SlideShare a Scribd company logo
1 of 1
Grace Arnell
05.12.2013
Primeval Essay
Primeval highlights the issue of gender, portraying women as manipulating
compared to men who are seen as straight forward, standing their ground. The
clip enforces the contrast between men and women yet it can be argued that
some women can be seen as equal or men as less masculine.
The clip begins with a male and female which the viewer automatically predicts
are main characters. The diegetic sound within the clip is dialogue with the
women having panic in her voice saying ‘this shouldn’t of happened’ this
portrays women as controlling almost, knowing what was best and blaming the
man for something going wrong.
Moreover, the camera angle is tilted downwards when the women is talking
having an over the shoulder shot from the man. This enforces to the viewer than
the men have authority within the clip. The dialogue within the clip stops and
non-diegetic sound is gradually introduced of an orchestral song; enforcing the
man to have power and bravery for staying in the scene. The sound is used as a
bridge and further creates tension emphasising something will happen within the
next scene. Continuity editing is used when the director has changed the camera
when the man and women has a conversation.
The clip changes to the metrosexual male placing a piece of meat onto a trap,
presenting that men are not just simplistic yet take pride in what they do. The
mise en scene used within this scene is Connor wearing a red shirt, waste coat
and scarf this differs to the simple trousers and t shirt. This is contradicting to
the blonde male digging with his hands in the mud, highlighting this to be typical
‘cave man’ characteristics. The non-diegetic scene within this scene of the
orchestral music has increased in volume to highlight the meat is a main part
alone with the trap. The camera focuses on the males face when the woman is
digging in the JCB digger. This is questioning the typical representation of
women due to her moving a large machine with great capability.
The woman wears a long cream coat, black heels and has her hair perfectly
styled. When standing in the barn blackmailing the farmer into admitting to a
crime he didn’t commit. The women used complex belittling sentences when
talking to the man where as the man uses violence to settle his problems. The
camera slows down when she falls onto the hay enforcing the diegetic sound of
the dogs and emphasising the women is in a difficult dangerous situation causing
dramatic tension. This highlights the woman as vulnerable due to the camera
angle tilted down towards her having the man seen as powerful and animalistic
with the camera taking the vision of the end of the gun.

More Related Content

What's hot

Music Video Location Analysis
Music Video Location AnalysisMusic Video Location Analysis
Music Video Location Analysiswoodschloe
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2whslaura
 
Representation of noir characters
Representation of noir charactersRepresentation of noir characters
Representation of noir charactersrayJMA
 
Nine frame (final)
Nine frame (final)Nine frame (final)
Nine frame (final)Bullet08
 
8.) zombieland analysis
8.) zombieland analysis8.) zombieland analysis
8.) zombieland analysisKatemedia
 
Propps Character Roles And Narrative Functions - Maryasiye Kircin
Propps Character Roles And Narrative Functions - Maryasiye KircinPropps Character Roles And Narrative Functions - Maryasiye Kircin
Propps Character Roles And Narrative Functions - Maryasiye KircinMaryasiye Kircin
 
Nine teaser trailer ppt
Nine teaser trailer pptNine teaser trailer ppt
Nine teaser trailer pptviviandlamini
 
Propp's character roles and narrative functions
Propp's character roles and narrative functionsPropp's character roles and narrative functions
Propp's character roles and narrative functionsewalker1252
 
Iconographyassignment9 140129035715-phpapp01
Iconographyassignment9 140129035715-phpapp01Iconographyassignment9 140129035715-phpapp01
Iconographyassignment9 140129035715-phpapp01Tayla Humphris
 
Propp's Character Roles and Narrative Functions Task
Propp's Character Roles and Narrative Functions TaskPropp's Character Roles and Narrative Functions Task
Propp's Character Roles and Narrative Functions TaskJack Connell
 
The way women are presented
The way women are presentedThe way women are presented
The way women are presentedTom Barnard
 
Q1 in what ways does your media
Q1   in what ways does your mediaQ1   in what ways does your media
Q1 in what ways does your mediarammj
 

What's hot (20)

Music Video Location Analysis
Music Video Location AnalysisMusic Video Location Analysis
Music Video Location Analysis
 
Trailer overview
Trailer overviewTrailer overview
Trailer overview
 
Click flick
Click flickClick flick
Click flick
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Click flick[1]
Click flick[1]Click flick[1]
Click flick[1]
 
Representation of noir characters
Representation of noir charactersRepresentation of noir characters
Representation of noir characters
 
Trailer overview
Trailer overviewTrailer overview
Trailer overview
 
Nine frame (final)
Nine frame (final)Nine frame (final)
Nine frame (final)
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
8.) zombieland analysis
8.) zombieland analysis8.) zombieland analysis
8.) zombieland analysis
 
Music video
Music videoMusic video
Music video
 
Propps Character Roles And Narrative Functions - Maryasiye Kircin
Propps Character Roles And Narrative Functions - Maryasiye KircinPropps Character Roles And Narrative Functions - Maryasiye Kircin
Propps Character Roles And Narrative Functions - Maryasiye Kircin
 
Nine teaser trailer ppt
Nine teaser trailer pptNine teaser trailer ppt
Nine teaser trailer ppt
 
Propp's character roles and narrative functions
Propp's character roles and narrative functionsPropp's character roles and narrative functions
Propp's character roles and narrative functions
 
Film opening analysis
Film opening analysisFilm opening analysis
Film opening analysis
 
Wallander - Becka
Wallander - BeckaWallander - Becka
Wallander - Becka
 
Iconographyassignment9 140129035715-phpapp01
Iconographyassignment9 140129035715-phpapp01Iconographyassignment9 140129035715-phpapp01
Iconographyassignment9 140129035715-phpapp01
 
Propp's Character Roles and Narrative Functions Task
Propp's Character Roles and Narrative Functions TaskPropp's Character Roles and Narrative Functions Task
Propp's Character Roles and Narrative Functions Task
 
The way women are presented
The way women are presentedThe way women are presented
The way women are presented
 
Q1 in what ways does your media
Q1   in what ways does your mediaQ1   in what ways does your media
Q1 in what ways does your media
 

Similar to Primeval essay

47 marks section b film
47 marks   section b film47 marks   section b film
47 marks section b filmthemerch78
 
Doctor who clip analysis
Doctor who clip analysisDoctor who clip analysis
Doctor who clip analysisarnellgrace
 
Doctor who clip analysis
Doctor who clip analysisDoctor who clip analysis
Doctor who clip analysisarnellgrace
 
Remember Me Opening Sequence
Remember Me Opening SequenceRemember Me Opening Sequence
Remember Me Opening SequenceEmma Вennett
 
Representation of characters (1)
Representation of characters (1)Representation of characters (1)
Representation of characters (1)rebeccaosborne1
 
Representation in soap
Representation in soapRepresentation in soap
Representation in soapbeckyaliriza
 
Trailer Textual Analysis Task - Unit G324
Trailer Textual Analysis Task - Unit G324Trailer Textual Analysis Task - Unit G324
Trailer Textual Analysis Task - Unit G324tj_salango
 
TRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLTRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLscarletthayward
 
Representation in soap
Representation in soapRepresentation in soap
Representation in soapbeckyaliriza
 
Representation of characters (1)
Representation of characters (1)Representation of characters (1)
Representation of characters (1)rebeccaosborne1
 
Evaluation question 1
Evaluation question 1 Evaluation question 1
Evaluation question 1 lancechirume
 
Media essay life on mars
Media essay life on marsMedia essay life on mars
Media essay life on marsSamMedia1
 

Similar to Primeval essay (20)

47 marks section b film
47 marks   section b film47 marks   section b film
47 marks section b film
 
47 marks section b film
47 marks   section b film47 marks   section b film
47 marks section b film
 
Themalegaze
Themalegaze Themalegaze
Themalegaze
 
Doctor who clip analysis
Doctor who clip analysisDoctor who clip analysis
Doctor who clip analysis
 
Doctor who clip analysis
Doctor who clip analysisDoctor who clip analysis
Doctor who clip analysis
 
Remember Me Opening Sequence
Remember Me Opening SequenceRemember Me Opening Sequence
Remember Me Opening Sequence
 
Representation of characters (1)
Representation of characters (1)Representation of characters (1)
Representation of characters (1)
 
Representation in soap
Representation in soapRepresentation in soap
Representation in soap
 
Trailer Textual Analysis Task - Unit G324
Trailer Textual Analysis Task - Unit G324Trailer Textual Analysis Task - Unit G324
Trailer Textual Analysis Task - Unit G324
 
TRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELLTRAILER ANALYSIS - DRAG ME TO HELL
TRAILER ANALYSIS - DRAG ME TO HELL
 
An american hauntingsss
An american hauntingsssAn american hauntingsss
An american hauntingsss
 
Representation in soap
Representation in soapRepresentation in soap
Representation in soap
 
Representation of characters (1)
Representation of characters (1)Representation of characters (1)
Representation of characters (1)
 
See No Evil: The Moors Murders
See No Evil: The Moors MurdersSee No Evil: The Moors Murders
See No Evil: The Moors Murders
 
Evaluation question 1
Evaluation question 1 Evaluation question 1
Evaluation question 1
 
Gender Representation
Gender RepresentationGender Representation
Gender Representation
 
9 important shots
9 important shots9 important shots
9 important shots
 
Trailer Analysis 2
Trailer Analysis 2Trailer Analysis 2
Trailer Analysis 2
 
Presentation 3
Presentation 3Presentation 3
Presentation 3
 
Media essay life on mars
Media essay life on marsMedia essay life on mars
Media essay life on mars
 

More from arnellgrace (20)

Daley work
Daley workDaley work
Daley work
 
Landmag3
Landmag3Landmag3
Landmag3
 
Magad3
Magad3Magad3
Magad3
 
Lighting research
Lighting researchLighting research
Lighting research
 
Digipak2
Digipak2Digipak2
Digipak2
 
Magad1
Magad1Magad1
Magad1
 
Landmag1
Landmag1Landmag1
Landmag1
 
Digipak
DigipakDigipak
Digipak
 
Music video history
Music video historyMusic video history
Music video history
 
Proposal
ProposalProposal
Proposal
 
Brand guidelines
Brand guidelinesBrand guidelines
Brand guidelines
 
Colours
ColoursColours
Colours
 
Modernism
ModernismModernism
Modernism
 
Film and postmodernity
Film and postmodernityFilm and postmodernity
Film and postmodernity
 
Jean baudrillard profile
Jean baudrillard profileJean baudrillard profile
Jean baudrillard profile
 
Contact sheet
Contact sheetContact sheet
Contact sheet
 
Narrative essay
Narrative essayNarrative essay
Narrative essay
 
Timeline
TimelineTimeline
Timeline
 
Production log
Production logProduction log
Production log
 
Plain white t’s research
Plain white t’s researchPlain white t’s research
Plain white t’s research
 

Primeval essay

  • 1. Grace Arnell 05.12.2013 Primeval Essay Primeval highlights the issue of gender, portraying women as manipulating compared to men who are seen as straight forward, standing their ground. The clip enforces the contrast between men and women yet it can be argued that some women can be seen as equal or men as less masculine. The clip begins with a male and female which the viewer automatically predicts are main characters. The diegetic sound within the clip is dialogue with the women having panic in her voice saying ‘this shouldn’t of happened’ this portrays women as controlling almost, knowing what was best and blaming the man for something going wrong. Moreover, the camera angle is tilted downwards when the women is talking having an over the shoulder shot from the man. This enforces to the viewer than the men have authority within the clip. The dialogue within the clip stops and non-diegetic sound is gradually introduced of an orchestral song; enforcing the man to have power and bravery for staying in the scene. The sound is used as a bridge and further creates tension emphasising something will happen within the next scene. Continuity editing is used when the director has changed the camera when the man and women has a conversation. The clip changes to the metrosexual male placing a piece of meat onto a trap, presenting that men are not just simplistic yet take pride in what they do. The mise en scene used within this scene is Connor wearing a red shirt, waste coat and scarf this differs to the simple trousers and t shirt. This is contradicting to the blonde male digging with his hands in the mud, highlighting this to be typical ‘cave man’ characteristics. The non-diegetic scene within this scene of the orchestral music has increased in volume to highlight the meat is a main part alone with the trap. The camera focuses on the males face when the woman is digging in the JCB digger. This is questioning the typical representation of women due to her moving a large machine with great capability. The woman wears a long cream coat, black heels and has her hair perfectly styled. When standing in the barn blackmailing the farmer into admitting to a crime he didn’t commit. The women used complex belittling sentences when talking to the man where as the man uses violence to settle his problems. The camera slows down when she falls onto the hay enforcing the diegetic sound of the dogs and emphasising the women is in a difficult dangerous situation causing dramatic tension. This highlights the woman as vulnerable due to the camera angle tilted down towards her having the man seen as powerful and animalistic with the camera taking the vision of the end of the gun.