1. Shot No. Shot Type Action Mise En Scene
1 Long shot
(Establishing) of
protagonist.
Stationary
shot of the girl
slowly moving
around the
studio stood in
front of lights
to reveal a
silhouette.
The girl will be
wearing black
jeans and a dark
top; this is so
that the
silhouette will
stand out more.
Lighting will be
shinning down
on the girl to
show her
silhouette,
through
movement.
2 Crosscuts –
Medium shot.
Hand held
camera shows
the girl stood
with her back
to the camera.
Wearing a long
floaty dress
stood in a field.
Lighting will be
natural for a
typical frost
morning.
3 Long shot Stationary
shot of a horse
moving
towards the
camera at a
distance.
In an open misty
field. Lighting will
be natural for a
typically frosty
morning.
4 Medium/Close
up shot.
Stationary
shot shows
her stroking a
horse.
Wearing a long
floaty dress
stood in a field.
5 Long shot
(Establishing) of
protagonist.
Stationary
shot of the girl
slowly moving
around the
studio stood in
front of lights
to reveal a
silhouette.
The girl will be
wearing black
jeans and a dark
top; this is so
that the
silhouette will
stand out more.
Lighting will be
shinning down
on the girl to
show her
silhouette,
through
movement.
6 Close up shot Stationary For this shot we
2. shot of the
girls face
showing her
hair blowing in
the wind.
need the
weather to be
windy so that the
girls hair can flow
representing his
freedom.
Lighting will be
natural for a
typical frosty
morning.
7 Close up shot. Stationary
shot of the
horse moving
towards the
camera, this
time closer to
the camera
than before.
In an open misty
field. Lighting will
be natural for a
typically frosty
morning.
8 Long shot. Stationary
shot of the girl
slowly moving
around the
studio stood in
front of lights
to reveal a
silhouette.
The girl will be
wearing black
jeans and a dark
top; this is so
that the
silhouette will
stand out more.
Lighting will be
shinning down
on the girl to
show her
silhouette,
through
movement.
9 Extreme close up
shot.
This shot will
show the
horses nostrils
breathing in
the cold frost
air
Set in the frosty
field the air
blown will be
natural for a
typical frosty
morning.
3. 10 Long
shot/Establishing
shot
This shot will
be of the
sunrise early
on a morning
in the field.
Misty, lighting
due to the cold
frosty morning.
11 MediumClose
up
Hand held
camera shows
the girl staring
with a blank
expressionless
face with her
hair blowing in
the wind.
Misty, lighting
due to the cold
frosty morning.
12 Medium shot Stationary
shot reveals
the girl
gripping on to
her dress. It
will show the
bottom part of
her torso and
the top part of
her legs.
Misty, lighting
due to the cold
frosty morning.
She will be
wearing a long
floaty dress.
13 Continuous shot. Hand held
shot reveals
the girl letting
go of her dress
and it blowing
in the wind.
Misty, lighting
due to the cold
frosty morning.
She will be
wearing a long
floaty dress.
14 Cutaway and
close up.
Hand held
shot sows the
girl holding her
cheek.
Hair blowing in
the end with
minimal
background
showing.
Girl will be lip
syncing the
words to the
song followed
with the action.
4. 15 Continuous shot. Hand held.
Hair blowing in
the end with
minimal
background
showing.
Girl will be lip
syncing the
words to the
song.
16 Long Shot. Fixated
camera. The
girl will
galloping on
the horse with
her hair
blowing in the
wind, this will
be in slow
motion.
She will be
wearing all black
so it doesn’t
confuse the
audience that
the girl is on the
horse because
she WAS chasing
after his love.
17 13 cutaway
shots.
1. Medium shot.
Fixated
camera. The
girl will be
laying down in
the field with
he camera
above her. Her
eyes will be
closed,
reminiscing
over her love.
She will be
wearing the big
floaty dress
wrapped around
her. Her hair will
laid out behind
her.
18 2. Long shot. Fixated
camera of the
horse running.
Misty Field.
19 3. Close up. Hand held
camera shows
the girls face.
She will be
wearing the big
floaty dress, with
minimal natural
make up.
5. 20 4. Medium shot. The girl will be
beginning to
crouch down
towards the
floor with her
hands over her
face.
She will be
wearing the big
floaty dress, with
minimal natural
make up.
Misty field.
21 5. Close Up The girl and
boys hands
will nearly be
touching back
to back.
The light will be
behind their
hands
metaphorically
saying that
there’s
‘something in
the way’ of their
love.
22 6. Close Up Fixated shot of
the girl
stroking the
horse.
This will
metaphorically
show her
kindness.
23 7. Medium shot. The girl will be
crouching
down towards
the floor with
her hands over
her face.
This will be the
main shot we
will keep on
cutting back to
through out 13
fast shots.
She will be
wearing the big
floaty dress, with
minimal natural
make up.
Misty field.
24 8. Medium shot The shot will
reveal the
connections
between their
shoulders.
They will be
touching but
only revealing
half of their
bodies. The
The girl and boy
will be stood side
by side looking
out on to the
field.
Boy will be
wearing a plain
grey or black top
with skinny jeans
and the girl will
6. camera will be
hand held.
be wearing
either the floaty
dress or black
vest top/net
dress.
25 9. Close up. Fixated
camera shot.
Reveals the
girl scrunching
on to her
dress.
Floaty nude
netted coloured
dress.
26 10. Extreme
Close Up.
Fixated
Camera shot
revealing the
girls hair
blowing in the
wind.
The natural light
will hit her hair
with the natural
the wind.
27 11. Medium
shot.
The girl will be
crouching
down towards
the floor with
her hands over
her face.
She will be
wearing the big
floaty dress, with
minimal natural
make up.
Misty field.
28 12. Medium
shot.
Fixated
camera. The
girl will be
laying down in
the field with
he camera
above her. Her
eyes will be
open,
reminiscing
over her love.
She will be
wearing the big
floaty dress
wrapped around
her. Her hair will
laid out behind
her.
7. 29 13. Extreme
Close Up
Showing her
eyes.
Her eyes will be
teary which will
show her
emotion.
30 Medium Shot
and Cross Cut.
Stationary
shot.
A flash of
lights fill the
camera lens.
A shot of the
lights represent
the impact of the
loss of love has
left her.
31 Long Shot Stationary
shot of the girl
on the horse
galloping on
the field.
The field will be
misty with
natural lighting.
We are hoping it
will be quite dark
on the morning.
She will be
wearing all black
with her hair
blowing in the
wind.
32 Cross Cut to the
studio.
Stationary
shot of the girl
vigorously
moving
around the
studio stood in
front of lights
to reveal a
silhouette.
The girl will be
wearing black
jeans and a dark
top; this is so
that the
silhouette will
stand out more.
Lighting will be
shinning down
on the girl to
show her
silhouette,
through
movement.
8. 33 Cross Cut to
field. Medium
Shot.
The girl will be
lip syncing to
the camera.
Scrunching her
hair.
The girl will be
stood in the
misty field with
natural light
wearing the
floaty dress.
34 Jump Cut.
Medium Close
Up
The girl will be
scrunching her
dress.
The girl will be
stood in the
misty field with
natural light
wearing the
floaty dress.
35 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
36 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
37 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
9. 38 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
39 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
40 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
41 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
42 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
10. 43 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
44 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
45 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
46 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
47 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
11. 48 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
49 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
50 SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50
ARE THE
SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME
AS SHOTS 17-29
51 Long Shot Cross cut to
the field. The
shot reveals
the man
appearing
from the
smoke. Slowly
walking.
It will be
significantly
darker and a lot
more smoke will
appear.
He will just be
wearing skinny
jeans and a grey
or black plain t
shirt.
52 Deep focus. The girl will be
the main
focus,
revealing the
girl having her
head down
with the man
still walking
towards her,
slightly blurred
out.
It will be
significantly
darker and a lot
more smoke will
appear.
He will just be
wearing skinny
jeans and a grey
or black plain t
shirt. The girl will
be wearing the
floaty dress.
12. 53 Deep focus The man will
then be the
main focus, an
over the
shoulder shot
will show him
still walking
towards the
girl.
It will be
significantly
darker and a lot
more smoke will
appear.
He will just be
wearing skinny
jeans and a grey
or black plain t
shirt. The girl will
be wearing the
floaty dress.
54 Medium Shot The girl turns
to see the
man. They
begin to walk
towards each
other.
It will be
significantly
darker and a lot
more smoke will
appear.
He will just be
wearing skinny
jeans and a grey
or black plain t
shirt. The girl will
be wearing the
floaty dress.
55. SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
56. SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
13. EACH OTHER.
57 SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
58 SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
59 SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
14. 60 SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED
WITHIN THIS
PART OF THE
SONG SIMILAR
TO SHOTS 17-
29, MIXED
WITH THE BOY
AND GIRL
WALKING
TOWARDS
EACH OTHER.
SHOTS WILL BE
PLACED WITHIN
THIS PART OF
THE SONG
SIMILAR TO
SHOTS 17-29,
MIXED WITH
THE BOY AND
GIRL WALKING
TOWARDS EACH
OTHER.
61 Medium Shot This shot will
reveal the girl
and man
finally
meeting. They
look at each
other. They
don’t touch.
The light
behind them
signifies the
‘block’
between them
that they cant
be together
because he
left.
It will be
significantly
darker and a lot
more smoke will
appear.
He will just be
wearing skinny
jeans and a grey
or black plain t
shirt. The girl will
be wearing the
floaty dress.
62 Medium Shot Mixture of
colours of
powder paint
will hit
together.
Shot will a black
background so
the paint stands
out.
63 Long Shot Shots will
begin to
overlay to
really
emphasise the
feelings and
thoughts.
She will be in
the studio
infront of the
Girl will be
wearing along
black to create a
strong
silhouette.
15. lights and
smoke.
64 AGAIN SHOTS
WILL BE
REPEATED.
MIXTURE OF
THE GIRL IN THE
STUDIO
INFRONT OF THE
LIGHTS, HER ON
THE HORSE,
JUST THE
HORSE, HER LIP
SYCNING AND
THE BOY. FROM
3:06-3:44
AGAIN SHOTS
WILL BE
REPEATED.
MIXTURE OF
THE GIRL IN
THE STUDIO
INFRONT OF
THE LIGHTS,
HER ON THE
HORSE, JUST
THE HORSE,
HER LIP
SYCNING AND
THE BOY.
3:06-3:44
AGAIN SHOTS
WILL BE
REPEATED.
MIXTURE OF THE
GIRL IN THE
STUDIO
INFRONT OF THE
LIGHTS, HER ON
THE HORSE, JUST
THE HORSE, HER
LIP SYCNING
AND THE BOY.
3:06-3:44
