Philippine Folk Dances with Asian Influence - MAPEH 8 (P.E. 4th Quarter)

MR. CARLO JUSTINO J. LUNA
Malabanias Integrated School
Angeles City
PHYSICAL EDUCATION
Unit 4 – Regional and National Dances with Asian Influence

Physical folk dances
speak so much about the
heartbeat of our people.

customs
ideas
beliefs
superstitions
events of daily living

Just by looking at the
costumes, props, and
implements of a certain
group or tribe, you can tell
the origin of the dance.

The kind of music being used
readily also tells about the
influences brought about by
trade and settlement of our
neighboring countries.

Indonesia
China
Cambodia
Burma
Malaysia
ThailandJapan

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCES CARLO LUNA
DANCE LITERATURE
Historical Background and Context

Folk Dances
with Asian Influence
BINISLAKAN
PhilippineFolkDances
WithAsianInfluence
01 02
03 04

Dance Researcher
Meaning
Dance Culture
Place of Origin
Country of Influence
Ethno-linguistic Group
Classification
: Francisca Reyes-Aquino
: With the use of stick
: Christian-lowland
: Lingayen, Pangasinan
: China
: Pangasinense
: Social Dance

 Lingayen in Pangasinan means “having to
look backward and upward”
 It was derived from Li-King-Tung, a Chinese
word given to the name Lingayen, the capital
of Pangasinan, by the Chinese settlers of this
place a long time ago.
BACKGROUND

 The dancers look backward or upward in some
of the movements hence, the name Lingayen.
 They also use two sticks to produce rhythms,
imitating the chopsticks used by the Chinese in
eating.
 Thus, the dance is called Binislakan, which in
Pangasinan means “with the use of sticks”.
BACKGROUND

Costume
 Female: Siesgo and kimono with loose and
long sleeves and soft panuelo
 Male: Camisa de Chino and red pants
Music
 2/4 composed of two parts – A and B
PROPERTIES

Count
 One, two, one and two, and one and two and
Formation
 Partners stand about six feet apart.
 One or more pairs in a set can take part in
the dance, in any formation desired.
PROPERTIES

Kimono
Camisa
de Chino
Red pants

Folk Dances
BINISLAKAN SUA-KU-SUA
WithAsianInfluence
01 02
03 04

Dance Researcher
Meaning
Dance Culture
Place of Origin
Classification
: Ramon A. Obusan
: My Pomelo Tree
: Muslim-lowland (coastal)
: Jolo, Sulu
: China, Malaysia, Indonesia
: Tausug
: Courtship Dance

 Aside from being known as fierce warriors,
the Tausugs are also remarkable as seafarers
and farmers.
 In Sulu, extensive orchards are planted with
coconuts and pomelos and the fields with
staples like rice and root crops.
BACKGROUND

 Pomelo fruits serve as an important source
of income of the people of Sulu.
 Their dependence on pomelo fruits for their
livelihood inspired them to create Sua-Ku-
Sua dance.
BACKGROUND

 The movements of the dance compare sua’s
gentle leaves, slender branches, attractive
fruits, and fragrant flowers to a lady.
 During the performance, the couples sing
while flapping two white fans which
represent the leaves rustling in the wind.
BACKGROUND

Costume (Female)
 Barawasi – top
 Sawal or Kantiu – pants
 Siyag – shoulder band
 Headpiece: tusuk, paper bills, pasteboard cutouts similar to
Chinese crowns
 Accesories: gold or imitation gold earrings, necklace, bracelets,
and brooches
 Suggested footwear: Dancers are barefoot.
PROPERTIES

Costume (Male)
 Bajo – top
 Sawal or Kantiu – pants
 Accessories: money-belt, Sarok hat, Pis siyabit
(scarf), Kris (wavy knife), or barong (leaf-knife)
 Suggested footwear: Dancers are barefoot.
PROPERTIES

Music
 2/4 and 4/4; composed of three parts – A, B, and C
 Gabbang bamboo xylophone are shaped like a
small boat.
Count
 1, 2 to a measure in 2/4 time signature
 1, 2, 3, 4 to a measure in 4/4 time signature
PROPERTIES

Siyag
Bajo
Barawasi
Sawal or
Kantiu

Folk Dances
PANGALAY
WithAsianInfluence
01 02
03 04

Dance Researcher
Meaning
Dance Culture
Place of Origin
Classification
: Fingernail
: Muslim-lowland (coastal)
: Sulu
: Thailand, Malaysia, Burma,
Cambodia, and Indonesia
: Tausug
: Wedding / Festival Dance

 is also known as Daling-Daling or Mengalai
in Sabah
 is the traditional “fingernail” dance of the
Tausug people of the Sulu Archipelago and
Sabah
 resembles the movements of kontaw silat, a
martial art common in the Malay Archipelago
BACKGROUND

 is performed mainly during weddings and
other festive event
 Pangasik – male version of the Pangalay;
features more martial movements
 Pangiluk – features both a male and female
dancer
BACKGROUND

Costume
 Dancer wears a typical Joloana costume
Accessories
 Experts and professional dancers use janggay,
extended metal finger nails in each finger.
 The rich people have janggay made of solid gold
or silver.
PROPERTIES

Suggested Footwear
 Dancer are barefoot.
Music
 Played as many times as necessary
Count
 One, two; or one and two and to a measure
PROPERTIES

 There are no definite directions, sequence of
figures, number and kinds of steps, hand
movements, and positions used when performed
by the natives.
 For teaching purposes, the figures of this dance
may be created and dancers may form their own
combinations.
MOVEMENTS

Folk Dances
PANGALAY SAKUTING
WithAsianInfluence
01 02
03 04

Dance Researcher
Meaning
Place of Origin
Classification
: Refers to rhythmic sticks
producing the accompaniment
for the dance
: Abra and Ilocos Norte
: China
: Social Dance

 is a dance of the ethnic people living in the
western side of the Cordillera way back before
the coming of the Americans to our country
 During Christmas, young boys and girls
accompanied by their elders would go to
lowlands, especially in Abra and Ilocos Norte, to
dance in front of the houses and ask for gifts.
BACKGROUND

 These young children hold sticks, one on each
hand and strike them together to make their
dance livelier.
 The people in the homes would give them money,
homemade delicacies, and other things.
BACKGROUND

Costume
 Female: native Ilocano kimono style with
sleeves of elbow length; ankle-length skirt of
bright-colored plaids shirred at the waist
 Male: Camisa de chino, red trousers, and a
native hat
PROPERTIES

Music
 2/4 and 3/4 rhythms and composed of 9
parts: A, B, C, D, E, F, G, H, and I
Formation
PROPERTIES
AUDIENCE
X O
O X
X O
O X
One set of dancers

kimonoCamisa
de chino

Name of Dance
Literal Meaning of the
Name
Place of Origin Dance Classification Country of Influence
Binislakan
With the use of
sticks
Lingayen,
Pangasinan
Social dance China
Sua-Ku-Sua My Pomelo Tree Jolo, Sulu Courtship dance
China, Malaysia,
Indonesia
Pangalay Fingernail Sulu
Wedding / Festival
dance
Thailand, Malaysia,
Burma, Cambodia,
Indonesia
Sakuting
Refers to rhythmic
sticks producing the
accompaniment for
the dance
Abra and Ilocos
Norte
Social dance China

Philippine Folk Dances with Asian Influence - MAPEH 8 (P.E. 4th Quarter)

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