Process diary
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1) The document describes the process of editing a podcast using Logic Pro software. Key steps included cutting out long pauses and mistakes, lowering the volume of heavy breathing or noises, and finding appropriate intro and outro music to apply to the podcast. 2) For the outro, the assistant chose a chilled but upbeat song online and overlapped it with the podcast audio, gradually increasing the volume of the song as the podcast finished. 3) For the intro, the assistant cut out a long pause and increased the volume of the intro music as it faded in to cover background noise and make the transition sound natural.
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3. production experiments - Audio
The document describes an experiment recording a morning routine and adding sound effects from YouTube's audio library in Adobe Premier. The student recorded their morning routine, found relevant sound effects, and placed the audio and effects together in Premier. Two effects needed adjusted volume which was done using audio gain. The final product was then exported. For the final product, the student plans to use sound effects to separate each section to help the listener understand what part of the routine is being described.
6. production reflection
The document summarizes the production process for a podcast. It describes importing the script audio and music, editing parts where speech was unclear, looping the background music, and adding sound effects. Specifically, sections of audio were edited together, music volume was adjusted, and sound effects were placed where there were pauses in speech or to transition between topics. The overall goal was to make the audio clear, fluent and engaging for the audience.
6. production reflection
Daniel Thompson created a podcast by gathering sound effects from YouTube, recording voiceovers on his phone, and editing the audio files in Audacity. He added voice recordings, backing music, and sound effects to the project. Thompson edited the recordings by cutting, pasting, fading tools to blend the elements together into a cohesive podcast. He played the final product to check it was satisfactory before exporting it as an mp3 file.
4. production experiments
The document describes Victoria Meadowcroft's process of experimenting with different music websites to find a suitable song for her nature film trailer. She selected the song "Revelations" by Tristan Barton which fit the vibe she wanted. She also experimented with color grading and other editing techniques in Premiere Pro to enhance the visuals and sync them with the music. Lastly, she experimented with creating her own music using Garageband software.
Evaluation Question 6
The document discusses the various tools and software used to create an audio broadcast for a radio show. It describes how a microphone and pop filter were used to record voices, and how Audacity allowed editing of audio tracks and adding effects. Freesound.org provided sound effects, Blogger documented the process, and SoundCloud was used to distribute the final broadcast. GarageBand was also briefly used to create jingles and title music.
How did you use new media technologies in the construction and research, plan...
The document discusses the use of various new media technologies in creating a music video project. Photoshop was used to edit images and add fonts. Final Cut Pro allowed editing of video clips, adding effects, and assembling the final project. A HTC smartphone was used to record high definition video footage. A Canon camera was also used initially but was replaced due to poor quality. A Mac computer provided access to software and allowed assembly of the final project. Memory cards and USB devices transferred files between devices.
Audio experiments.
Oliver Ingham experimented with different audio recording and editing software to create podcasts. Originally planning to use Audacity, he discovered it could not record audio from his PC. He then tried OBS for recording but the audio was robotic. After adjusting settings, OBS produced clear recordings. However, he found he could further improve audio quality using Adobe Audition filters. He tested various filters and settings. The "Clean Up" filter produced the crispest audio after tweaking levels and settings like the "DeNoise" option. This filter eliminated background noise best. Ingham concluded the edited "Clean Up" filter produced the highest quality audio for his podcasts.
Lh effects minipulation 2
The document discusses using audio effects boards and software to alter audio files. The Ambience effects board was used to make the audio skip and sound different by adjusting time, diffusion and width settings. RealPitch software was then used to make the audio deeper by changing the semitone shift while adjusting other options.
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3. production experiments - Audio
The document describes an experiment recording a morning routine and adding sound effects from YouTube's audio library in Adobe Premier. The student recorded their morning routine, found relevant sound effects, and placed the audio and effects together in Premier. Two effects needed adjusted volume which was done using audio gain. The final product was then exported. For the final product, the student plans to use sound effects to separate each section to help the listener understand what part of the routine is being described.
6. production reflection
The document summarizes the production process for a podcast. It describes importing the script audio and music, editing parts where speech was unclear, looping the background music, and adding sound effects. Specifically, sections of audio were edited together, music volume was adjusted, and sound effects were placed where there were pauses in speech or to transition between topics. The overall goal was to make the audio clear, fluent and engaging for the audience.
6. production reflection
Daniel Thompson created a podcast by gathering sound effects from YouTube, recording voiceovers on his phone, and editing the audio files in Audacity. He added voice recordings, backing music, and sound effects to the project. Thompson edited the recordings by cutting, pasting, fading tools to blend the elements together into a cohesive podcast. He played the final product to check it was satisfactory before exporting it as an mp3 file.
4. production experiments
The document describes Victoria Meadowcroft's process of experimenting with different music websites to find a suitable song for her nature film trailer. She selected the song "Revelations" by Tristan Barton which fit the vibe she wanted. She also experimented with color grading and other editing techniques in Premiere Pro to enhance the visuals and sync them with the music. Lastly, she experimented with creating her own music using Garageband software.
Evaluation Question 6
The document discusses the various tools and software used to create an audio broadcast for a radio show. It describes how a microphone and pop filter were used to record voices, and how Audacity allowed editing of audio tracks and adding effects. Freesound.org provided sound effects, Blogger documented the process, and SoundCloud was used to distribute the final broadcast. GarageBand was also briefly used to create jingles and title music.
How did you use new media technologies in the construction and research, plan...
The document discusses the use of various new media technologies in creating a music video project. Photoshop was used to edit images and add fonts. Final Cut Pro allowed editing of video clips, adding effects, and assembling the final project. A HTC smartphone was used to record high definition video footage. A Canon camera was also used initially but was replaced due to poor quality. A Mac computer provided access to software and allowed assembly of the final project. Memory cards and USB devices transferred files between devices.
Audio experiments.
Oliver Ingham experimented with different audio recording and editing software to create podcasts. Originally planning to use Audacity, he discovered it could not record audio from his PC. He then tried OBS for recording but the audio was robotic. After adjusting settings, OBS produced clear recordings. However, he found he could further improve audio quality using Adobe Audition filters. He tested various filters and settings. The "Clean Up" filter produced the crispest audio after tweaking levels and settings like the "DeNoise" option. This filter eliminated background noise best. Ingham concluded the edited "Clean Up" filter produced the highest quality audio for his podcasts.
Lh effects minipulation 2
The document discusses using audio effects boards and software to alter audio files. The Ambience effects board was used to make the audio skip and sound different by adjusting time, diffusion and width settings. RealPitch software was then used to make the audio deeper by changing the semitone shift while adjusting other options.
Mrs. Wicker's Audio/Sound PPT
This document discusses audio recording and editing. It covers types of audio in productions like narration, dialogue and music. It explains how audio is digitally sampled and stored in formats like WAV, MP3 and MP4. It also discusses audio editing software, file conversion, podcasting, microphones and their directionality, and different types of microphones.
Audacity and Audio Editing
This document provides an introduction to using the audio editing software Audacity. It covers getting a good recording, basic editing techniques like cutting out unwanted sounds and adjusting volume, more advanced features like working with multiple tracks and effects. It includes exercises for editors to practice basic and more complex editing. Tips are also provided on preparing files for sharing online.
Echo Chamber Reverb and Delay Effect VST VST3 Audio Unit Plugins: Plate, Spri...
Echo Chamber Reverb and Delay Effect VST VST3 Audio Unit Plugins: Plate, Spri...Syntheway Virtual Musical Instruments
Echo Chamber is a stereo reverb and delay plug-in effect, used to create psychoacoustic models to simulate sounds reflecting from surfaces in a room or space. Optionally a delay can be added to yield a spacious and open sound of a repeating, decaying echo to complete a sense of space and depth to a 'dry' input signal.
A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation and delay effect giving a true room perception, from small rooms to large caverns as well as generates a doubling echo, slapback echo, ping-pong delay and analog tape delay. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.
Available as plugin in VST and VST3 64 bit versions for Windows as well as in Audio Unit for macOS. These plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections (the first feedback from the closest objects) that can give more body to tracks. It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads.
Features:
• Reverb and delay algorithms that delivers a rich reverberation and echoes by providing a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings in an acoustically reflective environment.
• Flexibility to control Left and Right channels separately in Reverb and Delay units as well as in 'dry' signal output.
• Reverb unit works as a Stereo enhancer and mono-to-stereo creator, to produce a wide stereo image or stereoize a mono sound source. In Delay unit, improves the stereo image by adding a slight delay to one of the channels.
• Delay Time manual or synced to host (Tempo Sync BPM).
• 30 predefined space types, giving a virtually infinite number of possible shapes and sizes.
Preset Effects List:
01 • DEL - Analog Tape Delay
02 • DEL - Bucket Brigade Delay
03 • DEL - Crypt Echoes
04 • DEL - Doubling Echo
05 • DEL - Infinite Delay Machine
06 • DEL - Ping-Pong Delay
07 • DEL - Slapback Echo
08 • DEL - Sync Tube Tape Delay
09 • DEL - Tempo-Sync Delay
10 • DEL - Tube Driven Tape Echo
11 • REV - Amphitheater Reverb
12 • REV - Auditorium Reverb
13 • REV - Cathedral Reverb
14 • REV - Chamber Reverb
15 • REV - Hall Reverb
16 • REV - Opera Reverb
17 • REV - Plate Reverb
18 • REV - Room Reverb
19 • REV - Spring Reverb
20 • REV - Theater Reverb
21 • REV+DEL Ambience Reverb
22 • REV+DEL Arena Reverb
23 • REV+DEL Canyon Acoustics
24 • REV+DEL Catacomb Reverb
25 • REV+DEL Cave Reverb
26 • REV+DEL Church Reverb
27 • REV+DEL Cosmos Echo Panning
28 • REV+DEL Spatial Reverb
29 • REV+DEL Stadium Reverb
30 • REV+DEL Sync Bounced Delay
Creating multimedia
The goal of the present work is to give an idea about what we can do with the images and sound when creating a multimedia project
Luth Oliveira coursera week 5
Reverbs. Coursera week 5
CHECK THE AUDIO FILES HERE:
https://soundcloud.com/luth-oliveira/reverb-types-coursera
3. audio production experiments 1
Oliver Frost created an experiment documenting his morning routine by recording voice narration on his phone and collecting sound effects from freesound.org to add to different audio tracks in Adobe Premiere. He adjusted the levels on his voice clips to make them louder than the sound effects. Oliver plans to write a longer script for his final product and include sound effects as he did in this experiment to help tell his story.
3. production experiments(4)
Jake Jarvis created an audio experiment documenting his morning routine. He wrote a script, found royalty-free sound effects from Freesound.com, edited the audio and sound effects together in Premiere Pro, and exported the final product as an MP3 file. For his final product, Jake plans to use sound effects at certain points to emphasize and make the podcast more interesting, and include a script to make recording easier with fewer takes.
What is a sound designer
Jake Thompson discusses the role of a sound designer. A sound designer manages other departments involved in sound production. They focus on recording sound from various sources and modifying existing recordings by editing out background noise to perfect the sound. In their role, sound designers must understand pre-production which involves practice sessions before recording to help capture the best final product.
RECCE - RSR LIVE RECORDING STUDIO
The document discusses options for recording a podcast, including the school's live studio which has necessary equipment but echoes, making it unprofessional sounding. Other music rooms have high quality equipment and Cubase software to easily record and edit. Hiring a professional studio would ensure high quality sound and acoustics but be more costly.
ONTAP - Recording Equipment
Recordings are made by converting sound waves into electrical signals that are then stored on a medium, such as a vinyl record, tape, or digital audio file. There are three main stages to making a recording - tracking, where instruments are recorded individually; mixing, where the tracks are combined and edited; and mastering, where the entire recording is finalized and prepared for distribution. Modern digital audio workstations allow musicians to record multiple tracks that can be manipulated through software to achieve high quality, professional recordings.
Analysis
The document summarizes how the author created a sound sequence using 35 audio files to simulate sounds from inside a zoo. They chose one ambient sound to play throughout and added 4 animal sound effect files. To make the animal sounds more regular, they split some files where there were gaps in sound. A ReaVerb effect was added to one track and the sequence was rendered to only include the selected area with sound.
Can You Hear Me Now? Exercises
This document provides step-by-step instructions for creating and publishing a podcast using the free audio editing software Audacity and hosting platform Podbean. The instructions cover setting up Audacity preferences, recording and editing audio, importing background music, exporting the final file as an MP3, and uploading it to a new Podbean account along with show details.
3. production experiments(radio)
The student created a script about their morning routine and recorded a voiceover for their experiment. They downloaded sound effects from YouTube like a shower, walking, and a bus stopping using a converter to include in their experiment. The student then edited the voiceover and added sound effects in Premier to improve the quality of their experiment. They plan to include edited sound effects and voiceover, as well as sound effects placed at specific times, in their final product.
Nathan mather sound fx annotations
The document describes 6 sound effects that were modified using different audio plugins. The time machine sound was altered with the Shifter plugin to sound more technological. A man's sigh was made more intense using the dblue Glitch plugin. The stream sound was given a muffled quality by the DubDelay plugin. The flamethrower sound was distorted more using the Lost Technology effect. Glass breaking was made to fluctuate between loud and quiet using the Ambient Bypass plugin. Finally, smashing glass was made louder and more intense using the Dub Delay effects.
Production Experiments
The document describes Leticia Pozze's experiments with audio editing tools. She used a razor tool to cut unnecessary bits from an audio file. She also found an alarm sound effect on YouTube, converted it to MP3, and added it to the beginning of the audio at a lower volume so the voice was still clear. In her reflection, Leticia notes that for her final product she will use the razor tool to cut any mistakes and will include some sound effects to make the audio more interesting.
3. production experiments(4)
Daniel Thompson conducted experiments to collect sound effects from freesound.org and record a voiceover using his phone to later edit together in Audacity. He converted audio formats and used tools like cutting and fading to edit the voiceover and add sound effects between parts. Finally, he exported the edited file as an MP3 to submit as his final product.
Podcast process
I used DaVinci Resolve 17 to edit my podcast at home instead of the college computers. I exported the audio from Logic Pro X as an MP3 file and imported it into DaVinci Resolve. The editing process took longer than expected due to breaks I had taken while recording, resulting in over two hours of audio. I cut the audio and chose to leave in some filler words and laughs to make it sound more natural. Attempts to add background music were unsuccessful as it overshadowed my voice, so I removed the music, leaving just the audio. The editing was finished before the deadline but rendering issues prevented me from submitting it on time.
Podcast.pptx............................
The document summarizes the process of editing a podcast in Adobe Audition. It describes importing audio, cutting unnecessary sections, adding markers, finding music, adding intro/outro music, adjusting levels, and testing. Feedback was received recommending adding more to the ending. The creator added a re-recorded ending mentioning the band's social media and music, and also added a sign off mentioning who produced the podcast.
6. Production Reflection (audio)
The document describes Tamzin Twose's process of creating intro and outro music tracks and sound effects for her podcast. She initially tried to create tracks using beepbox.co but found it too difficult. She then sourced music from Bensound.com that she edited down and used for her intro and outro. She recorded her voiceovers and added sound effects between sections. After multiple iterations of editing and mixing the audio clips, she assembled the final podcast product in Adobe Premiere Pro.
3. production experiments
Samuel-Johnson conducted an experiment to create an audio recording of his typical Saturday morning routine. He wrote a script describing his routine and used the Natural Reader website to convert the text to speech with a British voice. He recorded the audio output using a recorder and edited it in Adobe Premier, trimming unnecessary parts and adding background music. The final product was an MP3 file summarizing his Saturday morning process in an interesting format for listeners.
production reflection
The document discusses the production process for a 12-minute gaming podcast. It describes finding background music on YouTube Audio Library, including upbeat techno music for the main sections and a slower song for the outro. It also details creating a futuristic red and black background graphic with "VGP" letters and adding a circuit board image for visual interest. Recording was done using OBS Studio with a headset microphone and speakers. Editing involved adjusting audio levels, cutting out unwanted noise, adding intro/outro music with crossfades, and fixing issues with the background image.
3. production experiments audio
The student created an audio experiment by recording a story and adding relevant sound effects from an online database. They imported the audio and sound effects into editing software and carefully placed the sounds to correspond with the dialogue. However, this process was time consuming as some sounds needed to be precisely edited to match the timing and not continue over irrelevant parts. The student plans to improve on their experiment by precisely editing each audio clip in their final product so all sounds can be clearly heard even when layered, cropping sound clips to match the timing, and including an introduction to set the scene.
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What's hot
Mrs. Wicker's Audio/Sound PPT
This document discusses audio recording and editing. It covers types of audio in productions like narration, dialogue and music. It explains how audio is digitally sampled and stored in formats like WAV, MP3 and MP4. It also discusses audio editing software, file conversion, podcasting, microphones and their directionality, and different types of microphones.
Audacity and Audio Editing
This document provides an introduction to using the audio editing software Audacity. It covers getting a good recording, basic editing techniques like cutting out unwanted sounds and adjusting volume, more advanced features like working with multiple tracks and effects. It includes exercises for editors to practice basic and more complex editing. Tips are also provided on preparing files for sharing online.
Echo Chamber Reverb and Delay Effect VST VST3 Audio Unit Plugins: Plate, Spri...
Echo Chamber Reverb and Delay Effect VST VST3 Audio Unit Plugins: Plate, Spri...Syntheway Virtual Musical Instruments
Echo Chamber is a stereo reverb and delay plug-in effect, used to create psychoacoustic models to simulate sounds reflecting from surfaces in a room or space. Optionally a delay can be added to yield a spacious and open sound of a repeating, decaying echo to complete a sense of space and depth to a 'dry' input signal.
A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation and delay effect giving a true room perception, from small rooms to large caverns as well as generates a doubling echo, slapback echo, ping-pong delay and analog tape delay. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.
Available as plugin in VST and VST3 64 bit versions for Windows as well as in Audio Unit for macOS. These plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections (the first feedback from the closest objects) that can give more body to tracks. It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads.
Features:
• Reverb and delay algorithms that delivers a rich reverberation and echoes by providing a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings in an acoustically reflective environment.
• Flexibility to control Left and Right channels separately in Reverb and Delay units as well as in 'dry' signal output.
• Reverb unit works as a Stereo enhancer and mono-to-stereo creator, to produce a wide stereo image or stereoize a mono sound source. In Delay unit, improves the stereo image by adding a slight delay to one of the channels.
• Delay Time manual or synced to host (Tempo Sync BPM).
• 30 predefined space types, giving a virtually infinite number of possible shapes and sizes.
Preset Effects List:
01 • DEL - Analog Tape Delay
02 • DEL - Bucket Brigade Delay
03 • DEL - Crypt Echoes
04 • DEL - Doubling Echo
05 • DEL - Infinite Delay Machine
06 • DEL - Ping-Pong Delay
07 • DEL - Slapback Echo
08 • DEL - Sync Tube Tape Delay
09 • DEL - Tempo-Sync Delay
10 • DEL - Tube Driven Tape Echo
11 • REV - Amphitheater Reverb
12 • REV - Auditorium Reverb
13 • REV - Cathedral Reverb
14 • REV - Chamber Reverb
15 • REV - Hall Reverb
16 • REV - Opera Reverb
17 • REV - Plate Reverb
18 • REV - Room Reverb
19 • REV - Spring Reverb
20 • REV - Theater Reverb
21 • REV+DEL Ambience Reverb
22 • REV+DEL Arena Reverb
23 • REV+DEL Canyon Acoustics
24 • REV+DEL Catacomb Reverb
25 • REV+DEL Cave Reverb
26 • REV+DEL Church Reverb
27 • REV+DEL Cosmos Echo Panning
28 • REV+DEL Spatial Reverb
29 • REV+DEL Stadium Reverb
30 • REV+DEL Sync Bounced Delay
Creating multimedia
The goal of the present work is to give an idea about what we can do with the images and sound when creating a multimedia project
Luth Oliveira coursera week 5
Reverbs. Coursera week 5
CHECK THE AUDIO FILES HERE:
https://soundcloud.com/luth-oliveira/reverb-types-coursera
3. audio production experiments 1
Oliver Frost created an experiment documenting his morning routine by recording voice narration on his phone and collecting sound effects from freesound.org to add to different audio tracks in Adobe Premiere. He adjusted the levels on his voice clips to make them louder than the sound effects. Oliver plans to write a longer script for his final product and include sound effects as he did in this experiment to help tell his story.
3. production experiments(4)
Jake Jarvis created an audio experiment documenting his morning routine. He wrote a script, found royalty-free sound effects from Freesound.com, edited the audio and sound effects together in Premiere Pro, and exported the final product as an MP3 file. For his final product, Jake plans to use sound effects at certain points to emphasize and make the podcast more interesting, and include a script to make recording easier with fewer takes.
What is a sound designer
Jake Thompson discusses the role of a sound designer. A sound designer manages other departments involved in sound production. They focus on recording sound from various sources and modifying existing recordings by editing out background noise to perfect the sound. In their role, sound designers must understand pre-production which involves practice sessions before recording to help capture the best final product.
RECCE - RSR LIVE RECORDING STUDIO
The document discusses options for recording a podcast, including the school's live studio which has necessary equipment but echoes, making it unprofessional sounding. Other music rooms have high quality equipment and Cubase software to easily record and edit. Hiring a professional studio would ensure high quality sound and acoustics but be more costly.
ONTAP - Recording Equipment
Recordings are made by converting sound waves into electrical signals that are then stored on a medium, such as a vinyl record, tape, or digital audio file. There are three main stages to making a recording - tracking, where instruments are recorded individually; mixing, where the tracks are combined and edited; and mastering, where the entire recording is finalized and prepared for distribution. Modern digital audio workstations allow musicians to record multiple tracks that can be manipulated through software to achieve high quality, professional recordings.
Analysis
The document summarizes how the author created a sound sequence using 35 audio files to simulate sounds from inside a zoo. They chose one ambient sound to play throughout and added 4 animal sound effect files. To make the animal sounds more regular, they split some files where there were gaps in sound. A ReaVerb effect was added to one track and the sequence was rendered to only include the selected area with sound.
Can You Hear Me Now? Exercises
This document provides step-by-step instructions for creating and publishing a podcast using the free audio editing software Audacity and hosting platform Podbean. The instructions cover setting up Audacity preferences, recording and editing audio, importing background music, exporting the final file as an MP3, and uploading it to a new Podbean account along with show details.
3. production experiments(radio)
The student created a script about their morning routine and recorded a voiceover for their experiment. They downloaded sound effects from YouTube like a shower, walking, and a bus stopping using a converter to include in their experiment. The student then edited the voiceover and added sound effects in Premier to improve the quality of their experiment. They plan to include edited sound effects and voiceover, as well as sound effects placed at specific times, in their final product.
Nathan mather sound fx annotations
The document describes 6 sound effects that were modified using different audio plugins. The time machine sound was altered with the Shifter plugin to sound more technological. A man's sigh was made more intense using the dblue Glitch plugin. The stream sound was given a muffled quality by the DubDelay plugin. The flamethrower sound was distorted more using the Lost Technology effect. Glass breaking was made to fluctuate between loud and quiet using the Ambient Bypass plugin. Finally, smashing glass was made louder and more intense using the Dub Delay effects.
Production Experiments
The document describes Leticia Pozze's experiments with audio editing tools. She used a razor tool to cut unnecessary bits from an audio file. She also found an alarm sound effect on YouTube, converted it to MP3, and added it to the beginning of the audio at a lower volume so the voice was still clear. In her reflection, Leticia notes that for her final product she will use the razor tool to cut any mistakes and will include some sound effects to make the audio more interesting.
3. production experiments(4)
Daniel Thompson conducted experiments to collect sound effects from freesound.org and record a voiceover using his phone to later edit together in Audacity. He converted audio formats and used tools like cutting and fading to edit the voiceover and add sound effects between parts. Finally, he exported the edited file as an MP3 to submit as his final product.
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Echo Chamber Reverb and Delay Effect VST VST3 Audio Unit Plugins: Plate, Spri...
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Similar to Process diary
Podcast process
I used DaVinci Resolve 17 to edit my podcast at home instead of the college computers. I exported the audio from Logic Pro X as an MP3 file and imported it into DaVinci Resolve. The editing process took longer than expected due to breaks I had taken while recording, resulting in over two hours of audio. I cut the audio and chose to leave in some filler words and laughs to make it sound more natural. Attempts to add background music were unsuccessful as it overshadowed my voice, so I removed the music, leaving just the audio. The editing was finished before the deadline but rendering issues prevented me from submitting it on time.
Podcast.pptx............................
The document summarizes the process of editing a podcast in Adobe Audition. It describes importing audio, cutting unnecessary sections, adding markers, finding music, adding intro/outro music, adjusting levels, and testing. Feedback was received recommending adding more to the ending. The creator added a re-recorded ending mentioning the band's social media and music, and also added a sign off mentioning who produced the podcast.
6. Production Reflection (audio)
The document describes Tamzin Twose's process of creating intro and outro music tracks and sound effects for her podcast. She initially tried to create tracks using beepbox.co but found it too difficult. She then sourced music from Bensound.com that she edited down and used for her intro and outro. She recorded her voiceovers and added sound effects between sections. After multiple iterations of editing and mixing the audio clips, she assembled the final podcast product in Adobe Premiere Pro.
3. production experiments
Samuel-Johnson conducted an experiment to create an audio recording of his typical Saturday morning routine. He wrote a script describing his routine and used the Natural Reader website to convert the text to speech with a British voice. He recorded the audio output using a recorder and edited it in Adobe Premier, trimming unnecessary parts and adding background music. The final product was an MP3 file summarizing his Saturday morning process in an interesting format for listeners.
production reflection
The document discusses the production process for a 12-minute gaming podcast. It describes finding background music on YouTube Audio Library, including upbeat techno music for the main sections and a slower song for the outro. It also details creating a futuristic red and black background graphic with "VGP" letters and adding a circuit board image for visual interest. Recording was done using OBS Studio with a headset microphone and speakers. Editing involved adjusting audio levels, cutting out unwanted noise, adding intro/outro music with crossfades, and fixing issues with the background image.
3. production experiments audio
The student created an audio experiment by recording a story and adding relevant sound effects from an online database. They imported the audio and sound effects into editing software and carefully placed the sounds to correspond with the dialogue. However, this process was time consuming as some sounds needed to be precisely edited to match the timing and not continue over irrelevant parts. The student plans to improve on their experiment by precisely editing each audio clip in their final product so all sounds can be clearly heard even when layered, cropping sound clips to match the timing, and including an introduction to set the scene.
7. production reflection (aa)
The document describes Aaron Acaster's process of producing a podcast in Premiere Pro. He imported audio tracks and cut them to size. He added music and sound effects and separated tracks by type (e.g. talking vs. music). Aaron adjusted volumes and effects to balance the audio and make the podcast sound professional. With editing, trimming, and effects, he produced a finished podcast project in Premiere Pro.
Audio pro forma
The document provides research on existing soundscape products and plans for a new soundscape titled "The Wolf". It includes summaries of a haunted house and beach soundscape, as well as notes on a "Tin Rain" soundscape. The proposed soundscape tells the story of a spectral wolf haunting a hill through environmental sounds. Plans include scripting the story in 4 parts and listing needed sound effects to be created or found. Research strengths and weaknesses are evaluated.
6. production reflection audio
Sean created a podcast for a class project. He wrote a script in Microsoft Word so he could access and edit it from home and school. When recording, he used Audacity at home with a higher quality microphone to avoid interruptions. He accidentally recorded 20 minutes of audio when only 5 minutes was required. Sean cut out unnecessary parts, pauses, and stutters to meet the time requirement. He added audio effects like noise gates and compression to improve sound quality. For the intro, Sean used funny noises from his classmates in Garage Band and exported it to Audition. The finished podcast was exported as a .WAV file as required.
Audio pro forma
The document provides research on existing podcasts and audio projects. It summarizes 3 podcasts/projects: The Adam22 Show, which focuses on interviews and music; Lets Read Podcast, which uses ambient noises; and Price of Fear, which uses sound effects and voice acting to immerse the listener. The document proposes creating a 5-8 minute horror story podcast incorporating researched techniques like ambient noise, sound effects, and engaging narration. It includes plans for scripting, recording, sound design, and evaluation.
Audio pro forma
The audio story tells a ghost story about Humpty Dumpty. It uses sound effects like cracking eggs and screaming to support the story. Different voices are used for characters to distinguish them. While the sound effects help the story, the author feels they could have added more detail. More focus on the target audience also could have improved audience appeal. Overall, sound effects engage the listener but leaving some room for enhancement in future projects.
CJSF Audacity Workshop
This document provides an introduction to using the free, open source audio editing software Audacity. It discusses selecting appropriate recording devices, tips for getting a good recording, and performing basic audio editing tasks in Audacity like cutting, copying, pasting and trimming audio clips. The document then demonstrates more advanced features like working with multiple tracks, effects, and creating an audio storytelling project by integrating different audio clips. It also provides resources for free music and additional Audacity tutorials.
6. production reflection(4)
Louis Cooper recorded a podcast about fishing but accidentally paused instead of playing during the initial recording. He had a friend email him the audio file recorded on their phone, then downloaded it to edit in Premiere Pro. To edit, he cut out unwanted sections using the razor tool and added royalty-free music from pixabay.com to enhance the listening experience.
3. Production Experiments (audio)
Tamzin Twose recorded an audio voiceover of her morning routine script and added sound effects to accompany the recording. She had to revise her script slightly during recording for better flow. Background noise was minimal during recording but the room had some echo. Tamzin ensured her voiceover was clear by reading enthusiastically with consistent tempo. Some sound effects were downloaded from YouTube while others came from FreeSound. In Premiere Elements, Tamzin trimmed blank audio and overlapped sound effects with voiceover parts, sometimes lowering volume of effects. She reflected on including script writing in Word, self-recording sound effects, recording in quiet spaces, and overlapping effects with voiceover in her final product.
6. production reflection(4)
Jay created an audio project using Audition instead of Premiere Pro. He found Audition easier to edit with because it showed sound waves where he could precisely select parts to edit. Jay imported various sound files and effects into separate tracks in Audition. He then edited the tracks, moving and cutting sounds as needed. The final product was an mp3 file that combined Jay's narration with supporting sound effects.
3. production experiments(4)
The document describes experiments conducted with audio editing software. It details the process of recording a script singing, transferring it to Adobe Premier to remove blank space, adding background music, and combining the audio and music tracks. Sound effects were downloaded and inserted at appropriate points. Reflection on the experiments indicates voice audio, subtle sound effects, and splitting/combining audio will be included in the final product.
3. production experiments(4)
The document describes experiments conducted with audio editing software. It details the process of recording a script singing, transferring the audio to Adobe Premier to remove blank space, adding background music, and combining the audio and music. Sound effects were downloaded and inserted at specific points. In the reflection, the creator notes they will include talking voice audio instead of singing, subtle sound effects like those heard in interrogation rooms, and the method of splitting and recombining audio in their final product.
3. production experiments(4)
1. The document describes Jessica's process for creating an audio book project in Adobe Premier Pro.
2. She began by importing a 22 second audio recording of her morning routine and experimenting with adding sound effects from websites like soundbible.com.
3. Jessica had difficulty managing all the sound effects at first but eventually trimmed them down and fitted them into the audio to complement parts of the morning routine. She plans to apply lessons learned to her final audio book project.
6. production reflection
The document describes the process of creating a podcast. It details recording the audio, researching appropriate sound effects, re-recording to improve audio quality, editing the recording in Premiere by adding sound effects and backing music, and finalizing the podcast by checking it sounds well together.
Evaluation - Final Major Project
A Word document detailing the processes undertaken during the development of my podcast and some of my views and opinions in reflecting back such as what I did well or what could have been done better.
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diary (2).docx
- The document is diary entries from a student documenting their process of creating a 10-minute documentary for a class project on the culture of the digital age.
- They created a survey to understand their target audience's demographics and preferences, which indicated an interest in true crime and serial killer documentaries.
- Research was conducted on documentary genres, themes, and equipment. A rationale presentation was created pitching the main idea to receive feedback.
- Footage was recorded over two weeks and editing began in Premiere Pro, though some acting scenes could not be imported. The documentary was completed and uploaded for marking ahead of the deadline.
diary (1).docx
- The document is diary entries from a student documenting their process of creating a 10-minute documentary for a class project on the culture of the digital age.
- They created a survey to understand their target audience's demographics and preferences, which indicated an interest in true crime and serial killer documentaries.
- Research was conducted on documentary genres, themes, and equipment. A rationale presentation was created and feedback was gathered via another survey.
- Filming was completed over 2 weeks. Editing in Premiere Pro presented some challenges with file sizes and importing acting scenes. A 4 minute cut was finished along with documentation of the process.
evualation.docx
This document discusses a student's process of creating a short documentary for BBC Three aimed at 15-25 year olds. The student conducted surveys to understand their target audience and decided to focus on serial killers or social media. They researched these topics and struggled with scheduling recordings around others' availability and technical issues. However, they were able to record acting scenes indoors using studio lighting. Overall, the student learned positive skills like different documentary styles and editing on Premier Pro, but technical issues prevented fully editing their 10-15 minute documentary.
editing process.pptx
The document describes Jennifer Finnigan's documentary editing process. She began by finding an opening from the BBC to set the tone and importing it into Premiere Pro. She then found court case clips on serial killers to include, which she downloaded and separated the audio and video. Interviews were also recorded and imported. The editing process involved adjusting brightness, adding titles, and including a photo montage with cross dissolves. Further edits on interviews included playing with hues, saturation and contrast. Written questions were included during transitions between interviews for clarity. Finally, news stories about murders from social media were downloaded and added to the timeline.
rationale feedback.pptx
Jennifer Finnigan created a survey to get feedback on her product idea in order to understand if her target audience would be interested and to determine if any changes needed to be made before production. The survey responses showed that the target audience understood and appealed to her presentation, and liked the dark genre theme she proposed. However, 50% of respondents also suggested some changes, such as providing less detailed slides and giving a more visual representation, which will help Jennifer improve her pitch for future projects.
primary research .pptx
Jennifer Finnigan conducted a survey to learn about her target audience for a documentary project. The results showed that the audience was primarily 16-20 year-olds, slightly more female than male. Most respondents had an interest in documentaries, especially true crime genres like serial killers and mysteries. When asked about their favorite true crime documentaries, most mentioned famous older murders. These survey findings will help Jennifer tailor her documentary project to attract this audience and focus on crime genres they are most interested in.
pitch.pptx
Jennifer Finnigan has been commissioned by BBC Three and BBC England to create a 10-15 minute documentary on "Culture of the digital age" targeting 16-25 year olds. Her idea is to explore how social media can influence serial killers and murders by examining past cases and interviewing experts on the topic. She conducted research on serial killers and psychology and surveyed audiences to identify preferences. Her documentary will use symbolic codes like acting, color schemes, and reenactments to set a dark and mysterious tone that draws in audiences. It will focus on how social media impacts criminal minds rather than profiling a specific killer.
notes (1).docx
The document discusses several media and communication theories:
1) The two-step flow model suggests that most people's opinions are influenced by opinion leaders who are influenced by mass media.
2) Cultivation theory posits that repeated media messages can influence people's views of reality.
3) Uses and gratification theory explores how people use media to fulfill needs like entertainment and social connection.
4) Reception theory examines how audiences interpret messages through preferred, negotiated, or oppositional readings.
target audience.pptx
This document discusses the target audience for a short documentary about serial killers that will be aimed at 16- to 25-year-olds. It notes that this audience would include those in secondary education, college or university, especially those studying psychology or interested in true crime. While demographics like religion, race, education and income are not major factors, age and gender will have more impact on the documentary's research. Specifically, the documentary will focus on the 16-25 age range, and consider that males and females often have different interests related to topics like history, sports or true crime.
analysing trailers .docx
The document analyzes trailers for the documentaries Blackfish and Sunderland Till I Die. It summarizes key scenes from each trailer that aim to elicit empathy from audiences. Blackfish features shots that portray the relationship and emotions between whales and their trainers, while Sunderland Till I Die shows how football brings communities and families together in Sunderland. Both documentaries attract different but overlapping audiences due to their topics, but aim to spread important messages and create change through sharing real footage and events.
Evaluation (3)
The podcaster recorded an episode about mental health and what makes them happy, joined by a guest who spoke about their past. They discussed how important friends are for support and how past experiences have shaped who they are. While recording and editing in Logic Pro, the podcaster learned to use the studio equipment and software, gaining skills in audio editing and mixing to make the podcast sound professional for their target youth audience. They were able to export the finished podcast and meet the deadline for their class project.
Process diary (1)
1) The document describes the process of editing a podcast using Logic Pro software. Key steps included cutting out long pauses and mistakes, lowering the volume of heavy breathing or noises, and finding appropriate intro and outro music to apply to the podcast.
2) For the outro, the assistant chose a chilled but upbeat song online and overlapped it with the podcast audio, gradually increasing the volume of the song as the podcast finished.
3) For the intro, the assistant cut out a long pause and increased the volume of the intro music as it faded in to cover background noise and make the transition sound natural.
Notes
The document discusses several media and communication theories:
1) The two-step flow model suggests that most people's opinions are influenced by opinion leaders who are influenced by mass media.
2) Cultivation theory proposes that repeated media messages can influence people's views of reality.
3) Uses and gratification theory examines how people use media to fulfill needs like entertainment and social connection.
4) Reception theory explores how audiences can have preferred, negotiated, or oppositional readings of media messages.
Evaluation (2)
The podcaster recorded an episode about mental health and what makes them happy, joined by a guest who spoke about their past. They discussed how important friends are for support and how past experiences have shaped who they are. While recording, the podcaster learned to use the studio equipment and editing software, gaining skills in audio mixing and overlapping tracks to make the podcast sound professional for their target youth audience. They also learned how to export the finished podcast.
Evaluation
The document provides an evaluation of a "smile campaign" project. There were difficulties with time availability and technical issues that required changes to the storyboard, script, and plot. Scenes had to be cut or altered due to location problems. Friends were gathered to record genuinely instead of acting. Overall, the end result was great though difficult, and lessons were learned about planning, backups, and skills in video editing and recording footage for clients.
Evauluation
The document summarizes complications faced by the author during the pre-production of a project for the Canon campaign. Equipment issues led to a change in the initial plan from documenting a singer's journey to documenting a band. Over the holidays, the author communicated with the band's lead singer to schedule filming of rehearsal footage the following week. While behind schedule due to illness, the author was able to photograph the band's performance and a duet. In conclusion, despite difficulties, the print and project went well overall, and the author gained experience with Photoshop skills for future use.
Scan 21002267 2022-02-14-11-51-46
The document discusses the results of a study on the effects of exercise on memory and thinking abilities in older adults. The study found that regular exercise can help reduce the decline in thinking abilities that often occurs with age. Older adults who exercised regularly performed better on cognitive tests and brain scans showed they had greater activity in important areas for memory and learning compared to less active peers.
Diary (1)
The document outlines the timeline and progress for a project from its introduction on October 17th through evaluation on February 14th. Key milestones included starting research on October 19th, delivering a rationale pitch on December 4th, a photoshoot on January 15th, and recording a band in a theatre on January 28th. The timeline shows the various stages of research, planning, production and evaluation for the project over a period of nearly 4 months.
Evaluation
The creator faced difficulties during the production of a smile campaign advertisement including limited availability of time and technical issues. This required changes to the script, storyboard, and plot such as changing the first scene from waking up in bed to the character looking depressed on their way to meet friends. Due to being unable to record with the initial two characters, the creator gathered friends to appear genuine in the final vlog-style video. Though challenges were faced, the end result was a accomplishment that conveyed feelings of happiness, nostalgia, emotion, and love with the goal that the audience would not feel alone even at their lowest moments.
Evauluation
The document summarizes complications encountered in the pre-production of a project documenting a band. Equipment issues and scheduling conflicts required changing the initial plan from following the video photographer to following the band. Footage was already available from prior work for the band. Over the holidays, the singer was contacted and agreed to additional filming of rehearsals. Due to time lost from illness, planning had to be careful and efficient to complete the work. Ultimately, a print and video were produced, and while difficulties were faced, the project went well overall.
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environment for investigating the changes in vegetation cover dynamics. Our study utilizes
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analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
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significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
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like India, rapid population growth and the emphasis on extensive resource exploitation can lead
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centuries, evolving its structure over time and space. In the present era, these changes have
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cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
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changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
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Chapter wise All Notes of First year Basic Civil Engineering.pptx
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
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Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
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Process diary
- 1. Process diary To editthispodcast,I useda software calledLogicPro.First,afterrecordingthe audio,I listenedthrough and realizedthere were toomanyquietpausesormistakesmade,howeveritdoesnotneededitingthat much. Therefore, I had to cut through all the long pause with a scissors tool and delete themout of the audio. I thenlistenedthroughagainandeditedthe deepheavybreathingorthe small noisesthatwere irritating me. So, I lowered the volume in those specific areas, this made the heavy breathing unnoticeable. This was done so it sounded natural all the way through the episode. . For the outro I decidedto finda song that was chilledbutnot too calm, more upbeat.I wentonline and founda couple of options,howeverthe one thatsoundedthe more appropriate forthispodcast'stheme wasthe pengiunmusic- modernchillout.Toapplythisaudiotothe podcastIdownloadedittomydesktop and draggeditto logicpro to where Ithoughtit wouldbe bestforthe audioto start. I decidedtooverlap the songto the audioof the podcast so whenI fade the songout it seemsnatural,and it flows.I started the songat –41.7dB and made it escalate slowlyto-7.2dB,thismeansthe song getslouder.The reason I done this was because me and Alex are saying the outro at that point so I thought it would be good to
- 2. make the music escalate as the podcast finishes. I let the music playas it slowlyfadesout, and I make it last at least 30 seconds. For the intro,I had a long pause,somy ideawas to include some intromusic.I cut out the long pause as youcan see inthe screenshot.The reasonIdone thiswasbecausetherewassome backgroundnoise,and this benefitedme as when I put the music on top, there will be no distractions when listeningto it. I increasedthe song'svolume asitfadesinaswe weretalkingsoitsoundsnatural tohear.ThenIfadedout the track slowly till we started to talk on the podcast. In the endof thisprocess,Itransferreditto a file,Ithencompressedit.Afterthat,Iuploadeditto teams with the rest of my work. I have learned some skills while creating this, such as being able to apply differentaudiosandto overlapthem.Decreasingthe volumesof specificpartsof a track was easierthan I thought.