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Drama:
Origin and Development
Renaissance to Modern
 One of the great flowerings of drama in
 England occurred in the 16th and 17th
 centuries. Many of these plays were written
 in verse, particularly iambic pentameter. In
 addition to Shakespeare, such authors
 as Christopher Marlowe, Thomas Middleton,
 and Ben Jonson were prominent
 playwrights during this period.
 Asin the medieval period, historical plays
 celebrated the lives of past kings,
 enhancing the image of
 the Tudor monarchy. Authors of this period
 drew some of their storylines from Greek
 mythology and Roman mythology or from
 the plays of eminent Roman playwrights
 such as Plautus and Terence.
 Thepivotal and innovative contributions of
 the 19th-century Norwegian
 dramatist Henrik Ibsen and the 20th-
 century German theatre practitioner Bertolt
 Brecht dominate modern drama; each
 inspired a tradition of imitators, which
 include many of the greatest playwrights of
 the modern era.
    The works of both playwrights are, in their
    different ways, both modernist and realist,
    incorporating
    formal experimentation, meta-theatricality,
    and social critique. In terms of the
    traditional theoretical discourse of genre,
    Ibsen's work has been described as the
    culmination of "liberal tragedy", while
    Brecht's has been aligned with
    an historicised comedy.
    Other important playwrights of the modern
    era include August Strindberg, Anton
    Chekhov, Frank Wedekind, Maurice
    Maeterlinck, Federico García
    Lorca, Eugene O'Neill, Luigi Pirandello,
    George Bernard Shaw, Ernst Toller, Vladimir
    Mayakovsky, Arthur Miller, Tennessee
    Williams, Jean Genet, Eugène
    Ionesco, Samuel Beckett, Harold
    Pinter, Friedrich Dürrenmatt, Dario Fo, Heiner
    Müller, and Caryl Churchill.

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Origin and development of drama renaissance to modern

  • 2.  One of the great flowerings of drama in England occurred in the 16th and 17th centuries. Many of these plays were written in verse, particularly iambic pentameter. In addition to Shakespeare, such authors as Christopher Marlowe, Thomas Middleton, and Ben Jonson were prominent playwrights during this period.
  • 3.  Asin the medieval period, historical plays celebrated the lives of past kings, enhancing the image of the Tudor monarchy. Authors of this period drew some of their storylines from Greek mythology and Roman mythology or from the plays of eminent Roman playwrights such as Plautus and Terence.
  • 4.  Thepivotal and innovative contributions of the 19th-century Norwegian dramatist Henrik Ibsen and the 20th- century German theatre practitioner Bertolt Brecht dominate modern drama; each inspired a tradition of imitators, which include many of the greatest playwrights of the modern era.
  • 5. The works of both playwrights are, in their different ways, both modernist and realist, incorporating formal experimentation, meta-theatricality, and social critique. In terms of the traditional theoretical discourse of genre, Ibsen's work has been described as the culmination of "liberal tragedy", while Brecht's has been aligned with an historicised comedy.
  • 6. Other important playwrights of the modern era include August Strindberg, Anton Chekhov, Frank Wedekind, Maurice Maeterlinck, Federico García Lorca, Eugene O'Neill, Luigi Pirandello, George Bernard Shaw, Ernst Toller, Vladimir Mayakovsky, Arthur Miller, Tennessee Williams, Jean Genet, Eugène Ionesco, Samuel Beckett, Harold Pinter, Friedrich Dürrenmatt, Dario Fo, Heiner Müller, and Caryl Churchill.