzine.
For the broadsheet, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid, the feedback praises the attention-grabbing headline font and realistic holiday advert design. It notes a minor issue with the number of asterisks used in the headline.
For the fanzine, the feedback appreciates the consistent color scheme, cropped photo style, and title fonts fitting the punk theme. It recommends using a single-colored font for readability and reducing the number of fonts used.
My suitable masthead fonts
The document tests different font styles for a magazine masthead by using Photoshop to mimic the style of Kerrang! magazine. Several fonts are explored, including Arial bold modified with lines to resemble Kerrang!, a chalkboard style giving a handmade impression, and a serif font that could appear secretive. Additional fonts tested are Geneva for its casual association, Euphemia UCAS for its elegance and clarity, Impact for its energetic feel, and Nanum Brush Script for its handwritten and rushed style mimicking heavy metal genres. The document analyzes the impression and suitability of each font for a rock music magazine.
My suitable masthead fonts
The document tests different font styles for a magazine masthead by using them in Photoshop. It analyzes 7 different fonts: Arial bold, which imitates the original Kerrang! masthead style through lines and cracks; a "chalkboard" style that gives a handmade feel; a serif font that could appear secretive; Geneva, a standard casual font; Euphemia UCAS, a more elegant font signifying clear articles; Impact, which gives a strong energetic impression; and Nanum Brush Script, a handwritten rushed style representing madness. The document considers how each font style could impact readers and suit the rock genre.
Production Phase[1]
- The document discusses choosing a name, logo font, and layout for a new music magazine.
- Several potential names like "Harmony" and "Perspective" were considered but ultimately rejected for various reasons.
- Different logo fonts were also reviewed, with some seen as too fancy, childish, or not representing the target genre of music.
- Layout designs were debated, with a single bold masthead across the top and one large central image chosen as the best front cover design.
Factual writing example analysis
The document summarizes and compares the key design elements of four different types of factual writing: an instruction manual, museum leaflet, newspaper article, and how-to guide. It discusses the illustrations, diagrams, images, logos, fonts, and writing styles used in each to clearly communicate information in an appropriate tone and format for the intended purpose and audience. Functional elements like concise text, instructional verbs, and numbered steps are called out for instructions, while images, maps, and quotes are used to promote interest in the leaflet.
How to make an awesome presentation
This document provides 6 tips for creating an awesome presentation: 1) Ensure each page has a clear purpose of informing or entertaining the audience. 2) Communicate information simply using headings, subheadings and bullet points. 3) Use easy-to-read fonts like Helvetica, Verdana or Arial. 4) Employ complementary or contrasting colors for text and backgrounds. 5) Select images carefully to help tell your story. 6) Follow an F-pattern design by placing important information top left and using common reading patterns.
Typographic Design
This document describes the process of designing a new typeface called "Alphabenese" by two designers, Jongki and Matt. They began with inspiration from Korean Hangul glyphs and explored variations combining English letters with Asian accents. After iterations and feedback, they settled on a clean san-serif style with some Chinese glyph influences. The final typeface has a distinct block structure intended to be readable in paragraphs. An example usage combines the typeface with traditional Chinese cultural imagery in a poster design.
Evaluation q4
The document summarizes feedback received on various elements of a movie poster, magazine cover, and trailer created by students for a horror film project. For the poster, most respondents said the font, color scheme, and tagline fit the horror genre. For the magazine cover, feedback indicated the cover successfully conveyed the horror genre and had a clear layout. Regarding the trailer, respondents commented that it captured conventions of a horror teaser and identified specific effective elements like the sounds and use of a cross as a symbol.
Kerrang!
The document analyzes the design elements of the front cover, double page spread, and contents page of a Kerrang! magazine issue. For the front cover, it summarizes that the black and white color scheme and overlapping band photo are intended to represent the magazine's genres and attract readers interested in the featured band. For the double page spread, it notes the continued use of black, white and red colors and a large, lively band photo to engage readers. And for the contents page, it outlines the use of photos over text, varied shots and a gray/yellow color scheme to quickly guide readers to find articles of interest.
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How effective is the combination of your main product and ancillary texts?
How effective is the combination of your main product and ancillary texts?
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Graphic narrative resubmission!
The document contains research and planning for a graphic novel adaptation of Jack and the Beanstalk with a modern twist. It includes exploring layouts, fonts, and content from existing graphic novels for both children and adults. Draft scripts are presented with different dialogue options incorporating more modern language. The proposal outlines plans to create a 4-page graphic novel using photographs edited to look like comic book panels telling the story with humor, such as the giant having an afro. The target audience is identified as 10-15 year olds to make the classic tale appealing again through a twist while keeping the overall story. Schools are identified as a way to market the product to this age group.
Graphic narrative resubmission!
The document contains research and planning for a graphic novel adaptation of Jack and the Beanstalk with a modern twist. It includes exploring layouts, fonts, and content from existing graphic novels for both children and adults. Draft script sections modernize the dialogue. The proposal outlines creating a 4-page graphic novel using photographs edited to look like comics. It will target an older audience of 10-15 year olds with humor like the giant having an afro and a guitar being stolen. The goal is to make the classic tale appealing again through a comedic twist.
Writing copy resubmission!
Charlie, a 0-18 year old male from London, focuses on question 4 where he supports Piers Morgans claims that people who jump in front of trains are “Selfish”. He does not like Morgan but shares Piers Morgan’s opinion on gun crime. He believes that if some people give up guns and a large proportion keep them it does not improve the situation.
Writing copy resubmission!
Charlie, a 0-18 year old male from London, focuses on question 4 where he supports Piers Morgans claims that people who jump in front of trains are “Selfish”. He does not like Morgan but shares Piers Morgan’s opinion on gun crime. He believes that if some people give up guns and a large proportion keep them it does not improve the situation.
Writing copy resubmission
Charlie, a 0-18 year old male from London, focuses on question 4 where he supports Piers Morgans claims that people who jump in front of trains are “Selfish”. He does not like Morgan but shares Piers Morgan’s opinion on gun crime. He believes that if some people give up guns and a large proportion keep them it does not improve the situation.
Task 4!
Piers Morgan has long been accused of involvement in phone hacking as the former editor of British tabloids Daily Mirror and News of the World. Multiple witnesses have testified that Morgan outlined phone hacking techniques and boasted of using them to source stories. While Morgan denies any involvement, evidence suggests widespread phone hacking occurred at the newspapers during his time as editor. The police investigations into Morgan have been ongoing for years, and more victims are continuing to come forward, yet he still maintains his innocence despite clear contradictions in his own accounts.
Task 4
Piers Morgan has long been accused of involvement in phone hacking as the former editor of British tabloids Daily Mirror and News of the World. Multiple witnesses have testified that Morgan outlined phone hacking techniques and boasted of using them to source stories. While Morgan denies any involvement, evidence suggests widespread phone hacking occurred at the newspapers during his time as editor. The police investigations into Morgan have been ongoing for years, and more victims are continuing to come forward, yet he still maintains his innocence despite clear contradictions in his own accounts.
Task 4
Piers Morgan has long been accused of involvement in phone hacking as the former editor of British tabloids Daily Mirror and News of the World. Multiple witnesses have testified that Morgan outlined phone hacking techniques and boasted of using them to source stories. While Morgan denies any involvement, evidence suggests widespread phone hacking occurred at the newspapers during his time as editor. The police investigations into Morgan have been ongoing for years, and more victims are continuing to come forward, yet he still maintains his innocence despite clear contradictions in his own accounts.
Task 4!
Piers Morgan has long been accused of involvement in phone hacking as the former editor of British tabloids Daily Mirror and News of the World. Multiple witnesses have testified that Morgan was aware of, and in some cases directly involved in, phone hacking practices during his time as editor. However, Morgan continues to deny any involvement and knowledge of phone hacking at the newspapers he edited, despite significant evidence to the contrary. The allegations against Morgan span decades and involve the hacking of numerous celebrities and victims of crime.
Task 10!!
Surfers Against Sewage is an environmental charity based in the UK that campaigns to protect oceans, beaches and freshwater waves from plastic pollution and other environmental issues. They organize beach cleans, protests, educational events and political lobbying to raise awareness of the problems caused by waste in the natural environment and push for changes to protect natural spaces for future generations to enjoy. Their goal is a clean, healthy and plastic-free ocean for marine life and coastal communities.
Social Action
This document appears to be a resubmitted PowerPoint presentation titled "Social Action" created by Alan Smith. The presentation likely discusses topics related to social action or social issues. More context would be needed to provide a more detailed summary of the content or purpose of this resubmitted PowerPoint presentation.
Social action resubmission !
This document appears to be a resubmitted PowerPoint presentation titled "Social Action" created by Alan Smith. The presentation likely discusses topics related to social action or social issues. More context would be needed to provide a more detailed summary of the content or purpose of this resubmitted PowerPoint presentation.
Task 10!!
Surfers Against Sewage is an environmental charity based in the United Kingdom that aims to protect oceans, waves, beaches and wildlife. The organization campaigns on issues like water quality, plastic pollution and the impacts of climate change. Surfers Against Sewage also works to bring environmental issues to public attention through education and engaging communities.
Design for advertising!
The document provides initial ideas and concepts for the design of an energy drink advertising campaign. The first idea, called qWake, uses an earthquake theme to convey that not purchasing the drink will result in a natural disaster. A mock-up design is created featuring a bike jumping over cracks in the ground. Additional ideas target health-conscious consumers with a drink called Improvise or athletes with Limitless. Mood boards and mind maps are used to explore themes, target audiences, and branding elements. Potential slogans, scripts, and product variations are proposed. Font and color scheme options are tested to match different ideas. The final design features layered earthquake imagery and the Richter scale to reinforce the theme while making the drink name stand out
Design For Advertising (Task 3+)
The document provides initial ideas and concepts for the design of five different energy drink products.
Idea 1 is called "qWake" and uses the theme of an earthquake, featuring an image of a bike jumping over cracks in the ground. The target demographic is young male extreme sports enthusiasts.
Idea 2 is called "Improvise" and aims to provide a healthier alternative, targeting health-conscious consumers. The design would use green colors and natural symbols.
Idea 3 is called "Limitless" and targets top athletes, conveying unlimited energy. The design would use bright colors and feature images of athletes using the drink.
Idea 4 is called "Limbo" and targets dark music
Task 6
The band Glendale is releasing their first album "Illusion is the first of all pleasures" and aims to target an audience aged 23-30 who appreciate folk and rock music. Objectives for the first year include developing the band's image and fan base through album promotion, concerts, and building a reputation. Merchandise like t-shirts and the use of radio, print media, and social media like Facebook and Twitter will be used to promote the band and drive album sales of 2,000 in two months and 40,000 in the first year. The key message is that Glendale produces meaningful music as down-to-earth former farmers who are still connected to their fans.
Task 5
This document contains a SWOT analysis for a new MP3 player with Spotify integration. The strengths include having a unique product and knowledge of competitors. Weaknesses are a lack of funding and brand power compared to Apple. Opportunities include a growing market and room for expansion. Threats include strong competitors like Apple releasing new products and lack of resources to compete. The analysis examines internal factors like resources and external factors beyond their control like market trends.
Task 4
Audi focuses its marketing on quality, performance, and luxury targeting middle to higher income individuals. Its advertisements emphasize the vehicle's technology and design without mentioning price. Ford historically focused on price but is shifting to also emphasize quality to appeal to more customers. Both supermarkets ASDA and Marks & Spencer's target different demographics - ASDA focuses solely on low prices to attract cost-conscious customers while Marks & Spencer's stresses quality even if it means higher prices to appeal to image-conscious consumers. Apple emphasizes innovation and quality over price in its marketing to cultivate an exclusive brand image and attract creative customers, unlike HTC which must compete on price due to reputation issues.
Design For Advertising Resubmission!
The document provides initial ideas and concepts for the design of five different energy drink products.
Idea 1 is called "qWake" and uses the theme of natural disasters like earthquakes. The target audience is young male extreme sports enthusiasts.
Idea 2 is called "Improvise" and aims to provide a healthier alternative energy drink targeting health-conscious consumers, especially young females.
Idea 3 is called "Limitless" and is designed for top athletes seeking endless energy. Its target audience includes both male and female youth sports players.
Idea 4 is called "Limbo" and targets dark music fans seen as aggressive and passionate. Its target audience includes males aged 18-30.
Task 9! Evaluation
The document evaluates whether the final pieces created are fit for their intended purpose of promoting awareness of environmental issues for Surfers Against Sewage. It summarizes the design process for logos, merchandise like t-shirts and phone cases, and posters. Various designs were explored and refined before final versions were selected that were simple, visually appealing, and professionally represented the client's needs and target youth audience. Comparisons are made to existing client materials to ensure the new designs meet the required standard.
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Fonts!
- 1. We chose this font for the text as it was very clear as well as adding that older look to the recipe cards. This was also used as a title on one of the numerous cards made. (Baskerville Old Face) This was the font that we decided would be best for the title as it provided professionalism to the set of cards. There was a lot of disagreement and eventually we came to a compromise where we would make three sets of cards with different fonts and colours to please everyone involved. This font was chosen as it also had a touch of Italy in and would relate to our theme throughout the cards. This would also psychologically make the person reading it feel like it was an Italian recipe. (Brush Script Std) In the planning stage this font was brought to our attention and considered when producing the cards. However after experimenting the font next to the images we took, it did not suit the theme and looked too simplistic for what we were looking for. As the brief wanted something that stood out and caught the attention of the potential buyer, we felt this did not. (Calibri Body) When asking for feedback on the cards, it was suggested to us that using a common font would be a good way to stay with our targeted market (Mass Market). When looking at research collected from vegetarians, it was brought to our attention that people wanted quick and easy meals. Having a hard to read text would not be suitable to the theme selected. The original suggestion was to look at the font Helvetica which was popular in the 90’s, however Arial was a good substitute. (Arial) Another font that came up in conversation was this; we believed that it would bring the text out more and make it stand out. This was because of the method overlapping the silhouette on the back of the recipe card. We didn’t want the font to compromise the composition of the cards. The best way was to make it bolder without increasing the size of the text. (Comic sans MS)