SlideShare a Scribd company logo
1 of 11
Representation of
Characters
By Rebecca Osborne
Analysis of The Cabin in the
Woods
Sound: There is various screams throughout the trailer all of which come from the two women which
are shown within the teaser trailer, this represents them as weak and the most venerable of the
group as their screams are the only ones which are heard. Dialogue is used at the beginning which is
spoken by the ‘jock’ of the group asking if anyone is ready he is taking the role of the dominant one
here. He is seen as the protagonist here as he is seen as the group leader wanting to protect
throughout and therefore the audience sympathises with him slightly. Sound is used throughout to
create drama and tension, the use of non-diegetic sound is began half way through and is slightly
upbeat and adds to the chaos that is happening, apart from that sound is not particularly used to
represent characters. Although, there is silences when the blonde bimbo is screaming and this could
show her lack of vulnerability.
Editing: sound bridging of male voice as the camera shows the house, this editing of the sound can
show the male dominance of the location in which they are in. Short clips and fast paced editing are
used when the girl is screaming and she is being captured showing her lack of dominance in the
scene and rapidness in which she may be killed. All editing is fast cut as all of the characters are
venerable throughout and therefore need to be represented in this way. The title are used to
represent the genre of the film and cut up the scenes of the characters enforcing the horror genre.
Mise en scene:
Placement of characters is seen where the ‘jock’ character wraps his arm around the ‘bimbo’
character as if to protect her representing the idea that females need to be looked after by a
male. This is then followed by the placement of characters where three males are seen to be
standing in front of a female. Male that is near the beginning is seen as having a dirty face and is
older which can possibly show him being wiser, which is justified through his dialogue advising
them to not go there and therefore more valued but across the group he is seen as the most
dominant. The ginger girl looking in the mirror can show that she is all about her appearance and
this is stereotypical of the female gender. ‘Blonde bimbo’ character is wearing short shorts and a
low cut top, this is representing her as only being shown on screen for the male gaze which
follows Maulvey’s theory. Dark lighting throughout this doesn’t really represent characters in a
certain way, all are made to be venerable and there is no clear difference in lighting. Character
placement of the ‘blonde bimbo’ dancing erotically again making her sexualised and being used to
satisfy the male gaze.
Camerawork:
Close up of the ‘bimbo’ screaming which shows her as being the most venerable of the
group as her farcical expression is clearly seen by the audience. Mid shot of the older
male at the beginning again showing his dominance in this scene. The POV shot which
is conducted shows that the male character here is slightly still or more in control as
he is controlling the camera and therefore is represented as being slightly more
dominant over the other characters. Low angle shot of the male walking, again this
shows his dominance as he is made to look bigger. Close up of the ginger girl
screaming at the end leaves the audience with the idea that females are the weakest
and the most venerable out of the males.
Analysis of Oculus
Sound: Voice over throughout the teaser trailer of a young girls voice, this can possibly
show her as venerable as she could seemingly be on the one that is possessed.
Dramatic music follows the scenes shown of close ups of the characters faces,
although there is no diegetic sound heard and this could show that all characters are a
lot stronger than perceived, especially the ginger girl who is made out to be
protagonist by certain shots I have mentioned presenting her as an anti-stereotype.
Editing: Cut to black of from the two young boy and girl which is showing the front of
their face, this is continuous editing that shows the same people and therefore allows
the audience to see that each character is rather young so possibly more venerable.
Fast paced editing to show the vulnerability of the characters, which is contrasted
with the long shots of the mirror, this can show that the mirror is the one with the
power and more dominating.
Camerawork:
Camerawork: Two shot of a boy and a girl staring into the mirror the camera is placed behind the two characters
possibly showing that the mirror (as seen in the first scene alone) is more important than the characters. Low angle of
the two young people which emphasises their vulnerability. A wide shot of the room is used to represent the girl as
venerable and at a risk, she is also standing in the far left of the frame so that there is a lot of empty space in front of
her making her seem alone and helpless. Close up of the girls face to show her expression that allows the audience to
see that the young girl is scared. Wide shot used to show a male character standing against the mirror, this could
either show he has power over the mirror as he’s in front of it, or the mirror has power over him, he is also placed in
the right hand frame with a lot of empty space in front of him possibly representing that he is more at risk which is an
anti-stereotype. Close up of the young boy’s face that looks scared for the girl, shows his age makes him more
venerable. Extreme close up of the young girls eye as she looks through a crack in the door, this shows her not
wanting to reveal the rest of her body as this makes her seem more venerable so therefore by only showing her eye
makes her feel safer, to an audience although this can show her as venerable and hiding. High angle with dark lighting
shows the ‘demon’ that is after them her eyes are the clearest thing and also the spookiest this demon is seen as the
antagonist.
Mise en Scene:
Lighting is very dark when showing the two young people representing
the idea that these characters are going to be involved in the horror to
come. The ginger girl character is seen stepping in front of the younger
boy, this could be an anti-stereotype in the fact that a girl is protecting
the boy and this is normally the other way round. Or it could represent
that age makes someone more brave and this is why the girl is
protecting the younger boy. Ginger girl get’s dragged out of frame, this
represents her of being at risk and the audience are left clueless as to
who is dragging her.
Analysis of Annabelle
Sound: Non-diegetic sound goes against the genre of horror at the start as it is rather
upbeat as it shows an establishing shot of the house and a baby's room with a mother.
This music seems to represents the family as normal and leading a happy life. Male
dialogue cuts through music possibly representing him as dominant. Dialogue from male
‘Stay here’ shows he is dominating and taking control of the situation. Whispering from
the woman which cuts into the silence, shows her dominance in this scene.
Editing: Montage of fast paced shots of mostly the male protagonist and the antagonist
of the killers, this shows their dominance in this scene over the woman. Slow cuts at the
beginning showing that everything is at peace and characters are acting normal and
living normal lives.
Camerawork:
Low angle shot of the woman walking into the room showing her dominance at this time, possibly
anti- stereotypical, but also to show her legs and that she is wearing a night gown possibly for the
pleasure of the male gaze which relates to Malveys theory. Close up of the woman face with a focus
pull of a baby’s mobile, this shows a stereotypical representation of the woman as she is seen to be a
child bearer and this is natural for a woman. Camera shows a scene happening in the other house of
a woman being killed, the woman then sits up and the scene behind disappears, this shows that she
in out of control and she is venerable. It also means that the audience know more than she does and
this makes her seem less dominant. Wide shot of the woman showing a man behind her, this again
shows her being more venerable and in the unknown. Zoom up and close up onto doll showing that
the doll is the main thing affecting the horror that is going.
Mise en Scene:
Dark lighting while the couple sleeps shows their vulnerability at
this time and the fact they are in the unknown. Woman see to
be putting dressing gown on to cover herself up this possibly
proves Maluvey’s male gaze theory that women are more
venerable when more of themselves are revealed. Dark lighting
from the antagonist woman as she is standing in shadow making
her more dominating and concealed.
Conclusion
Overall all three films follow similar conventional stereotypes that audiences can recognise.
Sound is represented in all three films in similar ways, for example in The Cabin in the Woods
sound is used t represent the dominance of male characters and the submissive and timid role
that the blonde character plays all conventional of their stereotypes. The woman especially
follows Malvey’s theory of the Male Gaze, as seen within the images I have supplied the
character is represented as a blonde bimbo and is provided for the late gaze, through her small
clothing which shows a lot of flesh to her provocative dancing all of which is highlighted in low
camera angles to make her more notable and take up more of the screen. This is also seen
within Annabelle where the short night dress is seen and the low camera angle shows off the
legs of the woman making her more attractive to the male gaze. This also relates to
Baurdrillard’s Hyperreality theory, where the audiences are able to recognise these
stereotypes because they have shown within various media and therefore allows us to
recognise them in all characters. The Cabin in the Woods is a film based on stereotypes and
therefore make it very clear of the various stereotypes shown. Stereotypes are also enhanced
through the film Oculus where the ginger girl stands in front of the boy as she older and
therefore audiences can recognise through media portraying this idea that adults are the
protectors over children. This therefore leads to the theory of Dyer, who says that stereotypes
legitimise inequality. Even though the girl stands in front of the younger boy in the Oculus
trailer, even though she is older she is still a girl and therefore is the one that needs protecting
which is seen in both Annabelle when the male character tells his wife to stay here so he can
protect her and in The Cabin in the Woods when the women are ones screaming and the
males are the one fighting.

More Related Content

What's hot

Black Swan - Psychological Thriller
Black Swan - Psychological ThrillerBlack Swan - Psychological Thriller
Black Swan - Psychological Thrillerlouisabroadhead
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersMaximilianStainer3138
 
The hitcher analysis
The hitcher analysisThe hitcher analysis
The hitcher analysisJoeChapo97
 
9 shot analysis - Vertigo
9 shot analysis - Vertigo9 shot analysis - Vertigo
9 shot analysis - Vertigorebeccaasmedia
 
IT (2017) textual analysis
IT (2017) textual analysisIT (2017) textual analysis
IT (2017) textual analysisAlex-gerhard
 
The Girl On the Train- Teaser Trailer and Poster Analysis
The Girl On the Train- Teaser Trailer and Poster AnalysisThe Girl On the Train- Teaser Trailer and Poster Analysis
The Girl On the Train- Teaser Trailer and Poster Analysissophiedixon44
 
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Products
The Texas Chainsaw Massacre Trailer-  Detailed Research into Similar ProductsThe Texas Chainsaw Massacre Trailer-  Detailed Research into Similar Products
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Productschelsmiller95
 
Analysing Existing Products
Analysing Existing ProductsAnalysing Existing Products
Analysing Existing Productslfunnell001
 
2 Analysing Existing Products
2 Analysing Existing Products2 Analysing Existing Products
2 Analysing Existing Productslfunnell001
 
Stoker trailer analysis
Stoker trailer analysisStoker trailer analysis
Stoker trailer analysishashleymay
 
Representation of Black Swan
Representation of Black SwanRepresentation of Black Swan
Representation of Black SwanRachael Allison
 
Trailer Analysis - Sean Wayne
Trailer Analysis - Sean Wayne Trailer Analysis - Sean Wayne
Trailer Analysis - Sean Wayne sewayne1254
 
Annabelle analysis
Annabelle analysis   Annabelle analysis
Annabelle analysis rlabrgs
 
Annabelle film trailer analysis
Annabelle film trailer analysisAnnabelle film trailer analysis
Annabelle film trailer analysisEllaRoseMedia
 
Media research donnie darko analysis
Media research donnie darko analysisMedia research donnie darko analysis
Media research donnie darko analysisjordan_house
 
Textual Analysis
Textual AnalysisTextual Analysis
Textual AnalysisLiam Quinn
 
Run lola run’ task c (2)
Run lola run’ task c (2)Run lola run’ task c (2)
Run lola run’ task c (2)Ben Thatcher
 

What's hot (20)

Black Swan - Psychological Thriller
Black Swan - Psychological ThrillerBlack Swan - Psychological Thriller
Black Swan - Psychological Thriller
 
The purge
The purgeThe purge
The purge
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailers
 
The hitcher analysis
The hitcher analysisThe hitcher analysis
The hitcher analysis
 
9 shot analysis - Vertigo
9 shot analysis - Vertigo9 shot analysis - Vertigo
9 shot analysis - Vertigo
 
IT (2017) textual analysis
IT (2017) textual analysisIT (2017) textual analysis
IT (2017) textual analysis
 
Question 5
Question 5Question 5
Question 5
 
The Girl On the Train- Teaser Trailer and Poster Analysis
The Girl On the Train- Teaser Trailer and Poster AnalysisThe Girl On the Train- Teaser Trailer and Poster Analysis
The Girl On the Train- Teaser Trailer and Poster Analysis
 
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Products
The Texas Chainsaw Massacre Trailer-  Detailed Research into Similar ProductsThe Texas Chainsaw Massacre Trailer-  Detailed Research into Similar Products
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Products
 
Analysing Existing Products
Analysing Existing ProductsAnalysing Existing Products
Analysing Existing Products
 
2 Analysing Existing Products
2 Analysing Existing Products2 Analysing Existing Products
2 Analysing Existing Products
 
Stoker trailer analysis
Stoker trailer analysisStoker trailer analysis
Stoker trailer analysis
 
Representation of Black Swan
Representation of Black SwanRepresentation of Black Swan
Representation of Black Swan
 
Trailer Analysis - Sean Wayne
Trailer Analysis - Sean Wayne Trailer Analysis - Sean Wayne
Trailer Analysis - Sean Wayne
 
Annabelle analysis
Annabelle analysis   Annabelle analysis
Annabelle analysis
 
Annabelle film trailer analysis
Annabelle film trailer analysisAnnabelle film trailer analysis
Annabelle film trailer analysis
 
Media research donnie darko analysis
Media research donnie darko analysisMedia research donnie darko analysis
Media research donnie darko analysis
 
Textual Analysis
Textual AnalysisTextual Analysis
Textual Analysis
 
Run lola run’ task c (2)
Run lola run’ task c (2)Run lola run’ task c (2)
Run lola run’ task c (2)
 
The girl on the train’ analysis
The girl on the train’ analysisThe girl on the train’ analysis
The girl on the train’ analysis
 

Viewers also liked

KI Future of Publishing Report 5 11 2015
KI Future of Publishing Report 5 11 2015KI Future of Publishing Report 5 11 2015
KI Future of Publishing Report 5 11 2015Debra Fox
 
Audience feedback answsers
Audience feedback answsersAudience feedback answsers
Audience feedback answsersrebeccaosborne1
 
Ega produktový katalég náradia
Ega produktový katalég náradiaEga produktový katalég náradia
Ega produktový katalég náradiaŠtefan Oles
 
앞서나가는방법
앞서나가는방법앞서나가는방법
앞서나가는방법Dong Wook Kim
 
luis andres, lopez daza y rocha juan diego
luis andres, lopez daza y rocha juan diegoluis andres, lopez daza y rocha juan diego
luis andres, lopez daza y rocha juan diegojuand1234
 
Khudozhnya kultura-9-klas-masol-2009
Khudozhnya kultura-9-klas-masol-2009Khudozhnya kultura-9-klas-masol-2009
Khudozhnya kultura-9-klas-masol-2009freegdz
 
Why BSCCSIT after plus two
Why BSCCSIT after plus twoWhy BSCCSIT after plus two
Why BSCCSIT after plus twoRajan Kandel
 
Control of aquatic weeds and undesirable species from nursery pond
Control of aquatic weeds and undesirable species from nursery pondControl of aquatic weeds and undesirable species from nursery pond
Control of aquatic weeds and undesirable species from nursery pondNazmul Ahmed Oli
 

Viewers also liked (15)

KI Future of Publishing Report 5 11 2015
KI Future of Publishing Report 5 11 2015KI Future of Publishing Report 5 11 2015
KI Future of Publishing Report 5 11 2015
 
Portfolio samples
Portfolio samplesPortfolio samples
Portfolio samples
 
Audience feedback answsers
Audience feedback answsersAudience feedback answsers
Audience feedback answsers
 
Ega produktový katalég náradia
Ega produktový katalég náradiaEga produktový katalég náradia
Ega produktový katalég náradia
 
21
2121
21
 
visual reume Varma2
visual reume Varma2visual reume Varma2
visual reume Varma2
 
앞서나가는방법
앞서나가는방법앞서나가는방법
앞서나가는방법
 
Objetos de aprendizaje
Objetos de aprendizajeObjetos de aprendizaje
Objetos de aprendizaje
 
MCJ158s MMC PPT
MCJ158s MMC PPTMCJ158s MMC PPT
MCJ158s MMC PPT
 
20
2020
20
 
luis andres, lopez daza y rocha juan diego
luis andres, lopez daza y rocha juan diegoluis andres, lopez daza y rocha juan diego
luis andres, lopez daza y rocha juan diego
 
Media magazine cover
Media magazine coverMedia magazine cover
Media magazine cover
 
Khudozhnya kultura-9-klas-masol-2009
Khudozhnya kultura-9-klas-masol-2009Khudozhnya kultura-9-klas-masol-2009
Khudozhnya kultura-9-klas-masol-2009
 
Why BSCCSIT after plus two
Why BSCCSIT after plus twoWhy BSCCSIT after plus two
Why BSCCSIT after plus two
 
Control of aquatic weeds and undesirable species from nursery pond
Control of aquatic weeds and undesirable species from nursery pondControl of aquatic weeds and undesirable species from nursery pond
Control of aquatic weeds and undesirable species from nursery pond
 

Similar to Representation of Gender in Horror Film Trailers

TRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLTRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLscarletthayward
 
Wolf Creek Textual Analysis - Peter Maddison
Wolf Creek Textual Analysis - Peter MaddisonWolf Creek Textual Analysis - Peter Maddison
Wolf Creek Textual Analysis - Peter Maddison6415964862123
 
Question 2 powerpoint evaluation
Question 2 powerpoint evaluationQuestion 2 powerpoint evaluation
Question 2 powerpoint evaluationmeels71
 
Question 2 powerpoint evaluation
Question 2 powerpoint evaluationQuestion 2 powerpoint evaluation
Question 2 powerpoint evaluationmeels71
 
Textual analysis - A2
Textual analysis - A2Textual analysis - A2
Textual analysis - A2Flyboj
 
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?Michaelajlb
 
Charlene fenandes - newest - Old had mistake
Charlene fenandes  - newest - Old had mistakeCharlene fenandes  - newest - Old had mistake
Charlene fenandes - newest - Old had mistakeCharlene Fernandes
 
Analyse How Women Are Represented In The Clip
Analyse How Women Are Represented In The ClipAnalyse How Women Are Represented In The Clip
Analyse How Women Are Represented In The ClipAnnetteyhh
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersjoedolan2014
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersjoedolan2014
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailerselizabethplumb
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersNick Crafts
 
Textual analysis Film trailers
Textual analysis Film trailersTextual analysis Film trailers
Textual analysis Film trailerskelseywatkinsx
 
Textual analysis trailer
Textual analysis trailerTextual analysis trailer
Textual analysis trailermollyfurey
 
Dragonfly presentation
Dragonfly presentationDragonfly presentation
Dragonfly presentationEmma Вennett
 
The conjuring - research
The conjuring  - researchThe conjuring  - research
The conjuring - researchMariannaGould
 
Textual analysis pp
Textual analysis ppTextual analysis pp
Textual analysis ppimunoztorre
 

Similar to Representation of Gender in Horror Film Trailers (20)

TRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLTRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELL
 
Wolf Creek Textual Analysis - Peter Maddison
Wolf Creek Textual Analysis - Peter MaddisonWolf Creek Textual Analysis - Peter Maddison
Wolf Creek Textual Analysis - Peter Maddison
 
Question 2 powerpoint evaluation
Question 2 powerpoint evaluationQuestion 2 powerpoint evaluation
Question 2 powerpoint evaluation
 
Question 2 powerpoint evaluation
Question 2 powerpoint evaluationQuestion 2 powerpoint evaluation
Question 2 powerpoint evaluation
 
Textual analysis - A2
Textual analysis - A2Textual analysis - A2
Textual analysis - A2
 
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
 
Charlene fenandes - newest - Old had mistake
Charlene fenandes  - newest - Old had mistakeCharlene fenandes  - newest - Old had mistake
Charlene fenandes - newest - Old had mistake
 
Analyse How Women Are Represented In The Clip
Analyse How Women Are Represented In The ClipAnalyse How Women Are Represented In The Clip
Analyse How Women Are Represented In The Clip
 
Taken screen shots
Taken screen shotsTaken screen shots
Taken screen shots
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailers
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailers
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailers
 
Textual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailersTextual analysis of 2 soap opera trailers
Textual analysis of 2 soap opera trailers
 
Textual analysis Film trailers
Textual analysis Film trailersTextual analysis Film trailers
Textual analysis Film trailers
 
Textual analysis trailer
Textual analysis trailerTextual analysis trailer
Textual analysis trailer
 
3.research
3.research3.research
3.research
 
Dragonfly presentation
Dragonfly presentationDragonfly presentation
Dragonfly presentation
 
9 shots
9 shots9 shots
9 shots
 
The conjuring - research
The conjuring  - researchThe conjuring  - research
The conjuring - research
 
Textual analysis pp
Textual analysis ppTextual analysis pp
Textual analysis pp
 

More from rebeccaosborne1 (20)

Web 2.0
Web 2.0Web 2.0
Web 2.0
 
Titles 2
Titles 2Titles 2
Titles 2
 
Editing 4
Editing 4Editing 4
Editing 4
 
Ancillary 2 editing
Ancillary 2 editingAncillary 2 editing
Ancillary 2 editing
 
Key terms of a magazine front cover
Key terms of a magazine front coverKey terms of a magazine front cover
Key terms of a magazine front cover
 
Ancillary research 2.1
Ancillary research 2.1Ancillary research 2.1
Ancillary research 2.1
 
Ancillary research 2.1
Ancillary research 2.1Ancillary research 2.1
Ancillary research 2.1
 
Editing 2
Editing 2Editing 2
Editing 2
 
Editing pics 1
Editing pics 1Editing pics 1
Editing pics 1
 
The commissioning process 2
The commissioning process 2The commissioning process 2
The commissioning process 2
 
Titles
TitlesTitles
Titles
 
Target audience profile
Target audience profileTarget audience profile
Target audience profile
 
The commissioning process
The commissioning processThe commissioning process
The commissioning process
 
Analysis of similar texts
Analysis of similar textsAnalysis of similar texts
Analysis of similar texts
 
Evaluation question one pp
Evaluation question one ppEvaluation question one pp
Evaluation question one pp
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
 
Evaluation question two
Evaluation question twoEvaluation question two
Evaluation question two
 
Evaluation question one pp
Evaluation question one ppEvaluation question one pp
Evaluation question one pp
 
Character development
Character developmentCharacter development
Character development
 
Title effects how to
Title effects   how toTitle effects   how to
Title effects how to
 

Recently uploaded

San Jon Motel, Motel/Residence, San Jon NM
San Jon Motel, Motel/Residence, San Jon NMSan Jon Motel, Motel/Residence, San Jon NM
San Jon Motel, Motel/Residence, San Jon NMroute66connected
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiMalviyaNagarCallGirl
 
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?kexey39068
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceAyesha Khan
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtowndajasot375
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Strip Zagor Extra 322 - Dva ortaka.pdf
Strip   Zagor Extra 322 - Dva ortaka.pdfStrip   Zagor Extra 322 - Dva ortaka.pdf
Strip Zagor Extra 322 - Dva ortaka.pdfStripovizijacom
 
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...dajasot375
 
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi NcrSapana Sha
 
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiFULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiMalviyaNagarCallGirl
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxLauraFagan6
 
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call GirlsKarol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 60009654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000Sapana Sha
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiMalviyaNagarCallGirl
 
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girls
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call GirlsPragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girls
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call GirlsKhanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857delhimodel235
 
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiMalviyaNagarCallGirl
 

Recently uploaded (20)

San Jon Motel, Motel/Residence, San Jon NM
San Jon Motel, Motel/Residence, San Jon NMSan Jon Motel, Motel/Residence, San Jon NM
San Jon Motel, Motel/Residence, San Jon NM
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
 
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
 
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl Service
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
 
Strip Zagor Extra 322 - Dva ortaka.pdf
Strip   Zagor Extra 322 - Dva ortaka.pdfStrip   Zagor Extra 322 - Dva ortaka.pdf
Strip Zagor Extra 322 - Dva ortaka.pdf
 
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
 
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr
9654467111 Full Enjoy @24/7 Call Girls In Saket Delhi Ncr
 
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiFULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptx
 
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call GirlsKarol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
 
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 60009654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
 
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girls
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call GirlsPragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girls
Pragati Maidan Call Girls : ☎ 8527673949, Low rate Call Girls
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
 
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call GirlsKhanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
 
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
 

Representation of Gender in Horror Film Trailers

  • 2. Analysis of The Cabin in the Woods Sound: There is various screams throughout the trailer all of which come from the two women which are shown within the teaser trailer, this represents them as weak and the most venerable of the group as their screams are the only ones which are heard. Dialogue is used at the beginning which is spoken by the ‘jock’ of the group asking if anyone is ready he is taking the role of the dominant one here. He is seen as the protagonist here as he is seen as the group leader wanting to protect throughout and therefore the audience sympathises with him slightly. Sound is used throughout to create drama and tension, the use of non-diegetic sound is began half way through and is slightly upbeat and adds to the chaos that is happening, apart from that sound is not particularly used to represent characters. Although, there is silences when the blonde bimbo is screaming and this could show her lack of vulnerability. Editing: sound bridging of male voice as the camera shows the house, this editing of the sound can show the male dominance of the location in which they are in. Short clips and fast paced editing are used when the girl is screaming and she is being captured showing her lack of dominance in the scene and rapidness in which she may be killed. All editing is fast cut as all of the characters are venerable throughout and therefore need to be represented in this way. The title are used to represent the genre of the film and cut up the scenes of the characters enforcing the horror genre.
  • 3. Mise en scene: Placement of characters is seen where the ‘jock’ character wraps his arm around the ‘bimbo’ character as if to protect her representing the idea that females need to be looked after by a male. This is then followed by the placement of characters where three males are seen to be standing in front of a female. Male that is near the beginning is seen as having a dirty face and is older which can possibly show him being wiser, which is justified through his dialogue advising them to not go there and therefore more valued but across the group he is seen as the most dominant. The ginger girl looking in the mirror can show that she is all about her appearance and this is stereotypical of the female gender. ‘Blonde bimbo’ character is wearing short shorts and a low cut top, this is representing her as only being shown on screen for the male gaze which follows Maulvey’s theory. Dark lighting throughout this doesn’t really represent characters in a certain way, all are made to be venerable and there is no clear difference in lighting. Character placement of the ‘blonde bimbo’ dancing erotically again making her sexualised and being used to satisfy the male gaze.
  • 4. Camerawork: Close up of the ‘bimbo’ screaming which shows her as being the most venerable of the group as her farcical expression is clearly seen by the audience. Mid shot of the older male at the beginning again showing his dominance in this scene. The POV shot which is conducted shows that the male character here is slightly still or more in control as he is controlling the camera and therefore is represented as being slightly more dominant over the other characters. Low angle shot of the male walking, again this shows his dominance as he is made to look bigger. Close up of the ginger girl screaming at the end leaves the audience with the idea that females are the weakest and the most venerable out of the males.
  • 5. Analysis of Oculus Sound: Voice over throughout the teaser trailer of a young girls voice, this can possibly show her as venerable as she could seemingly be on the one that is possessed. Dramatic music follows the scenes shown of close ups of the characters faces, although there is no diegetic sound heard and this could show that all characters are a lot stronger than perceived, especially the ginger girl who is made out to be protagonist by certain shots I have mentioned presenting her as an anti-stereotype. Editing: Cut to black of from the two young boy and girl which is showing the front of their face, this is continuous editing that shows the same people and therefore allows the audience to see that each character is rather young so possibly more venerable. Fast paced editing to show the vulnerability of the characters, which is contrasted with the long shots of the mirror, this can show that the mirror is the one with the power and more dominating.
  • 6. Camerawork: Camerawork: Two shot of a boy and a girl staring into the mirror the camera is placed behind the two characters possibly showing that the mirror (as seen in the first scene alone) is more important than the characters. Low angle of the two young people which emphasises their vulnerability. A wide shot of the room is used to represent the girl as venerable and at a risk, she is also standing in the far left of the frame so that there is a lot of empty space in front of her making her seem alone and helpless. Close up of the girls face to show her expression that allows the audience to see that the young girl is scared. Wide shot used to show a male character standing against the mirror, this could either show he has power over the mirror as he’s in front of it, or the mirror has power over him, he is also placed in the right hand frame with a lot of empty space in front of him possibly representing that he is more at risk which is an anti-stereotype. Close up of the young boy’s face that looks scared for the girl, shows his age makes him more venerable. Extreme close up of the young girls eye as she looks through a crack in the door, this shows her not wanting to reveal the rest of her body as this makes her seem more venerable so therefore by only showing her eye makes her feel safer, to an audience although this can show her as venerable and hiding. High angle with dark lighting shows the ‘demon’ that is after them her eyes are the clearest thing and also the spookiest this demon is seen as the antagonist.
  • 7. Mise en Scene: Lighting is very dark when showing the two young people representing the idea that these characters are going to be involved in the horror to come. The ginger girl character is seen stepping in front of the younger boy, this could be an anti-stereotype in the fact that a girl is protecting the boy and this is normally the other way round. Or it could represent that age makes someone more brave and this is why the girl is protecting the younger boy. Ginger girl get’s dragged out of frame, this represents her of being at risk and the audience are left clueless as to who is dragging her.
  • 8. Analysis of Annabelle Sound: Non-diegetic sound goes against the genre of horror at the start as it is rather upbeat as it shows an establishing shot of the house and a baby's room with a mother. This music seems to represents the family as normal and leading a happy life. Male dialogue cuts through music possibly representing him as dominant. Dialogue from male ‘Stay here’ shows he is dominating and taking control of the situation. Whispering from the woman which cuts into the silence, shows her dominance in this scene. Editing: Montage of fast paced shots of mostly the male protagonist and the antagonist of the killers, this shows their dominance in this scene over the woman. Slow cuts at the beginning showing that everything is at peace and characters are acting normal and living normal lives.
  • 9. Camerawork: Low angle shot of the woman walking into the room showing her dominance at this time, possibly anti- stereotypical, but also to show her legs and that she is wearing a night gown possibly for the pleasure of the male gaze which relates to Malveys theory. Close up of the woman face with a focus pull of a baby’s mobile, this shows a stereotypical representation of the woman as she is seen to be a child bearer and this is natural for a woman. Camera shows a scene happening in the other house of a woman being killed, the woman then sits up and the scene behind disappears, this shows that she in out of control and she is venerable. It also means that the audience know more than she does and this makes her seem less dominant. Wide shot of the woman showing a man behind her, this again shows her being more venerable and in the unknown. Zoom up and close up onto doll showing that the doll is the main thing affecting the horror that is going.
  • 10. Mise en Scene: Dark lighting while the couple sleeps shows their vulnerability at this time and the fact they are in the unknown. Woman see to be putting dressing gown on to cover herself up this possibly proves Maluvey’s male gaze theory that women are more venerable when more of themselves are revealed. Dark lighting from the antagonist woman as she is standing in shadow making her more dominating and concealed.
  • 11. Conclusion Overall all three films follow similar conventional stereotypes that audiences can recognise. Sound is represented in all three films in similar ways, for example in The Cabin in the Woods sound is used t represent the dominance of male characters and the submissive and timid role that the blonde character plays all conventional of their stereotypes. The woman especially follows Malvey’s theory of the Male Gaze, as seen within the images I have supplied the character is represented as a blonde bimbo and is provided for the late gaze, through her small clothing which shows a lot of flesh to her provocative dancing all of which is highlighted in low camera angles to make her more notable and take up more of the screen. This is also seen within Annabelle where the short night dress is seen and the low camera angle shows off the legs of the woman making her more attractive to the male gaze. This also relates to Baurdrillard’s Hyperreality theory, where the audiences are able to recognise these stereotypes because they have shown within various media and therefore allows us to recognise them in all characters. The Cabin in the Woods is a film based on stereotypes and therefore make it very clear of the various stereotypes shown. Stereotypes are also enhanced through the film Oculus where the ginger girl stands in front of the boy as she older and therefore audiences can recognise through media portraying this idea that adults are the protectors over children. This therefore leads to the theory of Dyer, who says that stereotypes legitimise inequality. Even though the girl stands in front of the younger boy in the Oculus trailer, even though she is older she is still a girl and therefore is the one that needs protecting which is seen in both Annabelle when the male character tells his wife to stay here so he can protect her and in The Cabin in the Woods when the women are ones screaming and the males are the one fighting.