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The document discusses various artistic composition techniques including the arrangement of positive and negative shapes, use of diagonals, scale, chiaroscuro lighting, and the translation of value from light to dark areas and vice versa. Several artists are mentioned as examples, such as Caravaggio, Vermeer, Seurat, and Diebenkorn.
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Excerpts from:
Adolph Appia, Lee Simon (from: “The Ideas of Adolphe Appia”),
Robert Edmund Jones, Leonard Pronko,
and Gaston Bachelard
Intro to Theater: What is Design? Page #1
Intro to Theater: What is Design? Page #1
r;;e: The American
s: 145-155.
Harry N. Abrams
~
Chapter 3
Adolph Appia
ACTOR, SPACE, LIGHT,
PAINTING
T HE ART OF STAGE PRODUCTION is the art of projecting into Space what the original author was only able to project in
Time. The temporal element is implicit within any text, with or
without music . . . The first factor in staging is the interpreter: the
actor himself. The actor carries the action. Without him there can
be no action and hence no drama ... The body is alive, mobile and
plastic; it exists in three dimensions. Space and the objects used
by the body must most carefully take this fact into account. The
overall arrangement of the setting comes just after the actor in
importance; it is through it that the actor makes contact with and
assumes reality within the scenic space.
Thus we already have two essential elements: the actor and
the spatial arrangement of the setting, which must conform to his
plastic form and his three-dimensionality.
What else is there?
Light!
Light, just like the actor, must become active; and in order to
grant to it the status of a medium of dramatic expression it must
be placed in the service of ... the actor who is above it in the
production hierarchy, and in the service of the dramatic and plastic
expression of the actor.
... Light has an almost miraculous flexibility . . . it can cre
ate shadows, make them living, and spread the harmony of their
vibrations in space just as music does. In light we possess a most
powerful means of expression through space, if this space is placed
in the service of the actor.
29
Intro to Theater: What is Design? Page #2
Intro to Theater: What is Design? Page #2
ACTOR, SPACE, LIGHT, PAINTING
So here we have our nonnal established hierarchy: ,
the actor presenting the drama;
space in three dimensions, in the service of the actor's plastic fonn;
liBht giving life to each.
But as you have inferred, there is a but what about painting? What do we
understand about painting in terms of scenic art?
A collection of painted backcloths and flats arranged vertically on the stage,
more or less parallel to one another, and extending upstage. These are covered
with painted light, painted shadow, painted fonns, objects and architecture; all of
it, of course, on a flat surface since that is the nature of painting ...
Our staging practice has reversed the hierarchical order: on the pretext of
providing us with elements which are difficult or impossible to realize in solid
form, it has developed painted decor to an absurd degree, and disgracefully
subordinated the living body of the actor to it. Thus light illuminates the b.
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The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
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Painting-Composition-NegativeShape-Scale-and-the-Diagonal
- 1. Composition is the arrangement of shapes to keep the eye moving with pleasure. Glenn Hirsch
- 2. Positive and Negative Shape
- 12. (Richard Diebenkorn c. 1965)
- 13. (Graham Sutherland c. 1945)
- 15. DIAGONALS
- 16. Theatrical light is directional light illuminating darkness (like a theater stage or in a movie). This kind of chiaroscuro lighting was pioneered by Caravaggio. Caravaggio “The Calling of St Matthew“ 1602
- 17. Andrew Wyeth
- 18. Kathe Kollwitz
- 19. Degas
- 24. SCALE
- 28. Vermeer’s cat
- 29. Georgia O'Keefe
- 31. Winslow Homer
- 32. translation of value dark on top of light light on top of dark
- 33. A ‘translation of value’ white against dark, and dark against light (charcoal study by Georges Seurat, c. 1885)
- 34. Translation of value, light against dark and dark against light (Georges Seurat)
- 35. Translation of value - light against dark, and dark against light.
- 36. A ‘translation of value’ white against dark, and dark against light
- 37. Translation of value - white against black, and black against white. (Mo Seder)
- 38. Artists look for the translation of value, light against dark and dark against light, when figuring out a complex composition.
- 40. Vladimir Volegov