The document outlines the stages and steps of the writing process, including prewriting, drafting, and revision. Prewriting involves determining the topic focus, developing material, considering the audience, and deciding on a thesis. Drafting includes writing an introduction, body paragraphs, and conclusion. Revision involves reviewing assignment requirements, purpose, organization, individual sections, sentences, words, punctuation, and proofreading. The final stage is generating the final copy for submission.
This presentation is useful for all who are preparing their projects in colleges. This presentation helps you in giving proper reference of data source.
Before embarking on a research journey, it is vital to plan the strategic direction and detailed design of the research. Failure to plan properly will only lead to painful disappointment and waste of time.
This presentation is useful for all who are preparing their projects in colleges. This presentation helps you in giving proper reference of data source.
Before embarking on a research journey, it is vital to plan the strategic direction and detailed design of the research. Failure to plan properly will only lead to painful disappointment and waste of time.
To those who would like to have a copy of this slide, just email me at martzmonette@yahoo.com and please tell me why would you want this presentation. Thank you very much and GOD BLESS YOU
Project 4 PortfolioWriter’s Role EvaluatorAudience UA Stude.docxbriancrawford30935
Project 4: Portfolio
Writer’s Role: Evaluator
Audience: UA Students, Your Current and Subsequent Writing Instructor
Genre: Portfolio
Due Dates:
· Wednesday, Nov. 30th: Portfolio Idea Proposal
· Monday, Dec. 5th: First Draft of Portfolio
· Friday, Dec. 9th: Final Portfolio due via d2l by 7:59 AM
The goal of this final portfolio is to reflect on and demonstrate your learning in this course. Kathleen Yancey, an expert in reflective writing, says writers need to know their work before they can like or critique it. Applying what we’ve learned to subsequent (and different) writing contexts depends on taking time to assess your writing practices. Evaluating your progress in English 101, it follows, should convince readers that you know your work and you can reflect on and assess your writing experiences. Project 4, as a portfolio, allows you to document your performance in this class by examining what you’ve produced this semester in relation to some of the student learning outcomes. So, too, the course has emphasized key terms that represent core concepts in writing, and they will be useful vocabulary for explaining what you’ve learned about writing.
Course Key Terms
· Audience
· Purpose
· Context
· Genre
· Community
· Rhetorical situation
Before beginning your portfolio, then, it is important to carefully read over the learning outcomes and key terms (as we have been doing throughout the semester). Decide which outcomes and key terms you would like to highlight; in the reflective essay, you will explain how learning is demonstrated (or areas in which you still need to improve) in the artifacts you’ve curated to represent your writing.
Portfolio Requirements
Task #1: Curate Portfolio Artifacts.
An important part of reflection involves reviewing and selecting samples of your writing across the semester. “Any writing” means anything you’ve written for English 101. It might be notes you made in class. It might be all of the major assignments with rough drafts. It might be one or two homework assignments that you felt had a big influence on your learning this semester. It could even be all of the homework assignments put together in a way that you think demonstrates learning outcomes.
Of course, learning is not always captured in successes. While you will predominately select writing that illustrates success in learning outcomes in the portfolio, you will also select at least one instructive failure, one example of writing that represents an outcome you have struggled with and will continue to work on. Often a critical incident with writing, or an instructive failure, prompts the best learning. With that in mind, use the following guidelines to curate a portfolio:
· Select artifacts that demonstrate mastery of one or two learning outcomes in each goal (see below). Remember, any writing you did for class counts.
· Select one artifact that represents your struggle with one learning outcome.
· Design a table of contents (TOC) with clear titles.
Unit VII Research Paper Draft 3 Follow the directions below for .docxdickonsondorris
Unit VII Research Paper Draft 3
Follow the directions below for the completion of your Research Paper Draft 3 (introduction, review of literature, and body) for Unit VII. If you have questions, please email your professor for assistance. As always, you may also seek out the guidance of the Success Center; the tutors are always there to assist you with your writing and comprehension. You may
submit writing assignments to the Success Center by using a “Writing Center Request form” located on the myCSU Student Portal. To submit a “Writing Center Request form,” log into the myCSU Student Portal, click on “Success Center,” and then click on “Tutoring.” If you have questions concerning APA or your writing assignment, you can contact the Success Center at [email protected]or by phone at ext. 6538.
Purpose:
The purpose of Draft 3 is to build upon Draft 2 and to move your drafting process forward so that you can add a body, conclusion, and abstract to your paper, making it a cohesive, whole academic paper.
Description:
In this assignment, you will take Draft 2 (introduction and review of literature), written in Unit VI, and add the body of your paper. Your body paragraphs should contain the six elements indicated below and be developed in an appropriate manner. If the body does not contain these elements, it is likely you have not fully developed the body, and this lack of development can severely impact your grade for this assignment. You will need to write at least four body paragraphs while incorporating five academic sources for this assignment. The paragraphs should be thorough and cover all the listed elements. Your Draft 3 (introduction, review of literature, and body) should include the elements listed below. With the addition of your Body, you should have a paper that is approximately 7-10 pages long, without the addition of a conclusion or abstract and without counting your cover page or references page.
Elements:
Your grade for Draft 3 is largely based on your inclusion of various elements and the overall quality of your writing. Your Draft 3 must contain the following elements.
1. Cover page and APA formatting:
You should include an APA-style cover page for your Draft 3. See the example on page 16 of The CSU APA Guide (6th edition). Your cover page should include the following: the title of your paper, your name, and the name of your university (Columbia Southern University). The running head should include up to 50 characters from the title of the paper, along with a sequential page number in the upper right-hand corner.
2. Introduction:
Using the comments that you received on your Draft 2, revise your introduction. There are some pitfalls to writing an introductory paragraph, and you can avoid some of them by reading through the Checklist: “Avoid Certain Mistakes in the Introduction” on p. 495 of Strategies for Writing Successful Research Papers.
3. Review of literature:
Using the comments that you received on your Draft 1 ...
Outline Grading Criteria The superior outline (grade A).docxgerardkortney
Outline Grading Criteria
The superior outline (grade A):
Topic is creative, appropriate, and original.
Name, general purpose, specific purpose, and thesis statement
(central idea) are included.
Constitutes a genuine contribution by the speaker to the knowledge or
beliefs of the audience.
Remains audience-centered throughout outline.
Content fits the assignment.
Contains elements of vividness and special interest in the use of
language.
Language is clear, concise, memorable, and easy to follow.
If sources are required, high quality sources are used.
If sources are required, adheres to quantity of sources rule (one
source per minute for total amount of sources).
If sources are used, a reference page is included.
Outline is in complete sentences.
Standard subdivisions are used.
Transitions are advanced and included in proper places.
In-text citations are present.
Various sections and components of the outline are labeled.
Main points are declarative sentences.
Main points are logical.
Appropriate number of main points is included.
Support material is appropriate.
All components of the introduction, body and conclusion are included
and well-developed.
Organizational pattern is clear.
The above average outline (grade B):
Creative topic.
Audience analysis is evident.
Fulfills all major functions of a speech introduction, body and
conclusion.
Displays clear organization of main points and supporting materials.
Exhibits proficient use of transitions.
Effective use of language.
Overall structure apparent but may need to develop ideas more
effectively.
Properly labeled and formatted.
Clearly identifies sources of information and ideas in the speech.
The average outline (grade C):
Conforms to the kind of speech assigned (i.e., informative, persuasive,
special occasion etc.).
Has a clear specific purpose and thesis statement (central idea).
Lacks audience-centeredness.
Has an identifiable introduction, body, and conclusion.
Missing transitions or contains weak transitions.
Language is appropriate but could be more memorable or creative.
Missing some of the components of an effective speech.
Minor errors in grammar, pronunciation, and word usage.
Does not contain enough quality source material.
The below average outline (grade D or F)
Topic does not conform to speech purpose.
Audience-analysis is not evident.
Unorganized.
Contains incomplete sentences or phrases.
Is based entirely on biased information or unsupported opinions.
Uses fabricated supporting material or deliberately distorted evidence.
Uses bullet points or paragraph form.
No references present.
Is plagiarized.
Checklist for a Full-Sentence Outline
· The outline begins with a title.
· The specific purpose is clearly stated in one complete sentence.
· The central idea (thesis .
i want a Informative Speech Outline about Brj Alarb Assignment.docxjewisonantone
i want a
Informative Speech Outline about Brj Alarb
Assignment Details
Perform the following tasks:
Step 1: Review the information presented in the lesson
.
Step 2: Create a formal outline for your informative speech. Be sure to include the Introduction, Body, and Conclusion sections in your formal outline.
Step 3: Create a reference list including all sources you use to locate information for your outline.
Step 4: Save and submit your document (.doc format). When you have completed the assignment, save a copy for yourself in an easily accessible place and submit a copy to your instructor below. Make sure your name is on the document.
The superior outline (grade A):
Topic is creative, appropriate, and original.
Name, general purpose, specific purpose, and thesis statement
(central idea) are included.
Constitutes a genuine contribution by the speaker to the knowledge or
beliefs of the audience.
Remains audience-centered throughout outline.
Content fits the assignment.
Contains elements of vividness and special interest in the use of
language.
Language is clear, concise, memorable, and easy to follow.
If sources are required, high quality sources are used.
If sources are required, adheres to quantity of sources rule (one
source per minute for total amount of sources).
If sources are used, a reference page is included.
Outline is in complete sentences.
Standard subdivisions are used.
Transitions are advanced and included in proper places.
In-text citations are present.
Various sections and components of the outline are labeled.
Main points are declarative sentences.
Main points are logical.
Appropriate number of main points is included.
Support material is appropriate.
All components of the introduction, body and conclusion are included
and well-developed.
Organizational pattern is clear.
.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
2. Stage 1: Prewriting
A. Determine the focus: discover and
limit a topic
freewriting, listing (my favorites)
3. Stage 1: Prewriting
A. Determine the focus: discover and
limit a topic
freewriting, listing (my favorites)
brainstorming/asking journalist’s questions
4. Stage 1: Prewriting
A. Determine the focus: discover and
limit a topic
freewriting, listing (my favorites)
brainstorming/asking journalist’s questions
mind mapping or clustering (my wife’s
favorite)
5. Stage 1: Prewriting
A. Determine the focus: discover and
limit a topic
freewriting, listing (my favorites)
brainstorming/asking journalist’s questions
mind mapping or clustering (my wife’s
favorite)
sketching or doodling
7. Stage 1: Prewriting
B. Develop the paper: generate
material
focused freewriting
further clustering
8. Stage 1: Prewriting
B. Develop the paper: generate
material
focused freewriting
further clustering
extending the lists
9. Stage 1: Prewriting
B. Develop the paper: generate
material
focused freewriting
further clustering
extending the lists
researching
10. Stage 1: Prewriting
C. Determine your target: consider the
audience
determine if the audience is neutral, hostile, or
friendly
11. Stage 1: Prewriting
C. Determine your target: consider the
audience
determine if the audience is neutral, hostile,
or friendly
determine the appropriate level of technicality
(nontechnical, semi-technical, and highly
technical) and the appropriate level of
formality (colloquial, informal, semiformal,
and formal or contract language)
12. Stage 1: Prewriting
C. Determine your target: consider the
audience
determine if the audience is neutral, hostile,
or friendly
determine the appropriate level of technicality
(nontechnical, semi-technical, and highly
technical) and the appropriate level of
formality (colloquial, informal, semiformal,
and formal or contract language)
determine the appropriate level of complexity
or density of thought
13. Stage 1: Prewriting
C. Determine your target: consider the
audience
determine if the audience is neutral, hostile, or
friendly
determine the appropriate level of technicality
(nontechnical, semi-technical, and highly
technical) and the appropriate level of formality
(colloquial, informal, semiformal, and formal or
contract language)
determine the appropriate level of complexity or
density of thought
consider the audience’s expectations; identify
shared values
15. Stage 1: Prewriting
D. Decide on your main point: generate
a thesis
encompasses topic
makes a point about the topic that can and
should be defended or validated
16. Stage 1: Prewriting
D. Decide on your main point: generate
a thesis
encompasses topic
makes a point about the topic that can and
should be defended or validated
offers writer’s unique perspective and insight
into topic
17. Stage 1: Prewriting
E. Arrange material: organize
exploit organization inherent in topic or writing
assignment boundaries (narration and process
analysis are usually organized on a time line,
for instance; a paper analyzing a causal chain
will also have an inherent sequencing of
material)
18. Stage 1: Prewriting
E. Arrange material: organize
exploit organization inherent in topic or
writing assignment boundaries
exploit organization inherent in prewriting
from step B (recognize and use the
connections or relations between components
or ideas in a clustering diagram, for instance)
19. Stage 1: Prewriting
E. Arrange material: organize
exploit organization inherent in topic or
writing assignment boundaries
exploit organization inherent in prewriting
from step B
impose order using classic strategies or
patterns of organization
20. Stage 1: Prewriting
E. Organizing (cont’d)
Classic organizing patterns include:
chronological: uses time as the organizing
principle
21. Stage 1: Prewriting
E. Organizing (cont’d)
Classic organizing patterns include:
chronological
spatial: establishes a point or frame of
reference and organizes material with respect
to that (to the left of the front door is a bush;
in front of that is a flower bed)
22. Stage 1: Prewriting
E. Organizing (cont’d)
Classic organizing patterns include:
chronological: uses time as the organizing
principle
spatial
emphatic: uses order of importance as its
organizing principle (either save the most
compelling idea or details for last, or put the
most important cause first)
23. Stage 1: Prewriting
E. Organizing (cont’d)
Classic organizing patterns include:
chronological
spatial
emphatic
deductive: general to specific (a general
statement followed by supporting detail or
specific concrete reasons)
24. Stage 1: Prewriting
E. Organizing (cont’d)
Classic organizing patterns include:
chronological
spatial
emphatic
deductive
inductive: specific to general (specific detail
followed by an interpretive or explanatory
general statement or abstraction)
25. Stage 1: Prewriting
E. Arrange material: organize
exploit organization inherent in topic or
writing assignment boundaries
exploit organization inherent in prewriting
from step B
impose order using classic strategies or
patterns of organization
once the strategy for organizing the material
is set, capture the organization using a device
like an outline or a flow chart.
26. Stage II: Drafting
A. Introductory paragraph(s)
attract and hold the favorable attention of
the target audience
27. Stage II: Drafting
A. Introductory paragraph(s)
attract and hold the favorable attention
of the target audience
address topic
28. Stage II: Drafting
A. Introductory paragraph(s)
attract and hold the favorable attention
of the target audience
address topic
state or imply thesis
29. Stage II: Drafting
A. Introductory paragraph(s)
attract and hold the favorable attention
of the target audience
address topic
state or imply thesis
establish tone
30. Stage II: Drafting
B. Body Paragraphs
execute design represented in Stage I,
step E.4
identify subtopics within thesis (reflected in
divisions in outline, for example)
31. Stage II: Drafting
B. Body Paragraphs
execute design represented in Stage I,
step E.4
identify subtopics within thesis (reflected in
divisions in outline, for example)
develop each facet/subtopic in one or two
paragraphs using mix of general observation
or assertion and specific detail that supports,
clarifies, or illustrated
32. Stage II: Drafting
B. Body Paragraphs
execute design represented in Stage I, step
E.4
each paragraph self-contained
focused (with topic sentence)
unified (all development relevant to topic
sentence)
coherent (logically arranged and using adequate
organizational cues)
paragraphs work together to create envisioned
effect on target audience
33. Stage II: Drafting
B. Body Paragraphs
execute design represented in Stage I,
step E.4
each paragraph self-contained
achieve essay coherence by using
adequate transitional devices within and
between paragraphs
34. Stage II: Drafting
C. Conclusion
signal that the paper is about to end
successfully
35. Stage II: Drafting
C. Conclusion
signal that the paper is about to end
successfully
restate reworded and expanded
expression of essay’s thesis
36. Stage II: Drafting
C. Conclusion
signal that the paper is about to end
successfully
restate reworded and expanded
expression of essay’s thesis
summarize key areas of development
37. Stage II: Drafting
C. Conclusion
signal that the paper is about to end
successfully
restate reworded and expanded
expression of essay’s thesis
summarize key areas of development
draw conclusions, make judgments and
evaluations for readers
38. Stage II: Drafting
D. Transition paragraphs
signal major shift in subject matter, tone,
or both
39. Stage II: Drafting
D. Transition paragraphs
signal major shift in subject matter, tone,
or both
often useful in comparison, classification,
and analysis essays (though not an
essential element of any mode of
expression)
40. Stage II: Drafting
D. Transition paragraphs
signal major shift in subject matter, tone,
or both
often useful in comparison, classification,
and analysis essays (though not an
essential element of any mode of
expression)
usually very short—one or two sentences
41. Stage II: Drafting
E. Dialogue paragraphs
used to represent verbatim speech in
direct quotation
42. Stage II: Drafting
E. Dialogue paragraphs
used to represent verbatim speech in
direct quotation
involve using quotation marks in
collocation with other marks of
punctuation
43. Stage II: Drafting
E. Dialogue paragraphs
used to represent verbatim speech in
direct quotation
involve using quotation marks in
collocation with other marks of
punctuation
each change in speaker requires
beginning of a new paragraph
44. Stage II: Drafting
F. Title construction
use the title to:
describe the topic
catch a busy reader’s attention
express some aspect of the writer’s
personality
45. Stage II: Drafting
F. Title construction
use the title to:
describe the topic
catch a busy reader’s attention
express some aspect of the writer’s
personality
try to keep it short and simple (except
for serious academic compositions)
46. Stage II: Drafting
F. Title construction
use the title to:
describe the topic
catch a busy reader’s attention
express some aspect of the writer’s
personality
try to keep it short and simple (except
for serious academic compositions
do not use quotation marks around your
own titles
48. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
does the essay accomplish what it set out to
do?
thesis appropriate to assignment, writing
situation, and target audience?
engaging?
does it teach the audience something
worthwhile or persuade it to a position in its
own benefit?
49. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and
thesis
C. Review essay organization and
structure
is the material arranged according to some
logical principle?
does the essay have all three necessary parts?
are transitions within and between paragraphs
effective?
50. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
C. Review essay organization and structure
D. Evaluate sections
does introduction effectively capture favorable
attention/ control tone?
are body paragraphs long enough? too long?
coherent? unified?
does conclusion forecast the end of the paper?
remind reader of essay purpose?
leave reader thinking?
51. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
C. Review essay organization and
structure
D. Evaluate sections
E. Review sentences
length
variety of structure
grammar
propriety of voice (active voice preferred)
52. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
C. Review essay organization and structure
D. Evaluate sections
E. Review sentences
F. Reconsider individual words
precision and accuracy of denotation
connotations appropriate for tone, audience, style?
appropriate levels of
formality
technicality
spelling
53. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
C. Review essay organization and structure
D. Evaluate sections
E. Review sentences
F. Reconsider individual words
G. Review individual marks of punctuation
too many commas? exclamation points? parentheses?
current wisdom: the leaner, the better
double check punctuation marks used in collocation with
one another
commas, periods, question marks with parentheses,
quotation marks
ellipsis marks and terminal punctuation
54. Stage III: Revision
A. Review assignment boundaries
B. Reconsider essay purpose and thesis
C. Review essay organization and structure
D. Evaluate sections
E. Review sentences
F. Review individual marks of punctuation
G. Reconsider individual words
H. Proofread
56. Generate Final Copy
A. Materials
B. Manuscript conventions
double space
1-inch margins
12-pt. simple font—no cursive or italics
one side of the paper only
justify only left margin
special restrictions
57. Generate Final Copy
A. Materials
B. Manuscript conventions
C. Submission of final copy
cover sheet with name, title, assignment
number, and course/section
final copy on top w/cover sheet, and
prewriting and drafting included underneath
staple upper left corner
no report covers please