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Philippine
Folk Dance
Physical Education
WHAT IS DANCE?
- a form of
expression of
oneself through
rhythmic movement
So, what is FOLK DANCE
- the oldest form of
dance and the earliest
form of communication
- the traditional dance of
a given country which
evolved naturally and
spontaneously with
everyday activities
e.g. occupations,
customs, festivals,
rituals
So, what is FOLK DANCE
 It is handed down
from generation to
generation
 It has more or less a
fixed movement in
their pattern, but
may differ in various
areas or provinces
5 Major Classifications of
Philippine Folk Dances
1. Cordillera Dances
2. Spanish Influenced Dances
3. Muslim Dances
4. Tribal Dances
5. Rural Dances
Cordillera Dances
 Bontoc, Ifugao,
Benguet, Apayo, &
Kalinga tribes
 a people whose
way of life existed
long before any
Spaniard or other
foreigners stepped
foot on the
Philippines
 Gongs, ganza
 Dances reflects rituals
which celebrate their
daily lives - a good
harvest, health,
peace, war, and other
symbols of living
Cordillera Dances
Bontoc – “Pattong”
Kalinga – “Banga”
Spanish Influenced Dances
 Dances reflects
Christianity, and
European art and
culture
 Philippine aristocrats
created Filipino
adaptations of
European dances
 jotas, fandanggos,
mazurkas, waltzes
 danced by young
socialites to the
stringed music of
the rondalla
“Habanera”
Spanish Influenced Dances
“Jota”
Muslim Dances
 Influenced by Malay,
Javanese & Middle
Eastern Traders (Islam)
 mysticism, royalty, and
beauty
 Uses intricate hand &
arm movement
 the fingers express
feelings & emotions
 Uses shimmering
costumes
Muslim Dances
Maranao – “Singkil”
Tausug – “Pangalay”
 intricate
craftsmanship in
metal, clothing, and
jewelry
 reflects rituals &
animals, belief in
“spirits” & shamans,
nature – “anito”
 animal sounds,
human singing,
indigenous materials
Tribal Dances
 Also known as Ethnic
dances; Ethnic minorities
found in different parts of
the Philippines (T’boli,
Bilaan, Manobo, Bagobo,
etc.)
T’boli – “Madal Tahaw”
Tribal Dances
Manobo – “Bangkakaw”
Rural Dances
 Shows gaiety &
laughter, festivities
 Performed in fiestas
to honor patron saints
 give homage to the
barrio's namesake for
a good harvest,
health, &
perseverance
 Indigenous materials,
clapping, rondalla,
percussion
instruments
 Reflects the simple life of
the people in the barrio
 Depicts common work,
daily activities of the
peasants
Rural Dances
“Maglalatik”
“Oasioas”
“Saut sa Rarug”
COSTUMES
IN
PHILIPPINE
FOLK DANCE
Typical Spanish Elite
Female:
MARIA CLARA
Male:
Barong Tagalog &
Black Pants
Rural (Tagalog)
Female:
BALINTAWAK with
soft panuelo &
tapis
Male:
Camisa de Chino &
trousers of
different colors
Rural (Visayan)
Female:
Kimona &
Patadyong with
soft kerchief
Male:
Barong or Camisa
de Chino and
trousers of any
color
Male:
- G-string, short
jacket & shoulder
band, feathered
head dresses
- “bahag”
Females:
- Hinabi na tela
(hablon)
- Accessories (beads)
Cordillera/Tribal
 “Sigpit” or
“Sablay”
 patadyong
 Malong
 pants
Muslim
“Chambra” – blouse
“Siesgo” – A-line
skirt
Rural (Ilocano)
REFERENCES
 2010. Catacutan, Allen. Fundamentals in Philippine Folk
Dance + Filipino Cultural Communities. 5 October 2010.
http://www.scribd.com/doc/38738236/Fundamentals-in-
Philippine-Folk-Dance-Filipino-Cultural-Communities
 2008. Philippine Folk Dance Society, Cultural Center of
the Philippines. A Classic Collection of Philippine Folk
Dances Series III, 28th National Folk Dance Workshop.
19 – 23 May 2008

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Philippine Folk Dance.pptx.ppt

  • 2. WHAT IS DANCE? - a form of expression of oneself through rhythmic movement
  • 3. So, what is FOLK DANCE - the oldest form of dance and the earliest form of communication - the traditional dance of a given country which evolved naturally and spontaneously with everyday activities e.g. occupations, customs, festivals, rituals
  • 4. So, what is FOLK DANCE  It is handed down from generation to generation  It has more or less a fixed movement in their pattern, but may differ in various areas or provinces
  • 5. 5 Major Classifications of Philippine Folk Dances 1. Cordillera Dances 2. Spanish Influenced Dances 3. Muslim Dances 4. Tribal Dances 5. Rural Dances
  • 6. Cordillera Dances  Bontoc, Ifugao, Benguet, Apayo, & Kalinga tribes  a people whose way of life existed long before any Spaniard or other foreigners stepped foot on the Philippines  Gongs, ganza  Dances reflects rituals which celebrate their daily lives - a good harvest, health, peace, war, and other symbols of living
  • 7. Cordillera Dances Bontoc – “Pattong” Kalinga – “Banga”
  • 8. Spanish Influenced Dances  Dances reflects Christianity, and European art and culture  Philippine aristocrats created Filipino adaptations of European dances  jotas, fandanggos, mazurkas, waltzes  danced by young socialites to the stringed music of the rondalla
  • 10. Muslim Dances  Influenced by Malay, Javanese & Middle Eastern Traders (Islam)  mysticism, royalty, and beauty  Uses intricate hand & arm movement  the fingers express feelings & emotions  Uses shimmering costumes
  • 11. Muslim Dances Maranao – “Singkil” Tausug – “Pangalay”
  • 12.  intricate craftsmanship in metal, clothing, and jewelry  reflects rituals & animals, belief in “spirits” & shamans, nature – “anito”  animal sounds, human singing, indigenous materials Tribal Dances  Also known as Ethnic dances; Ethnic minorities found in different parts of the Philippines (T’boli, Bilaan, Manobo, Bagobo, etc.)
  • 13. T’boli – “Madal Tahaw” Tribal Dances Manobo – “Bangkakaw”
  • 14. Rural Dances  Shows gaiety & laughter, festivities  Performed in fiestas to honor patron saints  give homage to the barrio's namesake for a good harvest, health, & perseverance  Indigenous materials, clapping, rondalla, percussion instruments  Reflects the simple life of the people in the barrio  Depicts common work, daily activities of the peasants
  • 17. Typical Spanish Elite Female: MARIA CLARA Male: Barong Tagalog & Black Pants
  • 18. Rural (Tagalog) Female: BALINTAWAK with soft panuelo & tapis Male: Camisa de Chino & trousers of different colors
  • 19. Rural (Visayan) Female: Kimona & Patadyong with soft kerchief Male: Barong or Camisa de Chino and trousers of any color
  • 20. Male: - G-string, short jacket & shoulder band, feathered head dresses - “bahag” Females: - Hinabi na tela (hablon) - Accessories (beads) Cordillera/Tribal
  • 21.  “Sigpit” or “Sablay”  patadyong  Malong  pants Muslim
  • 22. “Chambra” – blouse “Siesgo” – A-line skirt Rural (Ilocano)
  • 23. REFERENCES  2010. Catacutan, Allen. Fundamentals in Philippine Folk Dance + Filipino Cultural Communities. 5 October 2010. http://www.scribd.com/doc/38738236/Fundamentals-in- Philippine-Folk-Dance-Filipino-Cultural-Communities  2008. Philippine Folk Dance Society, Cultural Center of the Philippines. A Classic Collection of Philippine Folk Dances Series III, 28th National Folk Dance Workshop. 19 – 23 May 2008