The document discusses how the themes of space and dreaming are represented throughout a music video and ancillary texts like a magazine advert and digipak. Key themes like childishness, locations, and the artist's identity and style are consistently portrayed. Fonts, colors, and imagery are kept consistent across products to illustrate themes and connect the artist to the target audience. The combination of the main music video product and ancillary texts is deemed effective at promoting the artist and brand through maintained continuity of representation.
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Media A2 presentation showing the evaluation of the question " How effective is the combination of your main product and ancillary texts?" where I assessed how my main product linked in with my ancillary product.
Il curriculum serviva a coloro che cercavano lavoro, ma oggi il lavoro non si cerca più: si crea. ''’Non serve spedire curricula’’ crea un sito web, piazzaci una bella foto, descrivi le tue competenze e fatti cercare! metodi e tecniche per esistere sul Web
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1. J O S H U A P E D R O
H O W E F F E C T I V E I S T H E
C O M B I N AT I O N O F Y O U R M A I N
P R O D U C T A N D Y O U R A N C I L L A R Y
T E X T S ?
2. THEMES: SPACE AND DREAMING
Dreaming and space are the main themes represented throughout the music video. These themes are
represented in both my digipak and magazine advert. The reason why this is the case is because I want
continuity to be evident throughout all of my media products. By doing this, I will be able to illustrate to
the audience the key themes throughout the music video.
• The theme that is illustrated the most in all of my products is space . Especially in my magazine advert
b which only consists of a space background. The reason why I wanted this theme to be evident more
than others in my magazine advert is because I believe it is the most interesting theme out off all
themes evident in all three of my media products. Also because I believe because it is the most
dominant
3. THEME: CHILDISHNESS
• Childishness is also a theme that is predominantly evident in all three of my media
products. This is shown by the fact that all the props seen in the music video, magazine
advert and digipak are children's items. By having this evident, it allows the audience to see
that just like them that the artist also has a childish side to him. This allows the artist to
connect especially with his childish target audience in the sense that they can feel that they
can relate to him. An example of this can be seen in the magazine with the teddy bear in
the middle of the magazine advert. Also the fact that it is the only item.
4. LOCATIONS
• In my music video, there are only two locations. The reason why this is the case is
because I want to highlight clearly to the audience when the artist was in reality and
when he was dreaming. The way in which I did this was by having green screen and
saturated lighting with special effects such as moving tiles when the artist was
dreaming. But when he was not, I had natural lighting and no special effects to show
that he was in reality.
5. ARTIST IDENTITY
• The performance style of La Roux is very outgoing but at the same time conservative
outgoing. La Roux in the majority of her music video does very conservative
movements which makes the music video conservative but, the use of special effects
makes the music video at the same time very outgoing. La Roux is well know for these
particular music videos. The same associations that are made about La Roux, are the
same associations that I want to be made about my artist. The way in which I did this
was by having loads of special effects evident in the music video but the actions of the
music video are very conservative. At the same time just as electro-pop artist AVICII
would have, I did make the artist always prominent in the music video. This is a
popular convention in electropop music videos
6. FONT
• The font evident in my magazine advert and my digipak are consistent. I used this
particular font because it portrayed theme of dreaming and being out of reality clearly.
I made a few changes to the font and the way it appears on the magazine advert and
digipak. One of the changes that I made was that it appears to have a glow and
futuristic effect. The way in which I did this was by making the font brighter and also
increasing the size of the font in width. The software in which I did all of this was
Photoshop using the text and crop tool.
• By doing this, I would be able to show to the audience the themes and the type of
music the artist makes.
7. COLOUR
• Throughout the magazine advert and disipak I created, I made sure that I kept the colours
evident the same. The colours evident in the two media media products are black, white
and blue. The reason why made the colours constant throughout these two media products
is because I believed that it convey the theme of space and being out of reality very well.
When creating both my magazine advert and digipak I made sure I kept the same shade of
black and white the same and also how bright I want the image to appear on products.
Another reason why I chose these two colours is because even though they are contrasting,
they blend well to give out of reality feel which I want the audience to feel.
8. CONCLUSION
• In all, I do believe that the combination of ancillary task and main product product
work well together. The use of specific fonts along with colours and images have
created a image for an artist in which he can be recognizable with the target audience.
The continuity evident in all of my media products also, I believe allowed me to be
able to promote the artist and the brand of music he makes.