Shot count

1. Shot
No.
Shot Type Action Mise En Scene
1 Long shot (Establishing) of protagonist. Stationary
shot of the
girl slowly
moving
around the
studio stood
in front of
lights to
reveal a
silhouette.
The girl will be
wearing black
jeans and a
dark top; this
is so that the
silhouette will
stand out
more. Lighting
will be
shinning down
on the girl to
show her
silhouette,
through
movement.
2 Crosscuts – Medium shot. Hand held
camera shows
the girl stood
with her back
to the
camera.
Wearing a
long floaty
dress stood in
a field.
Lighting will
be natural for
a typical frost
morning.
3 Long shot Stationary
shot of a
horse moving
towards the
camera at a
distance.
In an open
misty field.
Lighting will
be natural for
a typically
frosty
morning.
4 Medium/Close up shot. Stationary
shot shows
her stroking a
horse.
Wearing a
long floaty
dress stood in
a field.

2. 5 Long shot (Establishing) of protagonist. Stationary
shot of the
girl slowly
moving
around the
studio stood
in front of
lights to
reveal a
silhouette.
The girl will be
wearing black
jeans and a
dark top; this
is so that the
silhouette will
stand out
more. Lighting
will be
shinning down
on the girl to
show her
silhouette,
through
movement.
6 Close up shot Stationary
shot of the
girls face
showing her
hair blowing
in the wind.
For this shot
we need the
weather to be
windy so that
the girls hair
can flow
representing
his freedom.
Lighting will
be natural for
a typical frosty
morning.
7 Close up shot. Stationary
shot of the
horse moving
towards the
camera, this
time closer to
the camera
than before.
In an open
misty field.
Lighting will
be natural for
a typically
frosty
morning.
8 Long shot. Stationary
shot of the
girl slowly
moving
around the
studio stood
in front of
lights to
reveal a
silhouette.
The girl will be
wearing black
jeans and a
dark top; this
is so that the
silhouette will
stand out
more. Lighting
will be
shinning down
on the girl to
show her

3. silhouette,
through
movement.
9 Extreme close up shot. This shot will
show the
horses
nostrils
breathing in
the cold frost
air
Set in the
frosty field the
air blown will
be natural for
a typical frosty
morning.
10 Long shot/Establishing shot This shot will
be of the
sunrise early
on a morning
in the field.
Misty, lighting
due to the
cold frosty
morning.
11 MediumClose up Hand held
camera shows
the girl staring
with a blank
expressionless
face with her
hair blowing
in the wind.
Misty, lighting
due to the
cold frosty
morning.
12 Medium shot Stationary
shot reveals
the girl
gripping on to
her dress. It
will show the
bottom part
of her torso
and the top
part of her
legs.
Misty, lighting
due to the
cold frosty
morning. She
will be
wearing a long
floaty dress.

4. 13 Continuous shot. Hand held
shot reveals
the girl letting
go of her
dress and it
blowing in the
wind.
Misty, lighting
due to the
cold frosty
morning. She
will be
wearing a long
floaty dress.
14 Cutaway and close up. Hand held
shot sows the
girl holding
her cheek.
Hair blowing
in the end
with minimal
background
showing.
Girl will be lip
syncing the
words to the
song followed
with the
action.
15 Continuous shot. Hand held.
Hair blowing
in the end
with minimal
background
showing.
Girl will be lip
syncing the
words to the
song.
16 Long Shot. Fixated
camera. The
girl will
galloping on
the horse
with her hair
blowing in the
wind, this will
be in slow
motion.
She will be
wearing all
black so it
doesn’t
confuse the
audience that
the girl is on
the horse
because she
WAS chasing
after his love.
17 13 cutaway shots.
1. Medium shot.
Fixated
camera. The
girl will be
laying down
in the field
with he
camera above
her. Her eyes
will be closed,
reminiscing
She will be
wearing the
big floaty
dress wrapped
around her.
Her hair will
laid out
behind her.

5. over her love.
18 2. Long shot. Fixated
camera of the
horse
running.
Misty Field.
19 3. Close up. Hand held
camera shows
the girls face.
She will be
wearing the
big floaty
dress, with
minimal
natural make
up.
20 4. Medium shot. The girl will
be beginning
to crouch
down towards
the floor with
her hands
over her face.
She will be
wearing the
big floaty
dress, with
minimal
natural make
up.
Misty field.
21 5. Close Up The girl and
boys hands
will nearly be
touching back
to back.
The light will
be behind
their hands
metaphorically
saying that
there’s
‘something in
the way’ of
their love.

6. 22 6. Close Up Fixated shot
of the girl
stroking the
horse.
This will
metaphorically
show her
kindness.
23 7. Medium shot. The girl will
be crouching
down towards
the floor with
her hands
over her face.
This will be
the main shot
we will keep
on cutting
back to
through out
13 fast shots.
She will be
wearing the
big floaty
dress, with
minimal
natural make
up.
Misty field.
24 8. Medium shot The shot will
reveal the
connections
between their
shoulders.
They will be
touching but
only revealing
half of their
bodies. The
camera will
be hand held.
The girl and
boy will be
stood side by
side looking
out on to the
field.
Boy will be
wearing a
plain grey or
black top with
skinny jeans
and the girl
will be
wearing either
the floaty
dress or black
vest top/net
dress.
25 9. Close up. Fixated
camera shot.
Reveals the
girl
scrunching on
to her dress.
Floaty nude
netted
coloured
dress.

7. 26 10. Extreme Close Up. Fixated
Camera shot
revealing the
girls hair
blowing in the
wind.
The natural
light will hit
her hair with
the natural
the wind.
27 11. Medium shot. The girl will
be crouching
down towards
the floor with
her hands
over her face.
She will be
wearing the
big floaty
dress, with
minimal
natural make
up.
Misty field.
28 12. Medium shot. Fixated
camera. The
girl will be
laying down
in the field
with he
camera above
her. Her eyes
will be open,
reminiscing
over her love.
She will be
wearing the
big floaty
dress wrapped
around her.
Her hair will
laid out
behind her.
29 13. Extreme Close Up Showing her
eyes.
Her eyes will
be teary which
will show her
emotion.
30 Medium Shot and Cross Cut. Stationary
shot.
A flash of
lights fill the
camera lens.
A shot of the
lights
represent the
impact of the
loss of love
has left her.

8. 31 Long Shot Stationary
shot of the
girl on the
horse
galloping on
the field.
The field will
be misty with
natural
lighting. We
are hoping it
will be quite
dark on the
morning.
She will be
wearing all
black with her
hair blowing in
the wind.
32 Cross Cut to the studio. Stationary
shot of the
girl vigorously
moving
around the
studio stood
in front of
lights to
reveal a
silhouette.
The girl will be
wearing black
jeans and a
dark top; this
is so that the
silhouette will
stand out
more. Lighting
will be
shinning down
on the girl to
show her
silhouette,
through
movement.
33 Cross Cut to field. Medium Shot. The girl will
be lip syncing
to the
camera.
Scrunching
her hair.
The girl will be
stood in the
misty field
with natural
light wearing
the floaty
dress.
34 Jump Cut. Medium Close Up The girl will
be scrunching
her dress.
The girl will be
stood in the
misty field
with natural
light wearing
the floaty
dress.

9. 35 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
36 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
37 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
38 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
39 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29

10. 40 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
41 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
42 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
43 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
44 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29

11. 45 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
46 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
47 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
48 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
49 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29

12. 50 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-
29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
51 Long Shot Cross cut to
the field. The
shot reveals
the man
appearing
from the
smoke. Slowly
walking.
It will be
significantly
darker and a
lot more
smoke will
appear.
He will just be
wearing skinny
jeans and a
grey or black
plain t shirt.
52 Deep focus. The girl will
be the main
focus,
revealing the
girl having her
head down
with the man
still walking
towards her,
slightly
blurred out.
It will be
significantly
darker and a
lot more
smoke will
appear.
He will just be
wearing skinny
jeans and a
grey or black
plain t shirt.
The girl will be
wearing the
floaty dress.
53 Deep focus The man will
then be the
main focus,
an over the
shoulder shot
will show him
still walking
towards the
girl.
It will be
significantly
darker and a
lot more
smoke will
appear.
He will just be
wearing skinny
jeans and a
grey or black
plain t shirt.
The girl will be
wearing the
floaty dress.

13. 54 Medium Shot The girl turns
to see the
man. They
begin to walk
towards each
other.
It will be
significantly
darker and a
lot more
smoke will
appear.
He will just be
wearing skinny
jeans and a
grey or black
plain t shirt.
The girl will be
wearing the
floaty dress.
55. SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
56. SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.

14. 57 SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
58 SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
59 SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
60 SHOTS WILL BE PLACED WITHIN THIS PART
OF THE SONG SIMILAR TO SHOTS 17-29,
MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH

15. THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
THE BOY AND
GIRL
WALKING
TOWARDS
EACH OTHER.
61 Medium Shot This shot will
reveal the girl
and man
finally
meeting. They
look at each
other. They
don’t touch.
The light
behind them
signifies the
‘block’
between
them that
they cant be
together
because he
left.
It will be
significantly
darker and a
lot more
smoke will
appear.
He will just be
wearing skinny
jeans and a
grey or black
plain t shirt.
The girl will be
wearing the
floaty dress.
62 Medium Shot Mixture of
colours of
powder paint
will hit
together.
Shot will a
black
background so
the paint
stands out.
63 Long Shot Shots will
begin to
overlay to
really
emphasise
the feelings
and thoughts.
She will be in
the studio
infront of the
lights and
smoke.
Girl will be
wearing along
black to create
a strong
silhouette.

16. 64 AGAIN SHOTS WILL BE REPEATED.
MIXTURE OF THE GIRL IN THE STUDIO
INFRONT OF THE LIGHTS, HER ON THE
HORSE, JUST THE HORSE, HER LIP SYCNING
AND THE BOY. FROM 3:06-3:44
AGAIN SHOTS
WILL BE
REPEATED.
MIXTURE OF
THE GIRL IN
THE STUDIO
INFRONT OF
THE LIGHTS,
HER ON THE
HORSE, JUST
THE HORSE,
HER LIP
SYCNING AND
THE BOY.
3:06-3:44
AGAIN SHOTS
WILL BE
REPEATED.
MIXTURE OF
THE GIRL IN
THE STUDIO
INFRONT OF
THE LIGHTS,
HER ON THE
HORSE, JUST
THE HORSE,
HER LIP
SYCNING AND
THE BOY.
3:06-3:44