AAbanindranath tagore
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Abanindranath Tagore was a prominent Indian artist and member of the distinguished Tagore family. He was one of the founders of the Bengal school of art, which aimed to modernize traditional Indian art styles like Mughal and Rajput paintings in response to growing Western influence. Tagore developed an interest in art as a student and was influenced by Mughal styles, incorporating them into his paintings of Hindu themes. He believed in adapting Indian artistic traditions to express Hindu philosophy and promote Indian national culture. Tagore taught many other influential Indian artists and is regarded as a pioneer in the development of a distinctive Indian painting style.
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Abanindranath tagore
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
Amrita Shergill
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Amrita shergil
Amrita Sher-Gil was an Indian painter born in Budapest, Hungary in 1913 who received formal training in Paris. She is considered one of India's most celebrated modern artists for combining European techniques with Indian styles. Sher-Gil's paintings depicted rural Indian scenes and poverty, and were characterized by their use of bright colors and unique style influenced by Impressionism, miniatures, and Western and Indian art traditions. Her most famous works include Self-Portrait from 1930 and Hungarian Gypsy Girl from 1932. Sher-Gil is recognized as having brought a new realism to Indian painting through her mastery of techniques that conveyed profound stories through gestures and facial expressions.
Amrita sher gill
Amrita Sher-Gil was a pioneering modern Indian painter born in 1913 in Budapest, Hungary. She received training in art in Hungary, Italy, and France before returning to India in 1934 where she began focusing on Indian themes and subjects. Her works portrayed the lives of common people and brought recognition to modern Indian art. She passed away in 1941 in Lahore at the young age of 28, leaving behind a pioneering body of work that made her one of the most influential Indian artists of her time.
Jamini roy
Jamini Roy was an Indian painter born in 1887 in West Bengal who is considered a pioneer of modern Indian art. He was influenced by Kalighat paintings and gave up on Western styles to focus on simplifying and portraying the lives of common people through folk art. Some of his most famous works include the Ramayana series painted in 1946, Bride and Two Companions from 1952, and his Krishna and Radha series. Roy received several honors including the Padma Bhushan and helped popularize Indian art among the middle class. He died in 1972 in Kolkata at the age of 85.
Raja Ravi Varma
Raja Ravi Varma was considered one of the greatest painters in Indian art history. His paintings fused Indian traditions with techniques of European academic art. He was the first Indian artist to depict Indian gods and mythological characters in natural, earthy settings using European realism. Some of his famous works included scenes from the Ramayana and Mahabharata as well as portraits and regional art. He was exceptionally skilled at portraying light, shadow, and emotion. Raja Ravi Varma influenced Indian art until his death in 1906.
Company style (BRITISH PERIOD)
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
Abanindranath tagore
Abanindranath Tagore was the first modern artist of India. He was born in Calcutta and received private tutoring in art from 1890-1905. In 1905, he studied Japanese brushwork under Yokoyama Taikan. He established the Government College of Art in 1905 and founded the Bengal School, which pioneered the Indian style of art. Some of his notable exhibitions included shows in Calcutta in 1900 and 1901-1902 where he received a gold medal, and displays in England and France from 1911-1914. Tagore worked in various mediums like watercolor, pencil, oil, and pastel depicting imaginative and personal scenes.
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Abanindranath tagore
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
Amrita Shergill
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Amrita shergil
Amrita Sher-Gil was an Indian painter born in Budapest, Hungary in 1913 who received formal training in Paris. She is considered one of India's most celebrated modern artists for combining European techniques with Indian styles. Sher-Gil's paintings depicted rural Indian scenes and poverty, and were characterized by their use of bright colors and unique style influenced by Impressionism, miniatures, and Western and Indian art traditions. Her most famous works include Self-Portrait from 1930 and Hungarian Gypsy Girl from 1932. Sher-Gil is recognized as having brought a new realism to Indian painting through her mastery of techniques that conveyed profound stories through gestures and facial expressions.
Amrita sher gill
Amrita Sher-Gil was a pioneering modern Indian painter born in 1913 in Budapest, Hungary. She received training in art in Hungary, Italy, and France before returning to India in 1934 where she began focusing on Indian themes and subjects. Her works portrayed the lives of common people and brought recognition to modern Indian art. She passed away in 1941 in Lahore at the young age of 28, leaving behind a pioneering body of work that made her one of the most influential Indian artists of her time.
Jamini roy
Jamini Roy was an Indian painter born in 1887 in West Bengal who is considered a pioneer of modern Indian art. He was influenced by Kalighat paintings and gave up on Western styles to focus on simplifying and portraying the lives of common people through folk art. Some of his most famous works include the Ramayana series painted in 1946, Bride and Two Companions from 1952, and his Krishna and Radha series. Roy received several honors including the Padma Bhushan and helped popularize Indian art among the middle class. He died in 1972 in Kolkata at the age of 85.
Raja Ravi Varma
Raja Ravi Varma was considered one of the greatest painters in Indian art history. His paintings fused Indian traditions with techniques of European academic art. He was the first Indian artist to depict Indian gods and mythological characters in natural, earthy settings using European realism. Some of his famous works included scenes from the Ramayana and Mahabharata as well as portraits and regional art. He was exceptionally skilled at portraying light, shadow, and emotion. Raja Ravi Varma influenced Indian art until his death in 1906.
Company style (BRITISH PERIOD)
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
Abanindranath tagore
Abanindranath Tagore was the first modern artist of India. He was born in Calcutta and received private tutoring in art from 1890-1905. In 1905, he studied Japanese brushwork under Yokoyama Taikan. He established the Government College of Art in 1905 and founded the Bengal School, which pioneered the Indian style of art. Some of his notable exhibitions included shows in Calcutta in 1900 and 1901-1902 where he received a gold medal, and displays in England and France from 1911-1914. Tagore worked in various mediums like watercolor, pencil, oil, and pastel depicting imaginative and personal scenes.
Company school painting
This document provides an overview of Company School paintings created in India during British colonial rule between the 18th and 19th centuries. It discusses how British patrons commissioned Indian artists to depict scenes of everyday life, occupations, ceremonies, and wildlife. The paintings combined Western techniques like linear perspective with traditional Indian styles of miniature painting. Company paintings serve as valuable historical records of colonial India and helped spread images of Indian culture to European audiences. The document concludes with descriptions and analyses of 12 examples of Company paintings showcasing various subjects and styles.
Nandlal bose
Nandalal Bose was an Indian painter born on December 3, 1882 in Kharagpur, India. He pursued painting despite lacking family support. Through his passion and talent, he became one of the most celebrated Indian painters of the 20th century. Bose was assigned prestigious projects by the independent Indian government and is renowned for works like his 1925-1935 linocut print of Mahatma Gandhi on the Dandi March.
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This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
Mughal miniature painting
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Patna company school
The Patna/Company school was a style of painting that developed in India between 1770-1850 under the patronage of the British East India Company. Indian artists working for the Company blended Mughal and Rajput miniature techniques with European styles and mediums like watercolor and sepia wash. Key centers for Company painting included Patna, Murshidabad, Lucknow, and Calcutta. The paintings featured realistic depictions of flora and fauna, ceremonies, portraits, and daily life. Common artists working in this style included Hulasram, Fakir Chand Lal, and Jhoomak Lal. The Company painting style declined after 1840 with the rise of photography in India.
Pahari miniature painting
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
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A far afternoon
Krishen Khanna, at 90 years old, painted a 22-foot long masterpiece called "A Far Afternoon" over 9 months depicting a wedding procession. The painting is constructed in 5 panels that flow together, using vibrant colors like Indian Yellow. It shows the bridegroom, bandwallahs, food and drink vendors, and captures the simple pleasures of life through the lively, dancing colors. Khanna was a stalwart of Modern Indian art and a founding member of the Progressive Artists' Group who pioneered breaking from traditional styles to develop an Indian avant-garde.
Amrita sher gil(30 jan 1913-5 dec 1941)
Amrita Sher-Gil was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh father and Hungarian-Jewish mother. She received artistic training in Europe before returning to India in the 1930s. Sher-Gil's works were strongly influenced by Indian styles like the Bengal school of art as well as European painters. Her portraits and scenes highlighting women's issues made her an influential figure. Sher-Gil passed away in 1941 at the young age of 28, but her art continues to inspire generations of artists in India and abroad.
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Amrita Sher-Gil was an Indian painter born in 1913 in Budapest, Hungary who died in 1941 in Lahore, India. She received her training in art at the Grande Chaumiere and Ecole des Beaux-Arts in Paris from 1930-1934. Sher-Gil was one of the most promising Indian artists of the pre-colonial era and the youngest ever to be elected as an Associate of the Grand Salon in Paris. Some of her most notable paintings include Three Girls, Camels, Brahmacharis, The Child Bride, Hill Man, Portrait of a Young Man, and Two Elephants.
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Husain
M.F. Husain was one of India's most celebrated, controversial, and internationally recognized artists known as the "Picasso of India." He painted in a bold, cubist style from 1915 until his death in 2011, drawing inspiration from Indian epics like the Ramayana and Mahabharata as well as themes of Gandhi, Mother Teresa, and the British Raj. Husain's paintings often featured Indian rural and urban motifs and took different perspectives, from caustic and funny to serious and somber.
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Visit to know about the various Indian tribal and folk art forms with paintings and useful information.
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Raja Ravi Varma was an Indian painter born in 1848 in Kilimanoor, India. He was considered one of the greatest painters in Indian art for introducing oil painting and western techniques to Indian art. He received widespread acclaim after winning awards at international exhibitions. Some of his most famous works depicted scenes from Hindu epics like the Mahabharata. Ravi Varma died in 1906 at the age of 58 and made significant contributions to making Indian art more popular globally.
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Gonds are a tribal community presently settled in parts of Madhya Pradesh, Chhatisgarh and Maharashtra. They speak native Gond language and have their own particular style of painting. In this art project, we've gone through some unifying aspects of Gond art.
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Bengal school
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
Mughal miniature painting
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Patna company school
The Patna/Company school was a style of painting that developed in India between 1770-1850 under the patronage of the British East India Company. Indian artists working for the Company blended Mughal and Rajput miniature techniques with European styles and mediums like watercolor and sepia wash. Key centers for Company painting included Patna, Murshidabad, Lucknow, and Calcutta. The paintings featured realistic depictions of flora and fauna, ceremonies, portraits, and daily life. Common artists working in this style included Hulasram, Fakir Chand Lal, and Jhoomak Lal. The Company painting style declined after 1840 with the rise of photography in India.
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Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
indian traditional painting styles
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A far afternoon
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Visit to know about the various Indian tribal and folk art forms with paintings and useful information.
Source: Must Art Gallery
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Raja ravivarma
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Gond Paintings
Gonds are a tribal community presently settled in parts of Madhya Pradesh, Chhatisgarh and Maharashtra. They speak native Gond language and have their own particular style of painting. In this art project, we've gone through some unifying aspects of Gond art.
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Overview of indian art
Heritage of any nation is best represented by its culture, beliefs and traditions. A subset of these that has given India, a profound identity for India is Art. Art forms in India exist since time immemorial. Over the past century, Indian Art has undergone through vast and diverse change in their forms that exist in the present. For instance, the themes chosen by the traditional painters were societal. But later with the emergence of modernists followed by the contemporaries, the facets of Indian painting were changed radically.
Materials and Process of Making Murals
The document discusses materials and techniques for making murals. It lists main materials like egg yolk, tempera paint, oil paints, beeswax, and resin binders. Historical techniques include buon fresco using pigment on wet plaster, secco using pigments with binders on dry plaster, and mezzo-fresco using pigment on nearly-dry plaster. More modern techniques involve digital manufacturing like frescography and using digital prints on vinyl attached to walls like advertisements.
Mural Art Presentation EPC
The document discusses several mural artworks found in Malaysia. It provides background on the artists and descriptions of the murals. The first mural in Petaling Jaya depicts two young female artists and their interest in animation. It uses a lantern to represent peace. In Penang, a mural by Ernest Zacharevic shows a trishaw peddler resting. Another mural by Zacharevic in George Town says "Wo Ai Nee Malay Indian" and depicts three women in traditional Malaysian costumes for Chinese, Indian and Malay cultures.
Renaissance in india
This document summarizes Sri Aurobindo's 1918 work "The Renaissance in India" in four parts. It introduces Aurobindo as an influential Indian philosopher and outlines the main characteristics of ancient Indian society, including its vitality, creativity, and strong spirituality. It then describes three movements that led to the decline of these characteristics. The second essay presents a modern view of ancient India. The third provides an overview of renaissance movements and figures. Finally, the fourth essay discusses applying ideals to shape India and the world's future.
What is Madhubani Painting
What is Madhubani Painting: Madhubani or Mithila Painting are famous for its bright use of colors and has done using fingers, brushes and matchsticks
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Batik is a manual wax-resist dyeing technique used to produce colorful patterns on fabric. The tradition of batik originated in Indonesia but has spread to other parts of Asia and Africa. Batik involves applying melted wax to fabric to protect areas from dye, then dyeing the fabric to create designs. Common batik patterns depict flowers, animals, and people. Over time, copper block printing was developed to more efficiently produce intricate batik patterns at scale. Batik is used for clothing, home goods, and art and plays an important cultural role in various countries.
Madhubani painting
The document provides information about Madhubani painting, a folk art from Bihar, India. It discusses the origins of Madhubani painting dating back to Sita's wedding. Traditionally done by women in villages on freshly plastered mud walls of huts, it now also uses cloth, paper, and canvas. Madhubani paintings mostly depict nature and Hindu deities through vibrant colors and geometric patterns. Different traditions - Kayastha, Brahmin, and Tattoo - use varying techniques and themes. Natural colors are derived from plants and minerals, while newer acrylic colors are also now used. Madhubani painting has gained international recognition and is adopted by the State Bank of India on debit cards.
Folk art
Folk art encompasses art produced from indigenous cultures or by peasants and laborers without formal training. It is made by people from rural areas and passed down through generations. The document then goes on to provide overviews of the folk art traditions of India, Japan, and Africa, including details about their cuisines, dances, music, drama, and folktales.
Indian art
Rangoli is a traditional folk art from India involving decorative designs made on floors during Hindu festivals. The designs are typically created using materials like colored rice, flour, sand or flower petals in patterns that range from simple geometric shapes to elaborate crafts involving many people. Rangoli is meant to decorate homes and courtyards as sacred welcoming areas and is thought to bring good luck. The ancient art form is passed down through generations, keeping the tradition alive.
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Brief Information about first indian Modern Painter
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Abanindranath Tagore was a prominent Indian artist and founder of the Bengal school of art. He was born in 1871 in West Bengal and introduced to art in the 1880s. Tagore helped modernize Mughal and Rajput traditions in response to growing Western influence under British rule. He developed an interest in watercolors and was influenced by Mughal art, producing paintings reflecting this style like depictions of Krishna. Tagore believed in traditional Indian painting techniques and was influenced by Mughal and Aestheticism styles, later integrating Chinese and Japanese elements. He remained a influential artist until his death in 1951.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through his realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to the fields of book illustration, calendar design, poster art, and was one of the first Indian artists to work successfully in both fine art and commercial/applied art.
3. Dhurandhar helped popularize Indian art among the masses through his prolific body of work which included thousands of drawings and illustrations in books, magazines, and lithographic prints.
Aesthetics in Applied Art
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to applied art in India through book illustrations, magazine covers, posters, and other commercial works. He was also an influential art educator.
3. Dhurandhar helped spread Indian art to the masses through large-scale works like calendars and railway posters, as well as his prolific illustrations for publications in multiple languages. He was honored for his important role in developing art education and connecting with the public.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
M. V. Dhurandhar was a pioneering Indian artist born in 1867 who gained popularity for his paintings depicting Indian epics, myths, legends, and historical scenes. He was a prominent teacher and administrator at the Sir J.J. School of Art in Mumbai from 1890 until his retirement in 1931. Dhurandhar documented Indian customs, rituals, and daily life through meticulous sketches and paintings, winning several prizes and honors for his work. He played a pivotal role in establishing applied art in India through his illustrations for books and other commercial applications.
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Ip
The document provides an overview of the history and genres of Indian painting. It discusses early rock paintings from pre-historic times. It describes the evolution of miniature paintings in manuscripts from the 10th century onward in eastern and western India. Key genres discussed include Mughal painting which fused Persian and Indian styles, as well as Rajput, Mysore, Tanjore, Madhubani, Pattachitra and modern Indian painting styles. The six principles of Indian painting from the Kamasutra are also summarized.
Architecture and painting
Architecture and painting progressed during the medieval period in India. New architectural styles like Dravida, Nagara, and Indo-Persian developed. Miniature painting, which involved drawing pictures like those in books, became popular during the Mughal period through a blend of Indian and Persian influences. Painting competitions were held during Akbar's reign, and natural scenes and stories from texts became common painting themes. Regional styles from places like Gujarat, Kashmir, and the Deccan incorporated influences from their local traditions. Wall paintings from this time, like those at the Tanjore temple, were also significant.
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M.V. Dhurandhar was an Indian artist born in 1867 who helped establish classical applied art in India. In 2018, the National Gallery of Modern Art in Mumbai held an exhibition curating by Suhas Bahulkar to honor the 151st anniversary of Dhurandhar's birth. The exhibition displayed Dhurandhar's paintings, sketches, and other works that documented Indian culture and society over his 50-year career. As one of the first students and later a professor at the Sir J.J. School of Art in Mumbai, Dhurandhar helped develop the "Bombay School" of art through his blending of Indian traditions with Western academic styles introduced by the British. The exhibition and its catalog
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S.H. Raza was an Indian abstract painter who helped found the Progressive Artists' Group in Bombay. He lived in France from 1950 but maintained ties to India. Amrita Sher-Gil was a prominent early 20th century Indian painter born in Budapest to an Indian father and Hungarian mother. She is considered one of India's most important women painters. Subodh Gupta is a contemporary Indian artist known for incorporating everyday objects from India into sculptures and installations that comment on India's economic transformation. Tayyab Mehta was an Indian painter and member of the Bombay Progressive Artists' Group who held records for highest prices paid for Indian paintings at auction.
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Symbolism and various art movements have played an important role in Indian art traditions. The Samikshavad movement in the 1970s aimed to free art from personal obligations and socialize it. The Bengal School of Art reacted against academic styles by looking to medieval Indian traditions like paintings from Ajanta and Bagh caves. It sought to develop a genuine Indian style and identity for art. Major influencers included the Mughal, French, and British empires, while prominent artists involved Abanindranath Tagore, Amrita Sher-Gil, and Jamini Roy.
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Rabindranath Tagore as a Writer
Rabindranath Tagore was a famous Indian writer born in 1861 in Calcutta. He wrote novels, short stories, poems, and plays in both Bengali and English. Tagore was the first Asian to win the Nobel Prize in Literature in 1913 for his collection Gitanjali. Some of his most famous works include Gora, Gitanjali, and he composed India and Bangladesh's national anthems. Tagore founded an ashram and school in Shantiniketan that emphasized the arts and connecting with nature. He was a highly influential writer who helped spread Indian and Bengali culture through his creative works.
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This document summarizes several important art movements in India, including medieval sculpture, Mughal painting, and modern movements like the Bengal School. During the medieval period, sculpture flourished and temples were decorated with stone and bronze sculptures. Mughal painting developed under royal patronage between the 16th-19th centuries and was influenced by Persian and Indian styles. In modern times, the Bengal School pioneered a nationalist Indian art style in the early 1900s, while later groups like the Calcutta Group and Progressive Artists Group experimented with new techniques and styles.
RABINDRANATH TAGORE
Rabindranath Tagore was a Bengali polymath who reshaped Bengali literature and music in the late 19th and early 20th centuries. He was the first non-European to win the Nobel Prize in Literature in 1913. Tagore wrote poetry and stories that modernized Bengali literature by introducing new forms and styles. He founded an ashram and school called Santiniketan that aimed to promote education. Tagore traveled widely in Asia, Europe, and North America, exposing the West to Indian culture and vice versa. He was a prominent figure in the Bengal Renaissance and advocated for Indian independence from British rule.
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The document provides an overview of visual arts in India, dividing it into three main categories: visual arts, performing arts, and miscellaneous arts. It focuses on visual arts such as architecture, sculpture, pottery, and painting. Key highlights include a discussion of architectural styles from ancient to modern periods. It also summarizes major schools of Indian painting such as Mughal, Rajasthani, Deccan, and Pahari styles. Regional schools of painting from states like Rajasthan, Kangra valley, and Basohli are described in terms of their themes, techniques and stylistic features.
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Natural birth techniques - Mrs.Akanksha Trivedi Rama University
AAbanindranath tagore
- 1. Abanindranath Tagore Abanindranath Tagore was born in Jorasanko town of west Bengal. Kolkata to Gunendranath Tagore. His grandfather was Girindranath Tagore,the second son of "Prince' Dwarkanath Tagore. He is a member of the distinguished Tagore family, and a nephew of the poet Rabindranath Tagore. His grandfather and his elder brother Gaganendranath Tagore were also artists. He was one of the most prominent artists of the Bengal school of painting, along with being the first major supporter of swadeshi values in the Indian art. Abanindranath is also regarded as a proficient and accomplished writer. The painter tried to modernize Moghul and Rajput traditions as an answer to the growing influence of Western art under the British Raj. Abanindranath made use of his father's paint-box to paint rural scenes with cottages and palm trees. He gradually acquired considerable skill in drawing similar interesting pictures with his father's red and blue and other colored pencils. He was then about nine years of age. Abanindranath was introduced to art in the 1880s, when he was studying at the Sanskrit College. There he took a few lessons in Art from his class-mate, Anukul Chatterjee of Bhawanipur whom he still remembers clearly and the beautiful pencil outline drawings that he used to make. Although he was not very strong in his English, Abanindranath somehow managed to get promoted to the first class, being exceptionally well for his age in the Sanskrit language and literature. He left the Sanskrit College after nine years of study and studied English as a special student at St. Xavier's College, which he attended for about a year and a half. In 1897, the Vice-Principal of 'Calcutta Government School of Art' started teaching the traditional European academic manner to Abanindranath Tagore. During that time, Tagore developed an interest in watercolors and also came under the influence of Mughal art. He made some beautiful paintings based on the life of Lord Krishna, reflecting a strong influence of the Mughal style. Hindu philosophy was becoming increasingly influential in the West following the spread of the Theosophy movement. Tagore believed that Indian traditions could be adapted to express these new values, and to promote a progressive Indian national culture. Abanindranath Tagore believed in the traditional Indian techniques of painting. His philosophy existed in rejecting the materialistic art of the west and coming back to the Indian traditional art forms. He was very much influenced by the Mughal School of painting as well as Whistler's Aestheticism. In his later works, Abanindranath started integrating Chinese and Japanese calligraphic traditions into his style. He was the Guru to a number of artists.
- 2. Some of his close students are Nandalal Bose, Kalipada Ghoshal, Surendranath Ganguly, Asit Kumar Haldar, Sarada Ukil, Kshitindranath Majumdar, Samarendranath Gupta, Mukul Dey, K. Venkatappa, Jamini Roy,and Ranada Ukil. His some of the most famous paintings are- abhisarika, the journeys end, passing of shah jahan, moon light music party, buddha and sujata, krishna lila and summer. Passing of shahjahan and the was the masterpies of abanindranath tagore. PAINTINGS BY ABANINDRANATH TAGORE: a. JOURNEY END b. PAS S ING OF SHAHAHAN c. ABHISARIKA